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                  <text>Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.</text>
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                <text>Jones High School's twelfth grade class of 1931. This was the first class to go through all 12 years at the renamed school.&lt;br /&gt;&lt;br /&gt; Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.</text>
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                <text>Newspaper collage from the 1970 Jones High School yearbook. The articles describe the Orange County teachers strike of 1969, in which 27 teachers stayed home in protest of the county's decision to move black students to white schools and convert their former schools to other uses. The county implemented this policy after the courts ordered desegregation in all schools. Three of four black high schools were converted, but Jones High was spared.&lt;br /&gt;&lt;br /&gt; Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.</text>
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                <text>"&lt;a href="https://comeoutwithpride.com/about/history/" target="_blank"&gt;History&lt;/a&gt;." &lt;em&gt;Come Out with Pride Orlando&lt;/em&gt;. Accessed March 27, 2019. https://comeoutwithpride.com/about/history/.</text>
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                <text>Hyman, Jamie. "&lt;a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank"&gt;Community rises up after mass shooting at Orlando gay nightclub kills 49&lt;/a&gt;." &lt;em&gt;Watermark&lt;/em&gt;, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/.</text>
              </elementText>
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          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="669188">
                <text>Raffel 	&#13;
Uh, today is Saturday, June 16th, 2018. My name is Sara Raffel and I’m conducting an oral history with Debbie Simmons of Orlando, Florida. The interview is being conducted at Shelbie Press in Orlando, Florida. Uh, so, Debbie, could you please state your name?&#13;
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Simmons 	&#13;
Yes. I’m Debbie Simmons.&#13;
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Raffel	&#13;
And what brought you to Orlando? And how long have you lived here?&#13;
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Simmons	&#13;
I moved to Orlando in 1978, uh, shortly after high school. And I, um—my father had moved here in the early 70s. Uh, we had moved from Miami up to Central Florida, but in a more rural area. My mother and that side of my family. And so when I turned 18, I didn’t want to stay in the rural, uh, community that I was living in. So Orlando seemed the logical choice to start a new life.&#13;
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Raffel	&#13;
And you’ve mentioned that, uh, your involvement in the first gay pride parade in Orlando in 1991 started your community activism. Can you describe what led up to that and why you first decided to march?&#13;
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Simmons	&#13;
Yes. Um, in 1990, uh, my partner and I bought a house. And we went through all of the machinations at that time that we had to do in order to buy a house together as a couple. Um, and we had two friends—close friends that invited us to attend the first gay pride parade in Orlando. Um, to say we were nervous is putting it mildly. But we did attend. And four of us—there was[sic] about 100 people at the parade total: participants and, uh, people observing. We were the last four in the parade. And by the time we get to the end of the parade route, what a sigh of relief. Uh, we didn’t see any Ku Klux Klan that year. So that really, uh, set the stage for me. &#13;
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Um, I started getting really interested in the people that had put that together because I thought they were so courageous and I wanted to know them all. And I wanted to do whatever I could to make a change for our community so that it would make it easier for all of us to buy a house together. To start a business together. Uh, just to live our lives and not be discriminated against. &#13;
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Um, so, uh, the next thing that happened is[sic] I started attending meetings at the Center.  And, um, the editor of the Centerfold newspaper at the Center put a—a blurb in the newspaper and said—it said something to the effect, uh, “If you’re interested in starting a business guild—is it time for Orlando to do that—come to the Center on January 15th, 1992, and let’s talk about it.” So a dozen of us showed up at that meeting. And then, um, from there we started, uh, identifying—fortunately someone had brought bylaws, uh, not to the very first meeting, but from Atlanta and from Tampa. And so we utilized their bylaws to put our own together and to start the Metropolitan Business Association . &#13;
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Um, things moved, it seems like, at a really fast pace from there. But then when I look back it took a long time. Back then we didn’t have social media. We didn’t have cell phones. So we had to do everything the old fashioned way, which was literally have one-on-one relationships. We spent a lot of time together. Got to know each other. Um, developed the organization. Started having monthly meetings. We met at places. Back then it was a lot different than it is now in that people were really nervous about going into any establishment that was identified with the gay community. Um, but we did have a lot of our meetings at Joy Metropolitan Community Church. We had some meetings at The Center. Um, and so we developed the board of directors and then, um, set our mission in place, filed papers with the state, uh, and, uh, identified the Metropolitan Business Association.&#13;
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Raffel	&#13;
Alright. And who were some of the people that were on that first board of directors that were instrumental in starting it?&#13;
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Simmons	&#13;
Well, this is where I get into trouble, like I said, with the names. Um, the first president was Keith Morrison. Uh, I was the vice president. Dorothy Coleman was the treasurer. Mary Brooks was the secretary. Uh, Karen Goode was the programs director. Vicky Meechum was the membership director. Dick Shaw was the, uh—became the vice president when I became the president in ’92.  And, uh, Sam Singhouse, Sandy Fink, Tom Dyer. Uh, those were the really—the beginning folks. Um, Mary Brooks, who was the secretary for five years—she and I carried the MBA banner in the 1992 parade. Um, and in that parade there were seven of us from the MBA. Um, and Mike Sipoligo that had put the ad in the paper—that was the editor of Centerfold at The Center. Uh, he also walked with us with the banner. Um, Dorothy Coleman, uh, she is still living in Montverde, but she’s quite a bit older than me. She’s in her eighties. And she—I admired her so much when I met her. Her and, um, Dick Scholl. Dick has passed away. Uh, to me they were beacons of hope that—I hoped that by the time I got into my fifties, sixties, um, that I would s—you know, have the—the life that they had. And, uh, the desire still to make change.&#13;
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And, um—so, from there we—let’s see. This is again where I get into trouble. [laughs] I gotta have some—something to help me go along. So after we walked in the parade, uh, let’s see—in the first, uh—in August of ’92, we signed a, uh, contract with the Radisson Hotel downtown at Lake Ivanhoe, uh, to hold our meetings for over five years. Our general meetings. And we did that so that we could overcome that hurdle of people being afraid to walk into a gay s—gay establishment. Um, we had those meetings—we structured those to help the community to come out, obviously. We helped, um, them to be more confident in their job. Um, as far as networking with a group of pro—professional people.&#13;
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Simmons	&#13;
We worked to develop educational materials for people to start their own businesses or to strengthen their businesses. We hosted, uh, political candidates’ forums. We did that early on. Uh, those were some of the more nerve-wracking and difficult meetings. Getting, uh, folks that were campaigning to become an official or those that were in elected o—elected office. Uh, we did, um, work to get the mayor of Orlando, Glenda Hood—at that time, uh—in ’94. She had become the mayor in ’92, so we are—we were kind of linked together for a number of years while she was the mayor until 2002. Um, we had approached her office, Tom Dyer specifically, who’s the—uh, he was the founder—or was the founder of Watermark and he’s still involved. Uh, but he doesn’t own it anymore. Um, he was instrumental in getting Glenda Hood, uh, to attend the—the first meeting. Um, and it was not an easy task because she did everything that she could—I shouldn’t be so critical, but looking back, it was a whole different time. And I understand now more than I did then what she was dealing with and why she didn’t want to attend our meeting. Um, they had every excuse. Her office and—and she did—for not coming to one of our meetings. &#13;
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Finally, in ’94, she did come to the meeting. And it was explosive in a lot of ways because there was a big interest in our community, uh, so we had big attendance. And often times our candidates’ forums and our political events like that—we did have large attendance. Um, she was asked some very direct questions about supporting the gay community and non-discrimination. And she stood right at the podium and said, “I will not be a champion for your cause.” And when she said that it was—it—it—right behind that she said, “but I encourage you to get involved in your—in your local government. I encourage you to get on boards. I encourage you to run for elected office.” So it wasn’t—I heard both sides of what she was saying. A lot of people that were there that night—what they heard was, “I will not champion your cause.” And that—that’s why I say it was explosive, because it made a lot of people really energized. That okay—well, now we’re going to be on the steps of City Hall asking, “Why not?” Because we all pay taxes, too. &#13;
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So that to me was, um—it was a milestone in what happened with—it was eye opening for the community. It was energizing. And it, um, made us realize that in the very beginning, when we talked about developing our mission and our bylaws, we had talked about using the—the terms, um, the MBA to be a political and economic force. And some people found that a little bit too much. To use the word “force” and to use “political” in there. “Economic”, well, that’s one thing. It’s the Metropolitan Business Association. It’s a business association like any other chamber, but the political side of it—some folks were pretty nervous about it. I was nervous about it, too. I mean, that’s, uh—that’s saying a lot. &#13;
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Well, it turned out that that’s exactly what the MBA became in short order. Because we were the ones that were going to folks that were running for office or that were in office and saying, “Okay. What we’d like you to do is sign a pledge.” And it was the Human Rights Campaign pledge at the time. It was a couple of sentences that basically just said that they would implement into their policy and procedure that there would be no discrimination against the LGBT community. Gay community. I think it said “gay and lesbian” at that time. Um, and it was a great piece to ask them to sign because it was simple. It wasn’t asking for the world. It was just asking for equality. Uh, and that really, um—with Mayor Hood, uh, in ’94, there was no way she was going to sign that. She wouldn’t have signed anything like that. &#13;
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But by the time—I’ll fast forward a little bit—by, um, I believe it was the ’98 election, uh, she came to our—our meeting. Um, we had scheduled a—a joint appearance with her and Orange County Chairman Linda Chapin at that time. Um, unfortunately, a police officer was shot in the line of duty that day, so Glenda [Hood] had to postpone. Um, so Linda [Chapin] came and we had a great meeting with Linda [Chapin]. Uh, and then shortly thereafter, we resched—rescheduled with Mayor Hood and she came. And I may be mixing this up a little bit, um, because I know she was—I think she had to postpone because of something else. And the night she was coming to the meeting was the night that the police officer was shot. And we were afraid she wasn’t going to show up, but she did, in fact, come. Um, and that night we asked her if she would sign the pledge of nondiscrimination. And, um, she said that she would. So, uh, I called her office—and, again, I might be mixing dates up a little bit. I have to look back at all the paperwork, which I’m going to give to you. Um, she did sign that pledge, but it—it didn’t happen that night. It happened right before the election in March. I had to call her office and pursue the signature. And had—their, uh—her office faxed it like the day before the election or the day of the election. So, it became very, very clear to us then that, okay, now we really do have that clout that we were looking for. &#13;
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Simmons	&#13;
And we were asked all the time, um, during that process—and then fast forwarding a little bit to 2000 when we were working with Human Relations Board of the City of Orlando and Mayor Hood’s office, uh, trying to get the, uh, city code amended to include sexual orientation. Simple thing again, like the pledge. Um, it was—I forget where I was even going with that. There I go [laughs]. &#13;
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Raffel	&#13;
[laughs].&#13;
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Simmons	&#13;
It was—okay, let’s see. So we were getting her to sign the pledge, uh—she was, by 2000, telling us that she was supporting what we were doing, uh, even after we had fought for the rainbow flags to be hung in 1998. That was a huge spectacle and a fiasco. That was another thing that drew the community closer and closer together. Not just the gay community, but all of our allies. I mean, they came out from everywhere. &#13;
The same thing happened in 2000 to 2002 when we were holding the—or the downtown develop—or, uh, Human Relations Board was holding the meetings, um, to amend the—the policy. Mayor Hood was acting in public as if she was more supportive then she had been. Um, and then when we pulled the public records—which I had been chosen on the Orlando Anti-Discrimination Committee to be the one to pull the public records—um, found out that she and Commissioner Vargo—Vicky Vargo—were actually working with our adversaries. Um, and they were trying to pack the meetings. Um, and—and they succeeded in—in getting some people flown here and bussed here, um, with the Christian Coalition, um, uh, Family Research Council, Liberty Council, some of those folks, uh, to speak at the hearings when in fact they were telling all of us that you needed to be a resident of the City of Orlando in order to speak. If you had a business in Orlando you could speak. Um, and they were not telling the truth even on their appearance forms, which we found out, too, by pulling the public records. So we found out a lot about who was who and what was happening during those two-year—tho—that two-year period. &#13;
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Simmons	&#13;
So, fro—in the ‘90s, it was really us getting our legs under us, working with the community to build the community, create that strength, the unity, the relationships. Like I said, we didn’t have social media so we’re talking on the phone. We were meeting in person—a lot of meeting together face-to-face. Um, so a lot of us became friends in addition to working together to make the changes. Um, and in the early 2000s, after going through that two-year battle, um, we were stronger than ever but bruised after listening to all those terrible things that were said by the groups that the adversaries—that had been put together. &#13;
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Um, so we dusted ourselves off and 2003 to 2004 and 5 we were trying to, um—the MBA, the Metropolitan Business Association wasn’t really organizing the parade. We were participants in the parade. Um, and the parade was like it is around the country: the—the pride event where people get together and are able to spend that time together really being out in the street marching for their rights, representing themselves. Um, and our parade had started to fall apart. And we were seeing in dwindle and dwindle for reasons that we weren’t quite sure why. The—the parade had gone through various groups that were organizing it. Um, and then by July of—you know, June/July of 2005, it had completely dissolved. And so we had talked about it over the years because we wanted to do everything that we could to support the parade, but we didn’t want to step on the organizers’ toes either because we didn’t want, you know, to crau—cause dissention. And we didn’t want to take it over ourselves. [laughs] We didn’t want that responsibility. &#13;
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Simmons	&#13;
Um, but by the time it fell apart, it was—it had been on our radar long enough, and been on the agenda, that the board of the Metropolitan Business Association finally said, “Okay. Well, let’s start a new organization.” And that was the way that Come Out with Pride was born. Um, we decided that, okay, June had passed. It had always been a discussion about how hot it is in June. It’s always raining. The weather was always brutal at the parade. So let’s, um—what can—what other date can we pick? And what can we do between now and the end of the year to actually do a parade? &#13;
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And so we identified, um, October as National Coming Out Day on October 11th. Uh, National Gay and Lesbian History Month. Um, so it made perfect sense. We thought maybe the weather would be cooler, although that’s not proved to be true [laughs] since 2005. It seems like it’s been hot every year. And we’ve even dealt with a hurricane. So—but anyway, that was the whole thought process behind it. And from July to—to October, we put the event together. And we had it downtown. Um, we partnered with the students at UCF —with the Gay and Lesbian Bisexual Student Union. We thought that putting the business owners and professionals together with the university students, who always had an event at UCF, made perfect sense. &#13;
Um, and we partnered with the History Center—Orange County [Regional] History Center—so when the parade was over, everybody landed at the History Center. Uh, the History Center was great. They let us put a[sic], uh, exhibit inside. So all the students got together and the different organizations got together. Everybody made all of their displays and we put the displays up. Um, the first year we did the simple thing of developing a t-shirt that everybody could wear. A bright yellow shirt. Uh, we had “volunteer” on the back. So everybody that came to the event knew these are the people with Come Out with Pride. And that’s what we named it. Um, and the first year I believe, um—and again, I don’t—I don’t have those numbers with me, but we had, uh, several thousand in 2005. 2006, we did the same thing, um, and landed at the History Center. Uh, we did a brunch the first year in 2005 as well. And Mayor Dyer  attended that—Buddy Dyer. Um, that was one of the first times—and Buddy, when he was running for office, came to our functions and actually asked for our vote. And was very open and accepting of our community. So—but when he spoke at the brunch that day, that was him really coming out himself to the community. &#13;
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Uh, so by 2006, we did the same thing. Um, we had a larger turnout. 2006. We realized that the parade route needed to be enlarged. But more importantly than that, the History Center venue in the front of the History Center was not conducive for what we were trying to do. Um, so we talked with the city about moving the event to Lake Eola [Park]. Um, and believe it or not, even in 2007 that was not an easy process. Over the years, we had encountered problems with the City of Orlando, the City of Maitland when we were trying to have our first expo with the MBA in 1994. We got the excuse, ironically, from both, about double-booking. There was a double-booking problem with one of the first parades that the MBA didn’t have anything to do with, uh, organizing. That was Orlando Regional Pride Parade. Uh, they said they had double-booked. And so that year the parade shifted first to City Hall. Uh, one of the instrumental people on that, um, b—b—board was, uh, Phyllis Murphy and Patty Sheehan. Um, gosh. I should be able to again—to remember all—everybody’s names. Uh, there was a core group of people. Eileen Bell, Brian Hubert—De Hubert-Arbagast. He had a long last name. So, anyway—so they had a double-booking there. Couldn’t do it. Then we had that happen at the Maitland Civic Center when we tried to have our first Expo. So 2007 [road noise]—hello. 2007—sorry for the traffic. Uh, [clears throat] when we wanted to move to Lake Eola, it was still—there was still some of that—even though Buddy Dyer was the mayor—there was still some of that unease with the gay community. And there was definitely a—a pushback that they didn’t want us to have the even at Lake Eola. But it happened. Long story short, we went through the pro—a—all of the process. Um, of course, renting the space, paying all the various fees. And the fees are amazing. &#13;
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Uh, I—I don’t know what’s changed. I’ve been retired now since 2000, uh, 8. But, um, it seemed as though for a number of years, uh, I did five, six, seven and eight—in eight, I was the logistics director. It seemed as though our group had to pay for the things that other people didn’t have to pay for. We had to do things that other groups weren’t required to do. Um, such as, uh, selling alcohol in the park. We had to pay for barricading the entire area to the cost of $10,000. Um, and so there was still some of that, you know, hangover. Um, now 2008 or 2007, I believe that there was, um, 70,000 people. Or that might have been eight. And the last few years there’s been over 150,000 people. And that’s according to the police department. That wasn’t our count. We always relied on whatever th—you know, they said because they’re the official law enforcement to determine the numbers so that we weren’t inflating the numbers. It became a wildly successful event. And then, to back up to 2005, when we were first forming Come Out With Pride, we had the meetings. Um, what we did was we took, uh, myself and two other MBA members with the GLBSU students, um, and we identified—i—it had always been something that I thought was really important that we maintain our [beeping] own history for our movement. Did you hear that?&#13;
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Raffel	&#13;
Yeah.&#13;
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Simmons	&#13;
[laughs] I don’t know what that was. Okay. Electronics gone wild. Um, but the—the history of our community. Because of the people that I knew when I got involved in 1991, the people that I met and got to know over the course of those 16, 17 years—um, and I—I knew that they had a history—like Dorothy Coleman and Dick Scholl being so much older than me—that there were those folks that had endured the Stonewall Riots  in ’69. Uh, in ’78, when Harvey Milk  was murdered in San Francisco, he had formed the first gay business guild there. Um, I knew that there was all of this history here, too, of people that had been part of the movement. And so I thought we needed to develop a history committee to maintain all of that history and to develop it and to get it from those people that were still alive. &#13;
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Um, and, at—I mean we were part of—in 2005, from m—the MBA from ’92 to 2005, the amount of—of change that had happened over those 13 years, it was like a blur when I think about it now. Um, but since the MBA just celebrated its 25th year last year, and the board has asked me over time to, you know, put—put these materials together—I mentioned that I have 20 plastic cartons full of archives from all of the things that happened during the course of MBA in the 16 years that I was the president. Um, I think that this is a, uh—a monumental civil rights movement that is—the African American community’s Civil Rights struggle was huge and it—it’s still happening now for hundreds of years, whereas the gay community have remained closeted for, you know, years up until ’69 when Stonewall happened. That seems like—I know there were other things that happened, but that was a big benchmark. So in looking at—and I hea—I‘ve heard people talk about from ’69 to 2015, when the Supreme Court ruled gay marriage as legal, that it’s astounding that the gay community did what it did over the course of that short period of time. And I’ve heard it—heard people reference our activism and how we work together as a community to make those changes happen. &#13;
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So I thought it was so critical that we maintain that history. That we make sure that we present it not only to get recognition to those people that did all that work and put their lives on the line, but for other movements that are obviously going to be necessary. When you look at the political environment that we’re currently in, um, I feel like our—the lessons that we learned in organizing our community are invaluable. And now, uh, with social media, with the internet, with all of these tools that we have with our, uh, immediate access with our phones—cameras, video, all of that—that coupled with the knowledge that the community has can really continue to make huge impact on oppression and equal rights for all.&#13;
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Raffel	&#13;
Can you describe, um, some of the sort of first portions of the history project, and maybe some of the people who were first involved in getting that formed?&#13;
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Simmons	&#13;
Sure. Um, I do have that, um, on the committee list here. Let’s see. That would have been, uh, 2005. Um, the first year I did chair, uh, the history subcommittee. Uh, Charlene Bell. Mary Brooks. Mary Brooks, who was the first secretary of the MBA, she got back involved. She, uh, was the secretary for five years. Um, but we had the meeting at her and her partner’s house. Phyllis Murphy. Phyllis and Mary actually met at an MBA meeting I believe in ’93. So they’ve been together for 25 years. Um, Ken Kasmerski. Uh, Patty Sheehan came to one or two of the first meetings. And, uh, Mallory Wells from UCF GLBSU . Um, we met at Mary and Phyllis’s house, um, and, um, all agreed about the importance of securing our history. Uh, and shortly after that, I asked Ken if he would be—if h—if would be the, um—the chair of the history project. And so, then he developed the history project from there. Added on, uh, more committee members and they developed, um—was it six or seven? I—‘cause in—in 2005, when we put all of those displays that were put together by everyone in the History Center, it was only for that one day. So that display then became part of the development of the actual—the timeline of the community, and um, developing and working with the community to gather up all of those archives. &#13;
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And, uh, by 2007, we had—I can’t remember in ’06 if we had—we had—I think we had the history project back in the History Center if I recall correctly. And it had gotten larger. And I think it was in one of the—the rooms that was, um, a courtroom. It ha—actually had the—you know, the bench and whatnot. I think that’s the way that ’06 was. And then 2007, we actually had an air conditioned tent at Lake Eola. And the—they put the wall of remembrance of the folks that had passed. They had developed a—a timeline. Um, and they were great. I mean they—they worked that thing all day long. And people were in and out of that tent all day long looking at all those. And I believe that that [exhales] really, um, inspired people, too. Because there were people there—I went in and spent some time myself to cool off, um, and to say hello to everybody. But in watching, uh, what I saw was people that had no idea who some of these folks were. Had no idea about the timeline of our movement here. &#13;
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Um, and then I saw others that were touched because they remembered Jimmy Brock , who was the pastor at Joy MCC , who had passed away. Um, and others. They—they remembered them, and so they were moved. And I—I could see the young people and I’ve th—I kept thinking about—I always did this whenever I went to Come Out With Pride—think about how I felt in 1991, when I went to that first parade. And that I was scared to death. I was just coming, you know, coming to—I had come out already, but just—I felt like coming into adulthood even though I was 31, you know? Um, starting to, uh—we hadn’t started Shelby Press yet. We started it in ’92. Uh, the MBA started—or not—or we started Shelby in ’93, but we started MBA in ’92. But I thought about—I—I still think about, you know, that it’s important that we inspire the young people to be confident in who they are and to accept themselves and to live their life to the fullest. And how better for them to get some insight into that then to see the timeline. To see those people that did that work. That made a difference in the lives of all of us—being able to live a healthier, more secure life.&#13;
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Raffel	&#13;
And do you have a favorite memory from your work with the history museum?&#13;
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Simmons	&#13;
[meowing] Um, and that was Louie giving his two cents.&#13;
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Raffel	&#13;
[laughs].&#13;
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Simmons	&#13;
Our kitty cat. Um, my favorite part of—of being involved with the beginning stages of the history project was seeing someone like Ken. Ken Kazmerski, who’s a little older than me, knowing his history and how he had worked with the students at UCF and Gay and Lesbian Bisexual Student Union. Um, and Phyllis and Mary. Phyllis Murphy and Mary Brooks. Um, knowing Mary and working with her side-by-side. Knowing Phyllis and her work on Orlando Regional Pride with the first few parades. Um, come back, uh,—it—together with the young people from UCF. To me, it wa—it—it’s—I—that’s what I’ve always thought. Um, and now there were a couple of people I will say that couldn’t see that. Couldn’t see that the—the wisdom of bringing the young people in. Because what are they—what are they going to contribute? And the majority of us though kept saying, “This is to encourage and to inspire future leaders. Because they need us and we need them.” &#13;
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So, to me, that was—that—it was that and it was, um, knowing that—that they were serious about remembering. Remembering how we got to 2005. What the community had endured here and what happened. When I went to the March on Washington in 1993 and 2000—uh, especially 2000—there was[sic] even newspaper articles written in the [Orlando] Sentinel. Um, one of ‘em I had on my—had framed in my den for a while—um, said well, you know, [meowing] most people are staying home and why—why go to a March on Washington again in 2000? We—those of us that got together and went—knew that it was going to reenergize us. It was gonna recharge our batteries. Excuse me. Bye bye. [laughing] It was to—for us to be re-inspired and recharged. &#13;
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So Come Out with Pride and the history project. And having a festival and a parade and bringing young and older and old, um, gay and straight and bi and trans and every ethnic—everybo—bringing everybody together that’s still alive to remember those that aren’t with us anymore. That’s what the history project did for me in 2007 with the tent. Walking around and looking and everything. That’s what I re—I thought about—is all those people, many of whom I knew. I knew them. And they were inspirational for me. And so, I was so happy that everybody that walked through there got to see that. Everybody experienced it differently based on their—their own life. Who they are and whatnot. But that’s—that was the—the—the real moving part I guess for me.&#13;
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Raffel	&#13;
And just to kind of go backwards a little bit, you mentioned I think briefly the first, uh, expo that the MBA held. Can you tell me a little bit more about what—sort of what led to that and the—and the difficulties you had finding space?&#13;
&#13;
Simmons	&#13;
Um, in, uh, 1994, at—at a—I believe it was a—it might have been ’93—Sandy Fink had come on to the board. She was a veterinarian. Um, and she had—let’s see. She was the networking chair in May of ’93. And then the membership director in December of ’93 to May of ’98. I remember when we were at a board meeting and, um, she and the networking and expo committee she put together—or I don’t think she put the committee together yet. She started talking about it. Um, and I didn’t know that our community was ready to have an expo of all of the—the businesses. I knew we had identified, uh, people that had businesses in the community. We had—we had identified some, uh, allies in the community. Not big corporations, but people that wanted to be part of our association. But when she said that we should do a business expo, uh, some of us were like, “Wow.” You know? “Are we really ready for that?” &#13;
&#13;
And so, she was—put together a structure. Um, put together a committee, and—Louie [laughs]. By, um—by the time we got—we had several board meetings, talking about doing an expo. We were all on board. Uh, because they—they were ready to go. But where to have the event? So they identified the Maitland Civic Center on Lake Louie. And it was a—a great place. It still is. Um, and we, uh, signed the contract. We were ready to go. And it was—we’d already advertised. We had already printed our first, um, uh, uh—it became the buyers’ guide or the membership directory. Nut, uh, uh, an expo directory of, you know, who was going to be there and whatnot. Um, we had a map. And then we had everybody listed in there. Um, and Maitland Civic Center said that we couldn’t do it because they had a double booking. &#13;
&#13;
So, um, Sandy went to civil court. And we were just talking about it leading up to the 25th anniversary of the MBA. And, uh, she reminded us, and reminded me especially, about her going to court. And she was nervous because she said, you know—she wasn’t really out, out. And there she was in civil court and she said it was the first time she’d uttered “gay and lesbian” in public. In a courtroom, no less. And she said the place gasped. She said she could feel it. Um, but because the contract was signed before the other contract—they were just pulling that double-booking thing to try to stop it. Once they—I guess some people decided, “Oh, it’s a gay and lesbian business association. No. We can’t do that in Maitland. We’re not gonna have that.” Um, but, we won. And so, we had our event. &#13;
&#13;
Simmons	&#13;
We had 89 vendors at that expo. And that was a—that was another big turning point for the professionals and the business centers in this community. Um, people started to recognize that we—back then, we didn’t have corporate support. So the small businesses—we were the backbone of the community. We were the ones that funded, um, things, um, uh, paid the membership dues, paid extra money, sponsored different things to make things happen. Um, and that we were the ones that were—were going to work together to even build it larger. To build our business structure larger. To encourage professionals that were contemplating starting their own business or practice to do so. And they did. &#13;
&#13;
Um, uh, a number of people—now not going back that far, but, um, there are some that have—have formed, uh, in the last 20 years instead of the last 25 years. Uh, but Tom Dyer, um, at Watermark—he’s an attorney. And he was working for another practice. And it wasn’t—and don’t quote me on this, but it wasn’t long before Tom started his own law practice. Um, and I believe he started Watermark in, uh, ’94. And so, he—he—I heard him talk about that recently. About, you know, seeing what was happening in other big cities and newspapers and this and that. And he thought that Orlando could really do with having its own newspaper. Plus, he dealt with the—the political scene here, like I had said, with Glenda Hood. And knew that we weren’t getting the coverage. Um, we weren’t getting the representation that we should. Uh, a—something as simple as Mary Brooks, who I have mentioned a couple of times—that was the secretary. She w—worked at the Orlando Sentinel. She was a reporter. And at that time, we couldn’t even have our, uh, partners’ names listed in our obituaries. I mean it was just things like that. Everywhere we turned we had, um, discrimination. &#13;
&#13;
So, yep. ’94, we had 89 vendors. And then we had six business expos. Um, and that kind of hand-in-hand worked with what we wound up doing with Come Out with Pride in having the festival in the park. The festival in the park is really a business expo. It’s where we b—we brought the politicians together with the non-profits with the large corporations and with the small business centers in the MBA. So we had developed that experience in order to put together that part of Come Out with Pride.&#13;
&#13;
Raffel	&#13;
And was the discrimination in the community—was that one of the reasons that, uh, you didn’t put LGBT or i—in the name of the business… &#13;
&#13;
Simmons	&#13;
Yes.&#13;
&#13;
Raffel	&#13;
…association?&#13;
&#13;
Simmons	&#13;
Yes. And we had talked a lot about it. Um, it wasn’t as if we were hiding who we were, but we were trying to again, um, protect those that wanted to come to our functions that were advet—advertised at the Radisson, The Metropolitan Business Association. Well, that’s not saying it’s a gay and lesbian function. Um, and there were a number of times that we had functions there that, um—I’ll never forget one night that we were having a function there that John Butler Booke, who is a—was—I don’t know if he’s still alive—a—a minister pastor in Apopka. Uh, he was one of the biggest voices against us in the ’98 controversy to hang the rainbow flags. Uh, he came to everything and anything. Well, they were having a separate event at the Radisson. And some people that were coming to our event were on that elevator with him. And he didn’t know who they were. They knew who he was. And I remember them coming in. And I can’t tell you even who it was specifically. But came in and said, “Oh, my gosh. You’re not going to believe who I just saw in the elevator. John Butler Booke is here.” &#13;
&#13;
And so that was just reaffirmation for us, you know, that those five and a half years or so that we were at the Radisson, that was a period of time where we built strength and confidence and encouragement for the community to, you know, come out and to be more confident in being themselves. Being authentic. Uh, but when we, uh, talked about the name of the MBA—I believe we were at Metropolitan Community Church, and Sam Singhouse and Marcy Singhouse’s, uh, sister-law—Sam was instrumental in those very—in the very beginning. He owned the big bang club downtown Orlando. A—and he and Marcy were always there. And Sam Singhouse is Miss See—Miss Sammy. Everybody knows Miss Sammy. Um, and we were talking about the name. And Marcy was the one that actually wound up coming up with the Metropolitan Business Association. And, um, it –I mean everybody was like, “Yes, that’s it!” And so it stuck. And we never changed that. Um, the logo changed a few times over the years, but it was still, um, the Association. That’s what we were is all—you know, we—like I said in the beginning, uh, we—we developed relationships with one another that lasted for years and years. And sometimes lifetimes. Like Mary and Phyllis. Um, whether it be a—a—a marriage, which now we’re allowed to actually have marriage, um, or just a lifelong friendship. &#13;
&#13;
Raffel 	&#13;
And what do you see as some of the maybe next steps or next big goals for organizations like the MBA and the LGBTQ History Museum?&#13;
Simmons	Well, um, I’m really glad that the—the History Museum is continuing and evolving and growing. And, um, as far as the MBA goes, I know that they’re really working on, um, corporate diversity and making sure that with the National Gay and Lesbian Chamber, uh, that you have certification. And that—there’s that association. That group of large businesses that will buy from—recognize a gay and lesbian, trans—a tran—LGBTQ business as someone that they want to buy from. So they’re working on that. I know that they’re, uh, focused on, uh, transgender and gender equality. That’s very important. &#13;
&#13;
Um, it’s—I know we—we’ve talked about this. Um, in 2015, when the Supreme Court ruled gay marriage legal , um, we had—that was in June of 2015—there was this sense of elation. Um, and I remember people saying—asking me and saying to me, “Do we really have a need for the Metropolitan Business Association and, um, the History Museum?” Of course. I mean, yeah. That’s gonna go on as long as people are alive to develop—to continue to develop all those archives. Um, but is it really needed anymore now that we have, you know, gay marriage? It’s legal. Well, it’s a lot more than that. It’s, um, uh, transgender. It’s gender equality. It’s—uh, you can still be fired from your job if you’re gay. Um, and we knew that there were—I knew, and I’m sure that most people knew, that there would be a backlash. &#13;
&#13;
Um, but still there’s that sense of elation. I remember it was just three years ago, um, that everybody was—eh, I was going around getting every newspaper I could get. I was online looking at everything. Reading everything. Recording everything that I could during that. So amazing. And Prop 8 . And the fact that it was David Boies and—what’s his name? Theodore, uh—it’s gonna—and I—he was a con—he was the conservative that, um, represented Bush  after the 2000 election. Olsen. Ted Olsen. Ted Olsen and David Boies. That they were the—the lawyers worked together. The conservative and the liberal. Um, and Prop 8 was overturned in California. &#13;
&#13;
All these things happened. And people were elated. And, my gosh, for us to just have—I mean, a lot of terrible things have hap—had happened between 2015 and 2016, with these mass killings and shootings. Um, but when Pulse  happened in 2016 in June, um, it was—I—I still have a hard time even articulating how I feel about it. Um, I couldn’t even talk about it because I knew the—the—the impact that it had had on—i—i—it squashed immediately that feeling of elation. Yes. It was a huge victory. But—that we—we achieved gay marriage. But, my gosh, what a gut punch. And have all of those people murdered. Um, regardless of the murderer’s motives, it was in a gay nightclub, um, owned by Barbara [Poma], a heterosexual. Um, to give Pulse and life to her brother’s life. Um, you know, it—I mean the way it—it—it’s just all come together, to me it’s a—it’s a—a reminder that the work is never finished. That it’s important.&#13;
&#13;
I mean, I’ve been trying myself for the last ten years. I’ve been retired from my—my, uh, volunteer work and focused just on working for a living. Uh, sometimes I wonder how I worked 40 hours plus at work and 40-plus hours with the Metropolitan Business Association. Again, this goes to the age thing. I was telling you earlier, um. Uh, I’ve been trying to figure out what—what I can do now to participate. I don’t—I still haven’t been able to really—like I said, I can’t even articulate how I feel and it’s been two years since Pulse. Um, when the anniversary rolled around last year, um, it—very somber with everybody that I know. Um, and I thought this year would be, you know, a little bit—not easier—but a little bit better. But it’s not. Um, and I can’t even fathom what the families are going through. &#13;
&#13;
Um, we have a—a young person that has come to work with us. Uh, she’s 26 and, um, she’s heterosexual. Not that that’s really relevant. But it is because she was impacted. And she asked me about posting on Shelby Press, uh, on Facebook—on our page—something about Pulse. And she had put together some—some language, um, and—just us all here trying to talk about it. And talk with her about it. It’s just, um—like I said, it’s hard to talk about it. Cause I just don’t even know what to say. And I—I feel like putting something on social media now like, uh, the thing now that the students from Parkland  have made very clear. Um, we call BS on thoughts and prayers. Because that’s not—that’s not gonna do it. &#13;
&#13;
So, yeah. It’s important. It’s important for all of the organizations. For the Metropolitan Business Association. For the History Museum. For Come out with Pride. For the Center. For, uh, Parents and, uh, Friends—PFLAG—uh, for GLBSU at UCF. For everybody to continue doing their work. And to never think, no matter what—what—how many steps we make forward, that we should ever let our guard down. And that we be out there representing our community and thinking about going back to what I had said earlier about our struggle for our civil rights. That the Constitution affords us those rights, as it affords every citizen of this country. Um, that our struggle is, and will continue to be, a model for the rest of the community to say, “Yes we can.” Love that about Barack Obama. Yes we can. Yes we will. And y—y—you might kick us down, but we’re gonna stand up again. And we will not let hate win. Ever. &#13;
&#13;
Raffel	&#13;
Thank you so much. If you had nothing to add. That’s all my questions.&#13;
&#13;
Simmons	&#13;
I know we skated all over it.&#13;
&#13;
Raffel	&#13;
That was great. &#13;
&#13;
Simmons	&#13;
[laughs].&#13;
&#13;
Raffel	&#13;
That was perfect [laughs].&#13;
&#13;
Simmons	&#13;
I mean I—I didn’t even, uh…&#13;
&#13;
Raffel	&#13;
[laughs].&#13;
&#13;
Simmons	&#13;
Wow. Thank you so much.&#13;
&#13;
Raffel	&#13;
Thank you, Debbie.</text>
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                <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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                <text>Sandy Cawthern, Jeanine Taylor, Joy Wallace Dickinson, Francina Boykin, Charley Williams and Harry Coverston gather soil samples from Don Dudley Park in Orlando, Florida, on October 8, 2018, and place them into glass jars to commemorate Orange County lynching victims. Although Julius "July" Perry was not lynched in the park, the location was chosen based on the account that it occurred in an area overlooking Lake Concord in view of Judge Cheney's home.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."&lt;/span&gt;</text>
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                  <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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                <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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                  <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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                <text>The headstone of Julius "July" Perry, surrounded by white flowers, stones, shells and a strip of stickers that read, "I VOTED."&lt;br /&gt;&lt;br /&gt;&lt;span&gt;The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."&lt;/span&gt;</text>
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                <text>Greenwood Cemetery, Orlando, Florida</text>
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                <text>History Teacher</text>
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                <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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                <text>Charley Williams and John Ashworth at a screening of the 60-minute documentary, "The Yard", at the First Unitarian Church of Orlando. The event took place on March 7, 2019, from 6:30pm to 9:00 pm, with a $10 suggested donation. The screening of the film was followed by a panel discussion that included the filmmaker. Partners in the event included Equal Justice Initiative (EJI), First Unitarian Church of Orlando, Peace and Justice Institute (Valencia College), Bridge the Gap Coalition, Global Peace Film Festival, Hannibal Square Heritage Center, League of Women Voters of Orange County, UCF RICHES Program, and Iota Phi Theta Fraternity Inc. (Orlando Chapter).&lt;br /&gt;&lt;br /&gt;&lt;span&gt;The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."&lt;/span&gt;</text>
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                  <text>Orlando Unitarian Universalists can follow their roots back to 1912, when Reverend Eleanor Gordon was first minister to a church formed with 21 members. Building Unity Chapel in 1913, the group shared literary and spirited discussions, fostered by transplanted Unitarians from the North. Property in an orange grove east of town was purchased in 1954. The congregation moved from Lake Eola to Robinson and Hampton once children’s religious education classrooms and a social/worship hall were built in 1958. Gore Hall was completed in 1963, and served as a worship facility for many years. The current modern Sanctuary was dedicated in January of 1995.</text>
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                  <text>Buehrens, John A. &lt;a href="http://www.worldcat.org/oclc/678924285" target="_blank"&gt;&lt;em&gt;Universalists and Unitarians in America: A People's History&lt;/em&gt;&lt;/a&gt;. Boston: Skinner House Books, 2011</text>
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                <text>Originally created by Liberal Religious Youth and published by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt;.</text>
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                <text>Copyright to this source is held by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Buehrens, John A. &lt;a href="http://www.worldcat.org/oclc/678924285" target="_blank"&gt;&lt;em&gt;Universalists and Unitarians in America: A People's History&lt;/em&gt;&lt;/a&gt;. Boston: Skinner House Books, 2011.</text>
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                <text> Kunerth, Jeff. "&lt;a href="https://www.orlandosentinel.com/features/os-black-teens-civil-rights-story.html" target="_blank"&gt;Teens spark Orlando's civil-rights era&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;. February 09, 2010. Accessed January 11, 2017. https://www.orlandosentinel.com/features/os-black-teens-civil-rights-story.html.</text>
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                <text> McCleary, John Bassett, and Joan Jeffers McCleary. &lt;a href="http://www.worldcat.org/oclc/699245235" target="_blank"&gt;&lt;em&gt;The Hippie Dictionary: A Cultural Encyclopedia (and Phraseicon) of the 1960s and 1970s&lt;/em&gt;&lt;/a&gt;. Berkeley, Calif: Ten Speed Press, 2008.</text>
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                <text> Kunerth, Jeff. "&lt;a href="https://www.orlandosentinel.com/news/os-xpm-2009-09-21-0909200087-story.html" target="_blank"&gt;Jones Grad joined sit-ins for civil rights&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;. September 21, 2009. Accessed January 11, 2017. https://www.orlandosentinel.com/news/os-xpm-2009-09-21-0909200087-story.html.  

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                <text>Buehrens, John A. &lt;a href="http://www.worldcat.org/oclc/678924285" target="_blank"&gt;&lt;em&gt;Universalists and Unitarians in America: A People's History&lt;/em&gt;&lt;/a&gt;. Boston: Skinner House Books, 2011.</text>
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                <text> Hoefer, Jean M., and Irene Baros-Johnson. &lt;a href="http://www.worldcat.org/oclc/18785026" target="_blank"&gt;&lt;em&gt;May No One Be a Stranger: 150 Years of Unitarian Presence in Syracuse&lt;/em&gt;&lt;/a&gt;. Syracuse, N.Y. (3800 E. Genesee St., Syracuse 13214): May Memorial Unitarian Society, 1988.</text>
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                <text> Community Meets Today on Action&lt;/a&gt;." Jewish Telegraphic Agency. April 29, 1958. Accessed January 23, 2017. http://archive.jta.org/1958/04/29/archive/jacksonville-jewish-center-bombed-community-meets-today-on-action.</text>
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                  <text>Orlando Unitarian Universalists can follow their roots back to 1912, when Reverend Eleanor Gordon was first minister to a church formed with 21 members. Building Unity Chapel in 1913, the group shared literary and spirited discussions, fostered by transplanted Unitarians from the North. Property in an orange grove east of town was purchased in 1954. The congregation moved from Lake Eola to Robinson and Hampton once children’s religious education classrooms and a social/worship hall were built in 1958. Gore Hall was completed in 1963, and served as a worship facility for many years. The current modern Sanctuary was dedicated in January of 1995.</text>
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                <text>Minutes of a monthly meeting of the Orlando Ministerial Association. The meeting was held on October 2, 1958, at the Y.M.C.A in Orlando, Florida. The first topic discussed was an election of permanent officers that would take place on October 20, 1958. The second topic discussed was the discrimination of African-Americans by the United Appeal. This inequality being best exemplified by the existence of a colored division within the United Appeal. The final topic discussed concerned the refusal of the &lt;em&gt;Orlando Sentinel&lt;/em&gt; to accept advertisements from African-American churches. The document was written by John C. Fuller, who was Secretary of the Orlando Ministerial Association.</text>
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                  <text>Orlando Unitarian Universalists can follow their roots back to 1912, when Reverend Eleanor Gordon was first minister to a church formed with 21 members. Building Unity Chapel in 1913, the group shared literary and spirited discussions, fostered by transplanted Unitarians from the North. Property in an orange grove east of town was purchased in 1954. The congregation moved from Lake Eola to Robinson and Hampton once children’s religious education classrooms and a social/worship hall were built in 1958. Gore Hall was completed in 1963, and served as a worship facility for many years. The current modern Sanctuary was dedicated in January of 1995.</text>
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Oviedo began on the south shore of Lake Jessup as a settlement called Solaria's Wharf. Some of its early settlers include Dr. Henry Foster, Joseph Watts, and Steen Nelson. Citrus and celery dominated the area's farmland, although Central Florida suffered a severe freeze in 1894. Oviedo suffered another disaster in 1914 when a fire wiped out much of the downtown section. Disaster hit again in 1929 with the Wall Street Crash and the beginning of the Great Depression. That same year, Oviedo's fruit crops were decimated by a fruit fly infestation. Another fire destroyed the Wheeler Fertilizer Plant in 1946. Nonetheless, Oviedo continued to grow, with new paved roads going to Geneva and Chuluota and the opening of the Citizens Bank of Oviedo in 1948. In 1949, Oviedo began receing once-a-day bus serviece to Orlando from Greyhound Lines. By 1950, Oviedo was the second largest town in Seminole County, following Sanford.  The Oviedo City Hall was built that same year and in 1968, Florida Technological University (present-day University of Central Florida) opened, bringing new residents to the area.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"Oviedo Began as Solaria's Wharf." &lt;em&gt;The Oviedo Heritage&lt;/em&gt;, June 30, 1977.</text>
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                  <text>Cepero, Laura Lynn</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Oral Memoirs of Benjamin Franklin Wheeler III</text>
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                <text>Oral History, Benjamin Franklin Wheeler III</text>
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                <text>Oviedo (Fla.)</text>
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                <text> Citrus--Florida</text>
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              <elementText elementTextId="670064">
                <text> Citrus fruit industry--Florida</text>
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                <text> Packing-houses--United States</text>
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                <text> Agriculture--Florida</text>
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                <text> Celery</text>
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                <text>An oral history interview of Benjamin Franklin Wheeler III, a descendant of the Wheeler and Lawton families in Oviedo. The interview was conducted by Desta Lee Horner at the University of Central Florida in Orlando, Florida, on June 18th, 2019. Some of the topics covered include the family history of the Lawtons and Wheelers, the significance of the pine timber industry in Oviedo, the career path of Benjamin Franklin Wheeler, Sr., the role of Benjamin Franklin Wheeler, Sr. in the incorporation and development of Oviedo, withstanding freezes and destruction of crops and trees, shipping citrus on the railroads and the decline of the citrus industry in Oviedo, working in packing houses, varieties of citrus production in Oviedo, transitioning from citrus to celery production, how packing houses served a social function, building a railroad on muck land and dealing with derailed trains, how Seminole County was formed and the consequences of its formation, George Kelsey and enforcing the law in a small town, eccentric characters and interesting stories from Oviedo, how churches influenced life in Oviedo, how the Oviedo lights became an urban legend, how being a bedroom community shaped the City of Oviedo, how the Oviedo Fire Department evolved, his experience with race relations in Oviedo, how Alafaya Trail became a paved road, deciding on where to build Florida Technological University, and his closing remarks.</text>
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                <text>0:00:00 The family history of the Lawtons and Wheelers &lt;br /&gt;0:02:58 The significance of the pine timber industry in Oviedo &lt;br /&gt;0:03:38 The career path of Benjamin Franklin Wheeler, Sr. &lt;br /&gt;0:07:30 The role of Benjamin Franklin Wheeler, Sr. in the incorporation and development of Oviedo &lt;br /&gt;0:09:32 Withstanding freezes and destruction of crops and trees &lt;br /&gt;0:10:24 Shipping citrus on the railroads and the decline of the citrus industry in Oviedo &lt;br /&gt;0:14:30 Working in packing houses &lt;br /&gt;0:16:35 Varieties of citrus production in Oviedo &lt;br /&gt;0:18:11 Transitioning from citrus to celery production &lt;br /&gt;0:25:25 How packing houses served a social function &lt;br /&gt;0:26:35 Building a railroad on muck land and dealing with derailed trains &lt;br /&gt;0:30:51 How Seminole County was formed and the consequences of its formation &lt;br /&gt;0:39:08 George Kelsey and enforcing the law in a small town &lt;br /&gt;0:40:41 Eccentric characters and interesting stories from Oviedo &lt;br /&gt;0:43:32 How churches influenced life in Oviedo &lt;br /&gt;0:45:17 How the Oviedo lights became an urban legend &lt;br /&gt;0:47:10 How being a bedroom community shaped the City of Oviedo &lt;br /&gt;0:48:29 How the Oviedo Fire Department evolved &lt;br /&gt;0:50:46 How being a bedroom community shaped the City of Oviedo (continued) &lt;br /&gt;0:53:14 His experience with race relations in Oviedo &lt;br /&gt;0:57:25 How Alafaya Trail became a paved road &lt;br /&gt;0:59:19 Deciding on where to build Florida Technological University &lt;br /&gt;1:01:28 Closing remarks</text>
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              <elementText elementTextId="670070">
                <text>Oral history interview of Benjamin Franklin Wheeler III. Interview conducted by Desta Lee Horner in Orlando, Florida, on June 18, 2019.</text>
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                <text>Wheeler III, Benjamin Franklin. Interviewed by Desta Lee Horner, June 18, 2019. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES.</text>
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                <text>Digital transcript of original 1-hour, 3-minute, and 31-seconds oral history: Wheeler III, Benjamin Franklin. Interviewed by Desta Lee Horner. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt;, Orlando, Florida.</text>
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                <text>Five Points Operations Complex, Sanford, Florida</text>
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              <elementText elementTextId="670078">
                <text> Florida Technological University, Orlando, Florida</text>
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              <elementText elementTextId="670079">
                <text> Holler Chevrolet, Winter Park, Florida</text>
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              <elementText elementTextId="670080">
                <text> Memorial Building, Oviedo, Florida</text>
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                <text> Nelson and Company Packing Plant, Oviedo, Florida</text>
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                <text> Oviedo, Florida</text>
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                <text> Oviedo Depot, Oviedo, Florida</text>
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                <text>Wheeler, Benjamin Franklin III</text>
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                <text> Horner, Desta</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt;</text>
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              <elementText elementTextId="670088">
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              <elementText elementTextId="670089">
                <text>2019-06-18</text>
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                <text> application/pdf</text>
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              <elementText elementTextId="670092">
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              <elementText elementTextId="670094">
                <text>1-hour, 3-minute, and 31-seconds audio recording</text>
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              <elementText elementTextId="670095">
                <text> 31-page digital transcript</text>
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              <elementText elementTextId="670096">
                <text>eng</text>
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                <text> Civics/Government Teacher</text>
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              <elementText elementTextId="670099">
                <text>Originally created by Benjamin Franklin Wheeler III and Desta Lee Horner and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt;.</text>
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              <elementText elementTextId="670100">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt;</text>
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                <text>Cravero, Geoffrey</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="670104">
                <text>Robison, Jim. "&lt;a href="https://www.orlandosentinel.com/news/os-xpm-1991-01-27-9101260420-story.html" target="_blank"&gt;War Forced Lawtons to Leave Georgia Children's Families Played Big Role in Building Town&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, January 27, 1991. Accessed July 23, 2019. https://www.orlandosentinel.com/news/os-xpm-1991-01-27-9101260420-story.html.</text>
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              <elementText elementTextId="670105">
                <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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              <elementText elementTextId="670106">
                <text>Adicks, Richard, and Donna M. Neely. &lt;a href="https://www.worldcat.org/title/oviedo-biography-of-a-town/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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              <elementText elementTextId="670107">
                <text>Robison, Jim. &lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/147" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                <text>&lt;a href="https://youtu.be/J4b2TL_y3oM"&gt;Oral Memoirs of Benjamin Franklin Wheeler III&lt;/a&gt;</text>
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            <name>Transcript</name>
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              <elementText elementTextId="670109">
                <text>Horner&#13;
My name is Desta Horner from the Oviedo Historical Society and I’m here with Ben Wheeler, whose family had been residents in Oviedo for many generations. We’re gonna talk about the history of Oviedo. This interview is being conducted at the University of Central Florida in collaboration with the RICHES program.&#13;
&#13;
Ben Wheeler’s been around a long time. Tell me something about you and your family.&#13;
&#13;
Wheeler	&#13;
Well, my earliest ancestor t—to come here was a Civil War widow named Narcissa Melissa Lawton . She had several children, one of which married my great-grandfather, John Thomas Wheeler. Um, they moved to Dade City and he had a stroke. He was a sawmill man. And he had a stroke and died. So R. W. Lawton, who would have been Narcissa’s brother, sent one of the Aulins—I think it was Theodore —to Dade City with a two-wheel oxcart. And loaded them up, whatever little bit they had, which probably wasn’t much, and brought ‘em back to Oviedo [sniffs].&#13;
&#13;
Horner	&#13;
Who married Wheeler in order to get the Wheeler in your name? One of the Lawtons married a Wheeler?&#13;
&#13;
Wheeler	&#13;
Yes. Clara Isabelle Lawton  married John Thomas . Um, she was—no. She wasn’t a widow. Narcissa was a widow. &#13;
&#13;
Horner	&#13;
Mhmm.&#13;
&#13;
Wheeler	&#13;
And this was her daughter.&#13;
&#13;
Horner	&#13;
So she married a Wheeler.&#13;
&#13;
Wheeler	&#13;
Yes.&#13;
&#13;
Horner	&#13;
And that—was that Ben Wheeler I? The Ben Wheeler?&#13;
&#13;
Wheeler	&#13;
His name was Benjamin Franklin Wheeler, Sr. &#13;
&#13;
Horner	&#13;
How many more Benjamin Franklin Wheelers are there?&#13;
&#13;
Wheeler	&#13;
Two more.&#13;
&#13;
Horner	&#13;
Two [laughs]. &#13;
&#13;
Wheeler	&#13;
My father and me.&#13;
&#13;
Horner	&#13;
Oh. Okay. So the, uh—so the Whee—how did the Wheelers get here? I mean, the Lawtons got here after the Civil War. Where did B.F. Wheeler, Sr. come from?&#13;
&#13;
Wheeler	&#13;
W—w—well, John Thomas, who was B.F., Sr.’s father,…&#13;
&#13;
Horner	&#13;
Ah.&#13;
&#13;
Wheeler	&#13;
…came here after the Civil War. And he claimed a homestead and sawed all the timber off of it. And once the timber was gone, he let it grow back. And that’s when he moved to Dade City[, Florida].&#13;
 &#13;
Horner	&#13;
Well, the timber was always a big—particularly pine timber… &#13;
&#13;
Wheeler	&#13;
Mhmm.&#13;
&#13;
Horner	&#13;
…was always important in Oviedo. What did they do with the pine—with the pine? Cut it up? Saw it up? What do you do?&#13;
&#13;
Wheeler	&#13;
It was used mostly for lumber. The first thing they did was chip it for turpentine. And once the trees had g—given up all their turpentine, then they would cut ‘em and make lumber out of ‘em.&#13;
&#13;
Horner	&#13;
Were there a lot of sawmills? I read one place where there were five sawmills in the area. I…&#13;
&#13;
Wheeler	&#13;
I couldn’t swear to the number, but there were several. &#13;
&#13;
Horner	&#13;
In order to slice those into planks for…&#13;
&#13;
Wheeler	&#13;
Right.&#13;
&#13;
Horner	&#13;
…houses.&#13;
&#13;
Wheeler	&#13;
Mhmm.&#13;
&#13;
Horner	&#13;
Kay. Well, Wheeler set up a business. Who did he set up a business with? What—what business did he get into?&#13;
&#13;
Wheeler	&#13;
Well, his father died when he was 11. And he had a younger brother and a mother to support. And R.W. Lawton brought him back here. And he just took any kind of work he could get [clears throat]. One of the things he said he did was hoe orange trees. There was a big grove out there where Winter Springs High School is now. And he said he would walk out there, hoe trees all day and walk back for a penny a piece. &#13;
&#13;
And there was a—the Coast Line—the Atlantic Coast Line Railroad had a—a depot agent here named Mr. Crutchfield. And he and my grandad took a shine to each other. And he let him hang around the depot. And he taught him Morse code. Let him help sweeping[sic] and whatever needed to be doing[sic]. And my grandfather ended up being the depot agent when Mr. Crutchfield retired.&#13;
&#13;
Well, as depot agent, he made a princely sum of $15 a month, which r—really—a lot of people couldn’t even get a job. But he got that. And that’s when he endeavored to buy the property on—south of Lake Jesup, where the big brick house is.&#13;
&#13;
Horner	&#13;
Where the Evans-Wheeler house …&#13;
&#13;
Wheeler	&#13;
Right. And he obliged to pay $5 a month on a mortgage. Well, he said there were a half a dozen old tangerine trees on the place. And started taking care of ‘em. And about the second year he was attending to ‘em, they yielded six boxes—which, a box is two bushels—of tangerines. And he took ‘em down to Nelson Brothers Packing House and sold ‘em and got $5 a box for ‘em. Now, that’s like six months’ worth of mortgage payments. And he said that got his attention. And as time went by, um, Mr. Fred Nelson wanted to get out. And so, my grandfather bought his portion of Nelson Brothers. And later, Mr. Steen Nelson  wanted to get out. So he bought his portion and then he named it Nelson and Company.&#13;
&#13;
Horner	&#13;
But, actually, it was Wheeler who owned it. Why didn’t he change the name to Wheeler?&#13;
&#13;
Wheeler	&#13;
Because the brands they had were already established. And he didn’t want to start over.&#13;
&#13;
Horner	&#13;
So everybody up North that this was—the fruit was shipped to…&#13;
&#13;
Wheeler	&#13;
Right.&#13;
&#13;
Horner	&#13;
…knew that name: Nelson.&#13;
&#13;
Wheeler	&#13;
The brand name was White Rose.&#13;
&#13;
Horner	&#13;
When there was a White Rose label…&#13;
&#13;
Wheeler	&#13;
Mhmm.&#13;
&#13;
Horner	&#13;
…you knew it came from a good place [laughs]. W—well, what business did your—your grandfather get into if he owned a—the citrus packing house, Nelson and Son—and Company? What else did he do?&#13;
&#13;
Wheeler	&#13;
He was a real forward-thinking man. And he saw opportunity where a lot of people didn’t. He, um—he was instrumental in getting Oviedo incorporated as a city. It was one square mile. &#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
But the relations with Sanford as the county seat were such that he didn’t foresee Oviedo getting a fair shake out of the county. And so, he got it—got Oviedo incorporated. &#13;
&#13;
He was also on the county commission. He, um, was the driving force behind the county buying what’s now called the—well, what is it called? The Five Points Complex ? Eh, the original purpose of it was to have, um, indigent home and, um, pauper’s cemetery. That grew into being an old folks home. And they grazed—they raised all their own food. &#13;
&#13;
And then years later, the—the county began moving their facilities out there. Their fire department and courthouse and jail and animal control.&#13;
&#13;
Horner	&#13;
And sitting in the middle of all of that official administration is still what was the old folks home.&#13;
&#13;
Wheeler	&#13;
Yes.&#13;
&#13;
Horner	&#13;
It’s still there. &#13;
&#13;
Wheeler	&#13;
Yes.&#13;
&#13;
Horner	&#13;
It’s never demolished.&#13;
&#13;
Wheeler	&#13;
It’s now part of—it’s now the home of the Museum of Seminole County History. &#13;
&#13;
Horner	&#13;
One of the things about the citrus industry in Oviedo was the freezes that would happen regularly. How did people withstand the destroyed[sic] of—of their crop? And sometimes even destruction of their trees?&#13;
&#13;
Wheeler	&#13;
Well, all of ‘em didn’t stand it. Um, there was a disastrous freeze in 1890-f—December of ’94 and February of ’95. And i—it was—it was destructive enough that a lot of people just gave up and moved. Uh, there are stories about houses with dishes still on the table and food in ‘em. And th—they were just left. People just le—just lost heart and left.&#13;
&#13;
B—but the—the few that remained eventually did come back. Uh, my grandfather being one. Mr. Lee—C. S. Lee  being another one. And there’s probably some names that I don’t recall now. &#13;
&#13;
Horner	&#13;
What about the Clonts’s? Were they doing c—uh, cel—um, citrus at that time?&#13;
&#13;
Wheeler	&#13;
No. The Clonts’s came in 1924. &#13;
&#13;
Horner	&#13;
Mkay. Mm. Well, when you have this packing—and Wheeler—I mean Nelson and Company packed fruit…&#13;
&#13;
Wheeler	&#13;
Mhmm.&#13;
&#13;
Horner	&#13;
…in these crates to send north. Um, how could you send them north? On the steamboats that originally plied the s—Lake Jesup? Or how did they get them up north to New York?&#13;
&#13;
Wheeler	&#13;
I’m sure at some point they shipped ‘em on a steamboat. But my recollection is the railroads. &#13;
&#13;
Horner	&#13;
And which railroads did…&#13;
&#13;
Wheeler	&#13;
Well, there were two that came to—to Lake Charm. That was the Atlantic Coast Line and there was the Seaboard Air Line. And they both had s—spurs that went down into Black Hammock to the celery pre-coolers and washhouses. At one time, there was[sic] two trains a day—one on each railroad out of Oviedo—of nothing but produce [sneezes]. Excuse me.&#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
There’s a lot of, uh, confusion about the two railroads because they later merged and became Seaboard Coast Line. And then they was[sic] incorporated into the family lines. And then it was Seaboard’s system. And then it became CSX [Corporation], which is what it is now.&#13;
&#13;
Horner	&#13;
When did those trains stop running through Oviedo? ‘Cause there’s no trains there now.&#13;
&#13;
Wheeler	&#13;
I’d say in the early eighties. &#13;
&#13;
Horner	&#13;
Why didn’t we need the trains anymore?&#13;
&#13;
Wheeler	&#13;
Well, all the produce traffic had gone to trucks. The—the railroads were so contrary about the service that people got tired of it. And, uh, at that time [sniffs], the Northern railroads—the Pennsylvania, the B&amp;O —those lines were having terrific union problems. And our stuff would get to Washington, D.C. and sit. &#13;
&#13;
Horner	&#13;
So Oviedo was in trouble. They couldn’t get it to market. &#13;
&#13;
Wheeler	&#13;
Right. Right.&#13;
&#13;
Horner	&#13;
Well, there was another train in Oviedo. The Dinky Line.&#13;
&#13;
Wheeler	&#13;
That was the Seaboard. &#13;
&#13;
Horner	&#13;
Was part of the Seaboard.&#13;
&#13;
Wheeler	&#13;
Yes. &#13;
&#13;
Horner	&#13;
Mm.&#13;
&#13;
Wheeler	&#13;
It had previously been the Florida Central and Peninsular [Railroad] [sniffs]. And the tracks were so raggedy that they were forever and a day getting derailed. &#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
And the local folks nicknamed it “The Friends Come and Push” [laughs].&#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
But a lot of people think the whole system was the Dinky Line and it was not [sniffs]. &#13;
Horner	Just the part that ran from Oviedo to Orlando.&#13;
&#13;
Wheeler	&#13;
Right.&#13;
&#13;
Horner	&#13;
Okay. How long did the Dinky Line last? That’s not…&#13;
&#13;
Wheeler	&#13;
Well, it became part of the…&#13;
&#13;
Horner	&#13;
Ah.&#13;
&#13;
Wheeler	&#13;
…CSX. And so they all came up about the same time.&#13;
&#13;
Horner	&#13;
Okay. Why did our—we don’t do and sell and pack citrus anymore in Oviedo. And it was the big moneymaker. What happened?&#13;
&#13;
Wheeler	&#13;
Because of the freezes and the greening virus  [sniffs].&#13;
&#13;
Horner	&#13;
Shut down the whole citrus…&#13;
&#13;
Wheeler	&#13;
Shut…&#13;
&#13;
Horner	&#13;
…part.&#13;
&#13;
Wheeler	&#13;
… down the whole thing. Statewide production is down 75% now. &#13;
&#13;
Horner	&#13;
Um, you were talking about—the trains would go to the packing houses. What—how were the packing houses run? Who did the—you just bring it in from the fields and what do you do with it?&#13;
&#13;
Wheeler	&#13;
Bring the fruit it from the field?&#13;
&#13;
Horner	&#13;
Mhmm.&#13;
&#13;
Wheeler	&#13;
Yeah. &#13;
&#13;
Horner	&#13;
Just pluck it off the tree?&#13;
&#13;
Wheeler	&#13;
And picked and—and put in boxes. Those two bushel boxes. Brought to the packing house. And then it was graded. And washed. And cleaned. And packed by size into shipping containers. And those went on the railroad.&#13;
&#13;
Horner	&#13;
Just loaded them up on the railroad.&#13;
&#13;
Wheeler	&#13;
Mhmm.&#13;
&#13;
Horner	&#13;
But it—yeah. I heard about that. Putting them in by size.&#13;
&#13;
Wheeler	&#13;
Mhmm.&#13;
&#13;
Horner	&#13;
If it was a bunch of tangerines, you could fit 120.&#13;
&#13;
Wheeler	&#13;
So many. Depending on the size. Um, and that was determined by the USDA .&#13;
&#13;
Horner	&#13;
Mm.&#13;
&#13;
Wheeler	&#13;
You had to have an inspector all—all the time. And the sizes were [sniffs]—on tangerines they were 80s, 120s, 176s, 210 and 246.&#13;
&#13;
Horner	&#13;
Wow. They must have been small tangerines.&#13;
&#13;
Wheeler	&#13;
They were. They were little bitty fellas.&#13;
&#13;
Horner	&#13;
[laughs]. What if you had a grapefruit?&#13;
&#13;
Wheeler	&#13;
Now, we didn’t pack many grapefruit. I’m not real up on the s—sizes on them. I know there was a 40. And a 48. I think the other one was 72.&#13;
&#13;
Horner	&#13;
[Inaudible]—those are the small grapefruit. Get 72.&#13;
&#13;
Wheeler	&#13;
Oranges—round oranges were 80s, 100s, 120s, um…&#13;
&#13;
Horner	&#13;
Did that mean that we had different varieties of oranges?&#13;
&#13;
Wheeler	&#13;
Oh, yeah.&#13;
&#13;
Horner	&#13;
We do.&#13;
&#13;
Wheeler	&#13;
Sure.&#13;
&#13;
Horner	&#13;
What varieties did we make—did we s—grow?&#13;
&#13;
Wheeler	&#13;
Well, we had tangerines. Dancy tangerines. Later, they developed the Orlando tangelo. And we had a world of them. And then, there was the early oranges like the Hamlin. And the pineapple. And the Parson Brown. And the Valencia. But they all come off at different times [sniffs].&#13;
&#13;
Horner	&#13;
Well, that’s nice. You don’t have to pack ‘em all at one…&#13;
&#13;
Wheeler	&#13;
No.&#13;
&#13;
Horner	&#13;
…time.&#13;
&#13;
Wheeler	&#13;
No. You can’t pack ‘em all at once.&#13;
&#13;
Horner	&#13;
[laughs]. Who did the work? Who w—who worked in the packing house? Who picked the—the fruit?&#13;
&#13;
Wheeler	&#13;
Well, you had picking crews. And you’d have a foreman. And he’d go out and recruit help to pick the fruit. And then, the packing house had their own crew that packed. And graded. And put crates together. And everything that it takes to run a packing house [sniffs]. &#13;
&#13;
Horner	&#13;
Did they live in Oviedo?&#13;
&#13;
Wheeler	&#13;
Everybody did. Oviedo was never—until this latter day—a bedroom community. If you l—if you lived in Oviedo it was because you worked in Oviedo [sniffs]. &#13;
&#13;
Horner	&#13;
Something to do with agriculture. &#13;
&#13;
Wheeler	&#13;
Unless you were a merchant or a preacher. Or something like that. Yes.&#13;
&#13;
Horner	&#13;
Um, but by the mid—beginning of the twentieth century, there was a shift from citrus to celery. Who brought celery to Oviedo? And why was Oviedo such a good place to grow celery?&#13;
&#13;
Wheeler	&#13;
Well, the first place it came to was Sanford. And at that time, they di—they thought that you couldn’t grow celery on muck. It had to be grown on sand, which that side of Lake Monroe there where Sanford is was ideally suited to that. And then the King Brothers decided they were gonna try it in Oviedo. And we had some sand land, but we had more muck than we did sand. And so when they found out they could grow it on the muck, then—it expanded rapidly then.&#13;
&#13;
And celery was high dollar crop. Number one: it was considered kind of exotic [sniffs]. And number two: once the [Great] Depression hit, there was a tremendous dis—demand for celery because they used it in soup kitchens. It was, you know—it’ll stretch anything that you put it with [sniffs].&#13;
&#13;
Then, about the time the Depression was over, World War II came along. And for reasons that I never understood, celery was not considered, um, necessary for the war effort. And so they didn’t impose any price ceilings on it. And the price of celery just went through the roof during those war years. And people made money just like going to town on a Saturday. Um, in 1929, Seminole County’s celery crop was worth about $15 million. Just the celery crop.&#13;
&#13;
Horner	&#13;
Well, I’d heard we’d been called the C—Celery Capital of the World for—[laughs].&#13;
&#13;
Wheeler	&#13;
Well, we were. They didn’t—there was no, uh, Zellwood. There was no everglades. The celery came from Seminole County.&#13;
&#13;
Horner	&#13;
Well, when you’re growing celery—it sounds like celery is a rather delicate…&#13;
&#13;
Wheeler	&#13;
It is.&#13;
&#13;
Horner	&#13;
…crop to grow.&#13;
&#13;
Wheeler	&#13;
And it takes a lot of water to grow it. And we had ample water supplies. We had the flowing wells, uh, to keep the fields wet. And it did well here.&#13;
&#13;
Horner	&#13;
And there were plenty of celery fields around Oviedo.&#13;
&#13;
Wheeler	&#13;
Oh, yeah.&#13;
&#13;
Horner	&#13;
[laughs]. Well, when you, uh—when you laid—put the celery out—I’ve heard that you have to put the celery out first in small plots. Then you pick ‘em up and replant them.&#13;
&#13;
Wheeler	&#13;
Yes. You plant seed beds and raise the plants up until they’re big enough to set out. And then you transplant ‘em to a—to the field.&#13;
&#13;
Horner	&#13;
And let ‘em grow.&#13;
&#13;
Wheeler	&#13;
Mhmm.&#13;
&#13;
Horner	&#13;
Well, how did they get enough water to handle?&#13;
&#13;
Wheeler	&#13;
They developed a system of subsurface irrigation, which simply put was r—r—rows of tile under the ground. And the tile was not cemented together. It was just joint to joint. And you’d turn those wells on. And anywhere that there was a joint, water would seep out. &#13;
&#13;
Horner	&#13;
Sort of like a drip line…&#13;
&#13;
Wheeler	&#13;
Yeah.&#13;
&#13;
Horner	&#13;
…only large and…&#13;
&#13;
Wheeler	&#13;
Mhmm.&#13;
&#13;
Horner	&#13;
underground.&#13;
&#13;
Wheeler	&#13;
And you could raise and lower the water level by, um, a system of stops. At the end of each row you had a—a concrete pocket and holes every so often. And however high you wanted the water to go, you stopped off the holes. And, of course, it would seek its own level.&#13;
&#13;
Horner	&#13;
Um, [inaudible]. [laughs]. Well, once your celery is grown in this muck land and you decide to harvest it, then what do you do with it?&#13;
&#13;
Wheeler	&#13;
You harvest it. &#13;
&#13;
Horner	&#13;
[laughs]. Yep. You’re gonna harvest it. What—but you gotta get it up north. How you gonna do it?&#13;
&#13;
Wheeler	&#13;
Well, [clears throat]…&#13;
&#13;
Horner	&#13;
Get to market [laughs].&#13;
&#13;
Wheeler	&#13;
…for many years, it was cut by hand, uh, and put in boxes. And then it went to this celery washhouse, where it was washed and packed. And, again, there were sizes for it. And then they would put it through a precooler bath to get it cold. And pack it into boxcars [sniffs]. And those boxcars had bunkers. One at each end. And they’d load it down with ice. And then they had a chipper there. And they would blow chipped ice all, eh—all over the top of the celery. They didn’t—they didn’t—a car wouldn’t hold it to the ceiling. There was about three feet from the top tier to the ceiling. And they’d blow that full of that chipped ice. And the cars had fans on ‘em that ran by a belt drive. And that circulated the cool and kept ‘em cool until they could get where they were going [sniffs].&#13;
&#13;
Horner	&#13;
So the celery was crisp when it got there.&#13;
&#13;
Wheeler	&#13;
Yeah. It had to be. &#13;
&#13;
Horner	&#13;
Otherwise, it would be all wilted. If you take it out of the field and you stuff it in a crate and haul it north, it’s gonna be all wilted [inaudible].&#13;
&#13;
Wheeler	&#13;
Oh, no. No. They didn’t do that. &#13;
&#13;
Horner	&#13;
[laughs]. You mentioned that there was a, um—a celery packing house out at Lake Charm. And then there was another celery packing house in Oviedo.&#13;
&#13;
Wheeler	&#13;
Mhmm.&#13;
&#13;
Horner	&#13;
So you had two of them operating at the same time. Is that because there was so much celery?&#13;
&#13;
Wheeler	&#13;
Yeah. And there was[sic] more than two. Um, there were at least two more in Black Hammock. I’m not sure exactly—there might have been three. But, yes. There was a—well, how many pre-coolers would it take to make a trainload of celery [inaudible] every day?&#13;
&#13;
Horner	&#13;
I don’t know.&#13;
&#13;
Wheeler	&#13;
Well…&#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
…just imagine.&#13;
&#13;
Horner	&#13;
How many cars would there be in a train? I mean, do they haul a hundred cars? Or…&#13;
&#13;
Wheeler	&#13;
It’d depend on the time of the year. But the trains weren’t near as big as they are now. There’d probably be ten or twelve.&#13;
&#13;
Horner	&#13;
Y—you told me that you used to go over to the packing house yourself when you were a young man.&#13;
&#13;
Wheeler	&#13;
Yeah.&#13;
&#13;
Horner	&#13;
What did it—what was it like? And what were the trains like?&#13;
&#13;
Wheeler	&#13;
Well, the packing house was just about the nerve center of town. If you were looking for somebody, you’d meet ‘em at the packing house. ‘Cause there was always somebody there. And we didn’t have, you know, City Hall and police department. And fire department. And Town House Restaurant. And all of that. You went to the packing house. You’d buy you a soda and sit down and sit down there with a package of Lance crackers and wait for ‘em to come if they wasn’t[sic] already there.&#13;
&#13;
Horner	&#13;
[laughs]. And the—and so they’d come and load the train. The packers would load the train. Everybody else is sort of sitting and, uh—or—and coming and going. And socializing.&#13;
&#13;
Wheeler	&#13;
But it was the same when the packing house wasn’t running. It was a meeting place. &#13;
&#13;
Horner	&#13;
Ah. Well, what about the trains themselves? Were they modern and useful?&#13;
&#13;
Wheeler	&#13;
Well, they weren’t modern like what we have now. Um, like I said, they had fans and belt drives for refrigeration [sniffs]. The… &#13;
&#13;
Horner	&#13;
You—you told me that the—the trains were—uh, the t—the tracks on the trains weren’t that good.&#13;
&#13;
Wheeler	&#13;
They weren’t. One of the big obstacles to settling this area was, um, wet, low ground. And the tracks—if you see the route of either one of those railroads, they snake like this. Because they go from one high spot to the next to stay out of that muck. And they put the ties down on the bare sand. They didn’t have any ballast or anything. And, uh, the rail was light [sniffs]. So the trains were slow. They did often times get off the ground—get on the ground. But that’s all there was.&#13;
&#13;
Horner	&#13;
Well, when the trains would get on the ground or derail like that, what do you do? I mean, everything stops [laughs]?&#13;
&#13;
Wheeler	&#13;
Until they get it back on the rail. Back then, they didn’t have cranes. And, uh, that’s—railroad had some wreckers, but they were too heavy to come out there on that light track. So it was a matter of a gang of big, strong men. And jacks. And wooden blocks to jack that wheel up. And then the locomotive would pull it just enough to get it guided back over on the track [sniffs].&#13;
&#13;
Horner	&#13;
So the boxcars had to be lifted up, so to speak. &#13;
&#13;
Wheeler	&#13;
Yeah.&#13;
&#13;
Horner	&#13;
And then placed back on the track.&#13;
&#13;
Wheeler	&#13;
Yeah. And oftentimes there would be, um, places that were missing spikes and things like that. They’d have to nail it back down so it wouldn’t roll again. It wasn’t—it was a case of the rails rolling over—is what derailed ‘em.&#13;
&#13;
Horner	&#13;
No wonder the trains stopped coming [laughs]. &#13;
&#13;
Wheeler	&#13;
Well, that’s a—that is an ironic story. From the time the rails were laid in the 1880s until about 1980, those rails were the same rails that they put down originally. And rail is measured by the weight of a three-foot section. And those light rails were—some of ‘em were sixty pounds and some of ‘em were seventy pounds for three feet. And after all that time, they decided to re-lay the rails. And they put hundred-pound rail all the way from Sanford to Oviedo. &#13;
&#13;
Now, the Seaboard had done theirs earlier. But this was the—the Atlantic Coast Line. And we found out later the government gave ‘em a grant to upgrade this line. And then like two or three years later, they got approval to abandon it. And they took all that up. And took it and moved it. Used it somewhere else [laughs].&#13;
&#13;
Horner	&#13;
[laughs]. So the whole tra—the whole tra—rail line from Oviedo to Sanford…&#13;
&#13;
Wheeler	&#13;
Yeah.&#13;
&#13;
Horner	&#13;
…was torn up.&#13;
&#13;
Wheeler	&#13;
Yeah.&#13;
&#13;
Horner	&#13;
[inaudible]. Um, when we talk about Oviedo and we talk about Seminole County, neither of them used to exist. You were mentioning, uh, that your—was it your grandfather who helped get Oviedo…&#13;
&#13;
Wheeler	&#13;
Mhmm.&#13;
&#13;
Horner	&#13;
…incorporated as a town?&#13;
&#13;
Wheeler	&#13;
Mhmm.&#13;
&#13;
Horner	&#13;
Where did Seminole County come from? ‘Cause it wasn’t originally Seminole County.&#13;
&#13;
Wheeler	&#13;
Well, you have to understand that because of the citrus and the celery and the other farming, Sanford swung a pretty big stick at that time. And they had tried [clears throat] two different times with a referendum to move the county seat from Orlando to Sanford. And failed. And Sanford—the people in Sanford thought that world emanated from Sanford. They were conceited and, um—I don’t know what else to call it. They…&#13;
&#13;
Horner	&#13;
Arro…&#13;
&#13;
Wheeler	&#13;
…thought…&#13;
&#13;
Horner	&#13;
… —arrogant.&#13;
&#13;
Wheeler	&#13;
They thought—yeah. Arrogant. And Sanford was supposed to be it. And it was it, as long as the things were coming by the steamboat. ‘Cause that was as far as they could come. But when the railroads came, that changed. And then along came Colonel Henry Sanford . And he was determined he was gonna make Sanford something. &#13;
&#13;
And in 18—about 1875, there was an infamous murder trial in Orange County that was coming up between the carpet baggers and the locals. The carpet baggers had imposed a head tax on cattle. And this is right after the Civil War, now. And [clears throat], of course, a carpet bagger was in power. They had—they were the sheriff and done all of that. And he sent out some men to the outlying areas to collect that cattle tax. Well, they took the sheriff, tied him to an old bottom plow and dropped him in Lake, uh, Kissimmee. &#13;
&#13;
Horner	&#13;
So the sheriff’s now dead [inaudible].&#13;
&#13;
Wheeler	&#13;
Sheriff’s dead. And there’s this murder trial coming up of who supposedly did that. And all of a sudden, the courthouse burned down. &#13;
&#13;
Horner	&#13;
Now is this the courthouse in Sanford or the courthouse in…&#13;
&#13;
Wheeler	&#13;
No. It was…&#13;
&#13;
Horner	&#13;
…Orlando?&#13;
&#13;
Wheeler	&#13;
…Orlando. There was no courthouse in Sanford. &#13;
&#13;
Horner	&#13;
Oh. But now it’s burned down. &#13;
&#13;
Wheeler	&#13;
And it burned down on the eve of this trial. Well, whatever evidence they had, of course, was gone with it. &#13;
	&#13;
So the question arose as to building a new courthouse. And Henry Sanford went to Orlando to the Board of County Commissioners and proposed that, uh, the courthouse be built in Sanford, inferring that that’s where it should have been all the time. And he would give the land for the courthouse. Provided, of course, it was built in Sanford. Well, Mr. Jacob Summerlin , who was a leading citizen there, stood up and said, “Well, people are used to doing business in Orlando. And I think they ought to continue to do business in Orlando. And I’m gonna loan the county $10,000 to build a courthouse. And they can pay me back or not.” Well, of course, that dashed the hopes of—who wouldn’t turn—who wouldn’t, in that day and time, turn down that kind of money for a courthouse? &#13;
	&#13;
Well, that was the second time—no. That was the third time they had been thwarted. There were two referendums before that that didn’t garner enough support. So the courthouse was built in Orlando. And, not to be outdone, they formed—Sanford formed a Divide the County committee. And there were six or eight of the real prominent citizens in Sanford that spearheaded it. And they elected Forrest Lake  as the, um, Representative for Orange County.&#13;
&#13;
Horner	&#13;
To the State Legislature. &#13;
&#13;
Wheeler	&#13;
To the State Legislature. And in 1913, he had gathered enough support that he put a bill through to create Seminole County. And according to the f—r—record, it passed way in the middle of the night on a—almost the last day of the session.&#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
And [clears throat] he rushed it over to the governor for f—signature before anybody could catch on to what was happening. And, uh, that became Seminole County.&#13;
	&#13;
Well, Orange County was fit to be tied because it—he was their representative, too. But he didn’t let any of them know [laughs] what he was doing. So that’s how Seminole County got here. &#13;
&#13;
Horner	&#13;
So we became our own county because we were a piece of Orange [County]. And then we tricked ‘em into letting us have our—into having our own county.&#13;
&#13;
Wheeler	&#13;
And in the effort to get that done, uh, there was a group of citizens in Oviedo, including a former c—Orange County commissioner, who did not think it was a good idea. And didn’t support it. And when [clears throat] the thing passed, the new commissioner set out to exact retribution from all the outlying areas that didn’t support it.&#13;
&#13;
Horner	&#13;
Uh, oh.&#13;
&#13;
Wheeler	&#13;
And… &#13;
&#13;
Horner	&#13;
[inaudible].&#13;
&#13;
Wheeler	&#13;
… that’s why we had the kind of roads and schools we had. Because they didn’t get any money. &#13;
&#13;
Horner	&#13;
So they—they strangled Oviedo…&#13;
&#13;
Wheeler	&#13;
Yep.&#13;
&#13;
Horner	&#13;
…in effect… &#13;
&#13;
Wheeler	&#13;
Yep.&#13;
&#13;
Horner	&#13;
… from all the county money…&#13;
&#13;
Wheeler	&#13;
Yep.&#13;
&#13;
Horner	&#13;
…for improvements.&#13;
&#13;
Wheeler	&#13;
Oviedo. Chuluota. Geneva. &#13;
&#13;
Horner	&#13;
They didn’t get any road money.&#13;
&#13;
Wheeler	&#13;
No.&#13;
&#13;
Horner	&#13;
No school money.&#13;
&#13;
Wheeler	&#13;
And that did not change until the Supreme Court got into the segregation issue. And took the funding authority away from the—from the county commission and the school board. And mandated that they had to make a level playing field. And that was in the late sixties. &#13;
&#13;
Horner	&#13;
Well, Oviedo was a pretty small town well into the seven—the…&#13;
&#13;
Wheeler	&#13;
Yep.&#13;
&#13;
Horner	&#13;
… seventies. I mean, 800 people. Maybe 1,000.&#13;
&#13;
Wheeler	&#13;
Oh. &#13;
&#13;
Horner	&#13;
Small town.&#13;
&#13;
Wheeler	&#13;
It was about 2,500.&#13;
&#13;
Horner	&#13;
By the time we get to late-seventies. &#13;
&#13;
Wheeler	&#13;
Right. It was one square mile on the map. Um.&#13;
&#13;
Horner	&#13;
We didn’t even have a police department. Or a fire department.&#13;
&#13;
Wheeler	&#13;
We had a volunteer fire department. And we had one policeman. And he was also the constable for the unincorporated areas. He was empowered to enforce the law.&#13;
&#13;
Horner	&#13;
So what we called today a sheriff. He would have been a deputy sheriff for this area.&#13;
&#13;
Wheeler	&#13;
Probably. Yes.&#13;
&#13;
Horner	&#13;
But now we don’t use the term co—constable.&#13;
&#13;
Wheeler	&#13;
No. They’ve outlawed that office.&#13;
&#13;
Horner	&#13;
Who was the constable? Who was this…&#13;
&#13;
Wheeler	&#13;
George Kelsey .&#13;
&#13;
Horner	&#13;
Ah. He’s pretty much of a, uh—a legend in Oviedo.&#13;
&#13;
Wheeler	&#13;
Yeah. He—he served for a long time. Uh, and he was also the city police.&#13;
&#13;
Horner	&#13;
And did he do a good job?&#13;
&#13;
Wheeler	&#13;
He knew what was going on.&#13;
&#13;
Horner	&#13;
He knew what was happening.&#13;
&#13;
Wheeler	&#13;
Yeah.&#13;
&#13;
Horner	&#13;
And everybody’s family. And everybody’s [inaudible]…&#13;
&#13;
Wheeler	&#13;
Yeah. He had eyes and ears everywhere. &#13;
&#13;
Horner	&#13;
[laughs]. Um, he was a character. Are there any other important people in Oviedo that ought to be mentioned? Any other eccentric characters?&#13;
&#13;
Wheeler	&#13;
[sniffs]. Well, there was a few of ‘em that were kind of humorous. But n—none to the extent that George was. Mr. T.L. Lingo had an insurance agency in the back of that, uh, building that they just tore down on Broadway Street. What used to be the drug store. And he would send his bird dog across the street to the post office to get his mail. And they’d tie it up and put it in the dog’s mouth. And he’d bring it back over there to him. And, uh, he’d send a note down to the grocery store in the middle of the block for a pound of steak. Or for hamburger or whatever. And they’d wrap it up and give it to the dog. The dog would bring it right on back there to him. &#13;
&#13;
Horner	&#13;
Didn’t eat the steak?&#13;
&#13;
Wheeler	&#13;
No. No.&#13;
&#13;
Horner	&#13;
Well, you’re a Lawton way back along. What about the Lawton family? You’re related to them. A couple of generations ago.&#13;
&#13;
Wheeler	&#13;
Yeah. Well, Professor Lawton—T.W. Lawton , for whom the school  is named, uh, was the—probably the first person to get a college education in, uh, Oviedo. And he rode the Dinky [Line] back and forth every day to get to school at Rollins [College] [sniffs]. Now, I don’t know whether he bummed or if he bought a ticket but… &#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
…that’s how he got there. He became, I think, the second superintendent of schools for the county. And he…&#13;
&#13;
Horner	&#13;
Yeah. The first elected one. The first one was appointed by the governor…&#13;
&#13;
Wheeler	&#13;
Right. &#13;
&#13;
Horner	&#13;
…when we finally became the… &#13;
&#13;
Wheeler	&#13;
Right. &#13;
&#13;
Horner	&#13;
…the county. But…&#13;
&#13;
Wheeler	&#13;
And, uh, he served until about 1953. So it was thirty-some years. When he got ready to retire, somebody figured out that if each child in the county would give a penny, they’d have enough to buy him a new car. And so they all put their pennies in and bought him a brand new Chevrolet sedan when he retired.&#13;
&#13;
Horner	&#13;
Appreciated gift.&#13;
&#13;
Wheeler	&#13;
I’m sure. &#13;
&#13;
Horner	&#13;
Where’d—where did the people in town go to church? ‘Cause I’ve always heard that the churches were very important in Oviedo.&#13;
&#13;
Wheeler	&#13;
If the churches were behind it, it would happen. Well, [clear throat] there’s two things that a—any little small town has a plethora of. And that’s churches and gas stations. They might not have a grocery store. And they might not have doctor. But they’d have churches and gas stations.&#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
There was the First Baptist of Oviedo, the First Methodist of Oviedo [sniffs]. And then there was, um [clears throat], Church of God, um…&#13;
&#13;
Horner	&#13;
And, of course, the black churches [inaudible].&#13;
&#13;
Wheeler	&#13;
I’m trying to think of the name of the one—oh. Mission Road Baptist Church. Antioch. Fountain Head. Um, there were two more down in Lawtonville, but I can’t think of the names of either one of ‘em. One of ‘em’s still operating. But church was a—a big, uh, factor in what went on in town.&#13;
&#13;
Horner	&#13;
D—did the Methodists and Baptists cooperate? I mean, they lived—they were…&#13;
&#13;
Wheeler	&#13;
Yeah.&#13;
&#13;
Horner	&#13;
…fairly close together.&#13;
&#13;
Wheeler	&#13;
Yeah. The early days, they had service every other Sunday. And whatever Sunday it was—that the Methodist Church, everybody went there. Then the next week, they’d go to the Baptist Church.&#13;
&#13;
Horner	&#13;
[laughs]. [clears throat]. Well, to get on a bit of a lighter side, uh, when it comes around Halloween, we always hear talk about the spooky Oviedo lights. &#13;
&#13;
Wheeler	&#13;
Yeah.&#13;
&#13;
Horner	&#13;
We’re famous for having the spooky Oviedo lights. What were they? Or are they, if they still exist?&#13;
&#13;
Wheeler	&#13;
There are [clears throat]—they still exist. But the reality of ‘em has been blown way out of proportion. Back then, if you went down there to the bridge on a bright moonlit night, you could see a sparkle in the water. And it was phosphorous. And that became i—i—it was just a curiosity to go and see. And, of course, that bridge is way out beyond anywhere. And the kids’d like to go there.&#13;
&#13;
Um, but then it got to be the Oviedo lights. And if we went to Winter Park or Sanford, we’d hear the kids talking about the Oviedo lights. And, oh, there was this ball of fire coming down the road. And, um, there was somebody hung in the water tower. Um…&#13;
&#13;
Horner	&#13;
Was that true? Somebody hung in the water tower?&#13;
&#13;
Wheeler	&#13;
No.&#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
None of that was… &#13;
&#13;
Horner	&#13;
None of…&#13;
&#13;
Wheeler	&#13;
… true. &#13;
&#13;
Horner	&#13;
…that.&#13;
&#13;
Wheeler	&#13;
None of that was true. But you couldn’t convince anybody that i—I’d say there was more chemical enhancement…&#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
… that went on than anything else.&#13;
&#13;
Horner	&#13;
[laughs]. Oo. Okay. S—Since you are so knowledgeable—mm—uh, lived in Oviedo and your family lived there, is there anything else that’s unique or special about Oviedo that you remember?&#13;
&#13;
Wheeler	&#13;
[sniffs] Well, it’s kind of lost this now, since we’re not a bedroom community any more, but there was a community that engulfed everybody. And there were any number of things that were citizen-initiated that we would’ve never had otherwise. The swimming pool for one. The Memorial Building for another. The doctor’s clinic for another. The Woman’s Club started the first garbage collection. The Woman’s Club funded the first, um—I don’t know what you’d call it now. We called it a rescue wagon. You know, a van with oxygen and sh—&#13;
&#13;
Horner	&#13;
Ah. &#13;
&#13;
Wheeler	&#13;
First responder kind of thing.&#13;
&#13;
Horner	&#13;
‘Cause there was[sic] no EMTs…&#13;
&#13;
Wheeler	&#13;
No.&#13;
&#13;
Horner	&#13;
…so…&#13;
&#13;
Wheeler	&#13;
The firemen manned it. Um, you were asking me a while ago about how did you reported[sic] a fire. Well, there was a big whistle up on pole by the firehouse. And you went there and pushed the button. And you could hear it all over town [sniffs]. And, uh, people would come. The men would come and they’d tell ‘em where the fire was. And—and they’d go to it. It usually amounted to saving the house next to the house that was on fire.&#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
Because a lot of those houses were tarpaper and wood and all. And they just went up like a box of matches.&#13;
&#13;
Horner	&#13;
Mm. So do you just come up—the old fashioned thing. Do you come up and pump the pump? And spray the water on the house next door?&#13;
&#13;
Wheeler	&#13;
Well, not quite that primitive.&#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
Um, in 1947, the City bought a Ford truck. It was the first one they could get after the war. And the young returning veterans built a tank—a water tank on it. And put a pump on it. And that was the first firetruck. &#13;
	&#13;
And then, in 1957, the City bought another, uh, commercial-grade firetruck. So we had two. But it wasn’t uncommon at all for a fire whistle to blow and somebody to rush down there who didn’t know where the fire was. And didn’t know how to operate the pump. And they’d get in the firetruck and go dashing off somewhere. Somebody’d have to catch ‘em and bring ‘em back [laughs].&#13;
&#13;
Horner	&#13;
[laughs]. Eh, they c—they couldn’t pick up the microphone and say…&#13;
&#13;
Wheeler	&#13;
No.&#13;
&#13;
Horner	&#13;
…“Dispatch. Where you going?”&#13;
&#13;
Wheeler	&#13;
No. There wasn’t any of that. Now, George Kelsey did have a radio connected to the sheriff’s department. But that was it.&#13;
&#13;
Horner	&#13;
[laughs]. Well, I was trying to think if there was anything else I didn’t—it is interesting that Oviedo was so close-knit that they did sw—the swimming pool, the Memorial Building in f—in memoriam to the Second y—World War people. And, uh, the canning m—m—&#13;
&#13;
Wheeler	&#13;
Yeah.&#13;
&#13;
Horner	&#13;
…kitchen. &#13;
&#13;
Wheeler	&#13;
That was a… &#13;
&#13;
Horner	&#13;
The community canning kitchen.&#13;
&#13;
Wheeler	&#13;
…a thing for the war effort. But that Memorial Building and the clinic—both were built with as much donated labor and materials as there was p—probably more than what was purchased [sniffs]. Dudas gave the lumber. Um, Bob Ash was a brick mason. He laid all the block. Joe Leinhart had lumber that he had cut in Black Hammock years ago. He furnished all the w—trim and the woodwork for the inside of the building. He probably put it up, knowing him. &#13;
&#13;
Um, it was a—it was a concerted effort because Dr. Martin had retired. And he had to move to Orlando in order to retire because people wouldn’t quit coming.&#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
His office was right beside his house up there where the Baptist church is now. And people just wouldn’t take no for an answer. And so finally, he moved. And that was another thing my grandfather was a[sic] instigator in. He called together the leading businessmen in town. And they said, “The only way we’re ever gonna get a doctor is to build a place for him to practice.” And so, the major—mostly the major farmers in the area went together and raised some money. And then set the volunteers to work.&#13;
&#13;
Horner	&#13;
And they built the clinic.&#13;
&#13;
Wheeler	&#13;
And they built the clinic.&#13;
&#13;
Horner	&#13;
You know? ‘Cause the—the farmers at that time would have been the leading lights…&#13;
&#13;
Wheeler	&#13;
Yeah.&#13;
&#13;
Horner	&#13;
…of the community.&#13;
&#13;
Wheeler	&#13;
Yeah. Oh, yeah.&#13;
&#13;
Horner	&#13;
‘Cause they were the ones bringing in the income.&#13;
&#13;
Wheeler	&#13;
Mhmm.&#13;
&#13;
Horner	&#13;
How did the African-American community and the white community get along with each other?&#13;
&#13;
Wheeler	&#13;
[sniffs] I don’t ever remember any—any discord of any kind except for that one incident in high school. And that was quickly put to rest. And we all just got along. &#13;
&#13;
Horner	&#13;
I heard a story once from a—a man who said that, uh, Benjamin Wheeler bought him a car. ‘Cause he was—he didn’t have the money. And he needed it because he was the crew chief. And he needed to get the guys to work. Do you remember that story?&#13;
&#13;
Wheeler	&#13;
Oh, yeah. Yeah. That was Buster Garrison. And he—he was an entrepreneur. He hauled his crew to the grove. And then he’d put sides on his truck and load it with oranges. And haul ‘em to the juice plant. And, of course, old trucks were always… &#13;
&#13;
Horner	&#13;
Breaking.&#13;
&#13;
Wheeler	&#13;
… something wrong with ‘em. And he finally went to my dad and said, “Mr. Frank. I mean I need me a new truck. And I ain’t got no money. And I don’t want you to tell me no [laughs].”&#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
And what did—what did Frank Wheeler say?&#13;
&#13;
Horner	&#13;
He got him a truck.&#13;
&#13;
Wheeler	&#13;
[laughs].&#13;
&#13;
Horner	&#13;
I don’t know what their arrangements were. I’m sure he paid some on it. But Buster was a, um, hugely industrious person. To work night and day. Do anything you want him to do. Gladly. And my dad just saw the worth of it. He sent him over to Holler Chevrolet. And I’m sure he called Mr. Holler and said, “Get this man a truck.” That’s the way things worked back then.&#13;
	&#13;
Um, years later—years later, I had a mirror get knocked off of my Chevrolet truck. One of the outside mirrors. And I went to the place to get it seen about. And I was in my work clothes. And I had my little dog with me. And the only thing I had for a leash was a piece of hay bailing twine about so long. So I made a leash out of that. And me and her were walking around outside. And the—the service writer said, “Well, I don’t know if we’ve got the part. And I don’t know if we’ve got time to put it on.” And all this, that and the other. I said, "I’ll wait.” ‘Cause this was in Winter Park, now. And there was—I’ll never forget this. There was a salesman. He had rose-colored glasses and a pink ultra-suede coat on.&#13;
&#13;
Wheeler	&#13;
[laughs].&#13;
&#13;
Horner	&#13;
And he came out there to smoke a cigarette and took one look at me and my dog and wheeled around and went back inside [laughs].&#13;
&#13;
Wheeler	&#13;
[laughs].&#13;
&#13;
Horner	&#13;
And so help me, it wasn’t a minute or two, Mr. Holler came out. And he walked over there to me. And we shook hands and started talking. You know, just passing the time. And all of a sudden, that service writer came out there and said, “Mr. Wheeler, we gon’ get you taken care of [laughs].”&#13;
&#13;
Wheeler	&#13;
[laughs].&#13;
&#13;
Horner	&#13;
You looked like you didn’t have two nickels to rub together.&#13;
&#13;
Wheeler	&#13;
That’s…&#13;
&#13;
Horner	&#13;
He didn’t…&#13;
&#13;
Wheeler	&#13;
That’s…&#13;
&#13;
Horner	&#13;
He didn’t know who he was dealing with. &#13;
&#13;
Wheeler	&#13;
That’s what they thought. &#13;
&#13;
Horner	&#13;
[laughs]. And you’re one…&#13;
&#13;
Wheeler	&#13;
I…&#13;
&#13;
Horner	&#13;
… one of the most important families in town [laughs].&#13;
&#13;
Wheeler	&#13;
Can’t judge a book by its cover.&#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
I guess the one story I would tell again, because it’s so funny to me. &#13;
&#13;
Horner	&#13;
[clears throat].&#13;
&#13;
Wheeler	&#13;
Our county commissioner in this district was B.C. Dodd . He lived out there in Goldenrod. And at that time, the commissioner got to say where the road money was spent in his district. Well, I want so and so fixed. Or it’s—you know, whatever. So Mr. Dodd stood up and he said, “I wanna pave that road from the city limits of Oviedo to the county line.” Which is now Alafaya Trail. It was just dirt before that. And the commissioner from Sanford jumped up and says, “I don’t know why you wanna do that.” Said, “Ain’t nobody ever gonna use it.” [laughs].&#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
And he says, “You hush, Pope. I didn’t say anything about what you did in your district. And this is what I wanna do.” And how prophetic that decision turned out to be. Because where Mitchell Hammock Road crosses Alafaya was the city limits. And from there on out this way was dirt. Clay. &#13;
&#13;
Horner	&#13;
And he was the only one that was farsighted enough to see you’re gonna need her. Hm.&#13;
&#13;
Wheeler	&#13;
That was—that was in the early sixties. We had heard about what was gonna be the new space university, but nothing had actually happened. &#13;
&#13;
Horner	&#13;
Ah. Yeah. ‘Cause they hadn’t chosen the site yet.&#13;
&#13;
Wheeler	&#13;
Right.&#13;
&#13;
Horner	&#13;
Boy. He was taking a gamble. &#13;
&#13;
Wheeler	&#13;
Yeah. He was.&#13;
&#13;
Horner	&#13;
Maybe that’s why Dodd Road is named after him.&#13;
&#13;
Wheeler	&#13;
Well, he was a—he was a prominent figure. And he was huge. He was, uh, like 7 foot something tall. And he wore—they’ve got one of his shoes in the Goldenrod Museum. And it’s—I’m not kidding. It’s like that.&#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
He was a giant. And, of course, that went along with his demeanor. &#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
At that time, they were trying to decide where to put FTU . And one of the sites they looked at is where Seminole Community College is. And another site they looked at was there at—across from Lockwood Road and [County Road] 419. And Mr. C.S. Lee offered to give ‘em the land if they’d put it there. &#13;
&#13;
Horner	&#13;
[laughs].&#13;
&#13;
Wheeler	&#13;
But Mr. Billy Dial  in Orlando, and a few more like that, th—they wasn’t gonna have that. So FTU got put where it is. And as a conciliation prize, we got the Iron Bridge  sewer plant and Seminole [State] College. And where they are is no accident.&#13;
&#13;
Horner	&#13;
Uh huh.&#13;
&#13;
Wheeler	&#13;
There is still some animosity there.&#13;
&#13;
Horner	&#13;
So we’re here at UCF. And it’s out of the farsightedness of Mr. Dodd. And…&#13;
&#13;
Wheeler	&#13;
Well, he…&#13;
&#13;
Horner	&#13;
…we got a way to get here.&#13;
&#13;
Wheeler	&#13;
…he played a role in it [sniffs].&#13;
&#13;
Horner	&#13;
Well, is there anything else that you would like to add about Oviedo? Something that you really appreciate about living in that town. Growing up in that town.&#13;
&#13;
Wheeler	&#13;
The people. I had so many good friends. And—and a lot of people worked for my dad. And, of course, I got to know them. And, uh, I miss ‘em tremendously. And I miss that sense of community.&#13;
&#13;
Horner	&#13;
The whole downtown is gone now.&#13;
&#13;
Wheeler	&#13;
The whole downtown is gone. But what’s really gone is that fellowship. If you needed something that somebody in the community was—that was their forte, you just went to ‘em and said, “You know, I need a well put down.” “I need a survey made.” “I need, you know, whatever it was.” And, uh, they all worked together [sniffs]. &#13;
	&#13;
I wrote a column for The [Seminole] Voice one time about they all worked together. And I can’t find it anymore. But I named a couple of dozen things that happened that way in Oviedo. &#13;
&#13;
Horner	&#13;
Somebody needed their fellow man.&#13;
&#13;
Wheeler	&#13;
Well, we need a clinic. We need a city hall. We need a swimming pool. We need garbage service. There was just a—a lot of things that—and they would have never happened any other way. Because we weren’t going to get any support from the county. And the city didn’t have any money.&#13;
&#13;
Horner	&#13;
Hm. Yeah. Well, thank you, Ben, for talking to us. And letting us…&#13;
&#13;
Wheeler	&#13;
My…&#13;
&#13;
Horner	&#13;
…know…&#13;
&#13;
Wheeler	&#13;
…pleasure.&#13;
&#13;
Horner	&#13;
…about Oviedo. And you’re—you’re a fount of knowledge. &#13;
&#13;
Wheeler	&#13;
I’ll probably go home and say, “Dang. Why didn’t I tell ‘em that?”&#13;
&#13;
Horner	&#13;
[laughs]. I’m sure you will.</text>
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                <text>Palm, Matthew P. "&lt;a href="http://www.orlandosentinel.com/health/os-last-harvest-crealde-school-20140819-story.html" target="_blank"&gt;Crealde School's 'Last Harvest' exhibit in Winter Garden&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, August 20, 2014. Accessed June 13, 2016. http://www.orlandosentinel.com/health/os-last-harvest-crealde-school-20140819-story.html.</text>
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                <text>Ailworth, Erin. "&lt;a href="http://articles.orlandosentinel.com/2007-01-18/news/MHAWTHORNE18_1_lonnie-jackson-hawthorne-south-apopka" target="_blank"&gt;Displaced from Hawthorne Village, families struggle to weave new lives&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 18, 2007. Accessed June 13, 2016. http://articles.orlandosentinel.com/2007-01-18/news/MHAWTHORNE18_1_lonnie-jackson-hawthorne-south-apopka.</text>
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              </elementText>
              <elementText elementTextId="670161">
                <text>Slongwhite, Dale Finley, and Jeannie Economos. &lt;a href="http://www.worldcat.org/oclc/857802909" target="_blank"&gt;&lt;em&gt;Fed Up: The High Costs of Cheap Food&lt;/em&gt;&lt;/a&gt;. 2014.</text>
              </elementText>
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                <text>Comas, Martin E. "&lt;a href="http://www.orlandosentinel.com/health/os-apopka-farmworkers-lupus-20150918-story.html" target="_blank"&gt;Sick Apopka farmworkers hope for major study of their illnesses&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 19, 2015. Accessed May 25 ,2016. http://www.orlandosentinel.com/health/os-apopka-farmworkers-lupus-20150918-story.html.</text>
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              <elementText elementTextId="670163">
                <text>Giagnoni, Silvia. &lt;a href="http://www.worldcat.org/oclc/715188868" target="_blank"&gt;&lt;em&gt;Fields of Resistance The Struggle of Florida's Farmworkers for Justice&lt;/em&gt;&lt;/a&gt;. Chicago, Ill: Haymarket Books, 2011.</text>
              </elementText>
              <elementText elementTextId="670164">
                <text>Rothenberg, Daniel. &lt;a href="http://www.worldcat.org/oclc/38475492" target="_blank"&gt;&lt;em&gt;With These Hands: The Hidden World of Migrant Farmworkers Today&lt;/em&gt;&lt;/a&gt;. New York: Harcourt Brace &amp;amp; Co, 1998.</text>
              </elementText>
              <elementText elementTextId="670165">
                <text>McCauley, Linda A., Michael R. Lasarev, Gregory Higgins, Joan Rothlein, Juan Muniz, Caren Ebbert, and Jackie Phillips. "&lt;a href="http://resolver.flvc.org/ucf?sid=google&amp;amp;auinit=LA&amp;amp;aulast=McCauley&amp;amp;atitle=Work+characteristics+and+pesticide+exposures+among+migrant+agricultural+families:+a+community-based+research+approach.&amp;amp;id=pmid:11401767" target="_blank"&gt;Work Characteristics and Pesticide Exposures among Migrant Agricultural Families: A Community-Based Research Approach&lt;/a&gt;." &lt;em&gt;Environmental Health Perspectives&lt;/em&gt;, Vol. 109, No. 5. (May, 2001): 533-538.</text>
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                <text>Das, Rupali, Andrea Steege, Sherry Baron, John Beckman, and Robert Harrison. "&lt;a href="http://www.tandfonline.com/doi/abs/10.1179/107735201800339272" target="_blank"&gt;Pesticide-related Illness among Migrant Farm Workers in the United States&lt;/a&gt;." &lt;em&gt;International Journal of Occupational and Environmental Health&lt;/em&gt;, Vol. 7, Issue 4 (2001): 303-312.</text>
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                <text>Muha &#13;
This is Jared Muha on December 10th, 2014, with Jeannie Economos at the Farmworker Association of Florida. So, Jeannie, uh, do you wanna start by, uh, telling us who you are and a little bit about yourself? &#13;
&#13;
Economos &#13;
Sure, my name is Jeannie Economos. I, um, am the Pesticide Safety and Environmental Health Project Coordinator here at the Farmworker Association of Florida. I’ve been in this position since 2007. Um, I came back to work at the Farmworker Association in 2006, um, and in 2006, I was working on immigration issues, um, but prior to that, from, um, 1996 until 2001, I worked at the farmworker association as the Lake Apopka Project Coordinator, um, and prior to that, um, I’ve spent the last—since—well, the last 30 years, um, working for non-profit organizations on everything from the Audubon Society and Save the Manatee Club, um, to the farmworker association and the botanical gardens, but my passion is environmental justice and social justice, and I—and I worked on Indian rights issues, uh, for a while also, as a volunteer. &#13;
&#13;
Muha &#13;
Great, thank you. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
Um, I—I heard you mention the Lake Apopka w—w—can you say that one more time? The Lake Apopka Project? &#13;
&#13;
Economos &#13;
Well, um, it—we didn’t have an official name, but, um, when I began in 1996—um, that was before the farms closed on Lake Apopka—when the State of Florida passed the, uh, Lake Apopka Restoration Act of 1996, which was, um, the, um—the legislation that gave the [St. Johns River] Water Management District the authority to buy out the farms on the north shore of Lake Apopka. So the farmworker association began work on trying to address the issues of the farmworkers related to this proposed buyout. Initially, we actually tried to stop the State [of Florida] from—before the legislation was passed, we tried to stop the state from buying the farmland, and tried to, um, get a coalition of groups together to, uh, support sustainable agriculture instead. That didn’t work. Um, the state bought out the farms, um, and so, from ‘96 to ‘98, we tried to get programs for the farmworkers, um, and then after the farms closed, we were doing, um, disaster control—trying to get housing and food for people—before we learned about the serious contamination and health issues. Um, so—um, so—yeah—so I was the Lake Apopka Project Coordinator from ’96 to 2001. &#13;
&#13;
Muha &#13;
Great, thank you. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
Okay, um, so I’d like to start by just asking about, um, farmworker association much more broadly. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
Um, so can you just tell us broadly what the Farmworker Association of Florida is and what it does? &#13;
&#13;
Economos &#13;
Well, it would take a long time to tell you everything that we do. Um, we were founded in 1983, uh, incorporated in 1986, expanded statewide in 1992. Um, we do a lot of things. I guess our two main focuses over the past, um, 30 years, um, have been immigrants’ rights and, um, pesticide health and safety. Um, we do lots of other things, too, which would take a long time to say, including things like wage theft, disaster, um, education and response, um, civic participation, um, housing. We did housing for a while, but, basically, I think the best way to describe our organization is that we are very grassroots. Um, our Board of Directors are[sic] almost all current or former farmworkers. The head of the organization is a former farmworker. We have leadership committees of farmworkers in each of the areas where we have an office, and we’re—we really feel that we are run by the grassroots. We are not top-down, we’re bottom-up. Um, even though we work on, uh, individual, local, state, regional, national, and international issues, we’re really driven by our base, which is—are—which are the farmworkers in each of the areas, and I think that’s the beauty of our organization. That’s why—one of the things that I feel so strongly about is that we are a really, um, you know—we—we—we offer services to farmworkers, like we help people fill out food stamp applications and unemployment. So we do help people on an individual level, but we’re not a service organization. Our—our—our goals are to change policy and empower farmworkers to become agents of social change. &#13;
&#13;
Muha &#13;
Oh[?]. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
And—and you mentioned earlier that your role has been in pesticide health and safety. &#13;
&#13;
Economos &#13;
Yes, yes. &#13;
&#13;
Muha &#13;
Mmhmm. &#13;
&#13;
Economos &#13;
Um, and so that entails a lot… &#13;
&#13;
Muha &#13;
[clears throat]. &#13;
&#13;
Economos&#13;
Of different things. Um, it—we—we have a training for farmworkers to train them about pesticide health and safety, um, and we train a minimum of 500 farmworkers every year in Florida, um, and that—we have five offices in the state, so that’s about a hundred workers in each area. Um, we also train healthcare providers on how to identify, treat, diagnose, and report pesticide-related illnesses. We file complaints when there are violations of regulations in the workplace, um, and we work on pesticide policy issues. We try and[sic] change pesticide policy at the state level and at the national level, and—and we work internationally too with Pesticide Action Network. Um, so I could go on, but that’s [laughs]—gives you a little overview of it. &#13;
&#13;
Muha &#13;
Great. Well, thank you. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
Um, so—and—and I know this—this might be a challenging one to—to do briefly, but do it in whatever length you’d like. Um, so can you speak to, um, you know, environmental harms that farmworkers are—are commonly exposed, uh, to and—and—and why that’s important? &#13;
&#13;
Economos &#13;
Um, a lot of farmworker organizations—well, first of all, there aren’t many farmworker organizations, but the ones that do exist, um, are often times focused on wages, um, because farmworkers are low on the totem pole. They get very poor wages, um, and some of them are focused on other kinds [sic]—kinds of abuse, like labor camps and things like that, um, but, uh, um, pesticides are really harmful to farmworkers’ health, and scientific studies over the past seven to eight years have increasingly showed[sic] that pesticide exposure can harm the second generation and the third generation of farmworkers, and they can also have—in the past, um, farmworker organizations were focused on acute effects of pesticide exposure, like, um, you know, farmworkers in the field vomiting or—or passing out or whatever from pesticides, but we know more and more now about long term effects of pesticide exposure, um, and farmworkers standards. Um, they’re, um—they are, um, under the [Agricultural] Worker Protection Standard of the Environmental Protection Agency, and those standards are lower—less than the OSHA regulations that protect workers from chemicals[sic] exposures in other kinds of industries. So, um, it’s vitally important, because these people are making money for the owners of the industry. Whether they’re a small grower or a large grower, industry could not operate without the workers, and yet, the workers are risking their health and their lives and that of their families by being exposed to pesticides on a regular basis, and we should all care because we’re all human, but we should also all care because it affects our food and our environment, and what happens to the least of us happens to the—to all of us. So it’s, uh, critically important, um, and I could go on, but I won’t [laughs]. &#13;
are the invisible ones. They are, um, treated like workhorses, not like people, um, andthey are not afforded the same protections—health and safety protections—that other workers are protected under OSHA1 standards. Um, they’re, um—they are, um,under the [Agricultural]Worker Protection Standard of the Environmental Protection Agency,and those standards are lower—less than the OSHA regulations that protect workers from chemicals[sic]exposures in other kinds of industries. So, um, it’s vitally important,because these people are making money for the owners of the industry. Whether they’re a small grower or a large grower, industry could not operate without the workers,and yet, the workers are risking their health and their lives and that of their families by being exposed to pesticides on a regular basis, and we should all care because we’re all human, but we should also all care because it affects our food and our environment, and what happens to the least of us happens to the—to all of us. So it’s, uh, critically important, um, and I could go on, but I won’t [laughs].&#13;
&#13;
Muha&#13;
Good, thank you.&#13;
Um, so why do you think there’s a need for an organization like Farmworkers Association of Florida?&#13;
&#13;
Economos&#13;
Um, well,let me just give you a little example. We do pesticide trainings, as I mentioned earlier, and we have five offices in the state, so we tend to work with farmworkers in the counties in the areas where we have offices. A few years ago,we ended—started going to different areas, like Wimauma and Wahneta and Winter Haven, where there’s farmworker populations—migrants—and there is no farmworker organization there as a support for them, and when we have gone and done pesticide trainings in those areas,we’ve seen a huge difference. The level of education of the—of—or—or knowledge—not education—the level of knowledge of the workers of their rights and about pesticide exposure is much less, and we have gone and done trainings in areas where there was no farmworker organization presence,and the people have begged us—after an hour and a half or two hour training, they’ve begged us not to leave. They’ve begged us to come back, and, to me, that says it all, because even if we don’t touch farmworkers directly—for example, here in the Apopka area—even if we don’t touch them directly, what we are doing here, by osmosis, gets out into the broader community, and it raises people’s level of understanding of their rights, it raises their understanding of the risks in their workplace, um, and people know that they can come here for things like help with wage theft and things like that.So, um, not only do I feel that, you know—I see what—what we do here every day, but also, having gone to these other areas and seen the difference in the level of, um, information that the people have. It’s really been a stark contrast. So that to me justis—says it all.&#13;
&#13;
Muha &#13;
Well, thank you. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
So you mentioned that, um, Farmworkers Association was founded in—in 1983. Uh, can you speak to—and I know you’ve—you’ve been involved since the ‘90s—but can you speak to how you think it’s changed since its founding? &#13;
&#13;
Economos &#13;
Yeah, um… &#13;
&#13;
Muha &#13;
[clears throat]. &#13;
&#13;
Economos &#13;
I mean, we have expanded, um, statewide. I think one of the biggest things—I mean, we—lots of things have changed, but I think one of the biggest things that, um, I’ve seen change is our, um, deeper connection to, understanding of, and action on a global level—an international level. So, um, while we continue to be very grassroots, we work in coalition with groups like Pesticide Action Network International, La Via Campesina, uh, Domestic Fair Trade Association, and other organizations like that, um, that, um, make us, um, connect what we’re doing at the local level to much bigger, broader global, um, trends, policies, um, actions, um, multinational corporations and how they’re affecting things at the local level. So I think we’re much more involved in that, and I think that helps, uh, eh, reinforce what we’re doing locally, but also, um, moves us to a different level where we can, eh, rather than just trying to get a—a particular nursery or farm to pay their workers better or to, you know, um, stop using or—or exposing their workers, we’re looking at it on a much more global level. That it’s systemic—not just systemic in the United States, but systemic globally, because of transnational corporations and how they’re affecting governments, and, you know, international trade agreements. So I think that that’s really significant and that helps inform the work that we do locally by having that big, broad national perspective and working in coalitions, uh, nationally and internationally. &#13;
&#13;
Muha &#13;
Okay, great. Thank you. Um, so having spoken now for, uh, about 13 and half minutes, um, I haven’t yet, uh, heard about, um, farmworkers’ role in—in black community—and bl—black farmworkers. So I’d like to ask about that if you don’t mind. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
Um, so what has been your role, um, in the lives of former black farmworkers in Apopka? &#13;
&#13;
Economos &#13;
Well, um, we, eh—we used to have, um, an African-American, um, organizer with the farmworker association, um, and for two reasons—one, we no longer had funding for the Lake Apopka Project, um, and also, the African-American &#13;
organizer that we had became very sick. We don’t have an African-American organizer in our organization right now, um, but because I’ve been working with the farmworker community on Lake Apopka since 1996, even though I was gone for a few years and came back, um, you know, I—and since Lake Apopka is my passion, I have become the African-American farmworker organizer for the farmworker association, and, um, th—uh, the people know me and we have a long-term relationship and the African Americans in this community, um, know that—they trust me I hope—I think. I like to believe that they do, um, and, um—and they know that, um, I really care about them on an individual level, but I care about the cause too. &#13;
&#13;
Maybe I should start by saying that, um, when the farms on Lake Apopka were operating, um, there were, um, mostly Haitian, Hispanic, and African-American farmworkers. I know I might be jumping ahead on your questions, but, um—but, um—and, uh—when—by the time the farms closed in 1998, the majority of farmworkers on Lake Apopka, at that time, were Hispanic. Uh, the Haitians that worked on Lake Apopka were mostly migrants that would come up from South Florida, harvest corn, and then travel the seasons. Um, there were some Haitians that were more permanent, or seasonal residents here, but a lot of the Haitians that worked on the farms were migrant. Um, a lot of the Hispanics were seasonal, so they were here eight, nine, ten months out of the year. Some of them were here permanently all year-round, because Lake Apopka had such a long growing season, okay? Um, the African- American community was older, uh, in general, um, on Lake Apopka and smaller, um, in—in—in—in terms of numbers, um, and because a lot of them were older, a lot of them worked in the packing houses. Um, even though some of them still worked out in the fields, a lot of the older women worked in the packing houses, so they could sit during the day and help grade—you know, grade the—the product as it came through. &#13;
&#13;
Um, so when the farms closed on Lake Apopka, a lot of the Hispanics were absorbed—were younger, uh, in general. This is, you know, a generalization. Um, a lot of them were either able to move to other areas to work or they were absorbed in other kinds of industries, like the nursery industry or construction or laying sod, but the African Americans, because they were older, um, because they didn’t know anything else but farm work, um, they pretty much, um, got left behind, and so, um, when I came back, um, after being gone for several years, um, I wanted to make sure that the Lake Apopka story didn’t get lost, and so I began working with mostly the African-American farmworker community to keep the Lake Apopka story alive. Most of the Hispanics, um, again, were not, um, um, as interested in continuing the Lake Apop—there were a few. Um, uh, a couple of them moved away, um, but the African Americans really feel like their story needs to be told, because today, if you talk to people about farmworkers, you know—there’s other farmworker organization that seem to be all focused on Hispanic farmworkers. If you talked—if you talk to people about farmworkers, they think, Oh, Hispanics, Mexicans, okay? Well the African Americans feel upset about that, okay? Because they say, “Wait a minute. We’re farmworkers. We were farmworkers here before the Hispanics were here,” and this is not to be, you know—to—to, uh—to pit—to pit the races against each other by any means. It’s just that that that history needs to be captured and not lost, and I know that the farm—the African-American farmworkers that I work with feel very strongly about that, um. Because I feel like I work for them, I feel very strongly about that, um, and because what I have read, not that I’m the most well-read person in the world, but, um, I haven’t seen anything in Florida history. I’ve seen like—like, um, peripheral references in other books, like you’ll read books about, you know, uh, discrimination against blacks in Florida… &#13;
&#13;
Muha &#13;
[clears throat]. &#13;
&#13;
Economos &#13;
And there might be a reference to, um, oh, um, “It—it happened in an orange grove,” or, oh, um, “and he was an orange picker,” but I have not seen anything that has really talked about, specifically, the role of African-American farmworkers in Florida history. I haven’t seen it anywhere. I don’t know. Did I answer your question? I kind of… &#13;
&#13;
Muha &#13;
Absolutely. &#13;
&#13;
Economos &#13;
Okay. &#13;
&#13;
Muha &#13;
Not a problem. Well, so you said a few things that I—I want to pick up on later, if you don’t mind, um—or expand on later, um, and I’ll—I’ll ask about that, um, but I—I would like to, um—to—to return to—to your role, um, within black farmworker communities, um, and then I’ll—I’ll—I’ll come back to—to s—a few things you mentioned, uh, about memorialization of—of, um, black farm labor in Florida and, um, some perspectives and what have you. Um, so, um, you mentioned that you’re currently the person that acts as like, um, a liaison between the farmworker association and—and former black farmworkers. Um, so I’d like to know—I mean, it—is—is that—well, so—so is your work then centered around, um, their lives as it pertains to employment or their role in the community? Or, like, what—what do—what do you do, um, with them? &#13;
&#13;
Economos &#13;
Well first of all, I wouldn’t use the word “liaison.” &#13;
&#13;
Muha &#13;
Oh. &#13;
&#13;
Economos &#13;
Because, um, we actually—it can—we have, um, what we call “leadership committees,” and so, um, because our—our office in Apopka has a Hispanic, a Haitian… &#13;
&#13;
Muha &#13;
[clears throat]. &#13;
&#13;
Economos &#13;
And a[sic] African-American leadership committee, s o I call the—the African Americans that I work with mostly, um, are key people—are leadership committee. So they’re actually part of the organization. &#13;
&#13;
Muha &#13;
Okay. &#13;
&#13;
Economos &#13;
Um, so, um, um, yeah, so I—I would put it in—in those kinds of terms. Um, uh—initially, um—well, we have tried everything over the years, in terms of the Lake Apopka farmworkers, um, and initially, it was not just African Americans, it was all the farmworkers. I—you know, we—we talked about trying to get class-action lawsuits to address the health issues of the farmworkers. That didn’t work. Um, we tried to get, um, funding, uh, from the National Institutes of Health to do, um, a[sic] scientific studies where we can actually test the blood of farmworkers, and that wasn’t just His—uh, African-American, but all Lake Apopka farmworkers—to look at, uh, levels of pesticides in their body to see if, you know—to—to identify that as a problem. That didn’t work. We’ve tried—we did a health survey, um, actually Geraldine [Matthew], an African-American farmworker who was a staff member here, did a survey in 2005 of about 150 mostly African-American farmworkers, ‘cause they were still here. That didn’t get any traction. So basically, what my position in—in—has evolved into, I guess, since everything else has not gotten anywhere, is to keep the legacy alive… &#13;
&#13;
Economos &#13;
And to tell their stories. &#13;
&#13;
Muha &#13;
[inaudible]. &#13;
&#13;
Economos &#13;
Because I feel like that’s what they want, that’s what I want to see happen, that’s what they deserve. &#13;
&#13;
Muha &#13;
Mmhmm. &#13;
&#13;
Economos &#13;
So that’s kind of what my role has evolved into. Um, the book, Fed Up [: The High Costs of Cheap Food], that was published as way to keep those stories alive. Talking to you [laughs] is a way to do that too. Um, the quilts is[sic] a way to try and do that. Um, you know, um, hopefully, we’re gonna have an iTunes film, um, so those are some things that we’ve done, but kind of an answer to your question, um— most of the people that I work with are too old and too sick. They’re—I shouldn’t say “too old,” because Geraldine [Matthew] and Linda [Lee] are my age, you know, and I’m still working, but most of the people I work with are on disability [benefits]. &#13;
&#13;
Muha &#13;
Mmhmm. &#13;
&#13;
Economos &#13;
They’re not even—some of them are over 65, but a lot of them aren’t over 65, but they’re sick. So they—so it’s not in terms of trying to get anybody any jobs because they can’t work, and that says a lot to me, um, but, um—so it’s not in terms of getting jobs. um, it’s mostly to keep the legacy alive, but at the same time, you know, they’ve become friends. I’m close to ‘em. It’s personal, you know? So I do things like take food to Geraldine when she’s on dialysis and she doesn’t have anything to eat and she has nobody to help her, or I’ll—Um, so it’s a, you know—it’s a commitment, and it’s become personal. I care about ‘em. &#13;
Linda has a problem with her—this county trying to—code enforcement trying to cite her house because of her roof. So we’re trying to help her, uh, get the right paperwork to get her roof fixed. So, um, I mean,it ends up, um, you know, for our community, and that’s what it’s all about is really feeling like a community, and that’s how you build trust, you know? Um, they call me on the weekends to see how I’m doing. I call them, you know? Its, uh—um, we took a field trip to St.Augustine because they had a—an exhibit on 500 years of African-American history in the United States. We were gonna take a field trip this weekend to the Harry T. Moore museum.2 Um, so it’s a, you know—it’s a commitment, and it’s become personal. I care about ‘em.&#13;
&#13;
Muha&#13;
Thank you. Appreciate that.&#13;
&#13;
Economos&#13;
Mmhmm.&#13;
&#13;
Muha&#13;
[clears throat] So—and, again, I—I do—a lot of what you said I do want to ask about later. Um, but, um, just to—so I’m clear, um, most farmworkers, uh, or former farmworkers from your observation, if I understand correctly, um, you know, after—after the shutdown of Lake Apopka, what did they do?I mean,from your observation, it seems like you’re saying most of them didn’t return to—to any jobs or…&#13;
&#13;
Economos&#13;
Well, so that’s a long story too.Right after the farms closed it’s a—I’ll try to do this short—um, th—there was a thing called the Jobs and Education Partnership and they set up this outreach thing for—I think it lasted a year and a half maybe—to try and do retraining of farmworkers, to try and offer them classes, to try and get them other jobs. Um, it was real mess. It was for all f—not just for African Americans. I mean, like—like part of it was English classes for Hispanics. Um, it was pretty unsuccessful. Some farmworkers, like Linda Lee’s sister,Margie, got a job at a nursery. This was before the [Great] Recession happened in the, you know—a few years ago.3 This was at the boom of building and construction and nurseries and stuff, So some of them did get other jobs for a period of time, but most of the African Americans—again, most of the Hispanics and Haitians were absorbed, so, um, they eventually settled out into something—most of them—a lot of them.&#13;
&#13;
Muha&#13;
Mmhmm.&#13;
&#13;
Economos&#13;
Most of the African Americans got left behind.Geraldine always talks about how, um, “I don’t know what happened, but after the farms closed, people started getting[phone rings]sick and started dying.”&#13;
[phone rings] &#13;
&#13;
Economos &#13;
And I know from I own experience, sometimes, you know, when you’re, you know… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
If you’re not active, you know, you—you start to get depressed and you, you know—and people had this—they had to go to work every day and they probably didn’t have time to even think about their healthcare, but a—after the farms closed, a lot of people did start getting sick. A lot of them were sick beforehand, um, like Linda Lee had, you know, a kidney transplant beforehand. Some of them were absorbed for a little while in other jobs, but most of them were older and not in the best of health and didn’t last very long. &#13;
&#13;
Muha &#13;
Hm. &#13;
&#13;
Economos &#13;
Um, but some of them were already on disability. &#13;
&#13;
Muha &#13;
Mmhmm. &#13;
&#13;
Economos &#13;
Um, so, um, I don’t know of many that got jobs in farm work. Um, Magaline[sp] was smart. She got out early, before the farms closed, and got a job as a janitor in a school, and worked there up until about a year ago, um, but the ones that stayed in farm work, most of them, um, didn’t know anything else, um, didn’t really get plugged into anything else in terms of a job and/or, you know, were sick and really couldn’t—couldn’t get out there in the world, but had serious health problems. So, yeah. &#13;
&#13;
Muha &#13;
Thank you. Um, so, okay—so what I’d like to ask, um—right. Okay, so I’d like to ask, um—and this might be a—a difficult question to—to answer, but, I mean, so, since the—the shutdown of m—most Lake Apopka farms, w—what has been the most dramatic change that you’ve noticed in the lives of—of the former farmworkers who are black? &#13;
&#13;
Economos &#13;
Um, I think—well, uh, I think that there’s been a little bit of—there’s been a little bit of dissolution of community. So, um—for example, um, the African-American community in this area are [sic] not what you would traditionally think of, because they are very settled here. Um, there might be two or three or four generations. A lot of them might have come here—their parents or grandparents might have come here in the ’30s and ‘40s. Well, probably I should say ‘40s, because that’s when the farms started on Lake Apopka, okay? And so, w—they—whereas the Hispanics came later, like in the ‘60s and then again a wave in the ‘80s, um, the African Americans were here much longer. Um, there was some public housing, subsidized housing, USDA4 housing for farmworkers. It was called Hawthorne Village. When the farms closed on Lake Apopka—you could only live there if you had so much of your income from farm work. That included nurseries, okay? When the farms closed on Lake Apopka, the African Americans that lived in Hawthorne Village, like Louisee [sp] and other people, uh, Angela Tanner, they were no longer working in farms, so they couldn’t, um, record that… &#13;
&#13;
Muha &#13;
[clears throat]. &#13;
&#13;
Economos &#13;
“I get this much money from farm work.” They couldn’t live there anymore. They had to go find someplace else to live. Some of them had to go find rental housing, and it wasn’t subsidized, so it was too much money for ‘em. Um, some of them had to go live with family members. Then they finally closed down Hawthorne Village completely. They tore it down, ‘cause [sic] it was in bad shape. Those African-American f—farm—former farmworkers ended up having to go to Lake City, so, some—so, it—it did affect some of the—a little bit—there’s still quite a bit of community cohesion, okay? ‘Cause [sic] some people like Linda and Geraldine and Betty and Irma are, you know—own their own homes, okay? But it did separate some families because of that. So some families had to leave the area, um, because of the housing issues. Some of the younger ones—because there was no more work here—did have to leave and find work other places. So it did affect the community, in that sense, and then, it also affected the community because I think when people weren’t working, again, you have issues of, you know, people being depressed because they can’t work, financial problems because they’re not working. Um, some people were sick, but they just kept working, and then they had to try to get on disability, and if they were under 60, they had to wait two or three years. Oh, it was terrible. Some of them had to wait—uh, you know, in the meantime, while you’re waiting to get on disability, even though you’re on, you know—you have all kinds of health problems. Um, how do you survive in the meantime, you know? You’re not old enough to get Social Security, you know, you’re not well enough to work, so you’re in this limbo. How—so it did cause a lot of financial problems for people. Like I said, when the farms first closed on Lake Apopka, we weren’t thinking about health then. We were just thinking about trying to get people, you know, housing and jobs and food and furniture and a place, you know, uh—just real immediate needs. &#13;
&#13;
Muha &#13;
Yeah. &#13;
&#13;
Economos &#13;
Um, so, yeah, but long term, I think, uh, the health issue is the biggest—biggest thing. &#13;
&#13;
Muha&#13;
Okay, thank you. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
Appreciate that. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
Um, okay, and so—so—and—okay. So next one I’d like to ask—I mean, you mentioned a couple times a difference between, um &#13;
[phone rings] &#13;
&#13;
Muha &#13;
How the shutdown affected… &#13;
[phone rings] &#13;
&#13;
Muha &#13;
Hispanic farmworkers and how it affected black farmworkers in—in Florida. So I’d like to ask &#13;
[phone rings] &#13;
&#13;
Muha &#13;
A little bit about, I guess, a shift that occurred, um, on farms in—in Florida and—and specifically in Apopka, um, and—and what you mentioned, you said that there were, uh, waves of—of Hispanic immigrants in the ‘60s and ‘80s, as… &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
As you perceived it. &#13;
&#13;
Economos &#13;
Right. Mmhmm, mmhmm. &#13;
&#13;
Muha &#13;
Um, so the thing[?] that I’d like to ask—so why do you—why do you think that—that that shift took place, eh, eh, from—in our opinion. Um, was it growers’ preferencing [sic] Hispanic farmworkers? What do you think… &#13;
&#13;
Economos &#13;
Well, I think… &#13;
&#13;
Muha &#13;
The reason… &#13;
&#13;
Economos &#13;
It was several things. Um, one is I think the Civil Rights Act—the passage of the Civil Rights Act in 1964 was one influence, because, um, after that, um, blacks had more opportunities to, um, get out of farm work and get into other kinds of jobs, um, and the younger generation of, uh, African Americans—this next generation—wasn’t, um, subject to the same Jim Crow—not that it didn’t still happen, especially in Apopka, um—but, legally, it wasn’t supposed to happen. So the second generation, um—whereas for example—I’m jumping around—but, like, um, Linda’s parents—Linda’s grandparents were farmworkers, Linda’s parents were farmworkers, and she was a farmworker. Well, her kids didn’t have to be farmworkers. They were born after the Civil Rights Act was passed, okay? Same thing with Geraldine, same thing with Betty, you know? Their next generation, um, didn’t have to—they had more options than, um, the previous generation. So the Civil Rights Act was one thing. &#13;
&#13;
The end of the Bracero Program was another thing, okay? Um, so when the Bracero Program ended, um—well, that was mostly in—that was here too, but the end of the Bracero Program, um—which brought, um, Hispanics into the United States—okay, it ended, but then the growers had an opportunity to go and get, uh, thr—without the Bracero Program to go and get cheaper labor from, you know, Mexico and bring them here to work, okay? And then, I think conditions in Mexico, um—people, you know—workers coming from Mexico, I think, um, you know, the—well, in the ‘90s, NAFTA5 made a big difference too. There was an influx of, um, farmworkers from Mexico after NAFTA, but in the ‘60s and the ‘80s, it was conditions in Mexico, it was the end of the Bracero Program, but I think it was just, you know, demographic changes. A lot of African-American farmworkers were getting older and moving out, and Linda will tell you a story about how, you know, it was mostly African-American farmworkers. She remembers one day going out to the orange groves. They would get up every morning, go to the orange groves, pick oranges, and then take the bus—you know, the crew bus back home. She said one day, they went out to the grove and there was a—as she says, a Mexican f—family there that had slept there all night long, okay? Well, the African-American farmworkers were upset, because the Hispanics that were there—and this is, you know—this is how the industry ends up causing racial divide. The Hispanics that were there all night long could pick earlier in the morning. They could stay and pick later at night, and when you’re being paid by the piece, you know, you’re not getting paid by the hour, they were able to make more money, okay? &#13;
&#13;
So, um, you know, people from Mexico saw econom—economic opportunity here and they started coming here, and they kind of, you know—the—the—it—there became that clash of—and the Hispanics would work cheaper, and—and sometimes they would work faster, and part of that was because a lot—some of the African Americans were beginning to know what their rights were, um, and some of them would stand up for their rights. Whereas, the—a lot of time the Hispanics didn’t know they even had any rights, and they would put up with more abuse, and that’s—again, that’s kind of a generalization, you know? Um, but, um, G— Geral—Geraldine would s—says sometimes, you know, “Oh, I felt sorry for the Hispanics, because they would come here—s—some stuff that we wouldn’t put up with, you know, they would come and they would—they would take it.” So I think there’s [sic] lots of different factors, but I think those are some of them. &#13;
&#13;
Muha &#13;
Mmhmm. &#13;
&#13;
Economos &#13;
Yeah. &#13;
&#13;
Muha &#13;
And then, from your observation, uh, what do you think the perception on that question of—of black farmworkers is? What do you think—do you think they would say the same? &#13;
&#13;
Economos &#13;
Well that’s—like I said, a lot of that’s stuff that I’ve heard. In terms of the Civil Rights Act, that’s my perception and th—things I’ve read too, um, but in terms of some of the other things, I mean, I—I hear that directly from them, you know? That they—they have said that. That, you know—that, um, the Hispanic workers would work longer hours, they would put up with more abuse, um, sometimes they would work faster. Again, if you have—especially after the 1960s, um, if you have an aging African-American population, they might not harvest as fast. Whereas, the Hispanics coming in are younger, um, you know, and they would work faster. If you see the—and now it’s not even Mexicans as much as it is Gua—uh, you know, Guatemalans and Salvadorans. the training that we here—had here last night for the farmworker women, they were all young and they were from Guatemala, um, and they were all—I would say—20s, um, early 30s. They were young and they were all farmworkers. So, you know, I think that had a—is a factor too. &#13;
&#13;
Muha &#13;
[clears throat]. &#13;
&#13;
Muha &#13;
Great, um, and—and then, um—following that question, um, in your experiences with former farmworkers in Apopka today, I mean, what—what stands out, uh, to you about their perspec—perspectives on farm labor? Um, given that most of them are now former farmworkers. Most of their children aren’t farmworkers. Um, what do you notice about their perspectives? &#13;
&#13;
Economos &#13;
Well, I think they’re all very proud of it. Um, there are some, like Mary Tinsley, who will say, uh, “Oh, I—I used to pick oranges when I was a teenager and I never, ever wanted to do it again, so I decided to go to college and never do it again,” you know, um, but, um, her mom is proud of the work she did, you know? Betty Woods, who died last year, um, said that she loved it. She loved being a farmworker. Geraldine—she’ll say, “We fed the world.” Um, I love Geraldine. She’s so powerful, um, and they’re—they’re proud of what they did, um, and they should be. They deserve to be proud of what they did, um, and, um—and I think the ones that I—I work with, of course, probably have a higher consciousness about all of these issues, because they have been working on this, and, you know, um… &#13;
[phone rings] &#13;
&#13;
Economos And have been connected with the farmworker association. We, you know, do do consciousness raising stuff, but even… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
When we go down to Indiantown, and the farmworkers there—the African Americans there—I think they’re proud of what they’ve done… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
And their contribution. Um, some of them love it. Geraldine’s really proud that she was the fastest corn packer [laughs], you know, and it was kind of competitive. Um, Linda’s proud that her father was a crew leader and he was a good crew leader… &#13;
&#13;
Muha &#13;
Mmhmm. &#13;
&#13;
Economos &#13;
And he treated his people well and—and, um, they have all kinds of stories. You could listen to them for hours and days and months and never get all the stories that they have, and it’s a very rich, uh, history, which is why I think it’s so important to capture that, because it’s just very, very rich, both in terms of good and bad. Um, you know, it’s—we—we talk about the discrimination against the blacks in Florida, the country, um, but… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
What was it like to be black and a farmworker? Kind of the—the… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
And I hate to put it like this, but how society looks at it is like the… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
Lowest rung on the totem pole in terms of, you know, the type of job that you do. Um… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
So I think that that’s a really super rich history, and, um… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
They have stories talking about being on the mule train and them laughing and… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
And singing slave songs to get them through the day, um, and it’s just very, very, uh, rich, cultural history, um, and they talk about their interactions with the Hispanics and the Haitians, um, and some of it’s good and some of it’s bad, you know? Um, and—and, uh, um, so, yeah—I forgot what the original question was [laughs]. &#13;
&#13;
Muha &#13;
No, you did great. Well, the original question was about farm—farmworker perspecti—or black farmworker perspectives… &#13;
&#13;
Economos &#13;
Oh, yeah. &#13;
&#13;
Muha &#13;
Today and what stands out to you. &#13;
&#13;
Economos &#13;
Yeah, yeah. &#13;
&#13;
Muha &#13;
So if there’s anything else you wanted to add… &#13;
&#13;
Economos &#13;
Um, well, I—I, a—again, what stands out to me, because of the people I work with is that they feel very strongly that they want to be remembered. Yeah. &#13;
&#13;
Muha &#13;
Well, I wanted to ask you about that because, uh, throughout this—this interview, a few times you’ve mentioned the importance of, um—of history and—and being remembered, um, so—so, yeah, I mean, and—and you’ve mentioned, uh, the quilt, which—which was Linda’s project… &#13;
&#13;
Economos &#13;
Hm, yeah. &#13;
&#13;
Muha &#13;
Um… &#13;
&#13;
Economos &#13;
Well, every—it—Linda did the most of it… &#13;
&#13;
Muha &#13;
Okay. &#13;
&#13;
Economos &#13;
It was everybo—I don’t want to—yeah. &#13;
&#13;
Muha &#13;
Okay. &#13;
&#13;
Economos &#13;
Yeah, it was everybody’s pro—it was a project of the farmworker association. Linda was the one that really did most of the quilt squares, but everybody was involved… &#13;
&#13;
Muha &#13;
Great. &#13;
&#13;
Economos &#13;
So… &#13;
&#13;
Muha &#13;
Well, if I understand, she was l—like the—I—I don’t—I… &#13;
&#13;
Economos &#13;
[laughs]. &#13;
&#13;
Muha &#13;
Perhaps the leader of it? Or… &#13;
&#13;
Economos &#13;
She and Sara [Downs]—Sara. &#13;
&#13;
Muha &#13;
Okay. &#13;
&#13;
Economos &#13;
Together were—yeah. If it weren’t for—they—they were the two that really drove it forward. So, yeah. &#13;
Muha Okay. &#13;
&#13;
Economos &#13;
Yeah. &#13;
&#13;
Muha &#13;
Well, so… &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
But I—I wanted to ask you, I mean, you know, it seems i—if I—if I understand correct[sic] I, uh—I mean, has—do you think the history of—of black farm labor has been remembered in Apopka? &#13;
Economos No, I don’t. I don’t. I—no. If you go to the, uh, uh, Museum of the Apopkans over here, um, there’s almost nothing in there about African Americans at all, much less African-American farmworkers. They finally did—actually, I need to—they finally did invite us to bring the quilts there during, uh, Black History Month. That was nice of ‘em, um, finally, um, but, um, uh, there’s almost nothing about bla—the, um—if you go to Winter Garden—because I don’t want it to sound like it’s just Apopka, ‘cause[sic] it’s the whole—Lake Apopka is really big, so there’s farmworkers f—that worked on Lake Apopka that were from Zellwood and Eustis and Mount Dora and Astatula and, um, Winter Garden. Winter Garden—there’s a big African-American community there. Linda’s sister lived in Winter Garden. Um, I used to go ride my bike in Winter Garden, and they have a big mural on the side of one of the main buildings in Winter Garden of citrus, and it’s a white guy picking oranges, um, and I’m like, No. [laughs] It probably wasn’t a white guy picking oranges, and, um, you know, and you go to Winter Garden and there’s almost nothing about, um—I think it’s a little bit better over the last couple of years. Um, Winter Garden just had “The Last Harvest[: A History and Tribute to the Life and Work of the Farmworkers on Lake Apopka”] exhibit there and I didn’t even get to go see it, um, but, uh, it’s virtually—no. It’s—it‘s—it’s hidden. It’s deliberate. If you go to, um, Oakland Nature Preserve, um, that was started by Friends of Lake Apopka, there is nothing there about farmworkers at all. If you go to Magnolia Park and the boat ramp and you see the sign there about the history of Lake Apopka, there is nothing there about farmworkers or African Americans in the community. So, no, I think it’s not there and I think it’s deliberate. Yeah. &#13;
&#13;
Muha &#13;
And—and you’ve noticed that you—you—you think it’s important to the farmworkers in Apopka and—and those who worked on Lake Apopka that they be remembered. &#13;
&#13;
Economos &#13;
Absolutely, and—and they have talked about—I mean, the quilts are great, and the book is great, and we’re—I think everybody’s happy to have both of those things, um, have happened, but, um, I think—some of them have told me that they would like to see a memorial in the city of—that—that—sanctioned by—because the book and the quilt and “The Last Harvest”—that was the farmworker association doing that. Nobody outside—I mean, Dale [Finley Slongwhite] is outside the fa—you know, but nobody outside the farmworker association. What are they doing? It’s all been driven by, you know, the farmworker association. Who else out there has made a concerted effort… &#13;
&#13;
Muha &#13;
Mmhmm. &#13;
&#13;
Economos &#13;
To do anything to remember the farmworker association? You are, but, I mean, who else is really doing anything to recognize farmworkers at all here—much less African-American farmworkers in this community? So no, I don’t think it’s remembered, um, and I think it’s deliberate. &#13;
&#13;
Muha &#13;
Well, thank you, um, and then, as—as my last question, I—I wanted to ask you, um, if you had any thoughts on, uh, the future of farm labor in—in Florida, and perhaps, uh, more broadly in the United States or the South. &#13;
Economos That’s a really good question, because, um—that’s a really big question, because, um, you know, there’s continuing competition from globalization, um, the recession has affected the… &#13;
&#13;
Muha &#13;
[clears throat]. &#13;
&#13;
Economos &#13;
Nursery industry in Florida, um, imports of tomatoes from Mexico has a—affected the tomato industry in Florida, the drought is affecting the nut industry in California, as well as other kinds of crops. Um, so lots of different factors are affecting, um, agriculture in the United States. Um, subsidies for commodity crops, like, um, corn, soy, and wheat are affecting—they, eh—it just blows my mind that they call fruits and vegetables “specialty crops.” That just is mind-boggling to me, you know? tomatoes are a specialty crop. Corn is not a specialty crop. Gen—genetically-modified corn is not a specialty crop, but, you know, your healthy carrots are. Um, so specialty crops are at risk, um, because of the huge agribusiness farms. Um, so I think that there is a real danger of, um—or threat to agriculture in the United States. The global, you know—forces of globalization around the world, um—I do take hope from the food movement, um, where a lot of, um, people are, um, wanting healthy, organic, local, sustainable food, even though it might not be fair trade food, um, for workers, but a lot of, um, small, independent farms are starting up at a very small scale, but poor people can’t afford to buy that. I can’t afford [laughs] to buy that, um, produce. Um, so you’re still going to have your big grocery store chains, you’re still going to have, um, you know, your, um, need for cheap food. So I do think it’s a really big concern where—and I think farmers know that. The writing is on the wall for some of them. &#13;
&#13;
Um, tomatoes, you know, the—tomatoes are a big issue in Florida. Um, the tomato industry in Florida wants to continue growing tomatoes the way they’re growing them, which is picking them early and—and, um, then treating them with methyl bromide to ripen them, whereas Mexico is growing vine-ripe tomatoes and that they’re shipping here, and people want those more. So, um, if agriculture, um, diminishes—and we’ve already seen that on a small scale in Apopka. The recession, um, put a lot of farmworkers out of work in Florida. Um, nurseries went under. Miguel estimated about 50 percent of the nurseries. I don’t know if that’s accurate or not, but quite a few nurseries, um, closed, which put a lot of workers out of work. Immigration policies have affected agriculture. A lot of workers, um, are afraid to travel, um, the seasons like they used to, because of immigration policies in other states, um, like Georgia and Alabama that might be really horrible. Um, immigration policies have affected migration into the United States, which has affected how many people come here to be farmworkers. So, um, there’s lots of different forces at play here, and, uh, I’m not real[sic] good at forecasting the future, but I think we have some real issues that—that are gonna come up, um, and I think we’re gonna end up seeing a lot more imported food and a loss—lot less work for farmworkers. So… &#13;
&#13;
Muha &#13;
Good, okay. Well, um, as far as my questions, that’s all. Um, was there anything you wanted to add or say before I stop the recording? &#13;
&#13;
Economos &#13;
Um, I just want to say that I think—I think there’s a real place and a real need in Florida history to document the role of African-American farmworkers. I mean, I—I kind of said that already several times, but, um, I want to say it kind of in a different way now, because I think it’s important to put African-American farmworkers—not just to remember that they were here and they had lives, but to really look at that in terms of the economic development of Florida. That—you know, we hear about, um, [Henry] Flagler and the railroad and other people in, you know, uh, uh, major, uh—who I can’t think of right now—major people in Florida history who, you know, created the development of Florida, but none of that could happen, okay? A lot of that was based on—a lot of the economy in Florida was driven by agriculture, okay? And the railroad and all these other things—where part of it was to move agricultural products, part of it was to bring people down here to start orange groves and vegetable fields, and none of that could have happened without African-American farmworkers, and I think it’s really crucial not only to remember the lives of the farmworkers here, but to put them in some kind of really profound historical context, um, in the—in Florida’s history, you know? &#13;
&#13;
Even, um, Patrick [D.] Smith, who wrote that book, Angel City [: A Novel], okay? The main characters in that book where white farmworkers that came down from Tennessee or Kentucky or something like that, um, and the peripheral characters in the book were African American, okay? I—it’s really vitally important to see how—there’s even more about, um, the Indians—the native Indians in Florida and what happened to them then there are[sic] about African Americans historically in Florida as part of the development and what caused the economy to grow in the state, and I also think—one more thing I think is crucially important is to—to demonstrate or to understand that African-American farmworkers, in Florida and other parts of the South, have a direct line to slavery, and I think that that thread needs to be pulled through, um, because the conditions that farmworkers experienced and continue to experience, but, again, it was—e—e—even before Lake Apopka, you go back into the ‘20s and ‘30s and ‘40s before Lake Apopka, you know, that—it was still the legacy of slavery. So I think somehow that thread needs to be woven through all of this, um, because I don’t think you can look at—at—at it in a—in a vacuum without bringing—bringing that in, and how the conditions on the farms were related to, um—how con—plantation conditions and slavery in the United States. So… &#13;
&#13;
Muha &#13;
Okay. Well, thank you so much. Um, this… &#13;
&#13;
Economos &#13;
Thank you. &#13;
&#13;
Muha &#13;
Has been—oh, absolutely [laughs]. This has been Jared Muha with Jeannie Economos of the Farmworker Association [of Florida] on December 10th, 2014. &#13;
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES.</text>
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&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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                  <text>The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Don't Touch that Dial</text>
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                <text>A poster for the Orlando Gay Chorus (OGC) concert, “Don't Touch that Dial.” The event was held at the Margeson Theatre, part of the Rita Lowndes Shakespeare Center in Loch Haven Park, located at 812 East Rollins Street in Orlando, Florida, on April 8 and 9, 2006. The event featured music from the 1930s, 1940s, and 1950s, including radio, big band and jazz songs. “Don't Touch that Dial” was sponsored by a range of organizations, including the Walt Disney World Company, Air Tran Airlines, and Watermark. Advance tickets were available through Urban Think, the Center and, orlandogaychorus.org. The poster has a brown background accentuating a vintage radio and a bold title. Featured artwork includes the logos of the OGC and various sponsors across the bottom of the poster. &lt;br /&gt;&lt;br /&gt;The Orlando Gay Chorus is a 501(c)(3) nonprofit arts and humanitarian organization part of GALA Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a whole host of community events like Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World Aids Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES.</text>
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                <text>&lt;a href="https://www.orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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                <text>&lt;a href="https://www.orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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                <text>Originally created and published by the &lt;a href="https://www.orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;.</text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES.</text>
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&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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                <text>A poster for the Orlando Gay Chorus (OGC) concert, “Carry a Torch.” The event was held at the Annie Russell Theater at Rollins College, located at 1000 Holt Avenue in Winter Park, Florida, on June 22 and 23, 2002. Tickets were $15 in advance through Rainbow City, Joy MCC, and orlandogaychorus.org and $18 at the door. The poster has a soft background that fades from yellow to blue top to bottom and left to right with three vector torches on the right-hand side. Featured artwork includes the logos of the OGC and various sponsors across the bottom of the poster. &lt;br /&gt;&lt;br /&gt;The Orlando Gay Chorus is a 501(c)(3) nonprofit arts and humanitarian organization part of GALA Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a whole host of community events like Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World Aids Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES.</text>
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                <text>&lt;a href="https://www.orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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                <text> Music Teacher</text>
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                <text>Originally created and published by the &lt;a href="https://www.orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;.</text>
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                <text>&lt;a href="https://www.orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Unknown. "About OGC: History." Orlando Gay Chorus. 2018. Accessed April 10, 2018. https://orlandogaychorus.org/history/.</text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text>A poster for the Orlando Gay Chorus (OGC) concert, “Seasoned Greetings.” The event was held at the Annie Russell Theater at Rollins College, located at 1000 Holt Avenue in Winter Park, Florida, on December 16 and 17, 2000. Featuring traditional music and "great food", “Seasoned Greetings” was a fundraiser for Toys for Tots. Tickets were $18 in advance through orlandogaychorus.org and $21 at the door. The poster has a green background with star ornaments offset by blue text. Featured artwork includes the logos of the OGC and various sponsors across the bottom of the poster. &lt;br /&gt;&lt;br /&gt;The Orlando Gay Chorus is a 501(c)(3) nonprofit arts and humanitarian organization part of GALA Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a whole host of community events like Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World Aids Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Unknown. "About OGC: History." Orlando Gay Chorus. 2018. Accessed April 10, 2018. https://orlandogaychorus.org/history/.</text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text>A poster for the Orlando Gay Chorus (OGC) concert, “We're Ready for Our Close-Up: A Tribute to the Movies”. The event was held at The Plaza Live, located at 425 North Bumby Avenue in Orlando, Florida, on May 18 and 19, 2013. The event was a tribute to the music of the movies. Tickets were $25 in advance through chorus members and orlandogaychorus.org and $30 at the door. The poster has a black background with rope-lined red carpet that ends at the title, illuminated in lights. Featured artwork includes the logos of the OGC, the Plaza Live, and various sponsors across the bottom of the page. &lt;br /&gt;&lt;br /&gt;The Orlando Gay Chorus is a 501(c)(3) nonprofit arts and humanitarian organization part of GALA Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a whole host of community events like Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World Aids Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES.</text>
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                <text>&lt;a href="https://www.orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES.</text>
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&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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                <text>A poster for the Orlando Gay Chorus (OGC) mini-series, “Too Gay for Fringe?.” The events were held at the John &amp;amp; Rita Lowndes Shakespeare Center in Loch Haven Park, located at 812 East Rollins Street in Orlando, Florida, on May 19, 20, 22, 26 and 27, 2007. Tickets were $10 with Fringe buttons, available through orlandofringe.com. The poster is horizontal, featuring a satirical picture of the pope and male nuns in the center and a yellow informational panel on each side. Artwork includes the logos of the OGC and the Fringe Festival. &lt;br /&gt;&lt;br /&gt;The Orlando Gay Chorus is a 501(c)(3) nonprofit arts and humanitarian organization part of GALA Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a whole host of community events like Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World Aids Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES.</text>
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                  <text>Orlando Unitarian Universalists can follow their roots back to 1912, when Reverend Eleanor Gordon was first minister to a church formed with 21 members. Building Unity Chapel in 1913, the group shared literary and spirited discussions, fostered by transplanted Unitarians from the North. Property in an orange grove east of town was purchased in 1954. The congregation moved from Lake Eola to Robinson and Hampton once children’s religious education classrooms and a social/worship hall were built in 1958. Gore Hall was completed in 1963, and served as a worship facility for many years. The current modern Sanctuary was dedicated in January of 1995.</text>
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                  <text>Orlando Unitarian Universalists can follow their roots back to 1912, when Reverend Eleanor Gordon was first minister to a church formed with 21 members. Building Unity Chapel in 1913, the group shared literary and spirited discussions, fostered by transplanted Unitarians from the North. Property in an orange grove east of town was purchased in 1954. The congregation moved from Lake Eola to Robinson and Hampton once children’s religious education classrooms and a social/worship hall were built in 1958. Gore Hall was completed in 1963, and served as a worship facility for many years. The current modern Sanctuary was dedicated in January of 1995.</text>
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                <text>Minutes of a monthly meeting of the Orlando Ministerial Association. The meeting was held on March 3, 1960, at the Y.M.C.A. in Orlando, Florida. The committee charged with looking into a possible merger had no report available on a possible amalgamation with the Orange Country Ministerial Association. Members unanimously concluded that they needed to register and urge their churchgoers to vote. Also discussed was the Sunday Closing Law, which mandated that all businesses had to close on Sunday. The Orlando Ministerial Association was against this because they saw it as a violation of constitutional rights. Non-violent lunch counter protests were also discussed. </text>
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                <text>Originally created by Orlando Ministerial Association and published by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt;.</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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&lt;div class="element-text"&gt;&lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;&lt;/div&gt;</text>
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                <text>A photograph of the USS Lykens (SP-876/AT-56), which was a 170-foot steam-powered tugboat. The photograph was taken sometime in 1917, after the ship was acquired by the United States Navy. Built in 1899, the Lykens started as a private vessel in Philadelphia, Pennsylvania. After the Navy acquired it, the ship operated in the Atlantic, reaching as far out as Bermuda and the Azores, primarily serving as a tender/decoy ship. Tender/decoy missions involved a ship travelling with an allied submarine in order to keep the sub supplied, while also acting as bait to draw out enemy submarines.&lt;br /&gt;&lt;br /&gt;
A notable crewmember was the ship's commander, Leo Rosser Davis (1880-1951). Born in Tallahassee, Florida, to James and Nora Davis, Leo was the oldest of four children. On June 1, 1918, at the age of thirty-eight, Leo received a commission as a Lieutenant in the United States Navy Reserve. He reported to the Naval Auxiliary Reserve in New York on June 3, 1918. Then, on June 22, he began his service aboard the USS Lykens (SP-876/AT-56). By late July, Leo commanded the ship, which operated in the northern Atlantic, off the coast of New England. Leo continued to command the ship through the end of World War I. On April 18, 1919, he was discharged and returned to Florida. After having spent so much time at sea, Leo earned the title of a master mariner. He sailed the civilian cargo ship SS Lake Felicity, a 250-foot steam-powered ship. On at least three occasions in 1919 and 1920, he commanded this ship and sailed between New Orleans, Louisiana, various Caribbean islands, and New York. On March 20, 1951, Leo passed away in the Bay Pines Hospital after spending nearly his entire life in the St. Petersburg area. He was survived by his wife Anna, his stepson William, his brothers Claude and Herbert, and his mother Nora. Leo is buried in Bay Pines National Cemetery at Section 16, Row 6, Site 11.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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A notable person listed is Ben Davis (1895-1947). Born in Charleston, South Carolina, Davis moved to Clearwater, Florida, where he worked as a laborer for H.K. Cheney. On August 1, 1918, the United States Army inducted Davis into military service. Davis trained and served at Camp Devens, Massachusetts, for the entirety of his time in the military. Initially with the 151st Depot Brigade, he joined the 443rd Reserve Labor Battalion on November 1, 1918. On May 30, 1919, Davis received an honorable discharge from the Army, holding the rank of Private First Class. After the war, Davis returned to Clearwater, where he continued to work as a laborer. On October 20, 1944, Davis married Annie R. Leach, a native of Gainesville, Florida. Davis died on December 28, 1947, and is buried in the Bay Pines National Cemetery in Saint Petersburg, Florida in Section 6, Row 3, Site 16. 
&lt;b&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.&lt;/b&gt;</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text> Tuchman, Barbara W., and Robert K. Massie. &lt;a href="http://www.worldcat.org/oclc/881458391" target="_blank"&gt;&lt;em&gt;The Guns of August: The Outbreak of World War I&lt;/em&gt;&lt;/a&gt;. 2014.</text>
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                <text>The Commonwealth of Pennsylvania’s Application Form for Veterans Compensation, which authorized the state to compensate veterans native to Pennsylvania at the time of their enlistment. The application includes name, current address, branch and location of service, place of birth, dependents (wife, children, parents), stations assignments, promotions, wounds, service overseas, and honorable discharge date.&lt;br /&gt;&lt;br /&gt;
A notable resident listed in this record is John T. Cowsert, who served as a soldier during the Mexican Border War and the First World War. He joined the United States Army as a member of the 12th Field Artillery for the 2nd Division.  While deployed in France, he fought in the battles of Chateau-Thierry, Soissons, St. Mihiel, and the Meuse-Argonne.  After armistice, John and the 2nd Division were part of the Army of Occupation that moved into Germany. For his service, John was awarded the Silver Star, two Croix de Guerres, and the Pershing Citation. After the war, John spent his life in St. Petersburg, Florida, with his wife, Irma. He worked for the Florida Power Corporation. Cowsert died on June 21, 1944, and was buried at Bay Pines National Cemetery Section 9, Row 2, Site 18.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
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James Norman Ball was born in College Park, New York. After the death of his mother in 1899, Ball lived in an orphanage in Paterson, New Jersey. He eventually lived in the home of William and Sarah Speer in Paterson, where he worked as a stenographer by 1910. Soon after, Ball moved to Jacksonville, Florida, where he met and married Irene Elizabeth O’Hagan on June 21, 1914. During World War I, the Army inducted Ball on April 13, 1918, as he served at Army School of Aerial Photography in Rochester, New York. Aerial photography had become an important new tool for gathering military intelligence. Ball remained in Rochester during the duration of the war and afterwards until his honorable discharge on January 1, 1919. After the war, Ball returned to Florida, where he and his wife Irene raised three children: William Edward Ball, Irene Marguerite Ball, and James Thomas Ball. The Ball family eventually moved to Sebring, Barstow and Tampa, Florida, where James was active in the American Legion, the local Elks Lodge, and the Forty and Eight organizations. Ball died on May 22, 1940, in Tampa, and is buried in the Bay Pines National Cemetery in Saint Petersburg, Florida, in Section 4 Row 4 Site 16.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>A newspaper article published in &lt;em&gt;The Airscout's Snapshot&lt;/em&gt; on October 2, 1918. The column, entitled "S.O.L.", was devoted to “real, honest-to-gosh photographers.” A notable soldier mentioned in the article is James Normal Ball (1890-1940), who the columnist jokes "wishes to meet his wife in New York City" because she would possibly "like to meet some of [his] 'girl friends' in Rochester."&lt;br /&gt;&lt;br /&gt;
With the creation of the United States Army School of Aerial Photography at Kodak Park in Rochester, New York, commanding officer Captain Charles F. Betz approved the publication of &lt;em&gt;The Airscout’s Snapshot&lt;/em&gt; as the school’s official paper. Produced weekly on Saturday by the soldier-students at Kodak Park, military officials believed the paper would contribute to the interest and efficiency of the school. For news columns, &lt;em&gt;The Snapshot&lt;em&gt; produced “short, pointed items, written without malice,” as every item became a ‘snapshot.’ All news published in the newspaper had to be censored by Captain Betz, as contributors could not submit questionable items. The newspaper ran from June 1, 1918 to December 4, 1918.&lt;br /&gt;&lt;br /&gt;
James Norman Ball was born in College Park, New York. After the death of his mother in 1899, Ball lived in an orphanage in Paterson, New Jersey. He eventually lived in the home of William and Sarah Speer in Paterson, where he worked as a stenographer by 1910. Soon after, Ball moved to Jacksonville, Florida, where he met and married Irene Elizabeth O’Hagan on June 21, 1914. During World War I, the Army inducted Ball on April 13, 1918, as he served at Army School of Aerial Photography in Rochester, New York. Aerial photography had become an important new tool for gathering military intelligence. Ball remained in Rochester during the duration of the war and afterwards until his honorable discharge on January 1, 1919. After the war, Ball returned to Florida, where he and his wife Irene raised three children: William Edward Ball, Irene Marguerite Ball, and James Thomas Ball. The Ball family eventually moved to Sebring, Barstow and Tampa, Florida, where James was active in the American Legion, the local Elks Lodge, and the Forty and Eight organizations. Ball died on May 22, 1940, in Tampa, and is buried in the Bay Pines National Cemetery in Saint Petersburg, Florida, in Section 4 Row 4 Site 16.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.&lt;/em&gt;&lt;/em&gt;</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text> Tuchman, Barbara W., and Robert K. Massie. &lt;a href="http://www.worldcat.org/oclc/881458391" target="_blank"&gt;&lt;em&gt;The Guns of August: The Outbreak of World War I&lt;/em&gt;&lt;/a&gt;. 2014.</text>
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                <text>The affidavit of the master or commanding officer, or first or second officer, for the SS Lake Felicity, signed by Leo Davis as the master of the ship on January 22, 1920. On this voyage, the ship sailed from Matanzas, Cuba, to New York, New York. The cargo ship was 250 feet long and powered by steam. Starting in 1918, the Detroit Ship Building Company began construction of the ship for Great Britain under the name SS War Lynx. However, the war ended before construction was finished. The ship was purchased by the United States and, upon completion, renamed the SS Lake Felicity. From 1925 to 1934, the ship was renamed yet again as the SS Norte for Argentina, and finally from 1934 to 1943 as the SS Tiete for Brazil. In 1944, the ship sank after a collision.&lt;br /&gt;&lt;br /&gt;
A notable crewmember was Leo Rosser Davis (1880-1951). Born in Tallahassee, Florida, to James and Nora Davis, Leo was the oldest of four children. On June 1, 1918, at the age of thirty-eight, Leo received a commission as a Lieutenant in the United States Navy Reserve. He reported to the Naval Auxiliary Reserve in New York on June 3, 1918. Then, on June 22, he began his service aboard the USS Lykens (SP-876/AT-56). By late July, Leo commanded the ship, which operated in the northern Atlantic, off the coast of New England. Leo continued to command the ship through the end of World War I. On April 18, 1919, he was discharged and returned to Florida. After having spent so much time at sea, Leo earned the title of a master mariner. He sailed the civilian cargo ship SS Lake Felicity, a 250-foot steam-powered ship. On at least three occasions in 1919 and 1920, he commanded this ship and sailed between New Orleans, Louisiana, various Caribbean islands, and New York. On March 20, 1951, Leo passed away in the Bay Pines Hospital after spending nearly his entire life in the St. Petersburg area. He was survived by his wife Anna, his stepson William, his brothers Claude and Herbert, and his mother Nora. Leo is buried in Bay Pines National Cemetery at Section 16, Row 6, Site 11.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>Davis, Leo Rosser</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text> &lt;a href="https://vlp.cah.ucf.edu/" target="_blank"&gt;Veterans Legacy Program Project&lt;/a&gt;</text>
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                <text> &lt;a href="https://www.ancestry.com/" target="_blank"&gt;Ancestry.com&lt;/a&gt;</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text> Tuchman, Barbara W., and Robert K. Massie. &lt;a href="http://www.worldcat.org/oclc/881458391" target="_blank"&gt;&lt;em&gt;The Guns of August: The Outbreak of World War I&lt;/em&gt;&lt;/a&gt;. 2014.</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The draft registration card for Bert Collier Davison (1892-1945). The card contains the demographic information for the soldier including name, age, home address, date of birth, place of birth, race, citizenship, trade or occupation, number of dependents, whether tall, medium, or short, slender, medium, or stout, eye and hair color, whether bald, and disabilities. World War I draft registration cards were completed by approximately 24 million men living in the U.S. in 1917 and 1918. Goins registered for the draft on June 5, 1917.&lt;br /&gt;&lt;br /&gt;
Bert Collier Davison was born on July 28, 1890, in Atlanta, Georgia, to Anna Davison and Robert Davison. At the age of nineteen, Davison started a career in pharmaceutical sales. He registered for the draft on June 5, 1917, and was inducted into the United States Army on June 26, 1918. He left from France aboard the USS Zeelandia on September 8, 1917, and was assigned to the Administrative Labor Army Service Corps of the Quartermaster Corps. Near the end of the war, he earned a promotion to Corporal on October 1, 1918. Davison was tasked to stay with the Third Army during the occupation of the Rhineland after the war officially ended and did not depart from Europe until October 19, 1919. The work he did during the occupation earned Davison a promotion to Sergeant on May 20, 1919. He was honorably discharged on November 5, 1919. After returning home, Davison continued his work in pharmaceutical sales at Budd’s Pharmacy in St. Petersburg, Florida. He opened his own pharmacy in 1926. In April of the same year, Davison married Johanna Horstmann, a German woman. In August 1929, Davison shifted trades from pharmaceuticals to tires when he became the manager of a Firestone tire store and filling station. In 1930, Davison moved from Firestone to Goodrich tires. He had major surgery at the Mound Park Hospital in St. Petersburg in July 1930, followed by six weeks of recovery. Ultimately, his health issues would cause him to retire early at the age of forty-seven in early 1940. Davison died in 1945 from what his wife called “a long illness.”&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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Bert Collier Davison (1892-1945) was born on July 28, 1890, in Atlanta, Georgia, to Anna Davison and Robert Davison. At the age of nineteen, Davison started a career in pharmaceutical sales. He registered for the draft on June 5, 1917, and was inducted into the United States Army on June 26, 1918. He left from France aboard the USS Zeelandia on September 8, 1917, and was assigned to the Administrative Labor Army Service Corps of the Quartermaster Corps. Near the end of the war, he earned a promotion to Corporal on October 1, 1918. Davison was tasked to stay with the Third Army during the occupation of the Rhineland after the war officially ended and did not depart from Europe until October 19, 1919. The work he did during the occupation earned Davison a promotion to Sergeant on May 20, 1919. He was honorably discharged on November 5, 1919. After returning home, Davison continued his work in pharmaceutical sales at Budd’s Pharmacy in St. Petersburg, Florida. He opened his own pharmacy in 1926. In April of the same year, Davison married Johanna Horstmann, a German woman. In August 1929, Davison shifted trades from pharmaceuticals to tires when he became the manager of a Firestone tire store and filling station. In 1930, Davison moved from Firestone to Goodrich tires. He had major surgery at the Mound Park Hospital in St. Petersburg in July 1930, followed by six weeks of recovery. Ultimately, his health issues would cause him to retire early at the age of forty-seven in early 1940. Davison died in 1945 from what his wife called “a long illness.”&lt;br /&gt;&lt;br /&gt;
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                <text>The Twelfth United States Census records for Alachua County, Florida, for 1900. The census divides the population by sex, race, age, marital status, number of children, occupation, literacy, whether they owned or rented, farm or house. The census also states a resident's place of birth, and birthplace of their mother and father. If foreign born, the person provided the year they immigrated, whether they were naturalized and if they spoke English.&lt;br /&gt;&lt;br /&gt;
A notable resident listed in this record is Jeff Howard (1894-1962). Born and raised in Alachua, Florida, Howard's parents, Cage and Rachael Howard, worked as farmers. Before being drafted into the military during World War I, Jeff relocated to Clearwater, Florida, while working as an itinerant laborer on the Southern Railway Company in Marion, North Carolina. On January 16, 1918, Jeff married Francis Davis, and the couple welcomed their first son, Thomas Jefferson Howard, on July 1, 1918. After being drafted into the United States Army on July 18, 1918, Jeff eventually joined the 807th Pioneer Infantry. Serving overseas in France, Jeff and his unit served in a technical capacity, constructing and repairing roads, bridges, and railroads. However, the units also served on the front lines of battle, experiencing direct action with the enemy. Jeff and the 807th took part in the Meuse-Argonne Offensive, the last major engagement of the war, earning the Silver Band on the Pike of Colors of Lance of the Standards. Returning from overseas, Jeff settled briefly in Clearwater, working as a grove worker. During the 1920s, the family relocated to New Jersey, where a second son, Theodore Roosevelt Howard, was born on November 19, 1923, in New Brunswick. By 1930, the family returned to Clearwater, where Jeff continued working in the grove industry for the remainder of his working life. Both of his sons served in the military during World War II. Thomas served in the Army, while Theodore served in the Navy. Jeff died on August 29, 1962, and is buried in the Bay Pines National Cemetery in St. Petersburg, Florida, at Row 39, Plot 5.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text> Anderson, Margo J. &lt;a href="http://www.worldcat.org/oclc/931708638" target="_blank"&gt;&lt;em&gt;The American Census: A Social History&lt;/em&gt;&lt;/a&gt;. New Haven [u.a.]: Yale Univ. Press, 2015. </text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>United States Army Base No. 117 in LaFauche, Haute-Marne, France. The hospital was used to specifically treat psychiatric ailments, such as shell shock. Shell shock, known today as Post-Traumatic Stress Disorder (PTSD), was a complex diagnosis relating to psychological war-related trauma. Originally, it was thought that a physical explosion from a shell caused the disorder, but as many cases of shell shock came in, it became clear that the disorder was the result of a range of traumatic emotional experiences.&lt;br /&gt;&lt;br /&gt;
A notable soldier who served at the hospital was Jane "Jennie" Margaret Gadde (1888-1963). Gadde was born on August 17, 1888, in Ludington, Michigan. The second oldest of four sisters, she was born to immigrant parents, Nels and Carrie Gadde. The family lived in Ironwood, Michigan, where Gadde’s father worked as a foreman and her mother raised her and her sisters. The family moved in 1905 to Sanborn, Wisconsin. Gadde went to school at the Ferris Institute in Big Rapids, Michigan, and earned a degree in shorthand in 1907. She then worked as a stenographer for a building contractor. After a few years, Gadde changed professions, training as a nurse at the Illinois Training School for Nurses, where she graduated in 1915. She enlisted in the United States Army Nursing Corps in October of 1918. She trained at the United States Army Camp Base Hospital at Camp Mead, Maryland, where she was assigned to a psychiatric unit. She embarked from the United States to France in November 1918, serving as a nurse for roughly eight months in a psychiatric unit. She returned to the United States in August 1919, and was honorably discharged from service shortly thereafter. She returned to Chicago after the war, working in the Cook County Public Hospital until 1942. She enlisted again as a nurse in the Nursing Corps during World War II. She worked at Gorgas Hospital in the Panama Canal Zone until 1947, returning home and again being honorably discharged. After the war, Gadde moved to St. Petersburg, Florida, and volunteered for the Delano American Legion Post #122. She was also involved with the Panama Canal Society in Florida in the 1950s. Gadde passed away in September 1963, and is buried in the Bay Pines National Cemetery.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Stoddard, James</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text> &lt;a href="https://vlp.cah.ucf.edu/" target="_blank"&gt;Veterans Legacy Program Project&lt;/a&gt;</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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              <elementText elementTextId="672179">
                <text> Tuchman, Barbara W., and Robert K. Massie. &lt;a href="http://www.worldcat.org/oclc/881458391" target="_blank"&gt;&lt;em&gt;The Guns of August: The Outbreak of World War I&lt;/em&gt;&lt;/a&gt;. 2014.</text>
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        <name>Jane “Jennie” Margaret Gadde</name>
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