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                <text>A student from Hillcrest Elementary School sitting with two women and a man in front of a homemade banner.  The Parent Teacher Association (PTA) hosted an event for National Grandparents Day, where students' families visited the school.&lt;br /&gt;&lt;br /&gt;Hillcrest Elementary School is one of Orlando’s oldest schools, opening in 1923. Since the 1980s, it has had a vibrant foreign language component and today it continues that tradition through the Orange County Public Schools Foreign Language Academy.</text>
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                <text>Narayan, Abigail Padfield. Interview with Pam Brandon. Orlando, Florida, March 2018.</text>
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                <text> "About Us." Orange County Public Schools: Hillcrest. https://hillcrestes.ocps.net/school_information/about_us (accessed March 31, 2018).</text>
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                  <text>The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Originally created and published by the &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed September 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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                <text>&lt;a target="_blank"&gt;About OGC: History&lt;/a&gt;." Orlando Gay Chorus. 2018. Accessed September 18, 2018. https://orlandogaychorus.org/history/.</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed September 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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        <name>Kenion A. "Ken" Thompson, II</name>
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&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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                  <text>The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>A program for the Orlando Gay Chorus' concert, "Sing... Be Merry", on December 13, 1992, at the Knowles Memorial Chapel at Rollins College in Winter Park, Florida. The program includes a message from President Bob Smedley, brief biographies of Music Director Dr. Charles Callahan and Accompanist Ken Thompson, II, a brief history of the GALA Choruses, program notes, a donors' list, advertisements, an outline of the show's itinerary, how to join the chorus, lyrics to four songs, a list of chorus members and how to become a contributor.&lt;br /&gt;&lt;br /&gt;
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, LGBTQ+ Collection, RICHES.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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&#13;
The Geneva Historical &amp; Genealogical Society established the Museum of Geneva History, located at 165 First Street, in 1965. W. G. Kilbee and his wife donated the land that the museum was built on. The museum was dedicated in 1966, with Leo Rehbinder cutting the ribbon and Judge Don Cheney of Orlando making a speech. In 1977, a second larger room was added to the building. The Society also owns Fort Lane Park.</text>
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&#13;
The Geneva Historical &amp; Genealogical Society established the Museum of Geneva History, located at 165 First Street, in 1965. W. G. Kilbee and his wife donated the land that the museum was built on. The museum was dedicated in 1966, with Leo Rehbinder cutting the ribbon and Judge Don Cheney of Orlando making a speech. In 1977, a second larger room was added to the building. The Society also owns Fort Lane Park.</text>
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                <text>The program for the 100 year memorial ceremony remembering Roderick Perry Taylor and the 564 persons who lost their lives on the R.M.S. Leinster. The event was put together by the Geneva Historical &amp;amp; Genealogical Society, Inc. The four-page program contains a description of Charles S. Lee, whose dictated account provided the basis for understanding Taylor's story, an outline of the ceremony's events, and a description of the sinking of the R.M.S. Leinster.&lt;br /&gt;&lt;br /&gt;The Geneva Historical &amp;amp; Genealogical Society, Inc. held a 100 year memorial on October 10, 2018, for Roderick Perry Taylor of Geneva, Florida, and the other 564 people who died on the R.M.S. Leinster when it was hit by three German torpedoes in the Irish Sea on Oct. 10, 1918. Most of those killed were young military men and women. The ceremony was held at 2:00 PM at the Geneva Community Center. While memorials were also held on the same day in Ireland and other Allied countries, this was the only memorial in the United States that honored the six American soldiers who drowned.</text>
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                <text>A 1918 draft list for St. Augustine, Florida. Approximately 24 million men registered for the draft in 1917 and 1918. Those drafted reported to their local draft boards and then traveled to camp, where they would be trained for and inducted into the United States Army. To keep track of draftees and whether they reported for duty, each local board created forms. Form 1029 PMGO provided information such as name, order number, serial number, call number, primary industry, classification, report date, entrainment location, and the local board itself.&lt;br /&gt;&lt;br /&gt; Joseph Williams (1895-1942) is listed with order number 147, serial number 1377, call number 642, and his primary industry as cook. The form also lists him as Classification I, meaning he was immediately eligible for service. He originally reported for induction at the St. Johns County Board in Florida, but he was transferred to Ithaca, New York for induction and Camp Dix in New Jersey for training.&lt;br /&gt;&lt;br /&gt; Joseph Williams was born on March 4, 1895 and lived in St. Augustine, Florida for much of his life. Before World War I, he worked as a cook. He registered for the draft on May 29, 1917 and was selected for serice on June 20, 1918. He was sent to train at Camp Dix in New Jersey. From September 4, 1918 to July 3, 1919 he served overseas as part of Compan M of the 807th Pioneer Infantry. This unit was responsible for technical assistance such as repairing and constructing roads, bridges, and railways. After the war ended, Williams was discharged on July 9, 1919 and returned home to St. Augustine. There, he resumed life as a cook, and married his wife, Pauline. Williams died on December 23, 1942. He is buried in the St. Augustine National Cemetery at Section D, Grave 18.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; • reproduce the work in print or digital form&lt;br /&gt; • create derivative works&lt;br /&gt; • perform the work publicly&lt;br /&gt; • display the work&lt;br /&gt; • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt; This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/219878" target="_blank"&gt;Joseph Williams&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. St. Augustine, Florida. Army Box 16. Accessed October 2, 2018. https://www.floridamemory.com/items/show/219878.</text>
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                <text>National Archives and Records Administration. "&lt;a href="https://www.archives.gov/research/guide-fed-records/groups/163.html#163.4" target="_blank"&gt;Records of the Selective Service System (World War I)&lt;/a&gt;." Accessed October 2, 2018. https://www.archives.gov/research/guide-fed-records/groups/163.html#163.4.</text>
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                <text>and who was notified of his death. In this case, Anderson's father received the news.&lt;br /&gt;&lt;br /&gt; Carl Oscar Anderson was born on March 3, 1893 in Orlando, Florida to parents Axel and Augusta. He was the third of five children. Around 1913, the family moved to Miami, Florida, where Anderson found work at Melrose Dairy. On June 5, 1917, he registered for the draft, and on October 6, 1917, he was inducted into the United States Army. Throughout his service, Anderson maintained the rank of private as he served in multiple units in his first eight months. Then, on June 20, 1918, he departed for France and became part of Company B of the 30th Infantry Regiment, 3rd Division. He and his unit likely participated in the Battle of Meuse-Argonne. On October 3, 1918, Anderson was killed in action, likely during the advance to Bois de Beuge. His legacy lives on, memorialized on the Lake Eola Tablet in downtown Orlando.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; • reproduce the work in print or digital form&lt;br /&gt; • create derivative works&lt;br /&gt; • perform the work publicly&lt;br /&gt; • display the work&lt;br /&gt; • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt; This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text>American Battle Monuments Commission. &lt;a href="http://www.worldcat.org/oclc/612779394" target="_blank"&gt;&lt;em&gt;3d Division, Summary of Operations in the World War&lt;/em&gt;&lt;/a&gt;. Washington, D.C.: Government Printing Office, 1944.</text>
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                <text>Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/192012?id=1" target="_blank"&gt;Carl O Anderson&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. Miami, Florida. Army Box 1. Accessed October 15, 2018. https://www.floridamemory.com/items/show/192012?id=1.</text>
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                <text>Keene, Jennifer D. &lt;a href="http://www.worldcat.org/oclc/837560460" target="_blank"&gt;&lt;em&gt;World War I: The American Soldier Experience&lt;/em&gt;&lt;/a&gt;. Lincoln, NE: University of Nebraska Press, 2011.</text>
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                <text>Selective Service System. "&lt;a href="https://www.familysearch.org/ark:/61903/1:1:K35D-HZW" target="_blank"&gt;Carl Oscar Anderson&lt;/a&gt;." &lt;em&gt;United States World War I Draft Registration Cards, 1917-1918&lt;/em&gt;. Online database with images, &lt;em&gt;FamilySearch&lt;/em&gt;. Dade County, Florida. NARA microfilm publication M1509, FHL microfilm 1,556,881. Accessed October 16, 2018. https://www.familysearch.org/ark:/61903/1:1:K35D-HZW.</text>
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                <text>&lt;em&gt;The Ocala Evening Star&lt;/em&gt;. "&lt;a href="http://ufdc.ufl.edu/UF0075908/07108/1j" target="_blank"&gt;Killed in Action&lt;/a&gt;." December 5, 1918, 1. Accessed October 16, 2018. http://ufdc.ufl.edu/UF0075908/07108/1j.</text>
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                <text>The interment control form for Joseph Williams (1895-1942). Interment cards are control forms for burial lots in United States national cemeteries. The card provides information such as name, rank, serial number, company, regiment and other service information, date of death, date of interment, and gravesite.&lt;br /&gt;&lt;br /&gt; Joseph Williams, serial number 2952952, served as a Private in Company M of the 807th Pioneer Infantry. He was inducted in June 1918, was discharged in July 1919, and died in December 1942. He is buried in the St. Augustine National Cemetery in Florida.&lt;br /&gt;&lt;br /&gt; Joseph Williams was born on March 4, 1895 and lived in St. Augustine, Florida for much of his life. Before World War I, he worked as a cook. He registered for the draft on May 29, 1917 and was selected for serice on June 20, 1918. He was sent to train at Camp Dix in New Jersey. From September 4, 1918 to July 3, 1919 he served overseas as part of Compan M of the 807th Pioneer Infantry. This unit was responsible for technical assistance such as repairing and constructing roads, bridges, and railways. After the war ended, Williams was discharged on July 9, 1919 and returned home to St. Augustine. There, he resumed life as a cook, and married his wife, Pauline. Williams died on December 23, 1942. He is buried in the St. Augustine National Cemetery at Section D, Grave 18.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text>Dalessandro, Robert J. and Gerald Torrence. &lt;a href="http://www.worldcat.org/oclc/264045802" target="_blank"&gt;&lt;em&gt;Willing Patriots: Men of Color in the First World War&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Publishing Ltd., 2009.</text>
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                <text>Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/219878" target="_blank"&gt;Joseph Williams&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. St. Augustine, Florida. Army Box 16. Accessed October 2, 2018. https://www.floridamemory.com/items/show/219878.</text>
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                <text>The abstract of military service for John D. Watkins (1889-1918). The card includes Watkins' name, race, date and place of birth, units and ranks, death date and cause, and who was notified of his death. Though the card designates Watkins as white and lists his unit as the 153rd Depot Brigade, he was, in fact, African American and actually served in the 807th Pioneer Infantry.&lt;br /&gt;&lt;br /&gt; John Watkins was born on February 22, 1889 to James and Sarah Watkins in Ocala, Florida. Little is known about his life before the war. At age 29, he was inducted into the United States Army in Tampa, Florida on June 21, 1918. He was then sent to train at Camp Dix in New Jersey, as a Private in the 807th Pioneer Infantry, an all-black segregated unit. On September 4, 1918, the 807th departed from Hoboken, New Jersey to France aboard the &lt;em&gt;USS Siboney&lt;/em&gt;. Soon after arrival in Europe, Watkins was promoted to the rank of Corporal, likely because he could read, write, and drive. Though the 807th served in a non-combatant role, they were often in the thick of battles, such as the Meuse-Argonne Offensive, the last major engagement of the war, building and repairing infrastructure. Watkins survived the war and remained in France, continuing to repair roads and bury the dead. Within a month, on December 8, 1918, Watkins died of pneumonia, likely caused by the influenza epidemic. He is buried in the Meuse-Argonne American Cemetery at Plot H Row 6 Grave 23.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>Florida, Box 15.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans&lt;/a&gt;. &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text>American Battle Monuments Commission. "&lt;a href="https://www.abmc.gov/node/338687#.W79L02hKi01" target="_blank"&gt;John D. Watkins&lt;/a&gt;." &lt;em&gt;ABMC&lt;/em&gt;. Accessed October 11, 2018. https://www.abmc.gov/node/338687#.W79L02hKi01.</text>
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                <text>Cromwell, Benedict and Robert Forrest Wilson. &lt;a href="http://www.worldcat.org/oclc/493128006" target="_blank"&gt;&lt;em&gt;The Road to France II, Transportation of Troops and Military Supplies 1917-1918&lt;/em&gt;&lt;/a&gt;. New Haven: Yale University Press, 1921.</text>
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                <text>Dalessandro, Robert J. and Gerald Torrence. &lt;a href="http://www.worldcat.org/oclc/264045802" target="_blank"&gt;&lt;em&gt;Willing Patriots: Men of Color in the First World War&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Publishing Ltd., 2009.</text>
              </elementText>
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                <text>Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/227495" target="_blank"&gt;John D Watkins&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. Dunedin, Florida. Army Box 15. Accessed October 11, 2018. https://www.floridamemory.com/items/show/227495.</text>
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                <text>Keene, Jennifer D. &lt;a href="http://www.worldcat.org/oclc/837560460" target="_blank"&gt;&lt;em&gt;World War I: The American Soldier Experience&lt;/em&gt;&lt;/a&gt;. Lincoln, NE: University of Nebraska Press, 2011.</text>
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                <text>Litwack, Leon. &lt;a href="http://www.worldcat.org/oclc/320392488" target="_blank"&gt;&lt;em&gt;Trouble in Mind: Black Southerners in the Age of Jim Crow&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, Inc., 1998.</text>
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                <text>Office of the Quartermaster General. "&lt;a href="https://www.fold3.com/image/604170947" target="_blank"&gt;John Watkins&lt;/a&gt;." Online database with images, &lt;em&gt;Fold3&lt;/em&gt;. Accessed March 1, 2018. https://www.fold3.com/image/604170947.</text>
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                <text>h=26881" target="_blank"&amp;gt;John Watkins." &lt;em&gt;U.S. Lists of Men Ordered to Report to Local Board for Military Duty, 1917-1918&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Hillsborough, Florida. Record Group 163, NAI Number 1159403. Accessed October 11, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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                <text>Shofner, Jerrell H. "&lt;a href="https://www.jstor.org/stable/30149151" target="_blank"&gt;Custom, Law, and History: The Enduring Influence of Florida's "Black Code"&lt;/a&gt;." &lt;em&gt;The Florida Historical Quarterly&lt;/em&gt; 55, no. 3 (1977): 279. https://www.jstor.org/stable/30149151.</text>
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                <text>U.S. Census Bureau. "&amp;lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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                <text>United States War Department. "&lt;a href="http://www.worldcat.org/oclc/80463174" target="_blank"&gt;&lt;em&gt;Regulations for the Army of the United States, 1913: Corrected to April 15, 1917&lt;/em&gt;&lt;/a&gt;. Washington, D.C.: Government Printing Office, 1918.</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>A 1918 draft list for Tampa, Hillsborough, Florida. Approximately 24 million men registered for the draft in 1917 and 1918. Those who were drafted reported to their local draft boards and then traveled to camp, where they were inducted into and trained for the United States Army. To keep track of draftees and whether they reported for duty, each local board created forms. Form 1029 PMGO provided information including name, order number, serial number, call number, primary industry, classification, report date, entrainment location, and the local board itself. John Watkins (1889-1918) is listed with order number 2233, serial number 953, and primary industry of autodriver. He has a mark in both Classifications I and II, though both meant he would eventually be eligible for service, and an X in the column for those who failed to report to military authorities.&lt;br /&gt;&lt;br /&gt; John Watkins was born on February 22, 1889 to James and Sarah Watkins in Ocala, Florida. Little is known about his life before the war. At age 29, he was inducted into the United States Army in Tampa, Florida on June 21, 1918. He was then sent to train at Camp Dix in New Jersey, as a Private in the 807th Pioneer Infantry, an all-black segregated unit. On September 4, 1918, the 807th departed from Hoboken, New Jersey to France aboard the &lt;em&gt;USS Siboney&lt;/em&gt;. Soon after arrival in Europe, Watkins was promoted to the rank of Corporal, likely because he could read, write, and drive. Though the 807th served in a non-combatant role, they were often in the thick of battles, such as the Meuse-Argonne Offensive, the last major engagement of the war, building and repairing infrastructure. Watkins survived the war and remained in France, continuing to repair roads and bury the dead. Within a month, on December 8, 1918, Watkins died of pneumonia, likely caused by the influenza epidemic. He is buried in the Meuse-Argonne American Cemetery at Plot H Row 6 Grave 23.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank"&gt;Veterans Legacy Program Collection&lt;/a&gt;</text>
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The first known residents of the Winter Park area were the Seminole Indians, who were a creolized culture resulting from the intermingling of the Muscogee (also known as the Creek) people and the Chotaw people.&#13;
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Loring Chase and Oliver E. Chapman began planning the town of Winter Park around the late 1870s and early 1880s. Rollins College, Florida's first four-year college, was founded in 1885 and the Seminole Hotel opened the following year.</text>
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                <text>&lt;em&gt;A Side Walk with the Art Festival&lt;/em&gt; by Elizabeth Bradley Bentley. The book celebrates two decades of the Winter Park Sidewalk Art Festival in Winter Park, Florida. Bentley documents the festival's history using newspaper articles, oral history interviews, personal experiences, scrapbooks, programs and minutes. Each chapter in Section One represents one year of the festival. Several photographs of prize winning displays are included. Section Two is an appendix of winners, judges, officers, committees, commission and associates.&lt;br /&gt;&lt;br /&gt;Debuting in 1960, the Winter Park Sidewalk Art Festival is one of the nation's oldest, largest, and most prestigious outdoor art festivals. By 2018, after 60 years, the festival attracted more than 350,000 visitors a year. 225 artists are selected from over 1,000 applicants by a panel of three independent judges. Arts and crafts categories include clay, digital art, drawings and pastels, fiber, glass, graphics and printmaking, jewelry, leather, metal, mixed media 2D, mixed media 3D, painting, photography, sculpture, watercolor and wood. The festival incorporates hands-on activities for young children and students to encourage participation in and appreciation of the arts.  </text>
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                <text>Copyright to this resource is held by Elizabeth Bradley Bentley and the Winter Park Sidewalk Art Festival and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://wpsaf.org/about/about.html" target="_blank"&gt;About the Festival&lt;/a&gt;." WPSAF.org, accessed July 9, 2018. http://wpsaf.org/about/about.html.</text>
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                <text> Bentley, Elizabeth Bradley. &lt;em&gt;A Side Walk with the Art Festival&lt;/em&gt;. Winter Park, Florida: Cody Publications, 1979.</text>
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                <text>  Gillespie, Ryan. "&lt;a href="https://www.orlandosentinel.com/news/orange/os-winter-park-art-festival-20180315-story.html" target="_blank"&gt;Winter Park Sidewalk Art Festival draws thousands in 59th year&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, March 18, 2018. Accessed October 30, 2018. https://www.orlandosentinel.com/news/orange/os-winter-park-art-festival-20180315-story.html.</text>
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                <text>The draft registration card for Andrew Jackson (1893-1937). Approximately 24 million men registered for the draft between 1917 and 1918. The cards recorded name, age, date and place of birth, race, and occupation, and a corresponding registrar's card listed physical features.&lt;br /&gt;&lt;br /&gt;
Andrew Jackson was born in July 1893 in Sparr, Florida, though his draft card lists May 16 as his birthday. Little is known about his early life. He registered for the draft, like many, on June 5, 1917, and was inducted into the United States Army in August 1918. From September 1918 to July 1919, Jackson served as a private in Company M of the 807th Pioneer Infantry. The unit served in a technical capacity, constructing and repairing infrastructure, and this work often brought them in direct action with the enemy. Jackson was discharged on July 9, 1919. He returned to Florida and married his wife, Lucille, with whom he had three children. He worked for the Flroida East Coast Railroad until his death on November 4, 1937. He is buried in the St. Augustine National Cemetery at Section A Grave 216.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text> Dalessandro, Robert J. and Gerald Torrence. &lt;a href="http://www.worldcat.org/oclc/264045802" target="_blank"&gt;&lt;em&gt;Willing Patriots: Men of Color in the First World War&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Publishing Ltd., 2009.</text>
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                <text> Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/198899" target="_blank"&gt;Andrew Jackson&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. Sparr, Florida. Army Box 8. Accessed October 29, 2018. https://www.floridamemory.com/items/show/198899.</text>
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                <text> Keene, Jennifer D. &lt;a href="http://www.worldcat.org/oclc/837560460" target="_blank"&gt;&lt;em&gt;World War I: The American Soldier Experience&lt;/em&gt;&lt;/a&gt;. Lincoln, NE: University of Nebraska Press, 2011.</text>
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                <text> Litwack, Leon. &lt;a href="http://www.worldcat.org/oclc/320392488" target="_blank"&gt;&lt;em&gt;Trouble in Mind: Black Southerners in the Age of Jim Crow&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, Inc., 1998.</text>
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                <text> Office of the Quartermaster General. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text>The interment control form for Andrew Jackson (1893-1937). Interment cards are control forms for burial lots in United States national cemeteries. The card provides information such as name, rank, serial number, company, regiment and other service information, date of death, date of interment, and gravesite.&lt;br /&gt;&lt;br /&gt;
Andrew Jackson was born in July 1893 in Sparr, Florida, though his draft card lists May 16 as his birthday. Little is known about his early life. He registered for the draft, like many, on June 5, 1917, and was inducted into the United States Army in August 1918. From September 1918 to July 1919, Jackson served as a private in Company M of the 807th Pioneer Infantry. The unit served in a technical capacity, constructing and repairing infrastructure, and this work often brought them in direct action with the enemy. Jackson was discharged on July 9, 1919. He returned to Florida and married his wife, Lucille, with whom he had three children. He worked for the Flroida East Coast Railroad until his death on November 4, 1937. He is buried in the St. Augustine National Cemetery at Section A Grave 216.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>Dell, James W.</text>
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                <text>Originally created by James W. Dell and published by the Office of the Quartermaster General, Memorial Division.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text> Dalessandro, Robert J. and Gerald Torrence. &lt;a href="http://www.worldcat.org/oclc/264045802" target="_blank"&gt;&lt;em&gt;Willing Patriots: Men of Color in the First World War&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Publishing Ltd., 2009.</text>
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                <text> Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/198899" target="_blank"&gt;Andrew Jackson&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. Sparr, Florida. Army Box 8. Accessed October 29, 2018. https://www.floridamemory.com/items/show/198899.</text>
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                <text> Keene, Jennifer D. &lt;a href="http://www.worldcat.org/oclc/837560460" target="_blank"&gt;&lt;em&gt;World War I: The American Soldier Experience&lt;/em&gt;&lt;/a&gt;. Lincoln, NE: University of Nebraska Press, 2011.</text>
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                <text> Litwack, Leon. &lt;a href="http://www.worldcat.org/oclc/320392488" target="_blank"&gt;&lt;em&gt;Trouble in Mind: Black Southerners in the Age of Jim Crow&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, Inc., 1998.</text>
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                <text> Office of the Quartermaster General. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text>h=1439231" target="_blank"&gt;Andrew Jackson&lt;/a&gt;." &lt;em&gt;U.S. National Cemetery Control Forms, 1928-1962&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. St. Augustine National Cemetery, Florida. Record Group 92. Accessed October 29, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text> Selective Service System. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text>h=9631613" target="_blank"&gt;Andrew Jackson&lt;/a&gt;." &lt;em&gt;U.S. World War I Draft Registration Cards, 1917-1918&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Palatka, Florida. NARA microfilm publication M1509, Roll 1556926. Accessed October 29, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text> U.S. Census Bureau. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text>h=34140089" target="_blank"&gt;Andrew Jackson&lt;/a&gt;." &lt;em&gt;1900 United States Federal Census&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Sparr, Marion, Florida. Enumeration District 0095. NARA microfilm publication T623, FHL microfilm 1240174. Accessed October 29, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text> U.S. Census Bureau. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text>h=78670669" target="_blank"&gt;Andrew Jackson&lt;/a&gt;." &lt;em&gt;1930 United States Federal Census&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. St. Augustine, St. Johns, Florida. Enumeration District 0013. Accessed October 29, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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        <name>Andrew Jackson</name>
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                <text>The draft registration card for Commodore Isaac Murray (1896?-1947). Approximately 24 million men registered for the draft between 1917 and 1918. The cards recorded name, age, date and place of birth, race, and occupation, and a corresponding registrar's card listed physical features.&lt;br /&gt;&lt;br /&gt;
Commodore Isaac Murray was born in New Augustine, Florida in October sometime between 1895 and 1897 (his records give conflicting dates). He grew up in St. Augustine with six siblings. Like many, when the United States entered the World War, Murray registered for the draft on June 5, 1917, and he was inducted into the United States Army on August 4, 1918. He served as a private in Company D of the 546th Engineers from September 11, 1918 to August 26, 1919. The Engineers battalions were responsible for a wide range of behind-the-lines work, such as repairing roads and building barracks to keep the rest of the army moving. After returning to the United States, Murray was honorably discharged on September 12, 1919. He returned to his hometown where he lived with his wife and children until his death on October 18, 1947. He is buried in the St. Augustine National Cemetery at Section D Grave 87.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>The passenger list for Colored Company D of the 546th Engineers. The company departed from New York, New York for France on September 25, 1918 on board the &lt;em&gt;SS Oxfordshire&lt;/em&gt;. Commodore Isaac Murray (1896?-1947) (fourth from top) was part of this company and traveled to France on this ship.&lt;br /&gt;&lt;br /&gt;
Commodore Isaac Murray was born in New Augustine, Florida in October sometime between 1895 and 1897 (his records give conflicting dates). He grew up in St. Augustine with six siblings. Like many, when the United States entered the World War, Murray registered for the draft on June 5, 1917, and he was inducted into the United States Army on August 4, 1918. He served as a private in Company D of the 546th Engineers from September 11, 1918 to August 26, 1919. The Engineers battalions were responsible for a wide range of behind-the-lines work, such as repairing roads and building barracks to keep the rest of the army moving. After returning to the United States, Murray was honorably discharged on September 12, 1919. He returned to his hometown where he lived with his wife and children until his death on October 18, 1947. He is buried in the St. Augustine National Cemetery at Section D Grave 87.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
              </elementText>
              <elementText elementTextId="665074">
                <text> Dalessandro, Robert J. and Gerald Torrence. &lt;a href="http://www.worldcat.org/oclc/264045802" target="_blank"&gt;&lt;em&gt;Willing Patriots: Men of Color in the First World War&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Publishing Ltd., 2009.</text>
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                <text> Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/196561" target="_blank"&gt;Commodore Isaac Murray&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. New Augustine, Florida. Army Box 11. Accessed October 22, 2018. https://www.floridamemory.com/items/show/196561.</text>
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                <text> Keene, Jennifer D. &lt;a href="http://www.worldcat.org/oclc/837560460" target="_blank"&gt;&lt;em&gt;World War I: The American Soldier Experience&lt;/em&gt;&lt;/a&gt;. Lincoln, NE: University of Nebraska Press, 2011.</text>
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                <text> Office of the Quartermaster General. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text>h=1597002" target="_blank"&gt;Commodore Murray&lt;/a&gt;." &lt;em&gt;U.S. National Cemetery Interment Control Forms, 1928-1962&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. St. Augustine National Cemetery, Florida. Record Group 92, A1 2110-B. Accessed October 22, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text>h=9635354" target="_blank"&gt;Commodore Isaac Murray&lt;/a&gt;." &lt;em&gt;U.S. World War I Draft Registration Cards, 1917-1918&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;.St. Johns, Florida. NARA microfilm publication M1509, Roll 1556926. Accessed October 22, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text> U.S. Census Bureau. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text>h=130343047" target="_blank"&gt;Commohore Murray&lt;/a&gt;." &lt;em&gt;1940 United States Federal Census&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. St. Johns, Florida. Enumeration District 55-22. NARA microfilm publication T627, Roll m-t0627-00615. Accessed October 22, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text> U.S. Census Bureau. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text>h=103522335" target="_blank"&gt;Comodore Murry&lt;/a&gt;." &lt;em&gt;1930 United States Federal Census&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. St. Johns, Florida. Enumeration District 0015. NARA microfilm publication T626, FHL microfilm 2340067. Accessed October 22, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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        <name>546th Engineers</name>
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        <name>African American soldiers</name>
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        <name>Army Transport Service</name>
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        <name>ATS</name>
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        <name>Commodore Isaac Murray</name>
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        <name>Commodore Murray</name>
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        <name>military history</name>
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        <name>military service</name>
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        <name>SS Oxfordshire</name>
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        <name>troop transport ship</name>
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        <name>veterans</name>
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        <name>Veterans Administration</name>
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        <name>Veterans Legacy Program</name>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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&lt;div class="element-text"&gt;&lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;&lt;/div&gt;</text>
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                <text>Draft Registration Card, 1917</text>
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                <text>World War I Draft Registration Card</text>
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                <text> World War, 1914-1918--African Americans</text>
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                <text>The draft registration card for Thomas Robert Savage (1892-1941). Approximately 24 million men registered for the draft between 1917-1918. The cards recorded name, age, date and place of birth, race, and occupation, and a corresponding registrar's card listed physical features.&lt;br /&gt;&lt;br /&gt;
Thomas Robert Savage was born on March 27, 1892 in Eastern Shore, Virginia. Though little is known about his childhood and early life, we do know he could read and write. On June 5, 1917, Savage, like many, registered for the draft in Portsmouth, Virginia. It is likely he married his wife, Della, before being inducted and serving in Europe. He was inducted into the United States Army on August 3, 1918 and served as a corporal in Company C of the 540th Engineers. From October 27, 1918 to May 21, 1919, Savage and his unit worked overseas in a behind-the-lines role, repairing roads and building barracks to keep the rest of the army moving. After returning to the United States, he resumed life with his wife. They eventually moved to Maryland, where Savage worked as a driver. He died on April 7, 1941. He is buried in the St. Augustine National Cemetery, Florida at Section D Grave 3.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>Digital reproduction of original draft registration card by William R. Jones, June 5, 1917: Selective Service System, World War I Selective Service System Draft Registration Cards, 1917-1918, M1509, 4,582 rolls.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank"&gt;Veterans Legacy Program Collection&lt;/a&gt;</text>
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          <element elementId="38">
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            <description/>
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                <text>Portsmouth, Virginia</text>
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            <name>Creator</name>
            <description/>
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                <text>Jones, William R.</text>
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              <elementText elementTextId="665113">
                <text> War Department, Office of the Quartermaster General, Selective Service System</text>
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                <text>War Department, Office of the Quartermaster General, Selective Service System</text>
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            <name>Contributor</name>
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                <text>Savage, Thomas Robert</text>
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            <name>Date Created</name>
            <description/>
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              <elementText elementTextId="665116">
                <text>ca. 1917-06-05</text>
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            <description/>
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            <description/>
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                <text>106 KB</text>
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                <text>1 draft registration card</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665120">
                <text>eng</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="665121">
                <text>History Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665122">
                <text>Originally created by William R. Jones and published by the War Department, Office of the Quartermaster General, Selective Service System.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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                <text>O'Neil, Rhiannon</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="665126">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="665127">
                <text> &lt;a href="https://vlp.cah.ucf.edu/" target="_blank"&gt;Veterans Legacy Program Project&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="665128">
                <text> &lt;a href="https://www.familysearch.org/" target="_blank"&gt;FamilySearch&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
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                <text>&lt;a href="https://www.archives.gov/" target="_blank"&gt;National Archives and Records Administration&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665130">
                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
              </elementText>
              <elementText elementTextId="665131">
                <text> Dalessandro, Robert J. and Gerald Torrence. &lt;a href="http://www.worldcat.org/oclc/264045802" target="_blank"&gt;&lt;em&gt;Willing Patriots: Men of Color in the First World War&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Publishing Ltd., 2009.</text>
              </elementText>
              <elementText elementTextId="665132">
                <text> Keene, Jennifer D. &lt;a href="http://www.worldcat.org/oclc/837560460" target="_blank"&gt;&lt;em&gt;World War I: The American Soldier Experience&lt;/em&gt;&lt;/a&gt;. Lincoln, NE: University of Nebraska Press, 2011.</text>
              </elementText>
              <elementText elementTextId="665133">
                <text> Office of the Quartermaster General. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
              </elementText>
              <elementText elementTextId="665134">
                <text>db=NARAWWITroops&amp;amp</text>
              </elementText>
              <elementText elementTextId="665135">
                <text>h=1872914" target="_blank"&gt;Thomas R Savage&lt;/a&gt;." &lt;em&gt;U.S. Army Transport Service Passenger Lists, 1910-1939&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Hoboken, New Jersey. Record Group 92, Roll or Box Number 477, NAI Number 6234477. Accessed October 25, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
              </elementText>
              <elementText elementTextId="665136">
                <text>db=NARAWWITroops&amp;amp</text>
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              <elementText elementTextId="665137">
                <text>h=1872914.</text>
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                <text> Office of the Quartermaster General. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text>h=672190" target="_blank"&gt;Thomas R Savage&lt;/a&gt;." &lt;em&gt;U.S. Army Transport Service Passenger Lists, 1910-1939&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Marseille, France. Record Group 92, Roll or Box Number 49, NAI Number 6234465. Accessed October 31, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text> Office of the Quartermaster General. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text>db=IntermentControlForms&amp;amp</text>
              </elementText>
              <elementText elementTextId="665145">
                <text>h=1839981" target="_blank"&gt;Thomas Robert Savage&lt;/a&gt;." &lt;em&gt;U.S. National Cemetery Interment Control Forms, 1928-1962&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. St. Augustine National Cemetery, Florida. Record Group 92, A1 2110-B. Accesed October 24, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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              <elementText elementTextId="665146">
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              </elementText>
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                <text>h=1839981.</text>
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              <elementText elementTextId="665148">
                <text> Selective Service System. "&lt;a href="https://www.familysearch.org/ark:/61903/1:1:K6ZW-RF9" target="_blank"&gt;Thomas Robert Savage&lt;/a&gt;." &lt;em&gt;United States World War I DRaft Registration Cards, 1917-1918&lt;/em&gt;. Online database with images, &lt;em&gt;FamilySearch&lt;/em&gt;. Portsmouth, Virginia. NARA microfilm publication M1509, FHL microfilm 1,985,046. Accessed October 25, 2018. https://www.familysearch.org/ark:/61903/1:1:K6ZW-RF9.</text>
              </elementText>
              <elementText elementTextId="665149">
                <text> U.S. Census Bureau. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
              </elementText>
              <elementText elementTextId="665150">
                <text>db=1940usfedcen&amp;amp</text>
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                <text>h=149370885" target="_blank"&gt;Thomas Savage&lt;/a&gt;." &lt;em&gt;1940 United States Federal Census&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Garrett, Maryland. Enumeration District 12-10A. NARA microfilm publication T627, Roll m-t0627-01550. Accessed October 31, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text>h=149370885.</text>
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              <elementText elementTextId="665154">
                <text> U.S. Census Bureau. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
              </elementText>
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                <text>db=1920usfedcen&amp;amp</text>
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              <elementText elementTextId="665156">
                <text>h=55825414" target="_blank"&gt;Thomas Savage&lt;/a&gt;." &lt;em&gt;1920 United States Federal Census&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Postmouth Monroe Ward, Portsmouth, Virginia. Enumeration District 178. NARA microfilm publication T625, Roll 1905. Accessed October 25, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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                <text>h=55825414.</text>
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        <name>540th Engineers</name>
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      <tag tagId="52556">
        <name>African American soldiers</name>
      </tag>
      <tag tagId="15567">
        <name>draft</name>
      </tag>
      <tag tagId="51750">
        <name>draft registration card</name>
      </tag>
      <tag tagId="51091">
        <name>military history</name>
      </tag>
      <tag tagId="35190">
        <name>military service</name>
      </tag>
      <tag tagId="54544">
        <name>Thomas Robert Savage</name>
      </tag>
      <tag tagId="54543">
        <name>Thomas Savage</name>
      </tag>
      <tag tagId="12957">
        <name>veterans</name>
      </tag>
      <tag tagId="9515">
        <name>Veterans Administration</name>
      </tag>
      <tag tagId="51088">
        <name>Veterans Legacy Program</name>
      </tag>
      <tag tagId="2549">
        <name>World War I</name>
      </tag>
      <tag tagId="51376">
        <name>World War, 1914-1918</name>
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        <name>WWI</name>
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                  <text>Veterans Legacy Program Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
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                <elementText elementTextId="658366">
                  <text>VLP Collection</text>
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                  <text>Veterans--Florida</text>
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              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="658368">
                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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              <name>Is Part Of</name>
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              <elementTextContainer>
                <elementText elementTextId="658369">
                  <text>Veterans Legacy Program Collection, RICHES Program</text>
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              <description/>
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                <elementText elementTextId="658370">
                  <text>Collection</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="658371">
                  <text>&lt;div class="element-text"&gt;&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;&lt;/div&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
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            <elementTextContainer>
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                <text>Sixteenth Census Population for Garrett, Maryland, 1940</text>
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          <element elementId="86">
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              <elementText elementTextId="665160">
                <text>Census, 1940</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665161">
                <text>Census--United States</text>
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                <text> Population--United States</text>
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                <text> World War, 1914-1918</text>
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                <text> Veterans--Florida</text>
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                <text> World War, 1914-1918--African Americans</text>
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              <elementText elementTextId="665166">
                <text>A Sixteenth United States census record for Garrett, Maryland for 1940. The census divides the population into categories of name, age, sex, race, marital status, occupants and relation to head of house, status of the house (farm, own, rent), and citizenship. On this record, Thomas Robert Savage (1892-1941) is listed as head of house (line 29), though his wife Della is listed first. Because of this, it is likely that Thomas was at work when the census recorder gathered their information. Thus, the whole family's race is listed as white, probably based on Della's complexion as a biracial woman. This could also account for other inconsistencies in this record, such as Thomas's parents' birthplace.&lt;br /&gt;&lt;br /&gt;
Thomas Robert Savage was born on March 27, 1892 in Eastern Shore, Virginia. Though little is known about his childhood and early life, we do know he could read and write. On June 5, 1917, Savage, like many, registered for the draft in Portsmouth, Virginia.  It is likely he married his wife, Della, before being inducted and serving in Europe. He was inducted into the United States Army on August 3, 1918 and served as a corporal in Company C of the 540th Engineers. From October 27, 1918 to May 21, 1919, Savage and his unit worked overseas in a behind-the-lines role, repairing roads and building barracks to keep the rest of the army moving. After returning to the United States, he resumed life with his wife. They eventually moved to Maryland, where Savage worked as a driver. He died on April 7, 1941. He is buried in the St. Augustine National Cemetery, Florida at Section D Grave 3.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665168">
                <text>Digital reproduction of original census record by John Q. Browning, April 3, 1940: Garrett, Maryland, Page 6A, Enumeration District 12-10A, Roll m-t0627-01550.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665169">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank"&gt;Veterans Legacy Program Collection&lt;/a&gt;</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665170">
                <text>Garrett, Maryland</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665171">
                <text>Browning, John Q.</text>
              </elementText>
              <elementText elementTextId="665172">
                <text> &lt;a href="https://www.census.gov/" target="_blank"&gt;United States Census Bureau&lt;/a&gt;</text>
              </elementText>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665173">
                <text>&lt;a href="https://www.census.gov/" target="_blank"&gt;United States Census Bureau&lt;/a&gt;</text>
              </elementText>
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          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665174">
                <text>Savage, Thomas Robert</text>
              </elementText>
            </elementTextContainer>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665175">
                <text>ca. 1940-04-03</text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665176">
                <text>image/jpg</text>
              </elementText>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665177">
                <text>3,136 KB</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665178">
                <text>1 census record</text>
              </elementText>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665179">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665180">
                <text>History Teacher
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665181">
                <text>Originally created by John Q. Browning and published by the &lt;a href="https://www.census.gov/" target="_blank"&gt;United States Census Bureau&lt;/a&gt;.</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665182">
                <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665183">
                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665184">
                <text>O'Neil, Rhiannon</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665185">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="665186">
                <text> &lt;a href="https://vlp.cah.ucf.edu/" target="_blank"&gt;Veterans Legacy Program Project&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="665187">
                <text> &lt;a href="https://www.ancestry.com/" target="_blank"&gt;Ancestry.com&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665188">
                <text>&lt;a href="https://www.archives.gov/" target="_blank"&gt;National Archives and Records Administration&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665189">
                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
              </elementText>
              <elementText elementTextId="665190">
                <text> Dalessandro, Robert J. and Gerald Torrence. &lt;a href="http://www.worldcat.org/oclc/264045802" target="_blank"&gt;&lt;em&gt;Willing Patriots: Men of Color in the First World War&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Publishing Ltd., 2009.</text>
              </elementText>
              <elementText elementTextId="665191">
                <text> Keene, Jennifer D. &lt;a href="http://www.worldcat.org/oclc/837560460" target="_blank"&gt;&lt;em&gt;World War I: The American Soldier Experience&lt;/em&gt;&lt;/a&gt;. Lincoln, NE: University of Nebraska Press, 2011.</text>
              </elementText>
              <elementText elementTextId="665192">
                <text> Office of the Quartermaster General. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
              </elementText>
              <elementText elementTextId="665193">
                <text>db=NARAWWITroops&amp;amp</text>
              </elementText>
              <elementText elementTextId="665194">
                <text>h=1872914" target="_blank"&gt;Thomas R Savage&lt;/a&gt;." &lt;em&gt;U.S. Army Transport Service Passenger Lists, 1910-1939&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Hoboken, New Jersey. Record Group 92, Roll or Box Number 477, NAI Number 6234477. Accessed October 25, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
              </elementText>
              <elementText elementTextId="665195">
                <text>db=NARAWWITroops&amp;amp</text>
              </elementText>
              <elementText elementTextId="665196">
                <text>h=1872914.</text>
              </elementText>
              <elementText elementTextId="665197">
                <text> Office of the Quartermaster General. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
              </elementText>
              <elementText elementTextId="665198">
                <text>db=NARAWWITroops&amp;amp</text>
              </elementText>
              <elementText elementTextId="665199">
                <text>h=672190" target="_blank"&gt;Thomas R Savage&lt;/a&gt;." &lt;em&gt;U.S. Army Transport Service Passenger Lists, 1910-1939&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Marseille, France. Record Group 92, Roll or Box Number 49, NAI Number 6234465. Accessed October 31, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
              </elementText>
              <elementText elementTextId="665200">
                <text>db=NARAWWITroops&amp;amp</text>
              </elementText>
              <elementText elementTextId="665201">
                <text>h=672190.</text>
              </elementText>
              <elementText elementTextId="665202">
                <text> Office of the Quartermaster General. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
              </elementText>
              <elementText elementTextId="665203">
                <text>db=IntermentControlForms&amp;amp</text>
              </elementText>
              <elementText elementTextId="665204">
                <text>h=1839981" target="_blank"&gt;Thomas Robert Savage&lt;/a&gt;." &lt;em&gt;U.S. National Cemetery Interment Control Forms, 1928-1962&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. St. Augustine National Cemetery, Florida. Record Group 92, A1 2110-B. Accesed October 24, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
              </elementText>
              <elementText elementTextId="665205">
                <text>db=IntermentControlForms&amp;amp</text>
              </elementText>
              <elementText elementTextId="665206">
                <text>h=1839981.</text>
              </elementText>
              <elementText elementTextId="665207">
                <text> Selective Service System. "&lt;a href="https://www.familysearch.org/ark:/61903/1:1:K6ZW-RF9" target="_blank"&gt;Thomas Robert Savage&lt;/a&gt;." &lt;em&gt;United States World War I DRaft Registration Cards, 1917-1918&lt;/em&gt;. Online database with images, &lt;em&gt;FamilySearch&lt;/em&gt;. Portsmouth, Virginia. NARA microfilm publication M1509, FHL microfilm 1,985,046. Accessed October 25, 2018. https://www.familysearch.org/ark:/61903/1:1:K6ZW-RF9.</text>
              </elementText>
              <elementText elementTextId="665208">
                <text> U.S. Census Bureau. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
              </elementText>
              <elementText elementTextId="665209">
                <text>db=1940usfedcen&amp;amp</text>
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                <text>A trained raccoon opening a gift from an employee of Weeki Wachee Springs in the 1950s. For several years, Weeki Wachee offered a "covered wagon" ride through the forest as one of the park's attractions. Along the sides of the forest were a variety of trained or caged animals for the visitors to see. This included two trained raccoons, who opened various boxes and tins for treats.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.                                 </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>Bonnie Georgiadis and three other Weeki Wachee mermaids training for future performances by practicing a pose. Bonnie Georgiadis was a mermaid from 1950 to 1968. After retiring from underwater theater, she took on other responsibilities at the park, working a total of 37 years.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                <text>A Weeki Wachee Springs mermaid posing underwater with a report card. The card includes grades for bathing, ballet, breathing and boys.&lt;br /&gt;&lt;br /&gt;
Weeki Wachee Springs is a state park that opened to the public in October of 1949 by Newton Perry along with a group of investors. This attraction opened as the roadside era of Florida was ramping up and consisted of an amalgamation of vendors including an orchid garden, a river boat tour, as well as the star attraction- the mermaid show that took place in an underwater theatre. The attraction grew to include The May Museum of the Tropics, an ‘abandoned Seminole village’, a show called “Birds of Prey”, and a petting zoo. As theme parks became the new norm for Florida’s tourist industry, Weeki Wachee Springs steadily declined until the state of Florida absorbed the attraction into the state park system in 2008. The attraction now focuses on appealing to a modern audience, while still preserving its rich history.                                         </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.                                 </text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.                                 </text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                <text>Two mermaids at Weeki Wachee Springs walking a young boar on a leash.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.                                 </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text> Ammidown, Margot. "&lt;a href="https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents" target="_blank"&gt;Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions&lt;/a&gt;." &lt;em&gt;The Journal of Decorative and Propaganda Arts&lt;/em&gt; 23, 1998, 238-259. Accessed November 9, 2018. https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>John Hamlet, naturalist, placing his hand into a trained boar's mouth as part of an attraction at Weeki Wachee Springs.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.                                 </text>
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                <text>Original black and white photograph by Elmer "Sparky" Schumacher: &lt;a href="https://weekiwachee.com/"&gt;Weeki Wachee Springs State Park&lt;/a&gt; Weeki Wachee, Florida. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text>Copyright to this resource is held by &lt;a href="https://weekiwachee.com/"&gt;Weeki Wachee Springs State Park&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text>Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text>Hollis, Tim. &lt;a href="http://www.worldcat.org/oclc/61130658" target="_blank"&gt;&lt;em&gt;Glass Bottom Boats &amp;amp;amp&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Mermaid Tails: Florida's Tourist Springs. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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                <text>Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text>Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text>Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007.</text>
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                <text>A postcard showcasing the lobby of the Mermaid Motel, which was located directly across the street from Weeki Wachee Springs. Two cars are parked under a pavilion next to the building. The back of the postcard features an add that describes the amenities of the motel, including comfortable rooms and a restaurant.&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text> Mermaid Motel</text>
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                <text>Originally created and published by Elmer "Sparky" Schumacher, Mermaid Motel and Florida Natural Color, Inc.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://weekiwachee.com/"&gt;Weeki Wachee Springs State Park&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="https://weekiwachee.com/"&gt;Weeki Wachee Springs State Park&lt;/a&gt;</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text>Ammidown, Margot. "&lt;a href="https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents" target="_blank"&gt;Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions&lt;/a&gt;." &lt;em&gt;The Journal of Decorative and Propaganda Arts&lt;/em&gt; 23, 1998, 238-259. Accessed November 9, 2018. https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents.</text>
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                <text>Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text>Hollis, Tim. &lt;a href="http://www.worldcat.org/oclc/61130658" target="_blank"&gt;&lt;em&gt;Glass Bottom Boats &amp;amp;amp&lt;/em&gt;&lt;/a&gt;</text>
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              <elementText elementTextId="665882">
                <text>Mermaid Tails: Florida's Tourist Springs. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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              <elementText elementTextId="665883">
                <text>Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text>Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text>Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007.</text>
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        <name>Elmer "Sparky" Schumacher</name>
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        <name>roadside tourism</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Sinclair Gas Station</text>
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                <text>Dino Service Station</text>
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                <text>A postcard featuring the dinosaur-shaped Sinclair Gas Station in Weeki Wachee Springs. A handwritten note by Bonita Colson accompanies the postcard, describing a mobile home rental park across the street from the gas station that Weeki Wachee mermaids would frequently rent. She also notes that the dinosaur-shaped gas station was the only one of its kind in the world.&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.&lt;br /&gt;&lt;br /&gt; The Sinclair Oil Corporation was founded on May 1, 1916. The corporation created dinosaur exhibits in several world's fairs that featured a brontosaurus, which was the company's mascot. Other promotional materials featuring the dinosaur included bobble head toys and inflatables.</text>
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                <text>Original color postcard Sinclair Oil Corporation and original handwritten note by Bonita Colson: &lt;a href="https://weekiwachee.com/"&gt;Weeki Wachee Springs State Park&lt;/a&gt; Weeki Wachee, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text> Sinclair Gas Station, Brooksville Florida</text>
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                <text>Bonnie Georgiadis assisting an archeological dig of a Native American burial mound at Weeki Wachee Springs in July of 1970. She is using archeological tools to uncover a vase. The dig was conducted by the University of Florida.&lt;br /&gt;&lt;br /&gt;
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Weeki Wachee Springs is a state park that opened to the public in October of 1949 by Newton Perry along with a group of investors. This attraction opened as the roadside era of Florida was ramping up and consisted of an amalgamation of vendors including an orchid garden, a river boat tour, as well as the star attraction- the mermaid show that took place in an underwater theatre. The attraction grew to include The May Museum of the Tropics, an ‘abandoned Seminole village’, an show called “Birds of Prey”, and a petting zoo. As theme parks became the new norm for Florida’s tourist industry, Weeki Wachee Springs began steadily declining until the state of Florida absorbed the attraction into the state park system in 2008. The attraction now focuses on appealing to a modern audience, while still preserving its rich history.                                                               </text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                <text>A letter from Myrtle Colson, manager of the May Museum of the Tropics, to the owner of the museum, John M. May, dated February 25, 1959. Colson discusses a surprise audit from the owners of Weeki Wachee, The Florida Chain of Theaters. She writes that a comptroller visited the museum, inquiring about the museum's accounting books and records of business. &lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://coloradospringsbugmuseum.com/"&gt;May Natural History Museum&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text> Ammidown, Margot. "&lt;a href="https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents" target="_blank"&gt;Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions&lt;/a&gt;." &lt;em&gt;The Journal of Decorative and Propaganda Arts&lt;/em&gt; 23, 1998, 238-259. Accessed November 9, 2018. https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Hollis, Tim. &lt;a href="http://www.worldcat.org/oclc/61130658" target="_blank"&gt;&lt;em&gt;Glass Bottom Boats &amp;amp</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>Letter from Myrtle Colson to John M. May (March 28, 1956)</text>
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                <text> Entomology</text>
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                <text>A letter from Myrtle Colson, manager of the May Museum of the Tropics, to the owner of the museum, John M. May, dated March 28, 1956. Myrtle writes that earlier in the day, she allowed an African-American couple to enter the museum, as he had instructed employees to do. Later in the day, after news spread to Joe Seltzer, manager of Weeki Wachee Springs, he reprimanded her and instructed her not to let any other African-Americans in the museum. He also told her to put up a sign that read, "We reserve the right to refuse admission to anyone".  Myrtle writes that she tried to defend her decision, citing a Supreme Court decision, to which Seltzer replied that the decision did not apply to the Springs.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://coloradospringsbugmuseum.com/"&gt;May Natural History Museum&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text> Ammidown, Margot. "&lt;a href="https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents" target="_blank"&gt;Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions&lt;/a&gt;." &lt;em&gt;The Journal of Decorative and Propaganda Arts&lt;/em&gt; 23, 1998, 238-259. Accessed November 9, 2018. https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>A letter from the owner of the May Museum of the Tropics, John M. May, to the directors of the St. Petersburg Springs Co., owners of Weeki Wachee Springs, dated January 28, 1957. May discusses his concerns with management and inquires about construction plans.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>A letter from John M. May, owner of the May Museum of the Tropics, to John T. Creighten, an employee of the Department of Entomology at the University fo Florida, dated November 20, 1963. replying to Mr. Creighten's interest in the museum and its collection. In response to Creighten's interest in the museum and its collection, May invited him to visit. May points out that the museum would close permanently that December due to decisions made by the owners of Weeki Wachee Springs.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original 1-page typewritten letter from John M. May to John T. Greighten, November 20, 1963: &lt;a href="https://coloradospringsbugmuseum.com//"&gt;May Natural History Museum&lt;/a&gt; Colorado Springs, Colorado.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>A letter from Myrtle Colson, manager of the May Museum of the Tropics, to the owner of the museum, John M. May, dated June 1, 1958. Colson tells May about the increasing sales to the museum due to efforts of the new owner of Weeki Wachee Springs, and discusses a new employee.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://coloradospringsbugmuseum.com/"&gt;May Natural History Museum&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                <text>A letter from John M. May, owner of the May Museum of the Tropics, to the manager of the museum, Myrtle Colson, dated September 27, 1958. May reassures Colson that she is doing fine, expressing remorse for the losing an employee and hope that their replacement is a good fit for the position. May also mentions that he is working on creating a sculpture of a hercules beetle that he plans to place in front of the museum to help drum up business.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text> Ammidown, Margot. "&lt;a href="https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents" target="_blank"&gt;Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions&lt;/a&gt;." &lt;em&gt;The Journal of Decorative and Propaganda Arts&lt;/em&gt; 23, 1998, 238-259. Accessed November 9, 2018. https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                <text>Orchid Gardens at Weeki Wachee Springs. The hothouse, which allowed visitors to view a variety of orchids, was one of the original attractions to join the mermaid show at Weeki Wachee Springs.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://coloradospringsbugmuseum.com/"&gt;May Natural History Museum&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Rebecca Schwandt's Thesis Project</text>
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            <name>Curator</name>
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                <text>Schwandt, Rebecca</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="https://coloradospringsbugmuseum.com/"&gt;May Natural History Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text> Ammidown, Margot. "&lt;a href="https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents" target="_blank"&gt;Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions&lt;/a&gt;." &lt;em&gt;The Journal of Decorative and Propaganda Arts&lt;/em&gt; 23, 1998, 238-259. Accessed November 9, 2018. https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Hollis, Tim. &lt;a href="http://www.worldcat.org/oclc/61130658" target="_blank"&gt;&lt;em&gt;Glass Bottom Boats &amp;amp</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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                <text>
Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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        <name>roadside tourism</name>
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                  <text>The Geneva Historical &amp; Genealogical Society is located in Geneva, an unincorporated area of Seminole County. The first regular meeting was held at the Geneva Community Center on November 30, 1952. Alice Coffee Guyton served as the society’s first president. &#13;
&#13;
The Geneva Historical &amp; Genealogical Society established the Museum of Geneva History, located at 165 First Street, in 1965. W. G. Kilbee and his wife donated the land that the museum was built on. The museum was dedicated in 1966, with Leo Rehbinder cutting the ribbon and Judge Don Cheney of Orlando making a speech. In 1977, a second larger room was added to the building. The Society also owns Fort Lane Park.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.usgennet.org/usa/fl/county/seminole/Geneva/geneva_history.htm" target="_blank"&gt;Geneva History&lt;/a&gt;&lt;span&gt;." Geneva Historical &amp;amp; Genealogical Society, Inc. http://www.usgennet.org/usa/fl/county/seminole/Geneva/geneva_history.htm.&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/54" target="_blank"&gt;Apopka Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
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                <text>100 Year Memorial Remembering Roderick Perry Taylor</text>
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                <text>The Geneva Historical &amp;amp; Genealogical Society, Inc. held a 100 year memorial on October 10, 2018, for Roderick Perry Taylor of Geneva, Florida, and the other 564 people who died on the R.M.S. Leinster when it was hit by three German torpedoes in the Irish Sea on Oct. 10, 1918. Most of those killed were young military men and women. The ceremony was held at 2:00 PM at the Geneva Community Center. While memorials were also held on the same day in Ireland and other Allied countries, this was the only memorial in the United States that honored the six American soldiers who drowned.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/55"&gt;Geneva Historical &amp;amp; Genealogical Society Collection, Geneva Collection, Seminole County Collection, RICHES.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;</text>
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              <elementText elementTextId="666534">
                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <name>Contributor</name>
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                <text>Currie, Wanda</text>
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                <text>Dunham, Geoffrey</text>
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              <elementText elementTextId="666537">
                <text>&lt;a href="http://www.usgennet.org/usa/fl/county/seminole/Geneva/" target="_blank"&gt;Geneva Historical &amp;amp; Genealogical Society, Inc.&lt;br /&gt;&lt;/a&gt;</text>
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                <text>Lee, Richard H.</text>
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                <text>Martin, Mal</text>
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                <text>Martin, Mary Jo</text>
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              <elementText elementTextId="666543">
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                <text>John May at the foundation of the May Museum of the Tropics at Weeki Wachee Springs, Florida. The date written on the photograph is November 20th, 1953.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                <text>A postcard of Weeki Wachee Springs sometime in the late 1950s. Louise Nan Steer mentions this postcard in her oral history interview because the blonde girl in the pink bathing suit in the center of the postcard is her twin sister, Lynda. The rest of the women are mermaids that worked at the park. Louise stated that several times during photoshoots, the photographer would gather whoever was available to fill the shot. This is how Lynda became a part of the postcard even though she was not a Weeki Wachee mermaid.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://coloradospringsbugmuseum.com/"&gt;May Natural History Museum&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text> Ammidown, Margot. "&lt;a href="https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents" target="_blank"&gt;Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions&lt;/a&gt;." &lt;em&gt;The Journal of Decorative and Propaganda Arts&lt;/em&gt; 23, 1998, 238-259. Accessed November 9, 2018. https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Hollis, Tim. &lt;a href="http://www.worldcat.org/oclc/61130658" target="_blank"&gt;&lt;em&gt;Glass Bottom Boats &amp;amp</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>A letter from the manager of the the May Museum of the Tropics, Myrtle Colson, to the owner of the museum, John May. The letter details concerns that the manager was having with an employee as well as her complaints about being excluded from certain business matters. As John May lived in Colorado and the May Museum of the Tropics was located in Florida, communication between employer, employees, and other staff at Weeki Wachee Springs was limited predominantly to letters of correspondence.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>A team of people guide the placement of a Hercules beetle sculpture in the 1950s. A crane lowers the sculpture in place near the May Museum of the Tropics at Weeki Wachee Springs, Florida. The large beetle sculpture served as an advertisement to attract visitors to the museum.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>The entrance of the May Museum of the Tropics. Faux thatched roof, tiki sculptures, and a list of countries the insects in the collection came from adorn the space, giving it an exotic feel.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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                <text>The original interior of the May Museum of the Tropics in the 1950s. In the months following the photograph, several specimen began to droop and wilt in the cases due to humidity. The owner, John May, was forced to hand make new display cases out of metal and attach them to a dehumidifier.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                <text>A.J. Polk, principal of Jones High School in Orlando, Florida, from 1932-1935. While he was principal, the Board of Education built Kentucky Street School, which later became Holden Street Elementary School, and students from first to sixth grade migrated from Jones to the new school. &lt;br /&gt;&lt;br /&gt; Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.</text>
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                <text>Jones High School's tenth grade class of 1928. Three rows of 16 children pose in front of the school with a teacher and Principal L.C. Jones.&lt;br /&gt;&lt;br /&gt; Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street.</text>
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                <text>Jones High School students from the 1920s. Three rows of 29 male students pose in front of the school. The boys all wear hats and one holds and American flag.&lt;br /&gt;&lt;br /&gt; Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.</text>
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