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                  <text>&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;Florida-France Soldier Stories Project&lt;/a&gt;.</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Headstone of Sergeant John B. Hancock at Epinal American Cemetery and Memorial</text>
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                <text>The headstone of Sergeant John B. Hancock (1913-1945) at Epinal American Cemetery and Memorial in Dinozé, France. Sgt. Hancock was born in Thomasville, Georgia, in 1913, but later migrated to Auburndale, Florida. Hancock managed a Great Atlantic Pacific Tea Company store in Haines City until he enlisted in the 45th Infantry Division's 179th Infantry Regiment. Sgt. Hancock served initially in Africa in 1943, until the 45th Infantry Division's participation in the Allied invasion of Sicily, codenamed Operation Husky. The division then went on to participate in the Allied invasion of Italy, where Sgt. Hancock was injured. He was returned to duty in February of 1944 in southern France. On November 1, 1944, Sgt. Hancock went Missing in Action (MIA) after serving in the Allied invasion of Southern France, codenamed Operation Dragoon.</text>
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                <text>GRid=56372799"&amp;gt;color digital image by Dwight Anderson: Private Collection of Dwight Anderson.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>ca. 2013-11-18</text>
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                <text>Originally created by Dwight Anderson.</text>
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                <text>Copyright to this resource is held by Dwight Anderson and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Bates, Chris</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>GRid=56372799" target="_blank"&amp;gt;Sgt John B Hancock." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;amp</text>
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                <text>GRid=56372799.</text>
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                <text>"Killed in Action." RICHES of Central Florida.</text>
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                <text>"Letter from John R. Hull to Edna P. Hancock (April 23, 1945)." RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;Florida-France Soldier Stories Project&lt;/a&gt;.</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Italian Currency During World War II</text>
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                <text>Italian Currency During WWII</text>
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                <text>Italian currency issued during World War II. The Italian lira (₤) was the currency used in Italy and its colonies until the Euro was adopted in 2002. This particular bill was likely used by Sergeant John B. Hancock (1913-1944), an American soldier.&lt;br /&gt;&lt;br /&gt;Sgt. Hancock was born in Thomasville, Georgia, in 1913, but later migrated to Auburndale, Florida. Hancock managed a Great Atlantic &amp;amp</text>
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                <text> Pacific Tea Company (A&amp;amp</text>
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                <text>P) store in Haines City until he enlisted in the 45th Infantry Division's 179th Infantry Regiment. Sgt. Hancock served initially in Africa in 1943, until the 45th Infantry Division's participation in Operation Husky for the Allied invasion of Sicily, codenamed Operation Husky. The division then went on to participate in the Allied invasion of Italy, where Sgt. Hancock was injured. He was returned to duty in February of 1944 to tour southern France. On November 1, 1944, Sgt. Hancock went Missing in Action (MIA) after serving in the Allied invasion of Southern France, codenamed Operation Dragoon. He was eventually buried at Epinal American Cemetery and Memorial in Dinozé, France.</text>
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                <text>Photocopy of original bill: Private Collection of Linda Hughes.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The headstone of First Lieutenant Frank Black Morgan (1920-1944). 1st Lt. Morgan was born on January 28, 1920, to Samuel Morgan and Edna Grace Morgan. Samuel Morgan was a first generation American of Northern Irish descent, working in the publishing industry as an editor and linotype operation. Edna Grace Morgan (née Black) was a native of Pennsylvania. 1st Lt. Morgan had two older brothers: Samuel Cree Morgan (1909-1990) and James Alexander Morgan (1912-1982). The Morgans owned a home on 17 Clopper Street in Greensburg, where 1st Lt. Morgan resided until he entered active service on April 27, 1942, out of Pittsburgh, Pennsylvania, at the age of 22. 1st Lt. Morgan trained at MacDuill Field, a U.S. Army Air Corps which would become MacDill Air Force Base in Tampa, Florida, and then served with the 555th Bomber Squadron, a unit within the 386th Bomber Group. 1st Lt. Morgan served his country with distinction, earning an Air Medal with Eight Oak Leaf Clusters. He died on December 20, 1944, four days into the Ardennes Counteroffensive, also known as the Battle of the Bulge. His death is listed as non-battle related, suggesting that he may have been one of the many Martin B-26 Marauder crashes at takeoff or upon landing. 1st Lt. Morgan died just before the end of the World War II at the age of 24. 1st Lt. Morgan is buried in Plot B, Row 39, Grave 46 at Epinal American Cemetery and Memorial in France. A second memorial was organized by his family is at Parker Presbyterian Cemetery in Parker, Pennsylvania. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by Dwight Anderson and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Calligy, Devin</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>GRid=56374382" target="_blank"&gt;1Lt Frank B Morgan&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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                <text>GRid=56374382.</text>
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                <text> "Headstone Inscription and Interment Record for First Lieutenant Frank B. Morgan." RICHES of Central Florida.</text>
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                <text>GRid=58136219" target="_blank"&gt;Samuel Morgan&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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                <text>GRid=58136219.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:MG89-24H" target="_blank"&gt;Samuel Morgan, Jr.&lt;/a&gt;" FamilySearch. https://familysearch.org/ark:/61903/1:1:MG89-24H.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:KQNX-5LJ" target="_blank"&gt;Frank B Morgan&lt;/a&gt;."  FamilySearch. https://familysearch.org/ark:/61903/1:1:KQNX-5LJ.</text>
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                <text> Haire, Thomas B. &lt;a href="http://www.worldcat.org/oclc/11153124" target="_blank"&gt;&lt;em&gt;The History of a Bombing Outfit</text>
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                <text> The 386th Bomb Group&lt;/em&gt;&lt;/a&gt;. 1945.</text>
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                <text> "&lt;a href="https://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank"&gt;WWII Army Casualties: Florida&lt;/a&gt;."  National Archives. https://www.archives.gov/research/military/ww2/army-casualties/florida.html.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The headstone inscription and interment record for First Lieutenant Frank Black Morgan (1920-1944). 1st Lt. Morgan was born on January 28, 1920, to Samuel Morgan and Edna Grace Morgan. Samuel Morgan was a first generation American of Northern Irish descent, working in the publishing industry as an editor and linotype operation. Edna Grace Morgan (née Black) was a native of Pennsylvania. 1st Lt. Morgan had two older brothers: Samuel Cree Morgan (1909-1990) and James Alexander Morgan (1912-1982). The Morgans owned a home on 17 Clopper Street in Greensburg, where 1st Lt. Morgan resided until he entered active service on April 27, 1942, out of Pittsburgh, Pennsylvania, at the age of 22. 1st Lt. Morgan trained at MacDuill Field, a U.S. Army Air Corps which would become MacDill Air Force Base in Tampa, Florida, and then served with the 555th Bomber Squadron, a unit within the 386th Bomber Group. 1st Lt. Morgan served his country with distinction, earning an Air Medal with Eight Oak Leaf Clusters. He died on December 20, 1944, four days into the Ardennes Counteroffensive, also known as the Battle of the Bulge. His death is listed as non-battle related, suggesting that he may have been one of the many Martin B-26 Marauder crashes at takeoff or upon landing. 1st Lt. Morgan died just before the end of the World War II at the age of 24. 1st Lt. Morgan is buried in Plot B, Row 39, Grave 46 at Epinal American Cemetery and Memorial in France. A second memorial was organized by his family is at Parker Presbyterian Cemetery in Parker, Pennsylvania. </text>
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                <text> Records Administration&lt;/a&gt;, Washington, D.C.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:KQNX-5LJ" target="_blank"&gt;Frank B Morgan&lt;/a&gt;."  FamilySearch. https://familysearch.org/ark:/61903/1:1:KQNX-5LJ.</text>
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                <text> Haire, Thomas B. &lt;a href="http://www.worldcat.org/oclc/11153124" target="_blank"&gt;&lt;em&gt;The History of a Bombing Outfit</text>
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                <text> The 386th Bomb Group&lt;/em&gt;&lt;/a&gt;. 1945.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A draft registration card for First Lieutenant Frank Black Morgan (1920-1944). 1st Lt. Morgan was born in Greensburg, Pennsylvania, on January 28, 1920, to Samuel Morgan and Edna Grace Morgan. Samuel Morgan was a first generation American of Northern Irish descent, working in the publishing industry as an editor and linotype operation. Edna Morgan (née Black) was a native of Pennsylvania. 1st Lt. Morgan had two older brothers: Samuel Cree Morgan (1909-1990) and James Alexander Morgan (1912-1982). The Morgans owned a home on 17 Clopper Street in Greensburg, where 1st Lt. Morgan resided until he entered active service on April 27, 1942, out of Pittsburgh, Pennsylvania, at the age of 22. 1st Lt. Morgan trained at MacDuill Field, a U.S. Army Air Corps which would become MacDill Air Force Base in Tampa, Florida, and then served with the 555th Bomber Squadron, a unit within the 386th Bomber Group. 1st Lt. Morgan served his country with distinction, earning an Air Medal with Eight Oak Leaf Clusters. He died on December 20, 1944, four days into the Ardennes Counteroffensive, also known as the Battle of the Bulge. His death is listed as non-battle related, suggesting that he may have been one of the many Martin B-26 Marauder crashes at takeoff or upon landing. 1st Lt. Morgan died just before the end of World War II at the age of 24. 1st Lt. Morgan is buried in Plot B, Row 39, Grave 46 at Epinal American Cemetery and Memorial in Dinozé, France. A second memorial was organized by his family is at Parker Presbyterian Cemetery in Parker, Pennsylvania. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>GRid=56374382" target="_blank"&gt;1Lt Frank B Morgan&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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                <text>GRid=56374382.</text>
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                <text> "Headstone Inscription and Interment Record for First Lieutenant Frank B. Morgan." RICHES of Central Florida.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:MG89-24H" target="_blank"&gt;Samuel Morgan, Jr.&lt;/a&gt;" FamilySearch. https://familysearch.org/ark:/61903/1:1:MG89-24H.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:XHHK-PHR" target="_blank"&gt;Frank B Morgan&lt;/a&gt;."  FamilySearch. https://familysearch.org/ark:/61903/1:1:XHHK-PHR.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:KQNX-5LJ" target="_blank"&gt;Frank B Morgan&lt;/a&gt;."  FamilySearch. https://familysearch.org/ark:/61903/1:1:KQNX-5LJ.</text>
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                <text> Haire, Thomas B. &lt;a href="http://www.worldcat.org/oclc/11153124" target="_blank"&gt;&lt;em&gt;The History of a Bombing Outfit</text>
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                <text> The 386th Bomb Group&lt;/em&gt;&lt;/a&gt;. 1945.</text>
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                <text> "&lt;a href="https://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank"&gt;WWII Army Casualties: Florida&lt;/a&gt;."  National Archives. https://www.archives.gov/research/military/ww2/army-casualties/florida.html.</text>
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        <name>Pennsylvania Rubber Company</name>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A memorial marker for First Lieutenant Frank Black Morgan (1920-1944) at Parker Presbyterian Cemetery in Parker, Pennsylvania. 1st Lt. Morgan was born in Greensburg, Pennsylvania, on January 28, 1920, to Samuel Morgan and Edna Grace Morgan. Samuel Morgan was a first generation American of Northern Irish descent, working in the publishing industry as an editor and linotype operation. Edna Morgan (née Black) was a native of Pennsylvania. 1st Lt. Morgan had two older brothers: Samuel Cree Morgan (1909-1990) and James Alexander Morgan (1912-1982). The Morgans owned a home on 17 Clopper Street in Greensburg, where 1st Lt. Morgan resided until he entered active service on April 27, 1942, out of Pittsburgh, Pennsylvania, at the age of 22. 1st Lt. Morgan trained at MacDuill Field, a U.S. Army Air Corps which would become MacDill Air Force Base in Tampa, Florida, and then served with the 555th Bomber Squadron, a unit within the 386th Bomber Group. 1st Lt. Morgan served his country with distinction, earning an Air Medal with Eight Oak Leaf Clusters. He died on December 20, 1944, four days into the Ardennes Counteroffensive, also known as the Battle of the Bulge. His death is listed as non-battle related, suggesting that he may have been one of the many Martin B-26 Marauder crashes at takeoff or upon landing. 1st Lt. Morgan died just before the of the end of World War II at the age of 24. 1st Lt. Morgan is buried in Plot B, Row 39, Grave 46 at Epinal American Cemetery and Memorial in Dinozé, France.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Originally created by Marsha Black.</text>
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                <text>Copyright to this resource is held by Marsha Black and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Calligy, Devin</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt;</text>
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              <elementText elementTextId="639601">
                <text> &lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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                <text>GRid=56374382" target="_blank"&gt;1Lt Frank B Morgan&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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              <elementText elementTextId="639604">
                <text>GRid=56374382.</text>
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              <elementText elementTextId="639605">
                <text> "Headstone Inscription and Interment Record for First Lieutenant Frank B. Morgan." RICHES of Central Florida.</text>
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                <text> "&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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              <elementText elementTextId="639607">
                <text>GRid=58136219" target="_blank"&gt;Samuel Morgan&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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              <elementText elementTextId="639608">
                <text>GRid=58136219.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:MG89-24H" target="_blank"&gt;Samuel Morgan, Jr.&lt;/a&gt;" FamilySearch. https://familysearch.org/ark:/61903/1:1:MG89-24H.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:XHHK-PHR" target="_blank"&gt;Frank B Morgan&lt;/a&gt;."  FamilySearch. https://familysearch.org/ark:/61903/1:1:XHHK-PHR.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:KQNX-5LJ" target="_blank"&gt;Frank B Morgan&lt;/a&gt;."  FamilySearch. https://familysearch.org/ark:/61903/1:1:KQNX-5LJ.</text>
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              <elementText elementTextId="639612">
                <text> Haire, Thomas B. &lt;a href="http://www.worldcat.org/oclc/11153124" target="_blank"&gt;&lt;em&gt;The History of a Bombing Outfit</text>
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              <elementText elementTextId="639613">
                <text> The 386th Bomb Group&lt;/em&gt;&lt;/a&gt;. 1945.</text>
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                <text> "&lt;a href="https://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank"&gt;WWII Army Casualties: Florida&lt;/a&gt;."  National Archives. https://www.archives.gov/research/military/ww2/army-casualties/florida.html.</text>
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        <name>555th Bomber Squadron</name>
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      <tag tagId="50679">
        <name>Frank Black Morgan</name>
      </tag>
      <tag tagId="36281">
        <name>memorials</name>
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      <tag tagId="50772">
        <name>Park Presbyterian Cemetery</name>
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        <name>Parker, Pennsylvania</name>
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        <name>U.S. Army</name>
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        <name>USA</name>
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        <name>veterans</name>
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                  <text>Cemeteries--Europe</text>
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                  <text>Veterans--Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;.</text>
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                  <text>&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;Florida-France Soldier Stories Project&lt;/a&gt;.</text>
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                  <text>eng</text>
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                  <text>Barnes, Mark </text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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              <name>Description</name>
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                <elementText elementTextId="627733">
                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Application for World War II Compensation for Frank Black Morgan</text>
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                <text>Application for WWII Compensation for Frank Morgan</text>
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                <text>World War II, 1939-1945</text>
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                <text> Army</text>
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            <name>Description</name>
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              <elementText elementTextId="639620">
                <text>An application for World War II Compensation completed by Edna Grace Morgan, the mother of First Lieutenant Frank Black Morgan (1920-1944). 1st Lt. Morgan was born in Greensburg, Pennsylvania, on January 28, 1920, to Samuel Morgan and Edna Grace Morgan. Samuel Morgan was a first generation American of Northern Irish descent, working in the publishing industry as an editor and linotype operation. Edna Morgan (née Black) was a native of Pennsylvania. 1st Lt. Morgan had two older brothers: Samuel Cree Morgan (1909-1990) and James Alexander Morgan (1912-1982). The Morgans owned a home on 17 Clopper Street in Greensburg, where 1st Lt. Morgan resided until he entered active service on April 27, 1942, out of Pittsburgh, Pennsylvania, at the age of 22. 1st Lt. Morgan trained at MacDuill Field, a U.S. Army Air Corps which would become MacDill Air Force Base in Tampa, Florida, and then served with the 555th Bomber Squadron, a unit within the 386th Bomber Group. 1st Lt. Morgan served his country with distinction, earning an Air Medal with Eight Oak Leaf Clusters. He died on December 20, 1944, four days into the Ardennes Counteroffensive, also known as the Battle of the Bulge. His death is listed as non-battle related, suggesting that he may have been one of the many Martin B-26 Marauder crashes at takeoff or upon landing. 1st Lt. Morgan died just before the end of World War II at the age of 24. 1st Lt. Morgan is buried in Plot B, Row 39, Grave 46 at Epinal American Cemetery and Memorial in Dinozé, France. A second memorial was organized by his family is at Parker Presbyterian Cemetery in Parker, Pennsylvania. </text>
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            <name>Source</name>
            <description/>
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              <elementText elementTextId="639622">
                <text>Digital reproduction of original typewritten application.</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="639623">
                <text>&lt;a href="http://www.phmc.pa.gov/Pages/default.aspx" target="_blank"&gt;Pennsylvania Historical and Museum Commission&lt;/a&gt;, Harrisburg, Pennsylvania.</text>
              </elementText>
              <elementText elementTextId="639624">
                <text> &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Has Format</name>
            <description/>
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              <elementText elementTextId="639625">
                <text>Original typewritten application: &lt;a href="http://www.phmc.pa.gov/Pages/default.aspx" target="_blank"&gt;Pennsylvania Historical and Museum Commission&lt;/a&gt;, Harrisburg, Pennsylvania.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="639626">
                <text>Greensburg, Pennsylvania</text>
              </elementText>
              <elementText elementTextId="639627">
                <text> St. Petersburg, Florida</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="639628">
                <text>Morgan, Edna Grace</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="639629">
                <text>ca. 1950</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="639630">
                <text>image/jpg</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="639631">
                <text> </text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="639632">
                <text>1-page handwritten application</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="639633">
                <text>eng</text>
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          <element elementId="120">
            <name>Audience</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="639634">
                <text> </text>
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            </elementTextContainer>
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                <text> Civics/Government Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="639637">
                <text>Originally created by Edna Grace Morgan.</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="639638">
                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;&lt;li&gt;create derivative works&lt;/li&gt;&lt;li&gt;perform the work publicly&lt;/li&gt;&lt;li&gt;display the work&lt;/li&gt;&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;&lt;/ul&gt;This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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          <element elementId="138">
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                <text>Epinal American Cemetery and Memorial Project</text>
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          <element elementId="133">
            <name>Curator</name>
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            <elementTextContainer>
              <elementText elementTextId="639641">
                <text>Calligy, Devin</text>
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              <elementText elementTextId="639642">
                <text> Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="639643">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="639644">
                <text>&lt;a href="http://www.phmc.pa.gov/Pages/default.aspx" target="_blank"&gt;Pennsylvania Historical and Museum Commission&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="639645">
                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
              </elementText>
              <elementText elementTextId="639646">
                <text>GRid=56374382" target="_blank"&gt;1Lt Frank B Morgan&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
              </elementText>
              <elementText elementTextId="639647">
                <text>GRid=56374382.</text>
              </elementText>
              <elementText elementTextId="639648">
                <text> "Headstone Inscription and Interment Record for First Lieutenant Frank B. Morgan." RICHES of Central Florida.</text>
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              <elementText elementTextId="639649">
                <text> "&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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              <elementText elementTextId="639650">
                <text>GRid=58136219" target="_blank"&gt;Samuel Morgan&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
              </elementText>
              <elementText elementTextId="639651">
                <text>GRid=58136219.</text>
              </elementText>
              <elementText elementTextId="639652">
                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:MG89-24H" target="_blank"&gt;Samuel Morgan, Jr.&lt;/a&gt;" FamilySearch. https://familysearch.org/ark:/61903/1:1:MG89-24H.</text>
              </elementText>
              <elementText elementTextId="639653">
                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:XHHK-PHR" target="_blank"&gt;Frank B Morgan&lt;/a&gt;."  FamilySearch. https://familysearch.org/ark:/61903/1:1:XHHK-PHR.</text>
              </elementText>
              <elementText elementTextId="639654">
                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:KQNX-5LJ" target="_blank"&gt;Frank B Morgan&lt;/a&gt;."  FamilySearch. https://familysearch.org/ark:/61903/1:1:KQNX-5LJ.</text>
              </elementText>
              <elementText elementTextId="639655">
                <text> Haire, Thomas B. &lt;a href="http://www.worldcat.org/oclc/11153124" target="_blank"&gt;&lt;em&gt;The History of a Bombing Outfit</text>
              </elementText>
              <elementText elementTextId="639656">
                <text> The 386th Bomb Group&lt;/em&gt;&lt;/a&gt;. 1945.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;&lt;li&gt;create derivative works&lt;/li&gt;&lt;li&gt;perform the work publicly&lt;/li&gt;&lt;li&gt;display the work&lt;/li&gt;&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;&lt;/ul&gt;This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text> Cepero, Laura</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text> Records Administration&lt;/a&gt;</text>
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                <text>GRid=56374382" target="_blank"&gt;1Lt Frank B Morgan&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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                <text>GRid=56374382.</text>
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                <text> "Headstone Inscription and Interment Record for First Lieutenant Frank B. Morgan." RICHES of Central Florida.</text>
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                <text>GRid=58136219.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:MG89-24H" target="_blank"&gt;Samuel Morgan, Jr.&lt;/a&gt;" FamilySearch. https://familysearch.org/ark:/61903/1:1:MG89-24H.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:KQNX-5LJ" target="_blank"&gt;Frank B Morgan&lt;/a&gt;."  FamilySearch. https://familysearch.org/ark:/61903/1:1:KQNX-5LJ.</text>
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                <text> Haire, Thomas B. &lt;a href="http://www.worldcat.org/oclc/11153124" target="_blank"&gt;&lt;em&gt;The History of a Bombing Outfit</text>
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                <text> The 386th Bomb Group&lt;/em&gt;&lt;/a&gt;. 1945.</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;&lt;li&gt;create derivative works&lt;/li&gt;&lt;li&gt;perform the work publicly&lt;/li&gt;&lt;li&gt;display the work&lt;/li&gt;&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;&lt;/ul&gt;This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text> Records Administration&lt;/a&gt;</text>
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                <text>GRid=56374382" target="_blank"&gt;1Lt Frank B Morgan&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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                <text>GRid=56374382.</text>
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                <text> Haire, Thomas B. &lt;a href="http://www.worldcat.org/oclc/11153124" target="_blank"&gt;&lt;em&gt;The History of a Bombing Outfit</text>
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                <text> The 386th Bomb Group&lt;/em&gt;&lt;/a&gt;. 1945.</text>
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                <text> "&lt;a href="https://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank"&gt;WWII Army Casualties: Florida&lt;/a&gt;."  National Archives. https://www.archives.gov/research/military/ww2/army-casualties/florida.html.</text>
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        <name>Alex Lohr</name>
      </tag>
      <tag tagId="50855">
        <name>Amy Wilson</name>
      </tag>
      <tag tagId="50837">
        <name>Anna Belle Turney</name>
      </tag>
      <tag tagId="50826">
        <name>Arch T. Kline</name>
      </tag>
      <tag tagId="50832">
        <name>B. R. Fulmer</name>
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      <tag tagId="3470">
        <name>census</name>
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      <tag tagId="50847">
        <name>Cordelia Kuhn</name>
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      <tag tagId="50827">
        <name>Cree Morgan</name>
      </tag>
      <tag tagId="50824">
        <name>D. A. Potts</name>
      </tag>
      <tag tagId="50839">
        <name>Daniel L Joyce</name>
      </tag>
      <tag tagId="50681">
        <name>Edna Grace Morgan</name>
      </tag>
      <tag tagId="50840">
        <name>Elizabeth H. Joyce</name>
      </tag>
      <tag tagId="50835">
        <name>Elizabeth Turney</name>
      </tag>
      <tag tagId="50846">
        <name>Emily G. Kuhn</name>
      </tag>
      <tag tagId="50831">
        <name>Emma Jane Crosby</name>
      </tag>
      <tag tagId="50851">
        <name>Fanny Y. Finkelstein</name>
      </tag>
      <tag tagId="50679">
        <name>Frank Black Morgan</name>
      </tag>
      <tag tagId="50842">
        <name>Frank Hughes</name>
      </tag>
      <tag tagId="50769">
        <name>Greensburg, Pennsylvania</name>
      </tag>
      <tag tagId="50821">
        <name>Harry Keibler</name>
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      <tag tagId="50853">
        <name>Helen Hovanek</name>
      </tag>
      <tag tagId="50822">
        <name>Helen Keibler</name>
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      <tag tagId="50852">
        <name>Herbert Finkelstein</name>
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        <name>Ida M. Kuhn</name>
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      <tag tagId="50848">
        <name>J. Frank Bush</name>
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        <name>Jacob Kepple</name>
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        <name>Jane Fulmer</name>
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      <tag tagId="50825">
        <name>Jessie Kline</name>
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      <tag tagId="50823">
        <name>Josephine Zimmerman</name>
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      <tag tagId="50856">
        <name>Lawrence Wilson</name>
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        <name>Margaret M. Hughes</name>
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        <name>Mary Elizabeth Turney</name>
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        <name>Mary Hughes</name>
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        <name>Mary Lohr</name>
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        <name>Max Finkelstein</name>
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      <tag tagId="50857">
        <name>Mildred Powers</name>
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      <tag tagId="50841">
        <name>Nancy Joyce</name>
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        <name>Paul Wilson</name>
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        <name>Pauline Turney</name>
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        <name>population</name>
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        <name>R. P. Turney</name>
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        <name>Robert Crosby</name>
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        <name>Sarah Bush</name>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text> Army</text>
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                <text>A list of U.S. Army servicemen reporter either killed or missing during World War II. This particular page shows servicemen from Polk, Putnam, St. Johns, and St. Lucie Counties, Florida. A notable soldier listed in this record is First Lieutenant Frank Black Morgan (1920-1944). 1st Lt. Morgan was born in Greensburg, Pennsylvania, on January 28, 1920, to Samuel Morgan and Edna Grace Morgan. Samuel Morgan was a first generation American of Northern Irish descent, working in the publishing industry as an editor and linotype operation. Edna Morgan (née Black) was a native of Pennsylvania. 1st Lt. Morgan had two older brothers: Samuel Cree Morgan (1909-1990) and James Alexander Morgan (1912-1982). The Morgans owned a home on 17 Clopper Street in Greensburg, where 1st Lt. Morgan resided until he entered active service on April 27, 1942, out of Pittsburgh, Pennsylvania, at the age of 22. 1st Lt. Morgan trained at MacDuill Field, a U.S. Army Air Corps which would become MacDill Air Force Base in Tampa, Florida, and then served with the 555th Bomber Squadron, a unit within the 386th Bomber Group. 1st Lt. Morgan served his country with distinction, earning an Air Medal with Eight Oak Leaf Clusters. He died on December 20, 1944, four days into the Ardennes Counteroffensive, also known as the Battle of the Bulge. His death is listed as non-battle related, suggesting that he may have been one of the many Martin B-26 Marauder crashes at takeoff or upon landing. 1st Lt. Morgan died just before the end of World War II at the age of 24. 1st Lt. Morgan is buried in Plot B, Row 39, Grave 46 at Epinal American Cemetery and Memorial in Dinozé, France. A second memorial was organized by his family is at Parker Presbyterian Cemetery in Parker, Pennsylvania. </text>
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                <text>Digital reproduction of &lt;a href="https://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank"&gt;original record&lt;/a&gt;, 1946: National Archives Identifier 305285, Record Group 407, Modern Military Records LICON, &lt;a href="https://www.archives.gov/research/order/textual-records-dc.html" target="_blank"&gt;Textual Archives Services Division&lt;/a&gt;, National Archives at College Park, College Park, Maryland.</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text> Putnam County, Florida</text>
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                <text> St. Johns County, Florida</text>
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                <text>History Teacher</text>
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                <text> Civics/Government Teacher</text>
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            <name>Rights Holder</name>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;&lt;li&gt;create derivative works&lt;/li&gt;&lt;li&gt;perform the work publicly&lt;/li&gt;&lt;li&gt;display the work&lt;/li&gt;&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;&lt;/ul&gt;This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text> Cepero, Laura</text>
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                <text> Records Administration&lt;/a&gt;</text>
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              <elementText elementTextId="639813">
                <text> &lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="https://www.archives.gov/dc-metro/college-park" target="_blank"&gt;National Archives at College Park&lt;/a&gt;</text>
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                <text>GRid=56374382" target="_blank"&gt;1Lt Frank B Morgan&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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                <text>GRid=56374382.</text>
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                <text>An oral history interview of Patty Sheehan, Orlando’s first openly gay city commissioner. The interview was conducted by Kalynn Smith at Sheehan’s offices at Orlando City Hall in Orlando, Florida, on April 11th, 2017. Some of the topics covered include an introduction, how the challenges of growing up gay shaped her activism, how coming out affected her familial relationships and career, identifying items in her collection, Michael’s March and bringing together the gay and lesbian communities over HIV/AIDS, the stigma of HIV/AIDS and how shame kills, facing discrimination while running for office, civil rights activism as city commissioner, becoming an advocate for marriage equality, and her favorite accomplishments as City Commissioner.</text>
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                <text>0:00:00 Introduction &lt;br /&gt;0:01:52 How challenges of growing up gay shaped activism &lt;br /&gt;0:06:05 How coming out affected familial relationships and career &lt;br /&gt;0:12:49 Identifying items in collection &lt;br /&gt;0:15:25 Michael’s March and bringing together the gay and lesbian communities over HIV/AIDS &lt;br /&gt;0:23:38 The stigma of HIV/AIDS and how shame kills &lt;br /&gt;0:28:51 Facing discrimination while running for office &lt;br /&gt;0:33:22 Civil rights activism as city commissioner &lt;br /&gt;0:37:22 Becoming an advocate for marriage equality &lt;br /&gt;0:44:14 Favorite accomplishments as City Commissioner</text>
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                <text>Oral history interview of Patty Sheehan. Interview conducted by Kalynn Smith in Orlando, Florida, on April 11, 2017.</text>
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                <text>Sheehan, Patty. Interviewed by Kalynn Smith, April 11, 2017. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/207" target="_blank"&gt;LGBTQ+ Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital transcript of original 53-minute, and 1-second oral history: Sheehan, Patty. Interviewed by Kalynn Smith. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;, Orlando, Florida.</text>
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                <text>2017-04-11</text>
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                <text>eng</text>
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                <text>Originally created by Patty Sheehan and Kalynn Smith and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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              <elementText elementTextId="642058">
                <text>Ogles, Jacob. "&lt;a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank"&gt;Pride in Orlando Will Take on New Meaning&lt;/a&gt;." &lt;em&gt;The Advocate&lt;/em&gt;, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.</text>
              </elementText>
              <elementText elementTextId="642059">
                <text>Hyman, Jamie. "&lt;a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank"&gt;Community rises up after mass shooting at Orlando gay nightclub kills 49&lt;/a&gt;." &lt;em&gt;Watermark&lt;/em&gt;, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/.</text>
              </elementText>
              <elementText elementTextId="642060">
                <text>Manes, Billy. "&lt;a href="http://www.watermarkonline.com/2015/10/22/five-for-fighting-orlando-city-commissioner-patty-sheehan-isnt-going-anywhere/" target="_blank"&gt;Five for fighting: Orlando City Commissioner Patty Sheehan isn't going anywhere&lt;/a&gt;." &lt;em&gt;Watermark&lt;/em&gt;, October 22, 2015. Accessed May 17, 2017. http://www.watermarkonline.com/2015/10/22/five-for-fighting-orlando-city-commissioner-patty-sheehan-isnt-going-anywhere/.</text>
              </elementText>
              <elementText elementTextId="642061">
                <text>Pilkington, Ed. "&lt;a href="https://www.theguardian.com/us-news/2016/jun/17/orlandos-first-out-gay-elected-official-weve-been-dealing-with-hatred-forever" target="_blank"&gt;Orlando's first out gay elected official: 'We've been dealing with hatred forever'&lt;/a&gt;. &lt;em&gt;The Guardian&lt;/em&gt;, June 17, 2016. Accessed May 17, 2017. https://www.theguardian.com/us-news/2016/jun/17/orlandos-first-out-gay-elected-official-weve-been-dealing-with-hatred-forever.</text>
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              <elementText elementTextId="642065">
                <text>&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;S—you good?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Alright. I am, uh, Kalynn Smith, a UCF&lt;a title="" href="#_ftn1"&gt;[1]&lt;/a&gt; undergraduate. I am interning for the GLBT&lt;a title="" href="#_ftn2"&gt;[2]&lt;/a&gt; History Museum of Central Florida. With me is Geoffrey Cravero. Um, we are conducting an oral history with Orlando City Commissioner Patty Sheehan in her offices, uh, in, um, [&lt;em&gt;smacking sound&lt;/em&gt;] Orlando, Florida, on April 11&lt;sup&gt;th&lt;/sup&gt;, 2017.&lt;/p&gt;
&lt;p&gt;Uh, Commissioner Sheehan, thank you…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;…for agreeing to speak with us today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Um, I am currently working on processing your collection…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;…with the GLBT Museum.
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;There’s a collection?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;And…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Yes [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;I didn’t realize that. Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Yeah. It’s, uh, mostly artifacts…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;…and, um, a couple like journal entries. And, um, a few things like that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;And we just had a few questions regarding, um, uh, specific artifacts and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Okay. Sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;…some personal biography.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Alrighty. Absolutely.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;So, um, first, if we could start off by, um, having you state your name and tell us a little bit about where you’re from.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Sure. I’m Commissioner Patty Sheehan of—I’m in Orlando, Florida. I’ve been in office since 2000. So I’ve been doing this for 17 years. Um, and I’m well-known for my advocacy of pedestrian safety, walkable neighborhoods, um, Main Street districts, which are blowing up and very exciting around Orlando, and pedestrian safety, which I got death threats for my first couple of years in office. And ended up being one the hardest things I’ve ever done. Putting sidewalks within a mile of ele—every elementary school. So people think that sometimes issues like LGBTQ&lt;a title="" href="#_ftn3"&gt;[3]&lt;/a&gt; can be difficult. You’d be surprised what things people will threaten you on and everything like that. So it’s not always easy being an elected official [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;smacking sound&lt;/em&gt;] Um, what was the atmosphere like regarding LGBTQ issues when you were growing up?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Oh, gosh. I mean I was raised Catholic. So, you know, this was something that was worse than being a murderer. So I really hid who I was. I struggled very much with it. I had a really hard time. There were times I was suicidal. And I wanted to end it all because I just couldn’t accept who I was. Um, I had a very difficult time. I’ve—I’ve given a story to, um—to, you know, the folks that talk about—about suicide among young LGBTQ people because I think it’s really important. The, uh, It Gets Better Project. Because I think it’s important for young people to realize that they may struggle. I struggled. Um, and it, you know—just because it’s—maybe it’s somewhat easier now to come out and be who you are, we still have a long way to go. Um, there’s still children being bullied in school. There are still children who are not being accepted for who they are in terms of transgender issues. People can still be fired from their jobs for who they are.&lt;/p&gt;
&lt;p&gt;So, you know, I get some blowback for those folks who say, “Patty, why can’t you just be quiet? Why can’t you just blend in? Why can’t you just—why can’t we just have unity?” Well, that’s usually what’s said by the dominant culture when they want to put you down. “Oh. Well, Black Lives Matter and the LGBTQ community and all these people are making it difficult for us.” No. You’ve actually made it difficult for us. And we’re just trying to live and be who we are. And it’s re—something that’s really, really, um, offensive to me and—is this notion somehow that we have to bury who we are. “Oh. Ya’ll have the right to marriage. Why can’t you just be quiet?” Um, you know, there’s always been this desire to keep the LGBTQ people in the closet. And I find that very offensive.&lt;/p&gt;
&lt;p&gt;Uh, I was talking to, eh—years and years ago, I was talking to, um, uh, an African-American activist. And she says, “Well, you know, you’re difference is—is different from mine because you can hide yours.” And I asked her, “If you could hide your difference, would you? Would you hide your skin color if you could?” And she looked at me. And it was an “aha moment” for her. And I can’t even believe—I don’t even know where that came from out of me. ‘Cause I’m not even—I’m not—I don’t think—I don’t consider myself that eloquent.&lt;/p&gt;
&lt;p&gt;But Pat—then people that—“why don’t you just hide who you are?” Well, you know what? When you’re work—when you’re at work with people and they all talk about where they went on—you know, on vacation or on—what they did on the weekend, you know it—it’s[sic] puts you in a very difficult situation. When I was a younger woman, I was, you know, attractive woman. “Where’s your boyfriend?” Where—you know, there is—there is—people don’t understand because they’re straight that these are things that they take for granted. And these are things that we can’t—couldn’t talk about back then.&lt;/p&gt;
&lt;p&gt;So I think there’s still a long way to go. I’m—I’ve been very, um, vocal since the Pulse tragedy, uh, that this happened to the LGBTQ community. And even our allies—some of our allies have gone back on me and said, “Why can’t you just be nice? Why can’t you just be unified?” And I’m like, “You can’t erase us. Yes. There were straight people that died at Pulse, too. But that doesn’t mean that we have to erase who we are to make it okay. Um, they were—they were targeted because they were young, they were gay and they were Latin—you know, QLatinx. They were people of color. And they were straight allies. And there—we shouldn’t have to erase who they were in order to make it okay for everybody else. Because we do have to take, as a culture, responsibility for how we te—how we treat LGBTQ people.”&lt;/p&gt;
&lt;p&gt;In our churches—one of the most amazing things that happened to me after Pulse happened, um—after we’re dealing with all the issues of the tragedy, I had come here to City Hall and Mayor [Teresa] Jacobs’s office called me. And I went running over there. And she—and it was a—it was a group of clergy. And they were having a press conference. And they were talking about, “We do not agree with the Baptist Church. [inaudible] wanna say their name. That’s coming here to demonstrate at the funerals of these victims.” They had never dealt with that. I’ve been dealing with that for, you know, 30 plus years. I understand what it’s like to deal with hateful people that carry signs that say, “God hates fags.” This was their first time of dealing with it. And our religious leaders came out and said, “This is not who we are.” I could not have been more proud. And felt so amazing during that time. That’s unity. Not telling me to shut up about who I am [&lt;em&gt;sighs&lt;/em&gt;].&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Um, how were or are your familial relationships affected by your coming out?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;]. When I first came out, I was 21. And like I said, I really, really struggled. And it wasn’t a matter of my parents supporting me. I had moved out at 17 because I was different and there were issues that I couldn’t deal with my parents. And, uh, so I basically started—I mean I started taking care of myself at 17. And so it wasn’t any reason for me to, you know—to—to hide who I was. Other than the fact that, um—I mean I—I wanted to have a relationship with my family. And I thought that that was gonna be part of it. And it—it got to be more and more pressure for me because my sisters were old enough to go out. And I said, “Oh. I was at Park Avenue Club or I was at this club over the weekend.” And they’re like, “Well, we didn’t see you. We were there.” And the lying just got to take such a toll on me.&lt;/p&gt;
&lt;p&gt;And at 21, I finally came out. And [&lt;em&gt;laughs&lt;/em&gt;] my mother’s Italian and Catholic. She said to me, “Well, we’re a family and we’re gonna stick together. But you have to understand you’ve chosen a very difficult lifestyle. And—and you can’t be a teacher now. You realize that.” ‘Cause I had wanted to be an art teacher. She goes, “You—you—you’ll be a bad influence to children.” I was like, &lt;em&gt;Wow.&lt;/em&gt; You know? Although, the weird thing was I did change to—to journalism. Um, and I went back to art eventually.&lt;/p&gt;
&lt;p&gt;Um, but I accepted that. And s—ashamed to s—I’m not ashamed. I mean that was a pressure that was put on me. And I accepted that. And I—and I hope that young people now realize they don’t have to accept that. You’re not a bad influence because you’re LGBTQ. You’re not a bad person because you’re LGBTQ. Um, there are lots of people in this community who’ve made a lot of great contributions now that were not swept under the rug and—and forced to keep—stay in the closet. So I’m proud of many contributions of—of my community.&lt;/p&gt;
&lt;p&gt;Um, I was—it—we just watched—I just watched—I’m in the process—like I had recorded it because I couldn’t watch it. &lt;em&gt;When We Rise&lt;/em&gt;.&lt;a title="" href="#_ftn4"&gt;[4]&lt;/a&gt; And I remember Cleve Jones. And I remember [inaudible]. I remember these people who—who paved the way for people like me. And I think it’s important to tell our history because we tend to forget it. And I think that’s why this project is so important. And why oral history projects are so important. Because the dominant culture does want to erase us. They do want to erase people in the movement. The Women’s Movement. They do want erase people in the African-American Civil Rights Movement. Um, because it makes them feel com—more comfortable who they are. Because they don’t want to accept the fact that they did things that were wrong. There’s a whole movement to erase the Holocaust. And the fact that it happened to the Jewish community. Because the dominant culture isn’t comfortable with dealing with the fact that this happened and some of them were complicit with it.&lt;/p&gt;
&lt;p&gt;So I’m not about making people comfortable when they do the wrong thing. And if they blow back on me—this has always been a risk for me. When I was at the Florida Department of Agriculture and I stood up for people in my office because they were people of color or people of Jewish faith, I was—I was punished for it. As a—you know, I—I was denied management positions because of my s—because of standing up for others. I was up for—I finally was up for a promotion at work. And, um, I had gone to the March on Washington for LGBTQ rights in I think it was 1992.&lt;a title="" href="#_ftn5"&gt;[5]&lt;/a&gt; ‘Cause I went to—I went to a couple of them. There was one in the ‘80s and one in the ‘90s. And I can’t remember the exact date. But I’d gone to the—to the second march. And, um, I took—I took my vacation time. And I happened to be in the back of a photograph. I wasn’t even the—the focus of the photograph. I didn’t even know the person was taking it. I was basically getting out of a train to go to Washington[, D.C.]. And I was in the background. And someone took—took that picture out of the paper, faxed it to my division director in Tallahassee[, Florida] and made sure I got demoted. That was my life.&lt;/p&gt;
&lt;p&gt;And when I called to complain, ‘cause I had actually helped the State of Florida deal with a lot of personnel issues. I was, you know, the person that they sent around to help deal with it—go—as part of my management training. They said, “We’re sorry, Patty. There’s nothing we can do to protect you. We can protect women. We can protect minorities. But we can’t protect you because your class isn’t protected.” So I’ve lived this. This has happened to me. And I think it’s important, you know—I’m not bitter. I mean I get better. I don’t get bitter, I get better. It was a hard thing to deal with at the time. And I was angry. But, um—but I had to find a way to persevere. And eventually, the manager that—the—the—the guy higher up that demoted me ended up getting in trouble for bad behavior at work [&lt;em&gt;laughs&lt;/em&gt;]. And, uh, I had a new boss. And I came out to him. He goes, “Why—why are—why are people so reluctant to let me, eh, promote you?” I said, “Because I’m gay.” He said, “Well, that’s stupid.” I’m like, “Well, I know that.” He goes, “You have to understand that not everybody is as comfortable with your sexual orientation as you are.” I said, “It’s not my job to make them comfortable.” He said, “Touché.” And he promoted me. And I thought, &lt;em&gt;Wow. That’s really cool&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;So, you know, there are allies all along the way that you’re gonna find if you’re willing to stand up for who you are. And it wasn’t easy. Um, I’m—that day that I had to meet with that—with that manager, I was throwing up. I was so—so nervous. Um, when I first ran for office, I was so nervous whenever I had to talk because I was, you know—I was afraid of how it was gonna come up. And I was at a debate one time, um, gosh, at the Audubon Park Covenant Church. Because I was running for office and there was a bunch of us. And, uh, one of the—one of the people stood up and said—um, one of the candidates—one of the—the question, which was clearly aimed at me, was, “Should candidates make an issue of their sexual orientation?” And one of the candidates—candidates stood up and said, “Well, I have a wife. And I have a child. But I don’t think anybody should flaunt their lifestyle.” And I got up there and I said, “Well, it’s very interesting. ‘Cause when my opponent says about his life, it’s charming. When I talk about my life, it’s flaunting.” And a hundred and fif—fifty people in that church that were sitting there listening to that got it. And there were people that ran after me and apologized for that question.&lt;/p&gt;
&lt;p&gt;So it’s not always easy to make change. And I lost that 1996 election. But I won the next one. So it is, you know—for me, and I think for our movement, it is incremental change. And it’s not easy. And it is something that you have to fight for. But it’s not something that I’m ever willing to—to lay down. And I won’t until the day I die. Um, and the day I die I will be laid at the feet of all the Pulse victims because that’s where I bought my cemetery plot in Greenwood [Cemetery]. I wanna watch over—I wanna watch over those kids forever. Because that’s been—that’s—that’s a part—that’s a part that’s interwoven in my soul. You know? That they were viciously attacked for who they were. And we need to keep telling that story. Because of people are already trying to—they call it “straight-wash” it.  But, you know? It’s—it can’t be. We have to talk about how hatred killed them and how we have to be better people as a result of it to honor their memory [&lt;em&gt;sighs&lt;/em&gt;]. Sorry [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;No. You’re good. Um, how did you come to obtain the Paul [Efthemios] Tsongas and Brian Arbogast [de Hubert-Miller] 1992 election i.d. tags?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;What?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;They’re in your collection.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;sighs&lt;/em&gt;] I can’t remember [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Oh. [&lt;em&gt;laughs&lt;/em&gt;] That’s okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;It’s Paul and—and Brian?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Gosh. I—I don’t know. Really? Maybe they got stuck in there by accident. Because Brian was friend of mine. Um, he helped me with, um—with—he was one of the original founders of, um, what was then Orla—Orlando Regional Pride. And then I knew him. Um, uh, so that’s how I knew Brian Arbogast de Hubert-Miller. Um, and we used to call him “Alphabet Man” because he kept adding, you know—it’s part of his culture. [&lt;em&gt;laughs&lt;/em&gt;] He was like, “You know, I’m—I’m Hispanic. So we have a lot of names.” And so he kept adding names. And we were—we laughed and called him “Alphabet Man”.&lt;/p&gt;
&lt;p&gt;Um, I don’t know how Paul’s came into—to be in my collection. I don’t know. Um, uh, you know, I—eh, during the Names Project, we would—we—we, uh,—we were, uh, carrying names of people who had passed of—of HIV&lt;a title="" href="#_ftn6"&gt;[6]&lt;/a&gt; and AIDS.&lt;a title="" href="#_ftn7"&gt;[7]&lt;/a&gt; But those weren’t the names that I carried. ‘Cause—‘cause I don’t think either one of them—no. I can’t remem—I don’t think either one of them passed from AIDS.&lt;/p&gt;
&lt;p&gt;Um, but, um, there—there was an i.d. tag though that I had that I carried that was, um, a—a, um—it was, uh, from LCN Express.&lt;a title="" href="#_ftn8"&gt;[8]&lt;/a&gt; And it had my name. And I had it made. Maybe that’s how the i.d. tag accidentally got in my collection. Because we all had—I had an i.d. tag made in case I was a victim of violence at the march that they would know who I was. So it had—it had my name, it had the LCN Express, was the affiliation of the group that I was with, and it had my address on it. It was basically dog tags in case anything happened to me. But that’s the only dog tag that I can recall that, uh—that I had from that time. That and—and one that was fabulous that had sequence on it. ‘Cause, you know, it had a rainbow on it. It was beautiful [&lt;em&gt;laughs&lt;/em&gt;]. I am who I am [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;That’s crazy. I—you—that’s so funny. You know? I don’t know how those got in there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Yeah. We had no idea either. We just kind of…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;…figured we’d ask.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Nope. I don’t know. Yeah. Okay. What else you got?&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Uh, what was Michael’s March? And what was your role within it?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Michael’s March [&lt;em&gt;laughs&lt;/em&gt;]? I have no idea [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;That’s okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;It’s like a letter or something. And it’s—you have it titled “Michael’s March”.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Oh. That’s from LCN. Okay. Um, back, um, in the ‘80s, there was a big division between men and women in the community. The—the LGBTQ and the gay community. And, um, after the men started getting sick, they were moving in with the lesbians. The lesbians were actually taking care of them. And LCN had kind of been an organization for women—was women’s only space. And a lot of the men were really offended by that. And I’m like, “Look. You guys call us ‘fish’ and you’re really mean to us. So you know? We—we have our own space. You know? That’s our thing.”&lt;/p&gt;
&lt;p&gt;But when the—the men started getting sick, a lot of us start—you know? A lot of women started taking care of them. And—and—and everything. And the community really started coming together. So when we went to the March on Washington—and I—again, I can’t remember which one. It was Michael Wanzie’s letter I’m pretty sure [&lt;em&gt;sniffs&lt;/em&gt;]. Um, that was Michael’s—that—I think that was Michael’s story, um, that he had submitted to LCN, um, about his partner dying. I think that’s the letter that you’re talking about. Um, and Lou Tozer and a bunch of the folks that were really involved with the LCN were very much touched by it. And wanted to include it in our newsletter even though we only allowed women to write for the newsletter. So that—think I’m remembering that right.&lt;/p&gt;
&lt;p&gt;But I would get into it with Michael a little bit later because, you know—because they would—they—again, there were these issues about allowing women into the what they called at the time gay community services. And representing the rights of women. And it wasn’t easy with the gay men either sometimes. You know? And I mean they weren’t sensitive to women’s culture. And they weren’t sensitive to—to our issues. And I was glad over time that they added GLBCS. You know? Gay Lesbian Bisexual Community Services. And now, you know, we’ve added T&lt;a title="" href="#_ftn9"&gt;[9]&lt;/a&gt;. And we’ve—we’ve—we’ve been more inclusive. But that wasn’t easy. And there’s been many times when Michael and I tangled because, you know, we said, “Hey. You know? You gotta include women’s issues, too.”&lt;/p&gt;
&lt;p&gt;So—but Michael’s March was about losing his, um—his partner. His reaction to the march, which was, um, very emotional. Um, and again, I’m trying to remember which year were—was the year the [NAMES Project] AIDS [Memorial] Quilt was unveiled. In ’87 or, gosh, ’90. I—I n—I need to do my research because I can’t remember when the marches exactly happened. But, uh, I—I can get back to you on that. But the first march, um, I believe was the one where they unveiled the AIDS Quilt. You’ll have to go back and look.&lt;/p&gt;
&lt;p&gt;But that was the year that Whoopie Goldberg&lt;a title="" href="#_ftn10"&gt;[10]&lt;/a&gt; was the first person to walk out. And she was one of the first actors to actually take a stance on HIV and AIDS. And that was, uh, very emotional for a lot of us ‘cause we lost so many of our friends. I mean I’ve lost, eh—between the age of 20 and 30, I lost easily half my friends. Um, a lot of the entertainers. A lot of the—the drag queens were the first to go. Um, you know? All of a sudden, it’s—everyone started getting sick. They called it Gay-related Immune Deficiency. GRID. And all of us were t— completely panicked and freaked out. And by the time they finally had the test, of course, I took it. Because I was, you know—I was a bad girl. And I was going, &lt;em&gt;Man. Do I have it? &lt;/em&gt;And I didn’t. You know? But lesbians had a—had a, you know, lower submission rate and everything like that.&lt;/p&gt;
&lt;p&gt;Um, a lot of my friends were dying. Um, my closest friend that died was Gary Bailey. And he was my friend and rock. And I mean I just loved that man. And, um, you know, I just couldn’t believe he was sick. And then ended up passing away. And then there was Chuck [inaudible]. And it was just—it was a time when, um, we were going to funerals. Steve Marnier[?]. He was my political, um, mentor. I mean anytime I wanted to bounce something off Steve. And every time that I wanted to do something—he was like one of the few men that really got women’s culture and understood the need for everybody to work together and everything like that. So whenever I really wanted, uh, someone as a sounding board, I would go to Steve. When I ran in 1996, he had gotten really, really sick. And he ended up getting it really early. But he had taken care of himself, so he had it for a while. But in—in ’96, when I ran the first time, um, I had gone to visit him in the hospital and he asked me to pin one of my campaign pins on his—on his hospital robe. And, uh, he died like a couple days later. And, um, I’ll never forget that. So, you know, I mean I wasn’t there when he died, but I was there when gra—when Gary died.&lt;/p&gt;
&lt;p&gt;And to watch someone pass away that you really care about, and they’re so young, and it’s so unnecessary, you just want the government to do something and to help. And there’s—n—no matter how much we marched, no matter how much we did, no matter—I mean I remember we had—the first time I stood on the AIDS Quilt, and it took up the entire mall. It was a football field of people who were dead. People we had lost. And, uh, the, uh—the amazing thing about the quilt was it actually—they—they designed it so that it was the size of a—of a funeral plot. You know? So you could really get a sense that these were people. It wasn’t like just a name written in a column or something like that. It was the physical size of a person.&lt;/p&gt;
&lt;p&gt;And, uh, yeah—so I—I think—and—and a lot of that’s forgotten. Young people go, “Oh. What’s the big deal? What’s the—why do you guys get so upset? A—AIDS is—AIDS is survivable.” But there was a time when it wasn’t. And it wasn’t that long ago. And most of us who are a little older remember that. But that’s why we’re so passionate about making sure that, um [&lt;em&gt;sniffs&lt;/em&gt;]—that people don’t forget that. Because it was a horrible time. And, um, you know, yeah. It’s become a chronic disease. But it’s not something I would wish on anyone. And I still have friends who are suffering. You know? And I still have friends who are dying. They just die from other opportunit—or oth—other opportunistic diseases. There are some people who are still in the closet about having HIV and AIDS. There are still people who are dying of AIDS. And, uh, uh, you know? Um, we gotta keep telling that story, too. But Michael’s March was about how he lost his partner. And, uh, yeah. It’s a very poignant story. It’s lovely. Even though Wanzie and I have had our issues over the years. Um, I thought that was absolutely a lovely story.&lt;/p&gt;
&lt;p&gt;But, yeah. That’s when I was with LCN Express. That was a women’s newsletter. And I remember my friend, Joel[?] always saying to me, he’d go, “You are a separatist.” And I’m like, “You know? You have to remember though that we were women feminists. And we also had women’s culture. We—we had a double whammy. We were gay and we were lesbians. You know? We were—I mean we were—we were women. We were gay, but we were also women. We also had the—we also had to deal with the discrimination that came along with being women. And men telling us, “All you need is a good man.” And all that stuff. And the sexual harassment that I experienced as a young woman. And, you know, it—so we had to have the—a space where we could express that. Where we could kind of come to terms with that. Where we could be supported in community, too.&lt;/p&gt;
&lt;p&gt;And, you know—and—and, uh, after the marches and after HIV and AIDS, we really kind of gelled as a community. But it was a process. So yeah. There was a while when I enjoyed women’s culture. And I kind of did the separatist thing. But I also evolved to realize that we all had to work together because if we didn’t, you know, we were—we were gonna die. And the guys were dying at alarming rates. And we all needed to come together to—to do what we could to stop AIDS. And, you know, to get education. And to get testing. You couldn’t even get—you couldn’t even get reasonable, affordable testing. Those all came as a result of fighting for that for many, many years [&lt;em&gt;phone rings&lt;/em&gt;].&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Um, who was Charles S., [&lt;em&gt;phone rings&lt;/em&gt;] whom you have memorial artifacts for?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Is that Chase? Chase Smith?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Um, all we have is a Charles and then his last initial. S.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;What do you got? I don’t know what you guys have. I need to go over there and check out what you’ve got [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;I mean it could be Chase. But…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;I believe it is, um, rose pedals and a candle.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Mm. I mean, um, that might have been from the last AIDS, um, uh, vigil that we had. And, um, Chase was the aid to—to May—a—Chase was my longtime aid for many, many years. And he was also an aide to Mayor [Teresa] Jacobs. And, um, he never disclosed his status to us until he was dying. And, um, I don’t think his family wanted anybody to know that he was HIV-positive. And this just happened a few years ago. I’m almost reluctant to—you know, to do it because, um—because he didn’t want anybody to know he was HIV-positive. And it killed him. He ended up getting, uh, lymphoma, which shouldn’t have killed him. But because his—he had just contracted it and his viral load was really high. It killed him like that.&lt;/p&gt;
&lt;p&gt;And, um, you know, here—here’s someone who was openly gay, an aide to, you know, me and Mayor Jacobs, um, who wasn’t comfortable enough to ask for help. So that’s why I put Charles S. Because I didn’t want people to know who he was. Because I didn’t—wasn’t sure that [&lt;em&gt;sniffs&lt;/em&gt;]—mm—that he would want that known. But you know? There he was. He never came to me. I wish he had come to me. I could’ve—I’d have go—I would have walked him right over to OIC&lt;a title="" href="#_ftn11"&gt;[11]&lt;/a&gt; to Doctor [Edwin] DeJesus. I’d have gotten the best care I could. But he didn’t feel comfortable telling me ‘cause he was ashamed. And, um, you know? Shame is a killer in my world. You know? I’ve seen it kill too many good people. We have to be—e—e—even though he knew. I mean he was an aid. He knew. All of these resources. He was too ashamed to take them up for himself.&lt;/p&gt;
&lt;p&gt;So the rose pedals and the, uh, candle were Chase. And, um, I miss him. He’s the reason those are—those pink bunnies are all around—I put those pink bunnies all over town [&lt;em&gt;laughs&lt;/em&gt;] [&lt;em&gt;sniffs&lt;/em&gt;]. Um, because he loved playing the Easter Bunny for kids. He was just a lovely, helpful, decent man who, uh, had his secrets. And I remember when he was dying—and it happened really quick[sic]. Um, Mayor Jacobs came to me and she goes, “Is he HIV-positive?” I’m like, “I don’t know. He didn’t disclose to me.” And I—that’s—I still struggle with that. I mean, you know? He really didn’t—he didn’t tell me until he was on his deathbed. But, um, yeah. That’s my boy, Chase. So, yeah. I’m—I’m actually delighted that’s part of my collection [&lt;em&gt;clears throat&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Yeah [&lt;em&gt;sniffs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Um, what type of problems...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;I can’t believe you got—where’d you guys get this stuff? I mean what do you guys go around following me? This is weird [&lt;em&gt;laughs&lt;/em&gt;]. I’m kind of freaking out a little bit [&lt;em&gt;laughs&lt;/em&gt;]. I’m like—I need to like—I need to like say, “Here [&lt;em&gt;laughs&lt;/em&gt;]…” That’s interesting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;I think it was, uh, donated in 2002. If that helps at all.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;sighs&lt;/em&gt;]. He didn’t die that—wait a minute. No. That couldn’t have been because he didn’t die then.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;I need to get—I need to get together with you guys and make sure this stuff is in the proper s—sequences and stuff. Because this is just kind of a little strange. Yeah. Because that’s the only Charles S. I could think of would be Chase. And the—and the rose pedal and the candle would have been from the AIDS—but that wouldn’t have been from that long ago. So we may—might need to go over and make sure that everything’s in the proper sequence and stuff like that. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;I’ll—I’ll—I’ll sit down with you. ‘Cause I want to make sure it’s right. ‘Cause it—‘cause you know as it happens some type of historical stuff. You know? It—it’s not quite in the right slot and everything like that. So I’ll—I’ll…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;…go over it with you. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Well, thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Yeah. I’ll—I’d be glad to do that. ‘Cause it shouldn’t have been from 2002. Gosh. He didn’t even die until [&lt;em&gt;sighs&lt;/em&gt;]—I think he’s been dead since 2013 or something. 2—2012 I think he died. Yeah. Yeah.&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Um, what type of problems and discrimination, if any, ha—did you face during the 2000 and later elections?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Uh, ’96 was the hard one. ’96 was the one where, um, half the candidates running were gay. I was the only one who was out and open about it. Um, one of the candidates used my sexual orientation against me everywhere she went. And then she ended up going to the runoff. And then she ended up getting defeated because they actually put, um, flyers in—as an insert in all the &lt;em&gt;Orlando Sentinels&lt;/em&gt; and all the, um, mailbox—and all the, uh, boxes. And said that Patty Sheehan lost ‘cause she’s a lesbian. And this other woman needs to lose ‘cause she’s a lesbian, too. She was—that’s how she got outed. And where they didn’t s—insert them into the papers and all the mailboxes and all the paper boxes downtown, they threw ‘em all in the intersections in these little bags. Outing this other person. And, um, she came to me and says, “What do I do?” And I’m like, “Well, you know, you used it against me. That’s kind of karma [&lt;em&gt;laughs&lt;/em&gt;]. You know? But what you’ve gotta say is discrimination is wrong and that you’re willing to stand up for other people.” And that didn’t happen. It just became an ugly food fight.&lt;/p&gt;
&lt;p&gt;And that’s the thing. When someone attacks you, it’s the first response to get angry. But that’s what they want. They want you to get angry and frothing at the mouth and looking crazy. And what I’ve learned is I have to, you know, take a step back and take a deep breath and think before I speak, which isn’t always easy sometimes. Sometimes I still get my hackles up. Usually, that’s when I get in trouble. Um, um, because you—you’re—you’re not just speaking for yourself. You’re speaking on behalf of a community, whether you like it or not. And, um—and it’s important to do that in a way that educates and not what I—what I always call “teachable moments”.&lt;/p&gt;
&lt;p&gt;So in ’96, I lost. And I said, “Well, you know what? I only lo—I only lost that election—I only missed that runoff by like 75 votes.” And I threw that l—I threw that together with my friends in like 90 days. I said, “What if I actually worked hard and learned the issues a little bit better that people were criticizing me that I didn’t know about? And what if I really applied myself?” So for the next four years, I got all involved in—in—in city business. And got to know about the codes. And came to—to be president of my neighborhood association. Talking about things like duplexes and, you know, sidewalks. And all those things that were really impacting the neighborhoods. And got to know the other neighborhood leaders. And I ran in 2000 and I beat the incumbent. And I won. So it can be done. And I wasn’t just—even though the newspaper in 1996—they had a huge headline on Election Day, “Gay Candidate Race on Ballot”. Um, yeah. They just ma—they all—they made it all about me being gay. They didn’t make it about any of my other stances on anything. Why I was really running, which was historic preservation, and saving neighborhoods and those kinds of things. Because there was all these teardowns happening. Making better quality of life in our neighborhoods. Business. Those were the things that I ran on. But all they wanted to talk about was me being gay.&lt;/p&gt;
&lt;p&gt;And then I said, “Okay. All these people now know me. And they know I care about these issues. And I’ve known them from their neighborhoods and all that. Let’s see how this works out.” And it worked out very well for me. I won. And I’ve won every election since. And I’ve been through redistricting. And every time I go through redistricting, my colleagues try to put me in a more conservative area, thinking they’re gonna get—I’m gonna get beaten. And I just get higher and higher, you know, percentages [&lt;em&gt;laughs&lt;/em&gt;]. So you know? I’m kind of the middle kid. I get picked on. I’ve represented more of this city than any other commissioner ‘cause they keep moving me around, hoping to get rid of me. And the bottom line is I’m not going anywhere. I’m, you know—I serve at the pleasure of my constituents. They’re my boss. And, uh, you know, I try to do the best job I can for them.&lt;/p&gt;
&lt;p&gt;And I think it’s important to be an advocate for LGBTQ issues, but I also have to balance that with, “Yes. I care about your issues, too.” But what really offends me is when people say, “Well, you’re gay so you can’t represent me.” That’s not fair. And that’s not true. Um, I think being an a—being an LGBTQ activist has made me a better commissioner because I’m not afraid to fight for what I believe is right. Regard—if that—regardless if that’s sidewalks or if that’s historic preservation. Or if it’s proper infill development. Or if it’s for fighting for small businesses. I—I—I bring that passion to all those aspects of my job. And I think that makes me a better commissioner now—[inaudible] commissioner.&lt;/p&gt;
&lt;p&gt;So, um, yeah. I think that’s—I think that’s an important point to make. ‘Cause I think a lot of people who are in the LGBTQ community who run for public office are marginalized that way. And it’s something that you have to be able to overcome.&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;How have you used your position as city commissioner to conc—to continue civil rights activism?
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;sniffs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Yeah. Uh, when I was with the, um—I was really involved with the Democratic Party many, many years ago and they asked me to be constituency outreach. And it wasn’t easy ‘cause people were angry. I mean like they—go deal with—they’ll go deal with the—the—the—the different caucuses. And then—and—and sit down and, you know, figure out what—what—what are their needs and stuff like that. And people were really angry. And the thing was they hadn’t been asked.&lt;/p&gt;
&lt;p&gt;So I go in there. I’m this little white girl. You know [&lt;em&gt;laughs&lt;/em&gt;]? And, “What do you know about struggle?” This and that. You know? And I’m—everyone I went to I [&lt;em&gt;sniff&lt;/em&gt;s]—I was with the African-American caucus and they were—they’re just—and I just said, “Okay. I’m just gonna listen. I’m just gonna sit here and listen to what everybody’s, you know, issues are.” And I sat there. And one of the—one of the gentlemen who was—M—Mr. Armistead[?], who I still know, said, “You hung in there.” He goes, “You just hung in there. And you listened to us.” He goes, “And you know what? That’s important. ‘Cause nobody listens to us.” Like wow. It’s like, “I can’t promise anything. But it—but it’s important to listen.” And I never—I never forgot that. Because for him to tell me, “Nobody has ever listened to me.” This is an African-American lawyer. Pretty prominent in his community. To tell me that no one had ever bothered to listen to him, that’s—that broke my heart.&lt;/p&gt;
&lt;p&gt;Um, and so I think it’s important, y—you know? I can’t promise I’m gonna fix everybody’s issues like that. You know? Nobody can promise that. Because a—again, any kind of civil rights movement, you have t—it’s incremental change. Because the—the majority’s not gonna just give it to you. You know? The don—they don’t—they don’t say, “Oh. Eh, gay and lesbian community, you want civil rights? African-American community, you want civil rights? Jewish community, you don’t wanna be discriminated against? Oh, we’ll just do this ‘cause it’s the right thing.” It doesn’t happen that way. You know? You have to educate and you have to fight for it.&lt;/p&gt;
&lt;p&gt;Um, but it’s been a—it’s been an honor to be trusted by people. And with their feelings. And with their concerns. And with their problems. And, um, if you look at it that way, um, that it’s a chance to—to bridge that divide and—and help them, that’s how I look at it. And, you know, I deal with angry people all day long. And I say, “Even a broken clock is right twice a day.” You know? Everybody’s got their—everybody has something to offer. Everybody has something to give you. Um, sometimes people are just mean. I don’t know. I mean I don’t take on everybody who wants to call me a[sic] epithet or curse at me or anything like that. I mean that’s—it—I think there’s a level of civil discourse that’s—that’s very uncivil, especially with social media “keyboard courage” I call it, that really unfortunate. But, uh—but I think overall, if you, um—if you listen and try to—to—to understand—and listen not to respond, but listen to understand, um, you’ll—you’ll—much better advocate and—and public servant. That’s just how I’ve applied it.&lt;/p&gt;
&lt;p&gt;But I mean I’ve had, you know, the Hispanic community, the African-American community, I just haven’t just dealt with the LGBTQ community, you know, over the years. And, um—and there—and there are specific needs. And there have been specific needs specifically from Pulse. I mean the QLatinx, these young Latin-American, you know, young people. Many of whom—you know, some of—some of the families didn’t claim their kids ‘cause they found out they were gay that way. I mean the—what else—what other community’s experienced that?&lt;/p&gt;
&lt;p&gt;So there are things that we need to help people with. Um, and we need to be sensitive, too. And I think a community—the community came together really well. I was very proud of how the city—the Camping World Stadium—deal with the immigration issues. I mean a lot of families weren’t even—you know, they had to come here to bury their kids. What a horrible thing. That the way this community—and it’s amazing how well this community came together to help everybody. But that doesn’t mean that we, um, brush aside their concerns as minority community.&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;How have you aided in developing marriage equality?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;]. You know, um, eh, when—at first when they were talking about marriage equality, I’m like, “I’m not you’re girl.” You know [&lt;em&gt;laughs&lt;/em&gt;]? I hadn’t had a relationship in a long time. You know? ‘Cause we were—g—gosh, we had been fighting for marriage equality forever. And—and—and, you know, in the—in the—in the, uh, early 2000s, everybody’s like, “We want you to take this one.” I was, “This really isn’t my thing. You know? I’m a lesbian. I think I got workplace equality. All those things are important to me.” But I hadn’t really been in a long-term relationship. But then I got in a long-term relationship and I realized why those things were important. Because, you know, I went to go get—you know, I went to—to—to deal with, um, um, you know, leaving—leaving my things to my p—my partner in case then—my health had gotten really bad. What if—what if I—what if something happens to me? Um, you know? How do I take care of her?&lt;/p&gt;
&lt;p&gt;And all those issues that it—marriage conveys 1,500 rights that, you know—‘cause straight people think about, &lt;em&gt;This is a right for me. This is something for me. Gay people shouldn’t have the right to the wedding cake. &lt;/em&gt;And all those things. That’s a straight thing. Well, we had the right to the wedding cake. We had the right to the church ceremony. But what we didn’t have access to was the contractual arrangement. So I had to educate myself about it so that I could then communicate it. And I think w—w—and I’m a—I was a member at the time of a lot of the national LGBTQ organizations that said, “You know what? We don’t talk about…” I said, “I don’t care if they call it ‘domestic partnership’ or call it ‘Fred’. But what we need to explain to people is the difference between the wedding cake and the contract.” And so every time I had the chance to talk about it, I said, “There are 1,500 rights that convey with marriage that go—that—that—that we should be able to have access to as a contractual relationship to—to be able to partner with someone.&lt;/p&gt;
&lt;p&gt;And then other people in the, you know—other—my—my colleagues said, “Yeah. You know? That’s a really well—that’s a really good way to communicate that.” So then we all started—elected officials, we all started talking from that same page. And, you know, we would all get together and fight about how we were gonna do it. ‘Cause, you know, it’s—it’s difficult. I’m from Florida. You know, and—and they’re from San Francisco[, California]. They’re talking about medical marijuana. And they’re so cool. And everyone’s more accepting. I mean, I was like, “Okay. I’m not a canary in the coalmine. And in Orlando, you know, if we can figure out how to communicate it, this should help you guys, too [&lt;em&gt;laughs&lt;/em&gt;].”&lt;/p&gt;
&lt;p&gt;So after a while, we started talking about the rights that convey with marriage. And it—and it was right from the HRC&lt;a title="" href="#_ftn12"&gt;[12]&lt;/a&gt; website. It wasn’t like it was hidden. But nobody was talking about it. So once we started talking about that from that standpoint, the weird thing for me was I started seeing people go, “Oh. Wait a minute. That’s not fair.” So sometimes we have to remember this. Because we understand something doesn’t necessarily mean that somebody else understands something. And it became an educational process. And I think that all the LGBTQ groups did a better job of—of communicating that fact. The—the proper, um, court cases came forward. I mean the Windsor case&lt;a title="" href="#_ftn13"&gt;[13]&lt;/a&gt; was just—was beyond. Because that was a clear case of someone being denied access to her partner’s, you know, um, uh, what they had built together in their life. When her partner died, that was a clear case. And, you know, here’s this—here’s all of us gay rights activists who have, you know—fighting, fighting, fighting. And here’s little Edie Windsor&lt;a title="" href="#_ftn14"&gt;[14]&lt;/a&gt;, you know, winning this historic court case that brought that all come on tumbling down, which was phenomenal. And she’s a hero. You know? She just wanted to fight for what she thought was right.&lt;/p&gt;
&lt;p&gt;And—and—and I—and something that I tell people that I think the majority of the community doesn’t understand is minority rights have never been conveyed by the majority, except for Ireland. Ireland did it for—for LGBTQ rights. They actually had a referendum and extended marriage equality, too. That there—that’s the only place that had—did not happen in the courts. Usually min—the majority does not vote to give minorities any kind of rights. And so that’s what I tell people. I’m like, “The m—the—the majority feels they’re gonna lose something ridiculously if they—if they—if they look after minorities, unfortunately. Um, so it’s—it should never be up to a referendum. Minority rights should never be up for a referendum. Because they’re—I—they are a minority. You know, you can’t get enough votes out of a mi—minority. But—and that’s why the Constitution talks about the tyranny of the majority. That’s the actual quote about the tyranny of the majority. And have—and having rights for everyone. And having the courts. And having these balances.&lt;/p&gt;
&lt;p&gt;So, uh, you know—I mean I think it’s important to understand that. And I was glad to be a part of it. Uh, I was—my partner and I were the first domestic partnership. Unfortunately, it broke up shortly thereafter. I was horribly embarrassed ‘cause I never would have put my—my relationship as—as domestic partnership number—number one, had I known it wasn’t going to last that long. I wasn’t on the way out. She was. But, you know, it—it happens. It happens. For divorce happens. And people break up. And, you know—but I felt this tremendous, “Ah.” You know? Pressure to be perfect. And, &lt;em&gt;Oh, my God. How could this happen?&lt;/em&gt; I was so horrified. And I was already heartbroken.&lt;/p&gt;
&lt;p&gt;But, you know, I—and I remember when the report—one of the—one of the reporters found out. I’m like, “I’m just gonna get beaten up so bad, you guys.” “And I ain’t got—I went through a divorce, too. I’m so sorry.” I thought, &lt;em&gt;Wow. I’m actually getting treated like everybody else. Isn’t that nice?&lt;/em&gt; It was the first time I really felt like somebody had been fair to me. Was [&lt;em&gt;laughs&lt;/em&gt;] dealing with my div—it wasn’t even really a divorce. It was by domestic partnership being—and I had—I went and dissolved it. Yeah. It’s hard—it was hard. ‘Cause I—it wasn’t my choice. But lots of people get left. And lots of people get heartbroken. And it’s part of life. You know? Half of marriages end in divorce. But that doesn’t mean that the LGBTQ community doesn’t b—deserve the same rights and equality or, as some of my friends say, “That’s the same—that’s the same right to be miserable as everyone else [&lt;em&gt;laughs&lt;/em&gt;].” You know?&lt;/p&gt;
&lt;p&gt;But there are some couples that I know that have been together 40—I mean there was a couple that had been together 41 years that got married here on the steps of City Hall. And that was an incredible day. For the mayor [John Hugh “Buddy” Dyer] to have the ceremony. And he’s actually a notary public. He did the—he did the ceremony. And I did a reading. And it was just really lovely to be there. You know? And—and to experience that. And it—and it was a little bittersweet to me because I wasn’t in a relationship. But, um—but, you know, s—it was great for me to see my friends who’d been together 28 years and 20 years. And Bill [Stevens] and Bob [Brings]. My, uh—my assistant got married that day. Um, and they were actually—what a lot of people don’t realize, there was a backcourt case, um, at—at the—at—at Orange County. Um, they had asked for a marriage license. And they were trying to get the clerk to deny them. And they were gonna do—they were gonna fight it in court, but it ended up being that the case came down. And they didn’t up—not ended up having to do it. But, uh—but Bill and Bob were one of those plaintiffs ready to—you know, ready to take on that case if they had needed to.&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Could you tell us a little about some of your favorite accomplishments as commissioner between 2000 and 2015?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Um, yeah. I mean getting to work on the Lake Eola fountain. That was really cool. I mean I kind of got criticized because, uh, “Why are you spending all this money for this engineering study?” You know? ‘Cause it’s—it’s a one-of-a-kind thing. I love neat, cool, original stuff. And I like the fact that it looks like a big old Jell-O mold [&lt;em&gt;laughs&lt;/em&gt;]. But it was broken down. It wasn’t working. It was dreadful. And the m—most fortuitous lightning strike I think in American history after we had done the study to figure out what it would take to fix it. And they were able to put LED lights. It’s a lot more efficient. And, you know, it’s the icon of our city. It’s beautiful. And it was—wasn’t working for almost two years. And I think that that was—I—I—when you have something like that it has to work. It has to. It got—municipal government. You can’t just say, “Okay. Well, here’s our—here’s our icon. And we’re gonna let—leave the lights off or leave the fountain off.” We couldn’t do that. And—and I think it’s a s—I think it shows that it works. It’s beautiful. It dances [&lt;em&gt;laughs&lt;/em&gt;]. It’s—it’s computerized now. It does all these cool things. We have shows that we run to it. That was really neat to get to work on. That was really a lot of fun.&lt;/p&gt;
&lt;p&gt;Um, painting the [Lake Eola] Bandshell. Working with Walt Disney World, uh, to paint the bandshell in the rainbow after Pulse was just so meaningful. And I—I—it was a very symbolic and beautiful thing. And I didn’t even reali—you know, it—what I first, eh—it never occurred to me to paint it as a rainbow before. And then, uh, I actually a—a—a, uh—a person who just lives in the community. A mom who lost her son to suicide. He wasn’t gay. He killed himself—she says, “You know what? I feel an affinity to these parents—parents who have lost their child.” And she’s an artist. And she says, “Look what you could do. Painting this bandshell in rainbow.” And I didn’t realize there were exactly six ribs in the bandshell for the rainbow colors. And, um—and then Walt Disney World came and painted that. And it just—is—it—it makes such a stunning statement. And it’s such a beautiful testament to remembering the—the 49 fallen of Pulse. That was just—that was really cool to work on.&lt;/p&gt;
&lt;p&gt;Um, sidewalks. I’m really proud that we can—that we—that we have sidewalks within miles of our el—elementary school. I mean I remember when we used to open up the paper on the first day school and a half dozen kids were getting killed in the ‘90s. The late ‘90s to 2000s. You don’t—you don’t do—you don’t read that any more. We’ve become much more aware of pedestrian safety for children. And children aren’t getting killed walking to school on the first day of s—of school. I’m proud of that. When I was in second grade, one of my best friends got killed walking to school. Again, there was a lot of people says[sic], “Why are you doing this?” Or, “Why can’t we vote?” And I said, “Okay. If there’s 10 people that live on a street and two have children, do the two people that have children get outvoted by the other eight? And we don’t put sidewalks in for children? Really? Is that how that works?” Again, that tyranny of the majority.&lt;/p&gt;
&lt;p&gt;And I had to stand up for sidewalks. I got death threats [&lt;em&gt;laughs&lt;/em&gt;]. They had to park a police car in front of my house for 24 hours ‘cause the death threats got so bad. The Audubon Park people. Um, it is what it is. People take very crazy stances sometimes. You know? And you gotta fight for what you believe in. And I honestly—how am I gonna change my mind, you know, that—when I lost someone as a child. And I’m an adult. And I’m a decision-maker. And I get to make a—and I get to make a difference. Do I just roll over? And the crazy thing was that gave me the political courage to say, “Okay. I really believe in this. I’m gonna fight for it. Even if I don’t ever get reelected.” “You are never gonna get reelected again.” I’m like, “Okay. Well, I guess I’ll have to do that then. Because I believe that this an important leadership thing. Tha—this is an important leadership stance I need to take.&lt;/p&gt;
&lt;p&gt;Of course I got reelected the next time. ‘Cause people—people always say, “We’re gonna—we’re gonna make sure you never get reelected. And if you are always constantly worried about getting reelected, you will never get anything accomplished. Because there’s always a—there’s always people on two sides of an issue. Always. You have to pick a side or you’re schizophrenic. You cannot bend to please everyone. Is there a—there is even—I wanted to take the trash—I wanted to clean up the trash on Mills [Avenue] and I had someone that was opposed to the—that. How could anybody opp—[&lt;em&gt;laughs&lt;/em&gt;] you know? “We don’t like going to these new garbage cans.” Well, that’s ridiculous. But there’s always gonna be somebody against that. And you—you can’t just bend or you’re gonna be completely ineffective. So I’ve decided, you know, I’m gonna fight for what I believe in. And—and I think I’ve been pretty good at it.&lt;/p&gt;
&lt;p&gt;And the Main Street Districts are always—also something I’m really, really, really proud of. I mean we had all these great little areas that were so cool. I [inaudible] in Ivanhoe. And we did the—the, uh—they call it “Jingle Eve” now. But these[sic] big Christmas thing that we did. I’m like, &lt;em&gt;Why can’t we do special events to bring these folks together? &lt;/em&gt;Which had morphed into our Main Street program. And I’m very proud of that program. I mean whenever we get written up in national newspapers and travel magazines now, it’s usually our Main Streets. And I’m proud to have been a huge supporter of that program. And I love what they’re doing.&lt;/p&gt;
&lt;p&gt;And I—I—I—again—and public art. I mean we were—we were acting like public art was some kind of problem instead of something to be celebrated. And you—then when—when, um, Orlando City [SC] wanted to do murals all over the city to commemorate their news[sic], um—their new team, they said, “Well, you have to—you have to erase them.” You—we’re gonna [inaudible] tempor—I’m like, “Why would I want to do this temporarily? We have all this great art. Why can’t we find a way to legalize art?” So I worked on it—I worked on the orders with the planning staff. And now we’ve got art. But you have to go through a process. You have to get a permit. And it has—that’s what differentiate—differentiates you from the graffiti. So I—I was really proud to do that. I’m an artist. I love that kind of stuff.&lt;/p&gt;
&lt;p&gt;So, you know, you get to work on really cool things. I mean I’ve been here long enough to where I’ve gotten to do some really cool stuff over the years. And, uh, they’re things I love. And urban—everything from urban chickens, which was a lot of fun, you know? Slow food movement. Um, these are trends. I mean I go to—when I go to a city, I see what are[sic] they doing. What are the kind of cool, f—fun, funky things that they’re doing? And how can we bring ‘em here to Orlando? And urban chickens was one of ‘em. I mean, you know? Backyard chickens. People love that. You know? And I’ve had a great time doing it. And people say that, “My—my kids love having our chickens and going and getting the eggs.” And I love that it teaches kids that food doesn’t come from a grocery store. And it’s important to treat animals humanely. And there’s always lessons that come out of that.&lt;/p&gt;
&lt;p&gt;So it’s—it’s—it’s—it’s—need to be a—able to a part of, you know—of making that change in people’s lives. And it was something that people asked me to do. Um, so, and you know—I mean I’ve worked with everything from the Asian-American community, um, because they felt they were invisible and they wanted to be more involved in what was happening. And they’ve been really embraced by Mills 50 [District]. And they do the Asian Winter New Year, which is one of the coolest cultural festivals I think that we have. Um, it’s—it’s empowering people to be able to connect and do those things together. That’s the—that’s the neat part of the job.&lt;/p&gt;
&lt;p&gt;The awful part of the job is when, you know, people are just mean and hateful and say [inaudible]—they just want to suck the soul out of you and just write mean things to you in an email. And I’ll still help him. I don’t take on their anger and their meanness. But I’ll still—you know, like I say, “A broke[sic] clock is even work twice—is right twice a day.” But that’s the stuff that hurts. You know? I’m a human being. People forget that elected officials are people. And, you know, I have people write horrible things about me. But if it’s really, really nasty and it’s so unfair, I don’t even respond. Because I don’t want to dignify it with a denial. It’s not that I accept their opinion of me. It’s that some people—some things are just so bad that you have to—I learned a long time ago that sometimes allowing someone to scream an epithet at me in an empty room and walking away is a lot more impactful than screaming back at them. ‘Cause I’ve had that happen where someone called me the f-word, even though I’m not—I’m not a faggot. I’m a dyke [&lt;em&gt;laughs&lt;/em&gt;]. I’ve had someone call me that word. And I just walked away and I let it resonate. And, uh, sometimes that means more to people than shouting back [&lt;em&gt;phone rings&lt;/em&gt;]. And, you know, sometimes you gotta know when to walk away. I—believe me, I’m a fighter. But I’m not going to stoop to the level to rise to the occasion. I’m not gonna be like him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Well, is there anything else that you would like to, um, say or talk about that we haven’t talked about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;No. I just need to go to the collection to make sure you [&lt;em&gt;laughs&lt;/em&gt;] guys have got the proper stuff. ‘Cause some of this stuff, I don’t even know what it is [&lt;em&gt;laughs&lt;/em&gt;]. So—and I wanna make sure that we’ve got it categorized properly. Yeah. I think I need to do that ‘cause, you know—I mean, uh, ‘cause I had a really—I don’t think I’ve really donated to you guys. I think you probably got it from friends of friends. Or maybe through LCN or something like that. And I—and, you know, like I say, L—LCN was Love and Committed Network. That was the women’s group. And, you know, different things like that. So I just need to make sure we got the right, you know—we’re good—we’ve got the right stuff.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Alright. Well, thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Sure. Thank you. Thanks for coming over. I appreciate it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Of course.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Awesome.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;Alright.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref1"&gt;[1]&lt;/a&gt; University of Central Florida&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref2"&gt;[2]&lt;/a&gt; Gay Lesbian Bisexual Transgender&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref3"&gt;[3]&lt;/a&gt; Lesbian Gay Bisexual Transgender Questioning (or Queer)&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref4"&gt;[4]&lt;/a&gt; American docudrama miniseries about LGBT rights, created by Dustin Lance Black. The series originally aired from February 7, 2017 – March 3, 2017.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref5"&gt;[5]&lt;/a&gt; The March on Washington for Lesbian, Gay and Bi Equal Rights and Liberation took place on April 25, 1993.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref6"&gt;[6]&lt;/a&gt; Human Immunodeficiency Virus&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref7"&gt;[7]&lt;/a&gt; Acquired Immunodeficiency Syndrome&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref8"&gt;[8]&lt;/a&gt; Loving – Commitment – Networking. “A Women’s Organization”&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref9"&gt;[9]&lt;/a&gt; Transgender&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref10"&gt;[10]&lt;/a&gt; Caryn Elaine Johnson (November 13, 1955 - )&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref11"&gt;[11]&lt;/a&gt; Orlando Immunology Center&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref12"&gt;[12]&lt;/a&gt; Human Rights Campaign&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref13"&gt;[13]&lt;/a&gt; United States v. Windsor, 570 U.S.__(2013)&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref14"&gt;[14]&lt;/a&gt; Edith “Edie” Windsor (June 20, 1929 – present)&lt;/p&gt;
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                <text> Schneider, Sarah</text>
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                <text>Originally created by Scott Peterson and Sarah Schneider and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
              </elementText>
              <elementText elementTextId="642108">
                <text>Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed October 18, 2016. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
              </elementText>
              <elementText elementTextId="642109">
                <text>Ogles, Jacob. "&lt;a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank"&gt;Pride in Orlando Will Take on New Meaning&lt;/a&gt;." &lt;em&gt;The Advocate&lt;/em&gt;, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.</text>
              </elementText>
              <elementText elementTextId="642110">
                <text>Hyman, Jamie. "&lt;a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank"&gt;Community rises up after mass shooting at Orlando gay nightclub kills 49&lt;/a&gt;." &lt;em&gt;Watermark&lt;/em&gt;, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/.</text>
              </elementText>
            </elementTextContainer>
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              <elementText elementTextId="642111">
                <text>&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Stop. Take a break. Let us know. That’s fine. Um, do you have any questions or anything before we start?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Not off hand.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah. Uh, so I’ll sort of introduce it and then—and then I’ll start asking you questions. Oh. And also I won’t be responding. So my job is just to listen, hear your experience and I’ll just…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;And listen to me…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…ask questions.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…yammer on.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;But I won’t be saying, “Uh-huh. Yeah. Yeah.” ‘Cause that can get a [&lt;em&gt;laughs&lt;/em&gt;]—get annoying when you’re listening to the interview later. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;I’m really interested but I just won’t respond. So yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Sounds fair.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah. All set?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Yeah. We’re good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Alright.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Today is Sunday, October 23&lt;sup&gt;rd&lt;/sup&gt;, 2016. My name is Sarah Schneider and I am conducting an oral history interview with Scott Peterson of the Orlando Gay Chorus. The interview is being conducted at the Orlando Public Library in Orlando, Florida.&lt;/p&gt;
&lt;p&gt;Thank you for being here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;It’s my pleasure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And can you start off by stating your name for us?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Scott Peterson.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;That’s right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And, um—so could you tell me where you were born and how long you’ve been in Orlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;I was born in Des Moines, Iowa. And finished all my schooling in Iowa. Graduated college from the University of Northern Iowa and then immediately moved to Orlando because my sister was living here. And I didn’t have any other plans [&lt;em&gt;laughs&lt;/em&gt;]. So…&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, and, um, how long have you been part of the Orlando Gay Chorus?
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Uh. Well, let’s see. Oh, and then I—I moved here in ’85 to Orlando. And I joined the chorus in Christmas of ‘99—was the first performance that I sang with.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, and what brought you to the chorus?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;I had had my first relationship and it had ended a couple years prior to that. And, uh, was finally starting to want to be more social again. And—and I knew somebody who sang in the chorus. And I’d been to a couple of performances, but not really very many over the years. I hadn’t really been aware of it. I knew that it existed, but that’s it.&lt;/p&gt;
&lt;p&gt;So I went ahead and joined with my friend. And then just completely was taken in by the whole community and the sense of being able to sing, which I’ve always enjoyed since I was a kid. Although I don’t have any formal training in singing. Um, I did take one course one summer during college. But, um—so, uh, I don’t know. It was fun. And there were people that were fun and welcoming. And people to socialize with. So kind of initially, and probably my first motivation, was just to be social. And to be around a lot of other folks that were gay, which was kind of a treat at that point. Rather than just going to the gay bars.&lt;/p&gt;
&lt;p&gt;So, uh, it was beautiful. And it was a good cause. And it was all about music, which as I said, I’ve always enjoyed that. Then, thankfully, they were pretty welcoming. I don’t know how—I cannot officially read music but can follow very well. And you can kind of intuitively build, you know, a sense of following the notes and such. So I’m blessed enough to have some natural ability to do that. And to memorize music and—and it started there. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm. And what have been some of your favorite productions or events you’ve done over the years with them?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;sighs&lt;/em&gt;] Oh. Favorite things. Well, the GALA&lt;a title="" href="#_ftn1"&gt;[1]&lt;/a&gt; Festivals that they go to every four years are very memorable. Um, I didn’t go to one that happened the very first—or that following year after I joined. I was just a little green and not prepared to—to take a week off and invest the money that it takes to go on a trip to wherever the festivals are.&lt;/p&gt;
&lt;p&gt;Um, but, uh, been to four of them now. The first one I went to was in Montreal[, Québec, Canada], which was fun ‘cause that was the first time I’d actually been out of the country. So it was just overwhelming and very empowering to be at a place where there are all these people that are committed to making music and to the whole putting ourselves out there to—to kind of help bring about change ultimately. Very intrica—very slowly sometimes. But ultimately, if you just keep at it things do change. So that’s what I felt.&lt;/p&gt;
&lt;p&gt;So to be surrounded in that festival with all these people singing for each other—[inaudible]. I mean there’s a little bit of competition in a way just because people are naturally that way. But it’s not a completion. It’s just a festival of celebration. And celebrate all the choruses and all their efforts no matter how big they are or small.&lt;/p&gt;
&lt;p&gt;So, uh, it was very emotional. And it was very empowering. And kind to—all those experiences, and being with the chorus—I was thinking about that before I came today. It’s like, &lt;em&gt;What has it done for me s—on a personal level?&lt;/em&gt; Uh, and I was reflecting on that is to—growing up when I grew up, ‘cause I’m 57. 57 now. I was born in ’59. So my high school years were the ‘70s. I graduated high school in ’77. And at that point in time, being gay and in the Midwest, it was, you know. Des Moines’s a pretty good city. Pretty multicultural in some respects. But still it was pretty conservative. And it was in the ‘70s. And I didn’t know any other gay people. And, uh, you feel pretty isolated. And at first you don’t even know how to i—how to identify yourself that way. ‘Cause that was kind of—you didn’t have anything—there was nothing on television really to help you compare or contrast or to identify with. It was just knowing that you had a little different sense of people. And what you were attracted to as far as people. And not knowing what to do with that. And, of course, all the natural guilt that we’re always subjected to with society.&lt;/p&gt;
&lt;p&gt;And so that would have colored[?] my whole experience about myself and who I was. And about my sexuality. And then college kind of helped me explore a little bit to at least realize what I was about that way. And then, uh, you know, you muddle through. You get through college. And you find employment. And start your career. And then—but joining the chorus was the first time that I routinely was exposed to a large number of gay people, where you start to have some senses like, &lt;em&gt;Well, this is—it’s just—it’s—there’s diversity like crazy. Just as there is in the—in the straight population or the population of what you don’t even know what people are.&lt;/em&gt; And then to be in a gay population on a routine basis like that kind of helped me increasingly feel okay I guess about my sexuality. Even though I felt pretty blessed. My parents weren’t really—they weren’t shocked. Um, they were pretty—my parents had actually had parties and in—invited, uh, at least a couple of gay couples to ‘em over the years. But that was it. That was my only exposure. At least I had that much, thankfully. I was actually pretty grateful to—to them that they were open-minded enough to at least have that come into my awareness as a kid so I had some idea of where I might possibly go with my relationships.&lt;/p&gt;
&lt;p&gt;But—but the chorus has been, as I said, s—it’s such a[sic] empowering experience. Growthful[sic]. Yeah. You know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mm. And so you mentioned that you went to the GALA Chorus [Festival] in Montreal and …&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Montreal…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…um, [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…and then we had one in Miami[, Florida] four years later. And then now we’ve had two in Denver[, Colorado], which was really fun. I think the next one—next one is in Minneapolis[, Minnesota] in another four years.&lt;/p&gt;
&lt;p&gt;So, uh, they’re all very different. And—and to be immersed not only in your local community, but then to see such a massive community when you go to a GALA Festival. It’s like the hotels are full and the people out and about. And everybody’s being very prideful. And sh—displaying whatever. Whatever their lives are about with some sense of freedom to just express yourself and whatever it is. It’s—it’s a very beautiful thing. So…&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mm. And so, um, how did you hear about the Pulse shooting when you were…
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;I, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…in Orlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…well—well, it was Sunday. I don’t remember what I was doing anymore. I picked it up on the radio I guess. I listen to a lot of public radio. It’s kind of my go-to. And then the information started coming in. And it was, um—it’s one of those things you just, um—I guess it’s what you routinely hear with people who go through some kind of horrific event. You don’t really realize what’s going on right away. Or how it’s impacting you right away. A certain amount of you just kind of goes into shock.&lt;/p&gt;
&lt;p&gt;And then there were also—first thing is you’re, you know, so concerned about, &lt;em&gt;Was there anybody that I was close to that could have been there?&lt;/em&gt; It’s not a club that I frequented. I’d been a couple of times years ago. But, uh, I know a diverse group of people. And some are younger. Would tend to possibly have been there. And—and, uh—and you go through those—that time of trying to identify. And Facebook had this, uh, check-in feature that they put out, which was really nice. ‘Cause you could immediately go and find the people with that. But there was one particular person that I had in mind that it was like really concerned. I mean he wasn’t checking in. And it’s like—and so I had some of that sense of not knowing for a while. But that all worked out okay. But, certainly, I have friends of friends who either were pa—died or dramatically injured. So a lot of people were affected.&lt;/p&gt;
Um, and then it was interesting how the chorus was in that position. We were asked to come help right away as far as memorials or—there was one—I don’t know if it was that—it was Monday night I think. At Joy MCC&lt;a title="" href="#_ftn2"&gt;[2]&lt;/a&gt;. I don’t—I can’t remember the timing anymore. But one, very quickly, the—the—the MCC Church had a big memorial. Gathering people. And they asked the chorus to come and we were there. And then they just started coming more and more frequently. You know? A couple two or three times a week. Sometimes it became—suddenly these outreach experiences—what we called them is outreaches. When we perform outside of our regular big events—were happening routinely. And it was, um, kind of a journey. Kind of cathartic in a way ‘cause it was forcing us to re-experience our emotional reaction to what was happening. Kind of over and over again. So it probably helped speed up the process of recovering. Maybe. I don’t know. [inaudible]. It was pretty overwhelming, those first few days.
&lt;p&gt;I had kind of in a way—thankfully was, uh, due to leave town for a week to go spend time with my family. So went to a few outreaches and then I was pulled away to do that. And I kind of was glad because I felt like I needed a—it was so intense, the experience here, that it felt good to be pulled away and to go and kind of recover privately for a while. And then to—came back and—and involved in a lot of the outreaches as much as I can. Again since then. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…uh, Pulse kind of changed the whole trajectory of the chorus’s activity level.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And so can you say more about what—what the experience was like at the visual—at the vigils, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Uh, the vigils…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…what was that like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Uh, just very sorrowful. Um, especially the first time. There’s just a lot of tears. And realizing how you’re impacted and not even understanding when I haven’t personally lost someone that was integral to my life, and yet as a community, it felt so close to home. It felt very personal emotionally. Um, so I—that was—I kind of lost track of my—what was your question again?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, what was—what was it like being at the vigil? What was the atmosphere like? Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Oh. So that—yeah. So to—again, that cathartic [inaudible]—to even realize that you’re that hurt. You’re going through these expressions of caring and recognizing what’s happened to people. And what’s happened to our community. And—and the lives of those people who were impacted very, uh, personally. Um, being put into your awareness over and over again. With the ringing of the bells for instance. The most—other than that first night when we sang at Joy MCC Church, which was poignant. And the place was just full of people. It was very intense. And there were many pastors of many different faiths who were up at the front. And everybody trying to find their way to identify what’s happened. And—and to comfort. And to—to recognize the people that have lost their lives initially. It just—that emotional experience kept ebbing and flowing as far as how intense it would feel.&lt;/p&gt;
&lt;p&gt;But, uh, the most memorable thing was the, um—the sea of people that showed up for the—the memorial vigil that was, um, at the Dr. Phillips Center [for the Performing Arts] in that large yard out in front that backs up to the City Hall. And we showed up kind of early like we always do to try and get organized. And we’re usually preoccupied with where we—where are we gonna be? How many of us are gonna be here? What music are we gonna sing? Who’s gonna direct? It’s just logistics issues. And then we’re doing a lot of waiting. And then, finally, we go up onstage. And we’ve got everything prepared. We know what we’re gonna do. And you look out and the sun is starting to go down. And so the—the atmosphere ultimately became candles. And just a sea of people. And—and, uh, the ringing of the bells at the church next door. It, um—uh, very memorable.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Never ever in—in life I can’t imagine things much more poignant.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Um, that was—yeah. Well, that’s what I remember.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm. Um, and you said that the vigils continued over time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Lots of small…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…events. Um—uh, there have been—first responders had a breakfast. I know that some of us went and sang—I think they sang a song and—off—or national anthem maybe to start their event. So a lot of different groups that would never have thought to reach out to the chorus for—to help make their event. To help add to the ceremony. We’ve been doing that routinely now. So, uh, first responders. Um, the different pride events around Central Florida. We just did Volusia [County] this weekend. And we did, uh, one over in Melbourne[, Florida], uh, perhaps three—I think three weeks ago. Um, we have others that are coming up that had just—like two or three a week. It’s slowed down a little but now, but there still are—we’re frequently thought of and asked if we can come and support and sing a couple songs or, uh—Volusia we just did a 30, 40-minute set for them to help celebrate pride. Um, so that’s been frequent.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;We used to do—I would say the chorus would do probably 10 or a dozen outreaches maybe over a span of a year before that. Normally we have two major performances. Um, one for the holiday and one in the spring. Um, which are full-on, you know, performances at the, uh, Plaza Theater&lt;a title="" href="#_ftn3"&gt;[3]&lt;/a&gt;. And then we also offer three, uh—what do they call them? Cabarets. Through the year. Um, one was[sic] just happened this Friday. Thursday? Thursday. Friday? Well, anyway, it just happened. And it was Friday. And &lt;em&gt;Uncut&lt;/em&gt;’s a little racy. So that happens at the Parliament House, which is an appropriate setting to have racy kind of [&lt;em&gt;laughs&lt;/em&gt;]—a racy show. And then the other one—one is called &lt;em&gt;Love Is&lt;/em&gt;, which is sweet and comes[?] around Valentine’s Day, which is the anniversary of the chorus. Valentine’s Day. And then the other one I’m trying to [inaudible] continue off the top of my head right at the moment with the other ensemble or the outreach [inaudible]. Um, whatever it is that they’re called.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;But we’ve been doing that for a long time. So have five performances that are kind of built into our schedule here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Aside from that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And what were some of the songs and their content of the—of what you sang? Um, and was that typical or different for…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;For the vigils?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…the vigils? Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Uh, thankfully we had just finished a—a performance that—this spring that had a few songs that kind of lent to the subject matter of what would feel appropriate to sing. Uh, “True Colors” is one that kind of became a signature so to speak to the event. Uh, we sang that at the—the [Joy] MCC Church that first night. And they’ve done it many, many times since then. Um, it just works.&lt;/p&gt;
&lt;p&gt;There were quite a few songs. Uh, I’m not really the best to tell you as far as pulling times off the top of my head. But, um, “You’ll Never Walk Alone” has been used a lot. “True Colors”. Um, I don’t know. I can almost see the titles. But—and, uh, we had—we were preparing to go to Denver for the latest GALA Festival [&lt;em&gt;door closes&lt;/em&gt;] right at the same time that Pulse happened. We’d already put together a different song format when we’re preparing to learn songs to go to GALA this last, um, June. June or July. And then—July. And then changed and actually used music that had been from our just previous concert that we already pretty much knew. And pretty much sculpted the theme of the musical we presented to be appropriate to the tragedy at Pulse when we went to GALA.&lt;/p&gt;
&lt;p&gt;So that was a very interesting experience. Going to GALA right after that. Being with the larger gay community from across the country, uh, was extremely moving. Uh, the other choruses were very, uh, acknowledging of what our chorus had done. And how we were—had responded to the community’s need. And also, what had probably—I assume they were sensing would have affected us personally, being so close to the tragedy. Um, it was a very, uh—when you’re kind of hurt and you want to be with family. Or, you know, when you kind of want to retreat. It felt something like that on a—but on this global scale with so many people. It was so, uh, uplifting and heartwarming to realize that you could kind of let yourself down and—and repeatedly break into tears occasionally. Just because you’re remembering or you’re realizing how much you’ve been holding attention from what had happened. And trying to be there and be strong for the community. And yet, you have your own needs. Your own personal adjustment that you’re still going through. So they were—they were beautiful. All the choruses.&lt;/p&gt;
&lt;p&gt;And—and especially during our performance when we were sculpting it to recognize what had happened at Pulse. And we had some visuals that went with the music. And it became a whole—that whole theater was just full of people emotionally responding and singing with us at one particular song. Um, I wish I could tell you which it was off the top of my head. But the whole place is trying to sing. And—and crying through it at the same time, which the chorus was even suffering a little bit on trying to keep ourselves together. It was such a memorable—everyone holding hands through this massive—it’s a big, huge theater that—where we were. It’s just really emotional.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;And helpful. Beautiful at the same time. It was hard. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Yeah. But that’s been life.&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm. Yeah. I was wondering what your thoughts have been about the reaction either of the other gay choruses or of the local communities or…
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Local community?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…everything. I’m curious what—yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Um, I’m really surprised…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…honestly. And proud of Orlando. And how it’s—it seemed to step up to and recognize and embrace. I mean at—this tragedy certainly affected everybody in the local vicinity more personally because it was so close to home. But to have the sense that they were embracing the gay community and the Latin gay community. And just trying to comfort is how it felt. It felt like they were really ready to step up and—and try and protect and comfort.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Especially those subsects of our—subsets of our community that may have felt it more personally. Um, and I still see some of that. And it’s still—it’s changed my concept of Orlando. As far as the culture, I always felt that it was a—it’s a nice place. I’ve enjoyed living here. But it always seems for newcomers—I always hear that it’s kind of hard to make friends. It’s hard to meet people. It’s hard to find a community to connect with. Um, and that seems much in contrast with what I saw happen after Pulse. And how the whole city seemed to react and want to—to mourn together and to recognize together. And to—and to support the people that were hurt personally as much as possible, too. It’s been very beautiful.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;I really am proud and surprised at how—to the degree which this—that everybody stepped up [&lt;em&gt;sighs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah. Did you, um, experience feedback as part of the gay chorus from [inaudible]—um, did you hear from people outside the local community? Um, I know you mentioned being at GALA. But was there anything else that you heard from other communities after Pulse happened?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Well, of course, my family. My family’s across the coun—my sister’s in Asheville[, North Carolina]. And, um, my parents live with my brother and his family—step-sister are all back in the Des Moines area still. Um, so you know that sense, it’s kind of like when a hurricane happens or some other horrific thing, it’s like family calls to check in. Friends from far away will call to check in to make sure you’re alright. And there was some of that, too. You could tell that the whole country on different—to whatever degree that they would recognize what was happening here. It was very personal crisis for the people that are nearby. Anyway, I—I saw them and quite a bit.&lt;/p&gt;
&lt;p&gt;And the news. I tend to listen to public radio, as I said. So public radio tends to be a little bit more socially maybe sensitive. Maybe minded. And so I did hear stories about things around the country. And people having vigils around the country. And it was nice to—to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…feel supported that way.&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, what are your thoughts about—do you have—you mentioned you’d been to Pulse, but it maybe wasn’t a central place for you. But what sort of—what did you think of it then? And what, if anything, does it mean to you or represent to you now?
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;That’s a—well, initially it became one of those places where you have to make a choice. Are you prepared to drive by, of course, for the first couple of months. They were—I think it was a couple of months before I decided to travel down Orange Avenue. Um, and I was kind of glad it wasn’t as—I was glad I finally did it. It wasn’t as awful as I thought. And then, uh, I don’t know. I just—it wasn’t a real personal club for me. Like I said, I was thought it was more for a younger [inaudible]—uh, age group generally. It’s a generalization.&lt;/p&gt;
&lt;p&gt;But, um, the memorial of—that’s been built there with people responding—I’ve seen many people like taking vigils to go and experience some sense of being closer to the people that were hurt and were killed. Uh, they’re still real present. I mean just the other night we went to the vigil that, um—it was a[sic] art experience. They were trying to do healing with art. And created this big banner. And, uh, put it up on the side of the wall. And this was the first time apparently that they’ve allowed public inside the fencing that was put up as a perimeter to protect the—the building and—and the investigation that was going on initially.&lt;/p&gt;
&lt;p&gt;So it—it was interesting. It kind of felt like an opportunity for—or a time for the community to start taking back a little bit. It’s like to—a place that nobody seemed welcome inside of anymore. It was like a forbidden kind of sense about it. And now it feels like that’s starting to be chipped away at. And that I guess I can—apparently, I understand that they may reestablish a cl—the club there. Or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…I think that that’s the plan. I don’t really pay attention to this ultimately. But—or that there may be a memorial. Or I don’t know what they’re going to do. But, um—but I think that was like—it was an experience, again, where eventually it will be taken back. And every bill—everybody will have access to that. What was apparently a really central place for a community to meet. For all the folks that were frequent—frequently went there.&lt;/p&gt;
&lt;p&gt;But, um, it was kind of nice. I’m glad that they had that event. That started making [inaudible]. But hard to imagine actually walking in there. But everything will change. And everything does eventually heal. No matter what the trauma you experience in your life. Every—time always makes things okay again. All the time—or at least livable. So I can see them having a club again.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm. Um, and did—did social media play any role in your experience of the aftermath of the shooting? I mean you mentioned the checking in.
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;The checking in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;And then really moving was seeing the mosaics. People were creating mosaics of the people whose lives were lost immediately. Um, which was beautiful in a way because it made it more personal. You can see someone’s face. And you can—it helps—it helps me sense that I had an emotional connection to the people that died. And I actually—although I’ll never have known them, but it just—something about seeing human faces, and it—it helped. It helped make it more real and made the emotions seem to make sense.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;So that was really dramatic. Facebook really made that possible. Um, a much quicker way. You know, all the expressions of love. And all the outreaches that the chorus would do. There’s always pictures taken. And posting so you can identify that you were there. And kind of helps create a, um—a—a record. Like a personal record, too. Just, you know—you can save posts. And now I have something that can ultimately go back and when I want to remember what that journey was like and what it felt like at different points of time after that happened. Um, it’s a very beautiful thing that we have that. To—to personally archive events that happened to us to easy[sic].&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mm. Um, so what do you hope that the long-term consequences of the Pulse shooting will be for the Orlando gay community, um, and for the larger city as a whole?
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Or even the country I…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…hope. I—I thought of this fairly early on, too. It’s like it seems so almost—I don’t know. I almost feel a little bit of, um—a little bit of guilt on some level of wanting to see a silver lining when people’s lives were taken. Where people’s lives were so dramatically altered and hurt. Um, but I kind of felt that or sensed it that that potential existed kind of early on. It’s like such an awful thing to see the way the country was reacting, and in particular the way Orlando was reacting, was very heartwarming. Very encouraging. Um, to further what has been such a long struggle as people have put themselves out there.&lt;/p&gt;
&lt;p&gt;And many people have died over time as a result of a focused assault on gay people. But, uh, I’ve seen a lot change in my lifetime in that respect. Even to the point of gay marriage now being legal, which when I was a kid—when I was a teenager, never would have dreamt of such a thing ever. Not in my—from that vantage point, seeing what it was like to be gay. And that it was such a closeted thing. And—and, uh—and that people could get hurt. That—to think it could come to the point where finally the majority of people recognize and stand up and were willing to protect rights of gay people, too.&lt;/p&gt;
&lt;p&gt;Um, so it kind of seems like we’ve come through so much already. And then to have such an awful event. And then to witness, because so much has already been done socially, where people are getting to the point where they seem to understand a little bit, that just like anybody else—that gay people have—need to be protected and cared for just like any other subsects in our country. Um, it kind of—it seems like there’s some beautiful, divine plan. That ultimately, society is growing. Society is getting better towards—towards everybody’s benefit. That I think the more inclusive we are, the more able to empathize with and care for people that are—have different experiences than what we have. That ultimately, we’re all better off. That that’s a much stronger place to be. Which is kind of somewhat helpful because the other influences across the world don’t seem like we’re going that way. There’s so much hate. And the terrorism. And all the misunderstanding. People don’t understand each other. And people get all confused about what other people’s motivations are. So much destruction happens, but this is kind of a case of—we’re seeing something getting better. That maybe for the human race in general that there’s some—that there’s better hope that we can continue to be better at taking care of each other.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;So just a nice piece of evidence that there is hope.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;strong&gt;Schneider&lt;/strong&gt;&lt;br /&gt;&lt;p&gt;Um, do you have any other reflections about the Pulse shooting or being a member of the gay chorus? Or anything else that—that you’d like to talk about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Um, the Pulse shooting? No. The gay chorus is, uh—it’s kind of interesting ‘cause I’m becoming one of the older members in the chorus now [&lt;em&gt;laughs&lt;/em&gt;]. Um, ‘cause when I joined, let’s see—’99 I would have been—I was 41? Yeah. 40. I was 40 when I joined the chorus, which is—well, it’s still relatively—and I’m still relatively young. But—but a lot of time has gone on. And we have younger people now that are part of the chorus. We’ve always been really good at having a pretty diverse, uh, age group. Like we have some folks that have been in their eighties. I think we had a member that was 80 plus. And we’ve had some that were actually minors still. And, um, a parent would join the chorus as a support person. And then the minor child was singing with the chorus. We’ve had that happen more than once.&lt;/p&gt;
&lt;p&gt;So, uh, it’s interesting to see the young people and—that get to experience—especially young gay people because of that community we have. And to see how their lives are so much different than what my life was like going through those times of [inaudible]. Um, it’s nice. It’s a—it’s something that’s alive. It’s a community that continues to grow. It has generations. It’s, um—it’s—it’s very much like a big family in a way. It’s still—and some of the relationships are actually in some ways more important that some folks develop than maybe the relationships that they currently have with their family members. ‘Cause there are still people that suffer from not having support. Or—or have relationships that are severely damaged with their biological family. Hopefully a lot less than it used to be. But that does certainly still happen. Even with the young folks. So in that respect, also, the chorus becomes more than just s—it becomes friendships. And it becomes people you rely on. And people that will be there when crises happen. And we kind of take care of each other. And respect[?] us[?]. So it’s interesting how the chorus is more than just a singing group. And more than just a, uh, social advancement movement. That it’s also a huge community of people. And it’s kind of nice. That’s how I feel about the chorus.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Is there anything else you wanted to share or talk about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;sighs&lt;/em&gt;] No. Not off the top of my head [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Well, thank you so much. We really appreciate that you were willing to do an interview.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Thanks for all of the effort to—this is a beautiful thing…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;… that you’re doing. How many interviews do you think you’re having?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um [&lt;em&gt;sighs&lt;/em&gt;]. Maybe about 30. I’m—I’m not positive.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Oh. It’s…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;But I know a good number…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…at least. Yeah. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Hm.That’s a good third, approximately…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…of the chorus. That’s great.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah. Thank you so much.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref1"&gt;[1]&lt;/a&gt; Gay and Lesbian Association of Choruses&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref2"&gt;[2]&lt;/a&gt; Joy Metropolitan Community Church&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref3"&gt;[3]&lt;/a&gt; The Plaza Live&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                <text>Sallah, Michael. "&lt;a href="http://www.miamiherald.com/news/state/florida/article84076637.html" target="_blank"&gt;What happened between 2 and 5 a.m.? The Orlando massacre, minute by minute&lt;/a&gt;." &lt;em&gt;Miami Herald&lt;/em&gt;, June 15, 2016. Accessed November 7, 2016. http://www.miamiherald.com/news/state/florida/article84076637.html.</text>
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                <text>Sallah, Michael. "&lt;a href="http://www.miamiherald.com/news/state/florida/article84076637.html" target="_blank"&gt;What happened between 2 and 5 a.m.? The Orlando massacre, minute by minute&lt;/a&gt;." &lt;em&gt;Miami Herald&lt;/em&gt;, June 15, 2016. Accessed November 7, 2016. http://www.miamiherald.com/news/state/florida/article84076637.html.</text>
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                <text> Sayer, Harry. "&lt;a href="http://www.orlandoweekly.com/Blogs/archives/2016/06/13/heres-every-orlando-area-vigil-and-memorial-happening-for-the-pulse-victims#" target="_blank"&gt;UPDATED: Every Orlando area vigil and memorial happening this week&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;, June 17, 2016. Accessed November 7, 2016. http://www.orlandoweekly.com/Blogs/archives/2016/06/13/heres-every-orlando-area-vigil-and-memorial-happening-for-the-pulse-victims#.</text>
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In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                <text>Sallah, Michael. "&lt;a href="http://www.miamiherald.com/news/state/florida/article84076637.html" target="_blank"&gt;What happened between 2 and 5 a.m.? The Orlando massacre, minute by minute&lt;/a&gt;." &lt;em&gt;Miami Herald&lt;/em&gt;, June 15, 2016. Accessed November 7, 2016. http://www.miamiherald.com/news/state/florida/article84076637.html.</text>
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                <text> Alvarez, Lizaette and Richard Perez-Pena. "&lt;a href="http://www.nytimes.com/2016/06/13/us/orlando-nightclub-shooting.html?_r=0" target="_blank"&gt;Orlando Gunman Attacks Gay Nightclub, Leaving 50 Dead&lt;/a&gt;." &lt;em&gt;New York Times&lt;/em&gt;, June 12, 2016. Accessed November 7, 2016. http://www.nytimes.com/2016/06/13/us/orlando-nightclub-shooting.html?_r=0.</text>
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                  <text> In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                  <text> In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                  <text> In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                <text>Sallah, Michael. "&lt;a href="http://www.miamiherald.com/news/state/florida/article84076637.html" target="_blank"&gt;What happened between 2 and 5 a.m.? The Orlando massacre, minute by minute&lt;/a&gt;." &lt;em&gt;Miami Herald&lt;/em&gt;, June 15, 2016. Accessed November 7, 2016. http://www.miamiherald.com/news/state/florida/article84076637.html.</text>
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                <text>Original photograph of a rainbow colored banner posted by the City of Orlando on a streetlight post on Orange Avenue, down the street from Pulse nightclub. The banner reads, "Orlando United. #OrlandoUnited. Downtown South".
Pulse was located at 1912 South Orange Avenue in Orlando, Florida.

In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                <text>Sallah, Michael. "&lt;a href="http://www.miamiherald.com/news/state/florida/article84076637.html" target="_blank"&gt;What happened between 2 and 5 a.m.? The Orlando massacre, minute by minute&lt;/a&gt;." &lt;em&gt;Miami Herald&lt;/em&gt;, June 15, 2016. Accessed November 7, 2016. http://www.miamiherald.com/news/state/florida/article84076637.html.</text>
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                <text> Alvarez, Lizaette and Richard Perez-Pena. "&lt;a href="http://www.nytimes.com/2016/06/13/us/orlando-nightclub-shooting.html?_r=0" target="_blank"&gt;Orlando Gunman Attacks Gay Nightclub, Leaving 50 Dead&lt;/a&gt;." &lt;em&gt;New York Times&lt;/em&gt;, June 12, 2016. Accessed November 7, 2016. http://www.nytimes.com/2016/06/13/us/orlando-nightclub-shooting.html?_r=0.</text>
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                <text> Ogles, Jacob. "&lt;a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank"&gt;Pride in Orlando Will Take on New Meaning&lt;/a&gt;." &lt;em&gt;The Advocate&lt;/em&gt;, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.</text>
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                <text> Sayer, Harry. "&lt;a href="http://www.orlandoweekly.com/Blogs/archives/2016/06/13/heres-every-orlando-area-vigil-and-memorial-happening-for-the-pulse-victims#" target="_blank"&gt;UPDATED: Every Orlando area vigil and memorial happening this week&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;, June 17, 2016. Accessed November 7, 2016. http://www.orlandoweekly.com/Blogs/archives/2016/06/13/heres-every-orlando-area-vigil-and-memorial-happening-for-the-pulse-victims#.</text>
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                <text> Bevil, Dewayne and Desiree Stennett. "&lt;a href="http://www.orlandosentinel.com/news/pulse-orlando-nightclub-shooting/os-pulse-vigil-lake-eola-20160619-story.html" target="_blank"&gt;Crowd estimated at 50,000 packs into Lake Eola Park for Pulse vigil&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, June 19, 2016. Accessed November 7, 2016. http://www.orlandosentinel.com/news/pulse-orlando-nightclub-shooting/os-pulse-vigil-lake-eola-20160619-story.html.</text>
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                <text> Weiner, Jeff. "&lt;a href="http://www.orlandosentinel.com/news/pulse-orlando-nightclub-shooting/os-pulse-nightclub-orlando-update-20161107-story.html" target="_blank"&gt;Orlando to buy Pulse nightclub, turn it into memorial&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, November 8, 2016. Accessed November 9, 2016. http://www.orlandosentinel.com/news/pulse-orlando-nightclub-shooting/os-pulse-nightclub-orlando-update-20161107-story.html.
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                  <text> In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                <text>Original photograph of a sign in front of Pulse nightclub containing the club's name and logo. The sign is surrounded by  candles, keepsakes, stuffed animals, photographs of victims, drawings, paintings, flowers, arts and crafts, which were placed in tribute to the victims of a mass shooting that occurred there. Pulse was located at 1912 South Orange Avenue in Orlando, Florida.

In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                  <text> In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                <text> Weiner, Jeff. "&lt;a href="http://www.orlandosentinel.com/news/pulse-orlando-nightclub-shooting/os-pulse-nightclub-orlando-update-20161107-story.html" target="_blank"&gt;Orlando to buy Pulse nightclub, turn it into memorial&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, November 8, 2016. Accessed November 9, 2016. http://www.orlandosentinel.com/news/pulse-orlando-nightclub-shooting/os-pulse-nightclub-orlando-update-20161107-story.html.
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                  <text> In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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Located at 1300 North Mills Avenue, the building housing St. Matthew's Tavern was once a neighborhood gay bar called Paradise. St. Matthew's Tavern opened in December 2013, featuring a tavern style theme mixed with church pews. The bar allows St. Dorothy's Catholic Community to host Mass every Sunday at 11:00 a.m. The group celebrates "love without judgment flowing from Catholic Apostolic tradition." St. Dorothy's, who is not affiliated with the Roman Catholic Diocese, welcomes members who are divorced, gay or "recovering" Catholic.

In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                <text>Sullivan, Erin. "&lt;a href="http://www.orlandoweekly.com/Blogs/archives/2013/12/03/st-matthews-tavern-offers-bar-and-church-in-one" target="_blank"&gt;St. Matthew's Tavern offers bar and church in one&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;, December 3, 2013. Accessed November 7, 2016. http://www.orlandoweekly.com/Blogs/archives/2013/12/03/st-matthews-tavern-offers-bar-and-church-in-one.</text>
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                <text> Sallah, Michael. "&lt;a href="http://www.miamiherald.com/news/state/florida/article84076637.html" target="_blank"&gt;What happened between 2 and 5 a.m.? The Orlando massacre, minute by minute&lt;/a&gt;." &lt;em&gt;Miami Herald&lt;/em&gt;, June 15, 2016. Accessed November 7, 2016. http://www.miamiherald.com/news/state/florida/article84076637.html.</text>
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                <text> Alvarez, Lizaette and Richard Perez-Pena. "&lt;a href="http://www.nytimes.com/2016/06/13/us/orlando-nightclub-shooting.html?_r=0" target="_blank"&gt;Orlando Gunman Attacks Gay Nightclub, Leaving 50 Dead&lt;/a&gt;." &lt;em&gt;New York Times&lt;/em&gt;, June 12, 2016. Accessed November 7, 2016. http://www.nytimes.com/2016/06/13/us/orlando-nightclub-shooting.html?_r=0.</text>
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                <text> Ogles, Jacob. "&lt;a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank"&gt;Pride in Orlando Will Take on New Meaning&lt;/a&gt;." &lt;em&gt;The Advocate&lt;/em&gt;, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.</text>
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                <text>Names of Pulse Victims</text>
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                <text>Original photographs of a painting of a heart with the names of all the victims of a mass shooting that occurred at Pulse nightclub. The canvas painting was placed in front of the club as a tribute to the victims. Pulse was located at 1912 South Orange Avenue in Orlando, Florida.

In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                <text>Original color photographs: &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;, University of Central Florida, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/205" target="_blank"&gt;Pulse Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Cravero, Geoffrey</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>Sallah, Michael. "&lt;a href="http://www.miamiherald.com/news/state/florida/article84076637.html" target="_blank"&gt;What happened between 2 and 5 a.m.? The Orlando massacre, minute by minute&lt;/a&gt;." &lt;em&gt;Miami Herald&lt;/em&gt;, June 15, 2016. Accessed November 7, 2016. http://www.miamiherald.com/news/state/florida/article84076637.html.</text>
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                <text> Alvarez, Lizaette and Richard Perez-Pena. "&lt;a href="http://www.nytimes.com/2016/06/13/us/orlando-nightclub-shooting.html?_r=0" target="_blank"&gt;Orlando Gunman Attacks Gay Nightclub, Leaving 50 Dead&lt;/a&gt;." &lt;em&gt;New York Times&lt;/em&gt;, June 12, 2016. Accessed November 7, 2016. http://www.nytimes.com/2016/06/13/us/orlando-nightclub-shooting.html?_r=0.</text>
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                <text> Ogles, Jacob. "&lt;a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank"&gt;Pride in Orlando Will Take on New Meaning&lt;/a&gt;." &lt;em&gt;The Advocate&lt;/em&gt;, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.</text>
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                <text> Sayer, Harry. "&lt;a href="http://www.orlandoweekly.com/Blogs/archives/2016/06/13/heres-every-orlando-area-vigil-and-memorial-happening-for-the-pulse-victims#" target="_blank"&gt;UPDATED: Every Orlando area vigil and memorial happening this week&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;, June 17, 2016. Accessed November 7, 2016. http://www.orlandoweekly.com/Blogs/archives/2016/06/13/heres-every-orlando-area-vigil-and-memorial-happening-for-the-pulse-victims#.</text>
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                <text> Bevil, Dewayne and Desiree Stennett. "&lt;a href="http://www.orlandosentinel.com/news/pulse-orlando-nightclub-shooting/os-pulse-vigil-lake-eola-20160619-story.html" target="_blank"&gt;Crowd estimated at 50,000 packs into Lake Eola Park for Pulse vigil&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, June 19, 2016. Accessed November 7, 2016. http://www.orlandosentinel.com/news/pulse-orlando-nightclub-shooting/os-pulse-vigil-lake-eola-20160619-story.html.</text>
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                <text> Weiner, Jeff. "&lt;a href="http://www.orlandosentinel.com/news/pulse-orlando-nightclub-shooting/os-pulse-nightclub-orlando-update-20161107-story.html" target="_blank"&gt;Orlando to buy Pulse nightclub, turn it into memorial&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, November 8, 2016. Accessed November 9, 2016. http://www.orlandosentinel.com/news/pulse-orlando-nightclub-shooting/os-pulse-nightclub-orlando-update-20161107-story.html.
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        <name>Akyra Monet Murray</name>
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        <name>Angel L. Candelario-Padro</name>
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                  <text> In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                <text>Originally created by Sarah Schneider and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>Neale, Rick. ""Orlando vigil attracts thousands to Dr. Phillips Center." &lt;em&gt;Florida Today&lt;/em&gt;, June 13, 2016. Accessed April 13, 2017.</text>
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                <text>Sallah, Michael. "&lt;a href="http://www.miamiherald.com/news/state/florida/article84076637.html" target="_blank"&gt;What happened between 2 and 5 a.m.? The Orlando massacre, minute by minute&lt;/a&gt;." &lt;em&gt;Miami Herald&lt;/em&gt;, June 15, 2016. Accessed November 7, 2016. http://www.miamiherald.com/news/state/florida/article84076637.html.</text>
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                  <text> In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                <text>Original photograph of a large crowd that gathered for a vigil that was held for the victims of the Pulse Nightclub shooting. The event was held at the Dr. Phillips Center for the Performing Arts at 445 South Magnolia Avenue in Orlando, Florida, on June 13, 2016. Pulse was located at 1912 South Orange Avenue in Orlando, Florida. In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                <text>Neale, Rick. ""Orlando vigil attracts thousands to Dr. Phillips Center." &lt;em&gt;Florida Today&lt;/em&gt;, June 13, 2016. Accessed April 13, 2017.</text>
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                <text>Sallah, Michael. "&lt;a href="http://www.miamiherald.com/news/state/florida/article84076637.html" target="_blank"&gt;What happened between 2 and 5 a.m.? The Orlando massacre, minute by minute&lt;/a&gt;." &lt;em&gt;Miami Herald&lt;/em&gt;, June 15, 2016. Accessed November 7, 2016. http://www.miamiherald.com/news/state/florida/article84076637.html.</text>
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                <text>Sallah, Michael. "&lt;a href="http://www.miamiherald.com/news/state/florida/article84076637.html" target="_blank"&gt;What happened between 2 and 5 a.m.? The Orlando massacre, minute by minute&lt;/a&gt;." &lt;em&gt;Miami Herald&lt;/em&gt;, June 15, 2016. Accessed November 7, 2016. http://www.miamiherald.com/news/state/florida/article84076637.html.</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The Fifteenth United States census records for Double Run, Georgia in Hickox County for 1930. The census divides the population into categories of name, age, sex, race, marital status, occupants and relation to head of house, whether the home is owned or rented, value of home or rent, whether home is a farm residence, and whether the home has a radio. It also records college attendance, literacy, birthplace and birthplace of parents, citizenship status, language spoken before coming to United States, year of immigration, occupation or business, class of worker, whether they worked the previous day, military status, and the war or expedition participated in. &lt;br /&gt;&lt;br /&gt;A notable individual listed in this record is Major James Lamarr Moore (1923-1994), who appears on sheet 2B, line 78. Major Moore was born to Raymond R. Moore and Nettie Mae Moore on December 14, 1923 in Oxford, Alabama. At the time of the census, James (line 74) was six years old and Raymond Moore (listed as G. R.) was a farmer. His parents are listed on lines 76 and 77, and his four siblings are listed on lines 79, 80, and 1 and 2 on the next sheet. James enlisted in the United States Army on January 1, 1923, to serve in World War II. His military career spanned two decades and he ended his service as a Major. As a civilian, he married twice and had four children and three step-children. He owned and operated GEICO Insurance offices and was also a partner in the Fed Chek organization, where he served as Vice President. He died from heart failure of June 26, 1994, and is interned at Florida National Cemetery in section MC, site 19.He is one of the individuals commemorated in the &lt;a href="http://vlp.cah.ucf.edu"&gt;Veterans Legacy Project&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s Veterans Legacy Program. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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John M. Antuono was born in Port Tampa, Florida, to Italian immigrants, Vincent and Christina Antuono. Antuono was drafted into the United States Army on October 8, 1917, and served in several units. He served in Europe with the 324th Infantry, which was part of the 81st Division. He left the military on September 3, 1919. After his service, Antuono held several jobs involving the cigar industry and bookkeeping, until his death on March 20, 1992. He is buried in the Florida National Cemetery in Bushnell, Florida.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;.  The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public.  The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students.  The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data.  The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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Harry Gittleman was born in New York in 1916, and grew up with his family in Brooklyn. His parents were Jewish immigrants from Europe, who immigrated to the United States in the early 1900s. Gittleman served in the United States Army during World War II. He began his military service in March of 1943, and served until August of the same year. He eventually moved to Florida, where he owned a clothing boutique in Tamarac. Gittleman passed away in 1995, and is buried in Florida National Cemetery in Bushnell, Florida, with his wife, Anne Molly Gittleman.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;.  The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public.  The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students.  The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data.  The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>A page from &lt;em&gt;The Davenport Democrat and Leader&lt;/em&gt; from November 8, 1918. One of the articles reports casualties of World War I. Fred Kalinchuk is listed as missing in action. His status would later be corrected in some newspapers as wounded in action, degree undetermined. The newspaper was founded as &lt;em&gt;The Democratic Banner&lt;/em&gt; in 1848, and was sold in 1855 to a group of businessmen and rechristened &lt;em&gt;The Iowa State Democrat&lt;/em&gt;. The name changed again in 1903 to &lt;em&gt;The Davenport Democrat&lt;/em&gt;, and after purchasing its rival newspaper, &lt;em&gt;The Davenport Leader&lt;/em&gt; in 1905, the name became &lt;em&gt;The Davenport Democrat and Leader&lt;/em&gt;, under the city editorship of Ralph W. Cram. The newspaper eventually settled on its current name, &lt;em&gt;The Quad-City Times&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;
Fred Kalinchuk was born in Russia in 1896, and immigrated to the United States in 1913. He lived in Cleveland, Ohio with his family before enlisting in the United States Army in 1918. Soon after joining the Army, he became a naturalized citizen while stationed in Georgia. Kalinchuk fought in France during World War I, including in the Oise-Aisne offensive. He was wounded during that time and was awarded the Purple Heart. After his military service, Kalinchuk worked as a patternmaker and started a family in Cleveland. He later moved to Florida and passed away in Citrus, Florida, in 2007. He is buried at Florida National Cemetery in Bushnell, Florida, with his son, Walter Kallin, who served in World War II.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;.  The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public.  The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students.  The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data.  The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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Harry Carson was born in Russia in 1897 and immigrated to the United States in 1907. Carson and his family were Jewish, and they most likely immigrated to the United States in order to flee persecution and violence that they faced as Jews living in Russia in the early twentieth century. After arriving in the United States, Harry grew up in Rochester, New York. In April of 1915 he enlisted in the US Army and served in the 12th Cavalry Regiment until August of 1919. During his service he may have been sent to New Mexico in order to patrol the US-Mexican border. After his service, Carson worked as an intelligence agent for the FBI. He eventually moved to Florida and passed away in 1989. Carson is buried at Florida National Cemetery.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;.  The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public.  The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students.  The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data.  The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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Harry Carson was born in Russia in 1897 and immigrated to the United States in 1907. Carson and his family were Jewish, and they most likely immigrated to the United States in order to flee persecution and violence that they faced as Jews living in Russia in the early twentieth century. After arriving in the United States, Harry grew up in Rochester, New York. In April of 1915 he enlisted in the US Army and served in the 12th Cavalry Regiment until August of 1919. During his service he may have been sent to New Mexico in order to patrol the US-Mexican border. After his service, Carson worked as an intelligence agent for the FBI. He eventually moved to Florida and passed away in 1989. Carson is buried at Florida National Cemetery.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;.  The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public.  The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students.  The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data.  The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The United States of America Petition for Citizenship and Naturalization Card for William Kirlew. The form includes the name, residence, occupation, race, place of birth, marital status and children, last foreign residence, date of immigration, an affidavit witness and signature.&lt;br /&gt;&lt;br /&gt;
William Kirlew (1898-1991) enlisted in the United States Army while a student at Virginia Union University during the 1917-1918 school year. He registered on May 29, 1918. Born on October 22, 1898, in Darliston, Jamaica, Kirlew immigrated to the United States in 1912. He joined the United States Army on May 29, 1918, serving in the 51st Depot Brigade. After the war ended, Kirlew migrated to New York, where in 1933, he became a naturalized citizen of the United States. Eventually, Kirlew settled in South Florida where he died on July 3, 1991. He is buried in the Florida National Cemetery in Bushnell, Florida.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;.  The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public.  The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students.  The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data.  The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The draft registration card for Raymond R. Moore. The card lists a serial number, the name of the registrant, the order number, the place of residence, the mailing address, telephone, age, place of birth, state, date of birth, the reference and their address, their employer and place of employment.&lt;br /&gt;&lt;br /&gt; Major Moore was born to Raymond R. Moore and Nettie Mae Moore on December 14, 1923, in Oxford, Alabama. Moore enlisted in the United States Army on January 1, 1923, to serve in World War II. At the time, he worked for the Great Atlantic Pacific Tea Company in Haines City, Florida. His military career spanned two decades, serving in World War II and the Korean War, and he ended his service as a Major. As a civilian, Moore married Wilma Lorene Rodman in 1942 and had four children. After Wilma’s death, he married Betty Louise Stallings, who had three children of her own. He owned and operated GEICO Insurance offices and was also a partner in the Fed Chek organization, where he served as Vice President. He died from heart failure of June 26, 1994, and is interned at Florida National Cemetery in Bushnell, Florida.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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A notable resident listed in this record is Mary Sutherland. Born on November 1, 1895, in Watertown, Massachusetts, Sutherland later moved to Palm Bay, Florida. Sutherland joined the US Navy on September 3, 1918 as a Yeoman F 1st Class. Sutherland returned from serving in the Navy just in time to be able to vote for the first time. She had three children, John, Richard, and Marilyn, as well as thirteen grandchildren and six great-grandchildren. Sutherland died September 28, 1988, and was laid to rest in Florida National Cemetery in Bushnell, Florida.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;.  The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public.  The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students.  The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data.  The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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