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                  <text>The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>A poster for the Orlando Gay Chorus concert, "Come As You Are". The event was held at the Ann Giles Densch Civic Theater Complex (now the Orlando Repertory Theater), located at 1001 East Princeton Street in Orlando, Florida, on June 21 and 22, 1997. The poster features artwork by Gary Gessford and Windon S. Newton, depicting people of various races and genders standing on the earth with a rainbow banner in the background. A  black panel at the bottom of the page contains information like time, location, and the OGC header.&lt;br /&gt;&lt;br /&gt;
The Orlando Gay Chorus is a 501(c)(3) nonprofit arts and humanitarian organization part of GALA Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a whole host of community events like Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World Aids Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES.</text>
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                <text>&lt;a href="https://www.orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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                <text>&lt;a href="https://www.orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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                <text>Originally created and published by the &lt;a href="https://www.orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;.</text>
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                <text>Unknown. "About OGC: History." Orlando Gay Chorus. 2018. Accessed April 10, 2018. https://orlandogaychorus.org/history/.</text>
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                <text> Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed October 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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                  <text>The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>A poster for the Orlando Gay Chorus concert, "Sing…Be Merry”. The event was held at the Knowles Memorial Chapel at Rollins College, located at 1000 Holt Avenue in Winter Park, Florida, on December 13, 1992. The show was directed by Dr. Charles Callahan. The poster features a group of cartoon carolers surrounded by a holly border. Text is minimal, depicting title in a scrolled banner across the top of the page and time, location, and the OGC heading at the bottom.&lt;br /&gt;&lt;br /&gt;
The Orlando Gay Chorus is a 501(c)(3) nonprofit arts and humanitarian organization part of GALA Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a whole host of community events like Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World Aids Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES.</text>
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                <text>&lt;a href="https://www.orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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                <text>&lt;a href="https://www.orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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The Orlando Gay Chorus is a 501(c)(3) nonprofit arts and humanitarian organization part of GALA Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a whole host of community events like Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World Aids Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES.</text>
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                <text> Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text>A poster for the Orlando Gay Chorus concert, “Behind Closed Doors”. The event was held at the Bob Carr Auditorium, located at 401 West Livingston Street in Orlando, Florida, on July 5, 1996. The show was a joint performance with the San Diego Men's Chorus and the Berlin Männer-Minne Chorus. Tickets were $16-$21, available through Ticketmaster. The poster has a bright red background with an image of a door on either side and an off-white center panel containing important text. A dark blue box at the top contains the title behind a red circle-backslash.&lt;br /&gt;&lt;br /&gt;
The Orlando Gay Chorus is a 501(c)(3) nonprofit arts and humanitarian organization part of GALA Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a whole host of community events like Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World Aids Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES.</text>
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                <text> Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, LGBTQ+ Collection, RICHES.</text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> 14, 1997, at the Anne Giles Densch-Civic Theater Complex in Orlando, Florida, Florida. The program includes short biographies on the Music Director Aubrey Connelly, the guest narrator Jack Harell and the Accompanist Kathy Slage, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of GALA Choruses. It also features a holiday greeting from the President of the Orlando Gay Chorus, Tommy Robinson.&lt;br /&gt;&lt;br /&gt; 
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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The Orlando Gay Chorus is a 501(c)(3) nonprofit arts and humanitarian organization part of GALA Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a whole host of community events like Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World Aids Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text> Dance--United States</text>
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                <text> Gay culture--United States</text>
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                <text>A pamphlet and calendar for the 1993-1994 concert season of the Orlando Gay Chorus. The pamphlet includes short biographies on Music Director Dr. Charles Callahan and Accompanist Ken Thompson, II, a brief history of the Orlando Gay Chorus, a music review by Steven Brown, calendar of events, and an enrollment form.&lt;br /&gt;&lt;br /&gt;
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, LGBTQ+ Collection, RICHES.</text>
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                <text>Knowles Memorial Chapel, Rollins College, Winter Park, Florida</text>
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              <elementText elementTextId="679382">
                <text> Club, Orlando, Florida</text>
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              <elementText elementTextId="679383">
                <text> Jacksonville, Florida</text>
              </elementText>
              <elementText elementTextId="679384">
                <text> Pensacola, Florida</text>
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                <text> Ann Densch Theater, Loch Haven Park, Orlando, Florida </text>
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                <text>&lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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                <text>&lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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                <text>ca. 1993</text>
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            <description/>
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            <name>Mediator</name>
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                <text> Dance Teacher</text>
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                <text> Music Teacher</text>
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                <text> Art Teacher </text>
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                <text>Originally created and published by the &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="679400">
                <text>Copyright to this resource is held by &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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            <name>Curator</name>
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                <text>Rodriguez, Sharon</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>University of Central Florida Special Collections</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="679405">
                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed September 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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                <text>&lt;a target="_blank"&gt;About OGC: History&lt;/a&gt;." Orlando Gay Chorus. 2018. Accessed September 18, 2018. https://orlandogaychorus.org/history/.</text>
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        <name>Charles Callahan</name>
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      <tag tagId="54243">
        <name>Kenion A. "Ken" Thompson, II</name>
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      <tag tagId="54223">
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      <tag tagId="18489">
        <name>LGBT</name>
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        <name>Loch Haven Park</name>
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        <name>OGC</name>
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        <name>Orlando Gay Chorus</name>
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                  <text>&lt;div class="element-text"&gt;&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;&lt;/div&gt;
&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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                  <text>The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Family of Friends, June 12 &amp; 13, 1993</text>
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              <elementText elementTextId="679409">
                <text>Family of Friends, Civic Theater Complex, Loch Haven Park</text>
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              <elementText elementTextId="679410">
                <text>Orlando (Fla.)</text>
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              <elementText elementTextId="679411">
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              <elementText elementTextId="679412">
                <text> Dance--United States</text>
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              <elementText elementTextId="679413">
                <text> Gay culture--United States</text>
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                <text>A program for the Orlando Gay Chorus' Pride Month concert, "Family of Friends", on June 12 &amp;amp</text>
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              <elementText elementTextId="679415">
                <text> 13, 1993, at the Civic Theater Complex, Loch Haven Park in Orlando, Florida. The program includes short biographies on Music Director Dr. Charles Callahan and Accompanist Ken Thompson, II, a brief history of the GALA Choruses, program notes, an outline of the show's itinerary and a list of chorus members. It also contains various advertisements and an invitation for an event at the Parliament House Orlando.&lt;br /&gt;&lt;br /&gt;
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Original 17-page colored program, a 1-page invitation insert, Special Collections and University Archives, University of Central Florida, Orlando, Florida.</text>
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              <elementText elementTextId="679418">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, LGBTQ+ Collection, RICHES.</text>
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            <name>Coverage</name>
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                <text>Civic Theater Complex, Orlando, Florida </text>
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            <name>Creator</name>
            <description/>
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              <elementText elementTextId="679420">
                <text>&lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="679421">
                <text>&lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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          <element elementId="90">
            <name>Date Created</name>
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              <elementText elementTextId="679422">
                <text>ca. 1993-06-12</text>
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          <element elementId="94">
            <name>Date Issued</name>
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            <elementTextContainer>
              <elementText elementTextId="679423">
                <text>1993-06-12</text>
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              <elementText elementTextId="679424">
                <text>1993-06-12</text>
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              <elementText elementTextId="679427">
                <text>17-page colored program</text>
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                <text> Dance Teacher</text>
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                <text>Originally created and published by the &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed September 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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                <text> 23, 2003, at the John and Rita Lowndes Shakespeare Center in Orlando, Florida. The program includes short biographies on the Artistic Director Terry Thomas, the Accompanist Genoa Minga, and the ASL interpreters Patricia Clifton and Paul Rutherford, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of GALA Choruses. It also features biographies of the special guests: Peg O'Keef, John Paul Tier, and Tony Tooley.&lt;br /&gt;&lt;br /&gt; 
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text> 15, 2003, at the John and Rita Lowndes Shakespeare Center in Orlando, Florida. The program includes short biographies on the Artistic Director Terry Thomas, the Accompanist Genoa Minga, and the ASL interpreters Patricia Clifton and Paul Rutherford, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of GALA Choruses. It also features biographies of the special guests: Malikah Burroughs, Chuck Davis</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> 14, 2003, at the Annie Russell Theater at Rollins College in Winter Park, Florida. The program includes short biographies on the Artistic Director Terry Thomas, the Accompanist Genoa Minga, and the ASL interpreters Patricia Clifton, Lee Moody and Paul Rutherford, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of GALA Choruses. It also features biographies of the special guests: Malikah Burroughs, Chuck Davis</text>
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                <text> Lisa Ferrigno, and Darcel Stevens.&lt;br /&gt;&lt;br /&gt; 
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> 11, 2005, at the Annie Russell Theater at Rollins College in Winter Park, Florida. The program includes short biographies on the Artistic Director Dr. James Bass, the Assistant Artistic Director Michael McKee, the Accompanist Dr. Suzannne Hatcher, and the ASL interpreters Elezier Sierra, Brian Singleton and Brian Truitt, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of GALA Choruses. It also features a 2-page CD/subscription flyer.&lt;br /&gt;&lt;br /&gt; 
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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                <text> 9, 2006, at the Margeson Theater at the John and Rita Lowndes Shakespeare Theater in Loch Haven Park in Orlando, Florida. The program includes short biographies on the Artistic Director Terry Thomas, the Assistant Artistic Director Michael McKee, the Accompanist Dr. Suzanne Hatcher, and the ASL interpreters Kevin Harrington, Christy Reynolds, and Elizer Sierra, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of GALA Choruses. It also includes a 1-page pledge.&lt;br /&gt;&lt;br /&gt; 
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, LGBTQ+ Collection, RICHES.</text>
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                <text>A Holiday Special, December 16 &amp; 17, 2006</text>
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                <text>A Holiday Special, Annie Russell Theater, Rollins College</text>
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                <text>Winter Park (Fla.)</text>
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                <text> Music--Florida</text>
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                <text> Dance--United States</text>
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                <text> Gay culture--United States</text>
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                <text>A program for the Orlando Gay Chorus' concert, "A Holiday Special", on June 24 &amp;amp</text>
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                <text> 25, 2006, at the Annie Russell Theater at Rollins College in Winter Park, Florida. The program includes short biographies on the Artistic Director Terry Thomas, the Assistant Artistic Director James F. Konkel, the Accompanist Absalón Figueroa,  the ASL interpreters Brooke Turner, Tamara Panasenko, Eli Sierra, Brian Truitt, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of GALA Choruses.&lt;br /&gt;&lt;br /&gt; 
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Original 44-page colored program, Special Collections and University Archives, University of Central Florida, Orlando, Florida</text>
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            <name>Is Part Of</name>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, LGBTQ+ Collection, RICHES.</text>
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            <name>Coverage</name>
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                <text>Annie Russell Theater, Rollins College, Winter Park, Florida</text>
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            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="680620">
                <text>&lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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            <name>Publisher</name>
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              <elementText elementTextId="680621">
                <text>&lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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            <name>Date Created</name>
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                <text>ca. 2006-12-16</text>
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          <element elementId="94">
            <name>Date Issued</name>
            <description/>
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              <elementText elementTextId="680623">
                <text>2006-12-16</text>
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          <element elementId="92">
            <name>Date Copyrighted</name>
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            <elementTextContainer>
              <elementText elementTextId="680624">
                <text>2006-12-16</text>
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                <text>application/pdf</text>
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          <element elementId="112">
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              <elementText elementTextId="680626">
                <text>306.0 MB</text>
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                <text>44-page program</text>
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            <name>Language</name>
            <description/>
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                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Dance Teacher</text>
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                <text> Music Teacher</text>
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                <text> Art Teacher </text>
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                <text>Originally created and published by the &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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              <elementText elementTextId="680634">
                <text>Copyright to this resource is held by &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="133">
            <name>Curator</name>
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              <elementText elementTextId="680636">
                <text>Rodriguez, Sharon</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>University of Central Florida Special Collections</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="680639">
                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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              <elementText elementTextId="680640">
                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed September 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
              </elementText>
              <elementText elementTextId="680641">
                <text>&lt;a target="_blank"&gt;About OGC: History&lt;/a&gt;." Orlando Gay Chorus. 2018. Accessed September 18, 2018. https://orlandogaychorus.org/history/.</text>
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        <name>A Holiday Special</name>
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        <name>Absal</name>
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      <tag tagId="47581">
        <name>Absalon Figueroa</name>
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      <tag tagId="54837">
        <name>Annie Russell Theater</name>
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        <name>Brian Truitt</name>
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        <name>Brooke Turner</name>
      </tag>
      <tag tagId="55822">
        <name>Caroling, Caroling</name>
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      <tag tagId="21711">
        <name>Christmas Time is Here</name>
      </tag>
      <tag tagId="55677">
        <name>Down, Down the Chimney</name>
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        <name>Eli Sierra</name>
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      <tag tagId="54218">
        <name>GALA Choruses</name>
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      <tag tagId="6933">
        <name>GLBT</name>
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      <tag tagId="55824">
        <name>Hina Ma Tov</name>
      </tag>
      <tag tagId="55826">
        <name>James F. Konkel</name>
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      <tag tagId="18489">
        <name>LGBT</name>
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        <name>LGBTQ+</name>
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        <name>Light the Legend</name>
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        <name>Make a Wish For Me On Christmas</name>
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        <name>Marvelous Toy</name>
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        <name>O Come, All Ye Faithful</name>
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        <name>O Come, Little Children</name>
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        <name>OGC</name>
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      <tag tagId="18804">
        <name>Orlando Gay Chorus</name>
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        <name>Perfect Christmas Night</name>
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        <name>Rollins College</name>
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        <name>Rudolph, the Red Nose Reindeer</name>
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        <name>Silent Night</name>
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        <name>Tamara Panasenko</name>
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        <name>Terry Thomas</name>
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        <name>The Holly and the Ivy</name>
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      <tag tagId="54273">
        <name>The Little Drummer Boy</name>
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      <tag tagId="55834">
        <name>Trim Up the Tree</name>
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      <tag tagId="55835">
        <name>Welcome Christmas</name>
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        <name>You're a Mean One, Mr. Grinch</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Weeki Wachee (Fla.)</text>
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                <elementText elementTextId="511166">
                  <text>Weeki Wachee Springs (Fla.)</text>
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                  <text>Tourism--Florida</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>Language</name>
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              <name>Curator</name>
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                  <text>Schwandt, Rebecca</text>
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              <description/>
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                <elementText elementTextId="511174">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                <elementText elementTextId="511176">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                  <text>Rebecca Schwandt's Thesis Project</text>
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              <elementText elementTextId="686170">
                <text>Weeki Wachee Springs Mermaid Performance Evaluation Sheet</text>
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            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686171">
                <text>Mermaid Performance Evaluation</text>
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          <element elementId="49">
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            <elementTextContainer>
              <elementText elementTextId="686172">
                <text>Weeki Wachee Springs (Fla.)</text>
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              <elementText elementTextId="686173">
                <text> Tourism--Florida</text>
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              <elementText elementTextId="686174">
                <text> tourism &amp; museum</text>
              </elementText>
              <elementText elementTextId="686175">
                <text> Tourism--1960-1980</text>
              </elementText>
              <elementText elementTextId="686176">
                <text>     Ballet--1970-1980</text>
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                <text> Mermaids--Florida--Weeki Wachee--History</text>
              </elementText>
              <elementText elementTextId="686178">
                <text> Theater--20th century</text>
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            <name>Description</name>
            <description/>
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              <elementText elementTextId="686179">
                <text>Performance evaluation of Geanie Brooks. The text reads: "Geanie 1. Dive 2. Introduction – Not long enough 3. Length of time replacing face mask 4. Back Dolphin – Not centered 5. Surface to Limb – check mark 6. Swim to buoyancy position – okay check mark 7. Buoyancy – check mark 8. Swim to fish feeding – check mark 9. Fish feeding – check mark 10. Swim to limb – check mark 11. Asking in – check mark 12. Eating – check mark 13. Drinking 14. Clearing face mask – check mark 15. Getting off limb – check mark 16. Double hose breathing – hands a. 1st position 2nd position 3rd position 17. Swim to stage 18. Asking in: positions – good, gestures – good, coming over the top – good 19. Bringing hose to deep dive girl 20. Deep dive: swim to hole – check, descent to stick – not profile -, ballet positions – check mark, ballet- could be smoother – get in standing position before going into arab (arabesque), length of deep dive – could be longer 21. Stage ballet 22. Adagio - good 23. Rating of show – good 24. Comments"&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686182">
                <text>Original performance evaluation of Geanie Brooks, c. 1960s: Private collection of Shirley Herdge.</text>
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          </element>
          <element elementId="104">
            <name>Is Part Of</name>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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            <name>Coverage</name>
            <description/>
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              <elementText elementTextId="686186">
                <text> Weeki Wachee Springs State Park, Spring Hill, Florida</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Hand-written note from mermaid manager Genie Young to Pat, requesting Becky Young's addmitance into Weeki Wachee Springs. The note reads, " Pat, Please admit Becky- She is a try-out and hopefully trainee." Becky was interviewing to become a mermaid.&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original note written by Genie Young, February 20, 1973: Private Collection of Becky Young.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Copyright to this resource is held by Rebecca Young and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Weeki Wachee mermaid Rita King posing underwater with a handmade sign, dressed in a mermaid tail. The sign reads, "Welcome Home Mom, Dad Your Mermaid Missed You!" Rita surprised her parents with this sign at the beginning of the first mermaid show they came to after coming back home from an extended trip. It was routine during performances to shout out visitors who were celebrating birthdays, anniversaries, or other special occasions. When VIP's visited the park, the mermaids welcomed them more elaborately. For example, when Elvis Presley visited Weeki Wachee, the mermaids began the underwater show with a cardboard cutout of Elvis as well as with several signs. As seen here, it was also acceptable for mermaids to personalize their shows under special circumstances. &#13;
&#13;
Weeki Wachee Springs is a state park that opened to the public in October of 1949 by Newton Perry along with a group of investors. This attraction opened as the roadside era of Florida was ramping up and consisted of an amalgamation of vendors including an orchid garden, a river boat tour, as well as the star attraction- the mermaid show that took place in an underwater theatre. The attraction grew to include The May Museum of the Tropics, an ‘abandoned Seminole village’, an show called “Birds of Prey”, and a petting zoo. As theme parks became the new norm for Florida’s tourist industry, Weeki Wachee Springs began steadily declining until the state of Florida absorbed the attraction into the state park system in 2008. The attraction now focuses on appealing to a modern audience, while still preserving its rich history.   &#13;
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                <text>Copyright to this resource is held by Rita King and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Originally created by Weeki Wachee Springs, owned by Rita King, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed September 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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                <text>Mass incarceration affects millions of Americans, and even though 1 in every 4 adults has a prior conviction, returning citizens face significant discrimination. A prior conviction can make it hard to find employment, a place to live and the right to drive. People who have been incarcerated are prohibited from employment opportunities in law enforcement, the school system, and hospitals, and oftentimes employers automatically reject applicants due to a felony conviction. It can also make it hard to pursue education and to pursue a professional discipline such as nursing, medicine, teaching, real estate, insurance, transportation, financial services, and the practice of law.&amp;lt;br&amp;gt;&lt;br /&gt;&amp;lt;br&amp;gt;&lt;br /&gt;During this panel, speakers who have been impacted by the criminal justice system share their stories and offer suggestions for how attendees can actively practice anti-racism and support criminal justice reform. This panel is part of "Illuminating the Darkness: Our Carceral Landscape" exhibition programming and funded by the National Endowment for the Arts. For more information, visit &lt;a href="cah.ucf.edu/fpep/illuminatingdarkness/"&gt;cah.ucf.edu/fpep/illuminatingdarkness/&lt;/a&gt;</text>
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&#13;
Sponsored by For Freedoms, the Cornell Museum of Fine Arts, and the UCF Art Gallery and featuring Omari Booker, Gisela Carbonell, and Keri Watson.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Stock Letter for Those Interested in Becoming Weeki Wachee Springs Mermaids, sent to Becky Young in 1972</text>
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                <text> Tourism--Florida</text>
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                <text> tourism &amp; museum</text>
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                <text> Mermaids--Florida--Weeki Wachee--History</text>
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                <text>A typed stock letter sent to Becky Young in 1972 alongside an application for a position as a mermaid. The letter is typed on Weeki Wachee letterhead, which has an image of two performers in a pose underwater as the background. Signed by the Mermaid Supervisor Genie Young, the letter thanks applicants for their interest in the position and gives an overview of the job description and pay schedule. The letter ends asking applicants to send the application and a photograph of themselves back to Genie Young.&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Letter inviting prospects to apply to Weeki Wachee Springs.</text>
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                <text>Original letter from Genie Young to Becky Young, c.1973: Private Collection of Becky Young.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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            <name>Coverage</name>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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            <name>Creator</name>
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                <text>Young, Genie</text>
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            <name>Publisher</name>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <name>Date Copyrighted</name>
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                <text>ca. 1973</text>
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            <name>Format</name>
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          <element elementId="112">
            <name>Extent</name>
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            <name>Medium</name>
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&#13;
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            <name>Language</name>
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                <text>eng</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Humanitites Teacher</text>
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                <text> Visual Arts Teacher</text>
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                <text> Theater Teacher</text>
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                <text> </text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Becky Young and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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            <name>Curator</name>
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                <text>Allman, T.D. Finding Florida: The True History of the Sunshine State. New York: Atlantic Monthly Press, 2013. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Ammidown, Margot. “Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions.” The Journal of Decorative and Propaganda Arts 23, (1998): 238-259.&#13;
&#13;
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                <text>Georgiadis, Bonnie and Lu Vickers. Weeki Wachee Mermaids. Gainesville: University Press of Florida, 2012.&#13;
&#13;
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              <elementText elementTextId="688198">
                <text>Hollis, Tim. Glass Bottom Boats and Mermaid Tails: Florida’s Tourist Springs. Mechanicsburg: Stackpole Books, 2006.&#13;
&#13;
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                <text>Pelland, Dan and Maryan Pelland. Images of America: Weeki Wachee. Mount Pleasant: Arcadia Publishing, 2006.&#13;
&#13;
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                <text>Revels, Tracy J. Sunshine Paradise: A History of Florida Tourism. Gainesville: University Press of Florida, 2011.&#13;
&#13;
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                <text>Vickers, Lu. Weeki Wachee City of Mermaids: A History of One of Florida’s Oldest Roadside Attractions. Gainesville: University Press of Florida, 2007.</text>
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            <name>Is Format Of</name>
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                <text>Digital Reproduction of original letter: Becky Young, 1973. Scanned by RICHES Team. RICHES, Orlando, Florida.</text>
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                  <text>Dance--United States</text>
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                <text> Gay culture--United States</text>
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            <name>Description</name>
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                <text>A program for the Orlando Gay Chorus' concert, "From Crayons to Perfume", on June 23, 2007, at the Plaza Theater in Orlando, Florida. The program includes short biographies on the Artistic Director Mark W. Hardin, the Accompanist Absalón Figueroa, the ASL interpreters Eliezer Sierra and Debbie Drobney, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of GALA Choruses.&lt;br /&gt;&lt;br /&gt; 
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Original 40-page colored program, Special Collections and University Archives, University of Central Florida, Orlando, Florida</text>
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            <description/>
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            <elementTextContainer>
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            <name>Date Created</name>
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              <elementText elementTextId="680940">
                <text>ca.2007-06-23</text>
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          <element elementId="94">
            <name>Date Issued</name>
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            <elementTextContainer>
              <elementText elementTextId="680941">
                <text>2007-06-23</text>
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          <element elementId="92">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="680942">
                <text>2007-06-23</text>
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            <elementTextContainer>
              <elementText elementTextId="680944">
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          <element elementId="113">
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            <elementTextContainer>
              <elementText elementTextId="680945">
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            <elementTextContainer>
              <elementText elementTextId="680946">
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            <description/>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Weeki Wachee Mermaids Sitting in Front of Hercules Beetle Statue</text>
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                <text>Color Postcard: Weeki Wachee Springs Mermaids Sitting in Front of The May Museum of the Tropics' Hercules Beetle Statue c.1950s</text>
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                <text> Tourism--Florida</text>
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                <text>Color postcard of Weeki Wachee Springs mermaids sitting in front of a Hercules Beetle Statue and the May Museum of the Tropics. For a little over a decade, the May family of Colorado displayed some of their family's private collection of tropical bugs and animals in a museum on Weeki Wachee Springs property. Photograph taken sometime in the 1950s.&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Copyright to this resource is held by May Natural History Museum and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Allman, T.D. Finding Florida: The True History of the Sunshine State. New York: Atlantic Monthly Press, 2013.</text>
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                <text>Ammidown, Margot. “Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions.” The Journal of Decorative and Propaganda Arts 23, (1998): 238-259.</text>
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                <text>Georgiadis, Bonnie and Lu Vickers. Weeki Wachee Mermaids. Gainesville: University Press of Florida, 2012.</text>
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                <text>Revels, Tracy J. Sunshine Paradise: A History of Florida Tourism. Gainesville: University Press of Florida, 2011.</text>
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                <text>Originally created by Weeki Wachee Springs, owned by May Natural History Museum, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>A typed note on card stock the size of a business card sent to Rebecca Young from Weeki Wachee Springs, requesting her to come by for an interview. Text reads, "Rebecca: Come up as soon as you can for water test and pre-employment interview." The name of the person who sent the note is obscured.&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Copyright to this resource is held by Becky Young and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Allman, T.D. Finding Florida: The True History of the Sunshine State. New York: Atlantic Monthly Press, 2013. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Georgiadis, Bonnie and Lu Vickers. Weeki Wachee Mermaids. Gainesville: University Press of Florida, 2012.</text>
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&#13;
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                <text>Courtesy Admission Ticket to Weeki Wachee Springs</text>
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                <text>Courtesy Admission Ticket to Weeki Wachee Springs, given to Rebecca Young on February 20, 1973</text>
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                <text> Tourism--Florida</text>
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                <text> tourism &amp; museum</text>
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                <text> Tourism--1960-1980</text>
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                <text> Mermaids--Florida--Weeki Wachee--History</text>
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                <text>A courtesy admission ticket to Weeki Wachee Springs, good for one free viewing of an underwater show. The ticket was given to Rebecca Young (then Rebecca Stalhart) on the day of her pre-employment interview and water test, February 20, 1973. Rebecca was interviewing for a position as mermaid&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Courtesy Admission ticket for Weeki Wachee Springs.</text>
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            <name>Type</name>
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            <name>Source</name>
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                <text>Original admission ticket to Weeki Wachee Springs, February 20, 1973: Private Collection of Becky Young.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
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            <elementTextContainer>
              <elementText elementTextId="686075">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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            <name>Coverage</name>
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                <text> Weeki Wachee Springs State Park, Spring Hill, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Weeki Wachee Spring State Park</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686079">
                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686080">
                <text>1973-02-20</text>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686081">
                <text>1973-02-20</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
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          <element elementId="112">
            <name>Extent</name>
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              <elementText elementTextId="686083">
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            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
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            <elementTextContainer>
              <elementText elementTextId="686084">
                <text>3.5 x 2 inch ticket with teal lettering.</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686085">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
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            <elementTextContainer>
              <elementText elementTextId="686086">
                <text>History Teacher</text>
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              <elementText elementTextId="686087">
                <text> Humanitites Teacher</text>
              </elementText>
              <elementText elementTextId="686088">
                <text> Visual Arts Teacher</text>
              </elementText>
              <elementText elementTextId="686089">
                <text> Theater Teacher</text>
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              <elementText elementTextId="686090">
                <text> </text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686091">
                <text>Copyright to this resource is held by Rebecca Young and is provided here by RICHES for educational purposes only.</text>
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            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
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            <elementTextContainer>
              <elementText elementTextId="686092">
                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
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            <elementTextContainer>
              <elementText elementTextId="686093">
                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Schwandt, Rebecca</text>
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            <description/>
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              <elementText elementTextId="686095">
                <text>Private Collection of Becky Young.</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686096">
                <text>Allman, T.D. Finding Florida: The True History of the Sunshine State. New York: Atlantic Monthly Press, 2013.&lt;br /&gt;&lt;br /&gt;</text>
              </elementText>
              <elementText elementTextId="688214">
                <text>Ammidown, Margot. “Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions.” The Journal of Decorative and Propaganda Arts 23, (1998): 238-259.</text>
              </elementText>
              <elementText elementTextId="688215">
                <text>Georgiadis, Bonnie and Lu Vickers. Weeki Wachee Mermaids. Gainesville: University Press of Florida, 2012.</text>
              </elementText>
              <elementText elementTextId="688216">
                <text>Hollis, Tim. Glass Bottom Boats and Mermaid Tails: Florida’s Tourist Springs. Mechanicsburg: Stackpole Books, 2006.</text>
              </elementText>
              <elementText elementTextId="688217">
                <text>Pelland, Dan and Maryan Pelland. Images of America: Weeki Wachee. Mount Pleasant: Arcadia Publishing, 2006.</text>
              </elementText>
              <elementText elementTextId="688218">
                <text>Revels, Tracy J. Sunshine Paradise: A History of Florida Tourism. Gainesville: University Press of Florida, 2011.</text>
              </elementText>
              <elementText elementTextId="688219">
                <text>Vickers, Lu. Weeki Wachee City of Mermaids: A History of One of Florida’s Oldest Roadside Attractions. Gainesville: University Press of Florida, 2007.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="688211">
                <text>Digital Reproduction of original ticket: Becky Young, 1973. Scanned by RICHES Team. RICHES, Orlando, Florida.</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="688212">
                <text>Originally created by Newton "Newt" Perry, owned by Rebecca Young, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
              </elementText>
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              <elementText elementTextId="688213">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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        <name>Becky Young</name>
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      <tag tagId="8407">
        <name>Brooksville</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="56449">
        <name>Genie Young</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
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      <tag tagId="56448">
        <name>Rebecca Young</name>
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      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
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      <tag tagId="18528">
        <name>tourist attraction</name>
      </tag>
      <tag tagId="9717">
        <name>Weeki Wachee Springs</name>
      </tag>
      <tag tagId="16898">
        <name>Weeki Wachee Springs State Park</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <elementText elementTextId="511165">
                  <text>Weeki Wachee (Fla.)</text>
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                  <text>Weeki Wachee Springs (Fla.)</text>
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                  <text>Tourism--Florida</text>
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                  <text>Parks--Florida</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>Language</name>
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                  <text>Weeki Wachee  Springs, Spring Hill, Florida</text>
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              <name>Curator</name>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511175">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                <elementText elementTextId="511176">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <elementText elementTextId="511177">
                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                  <text>Rebecca Schwandt's Thesis Project</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="686097">
                <text>Newspaper Article Announcing the Employment of Rebecca Young as a Weeki Wachee Springs Mermaid</text>
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          <element elementId="86">
            <name>Alternative Title</name>
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            <elementTextContainer>
              <elementText elementTextId="686098">
                <text>Marshalltown Times-Republican Article Announcing Rebecca Young's (then Stahlhut) Employment as a Weeki Wachee Mermaid</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text>Weeki Wachee Springs (Fla.)</text>
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              <elementText elementTextId="686100">
                <text> Tourism--Florida</text>
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              <elementText elementTextId="686101">
                <text> tourism &amp; museum</text>
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              <elementText elementTextId="686102">
                <text> Tourism--1960-1980</text>
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              <elementText elementTextId="686103">
                <text>     Ballet--1970-1980</text>
              </elementText>
              <elementText elementTextId="686104">
                <text> Mermaids--Florida--Weeki Wachee--History</text>
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              <elementText elementTextId="686105">
                <text> Theater--20th century</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
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                <text>A newspaper article published on February 22, 1973, in the Marshalltown Times-Republican announcing Rebecca Young's (then Rebecca Stalhhut) employment as a Weeki Wachee Mermaid. The article reads, "Becky Stahlhut, a mid-term graduate of Marshalltown High School has been accepted to swim as a mermaid in the world famous Spring of Live Mermaids at Weeki Wachi [sic], Fla. She was a member of the MHS girls swim team, synchronized swim group, intructor and life guard at the YMCA and on the Y swim team. Becky is the daughter of Mr. and Mrs. Ron Stalhhut of St. Petersburg, Fla., formerly of Marshalltown."&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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            <elementTextContainer>
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            <name>Source</name>
            <description/>
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                <text>Original Newspaper Article: "Miss Stahlhut To be 'Mermaid'", Marshalltown Times-Republican article, February 22,1973: Private Collection of Becky Young.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686110">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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            <name>Coverage</name>
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                <text> Weeki Wachee Springs State Park, Spring Hill, Florida</text>
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              <elementText elementTextId="686113">
                <text>Marshalltown Times-Republican</text>
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            <name>Publisher</name>
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              <elementText elementTextId="686115">
                <text>Marshalltown Times-Republican</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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                <text>1973-02-22</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="686117">
                <text>1973-02-22</text>
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                <text>Originally created by Marshalltown Times-Republican, owned by Rebecca Young, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Lydia Dodson posing underwater in June of 1970. Lydia Dodson was a Weeki Wachee Mermaid in the 1970s and more recently joined ranks of the Legendary Sirens. &#13;
&#13;
Weeki Wachee Springs is a state park that opened to the public in October of 1949 by Newton Perry along with a group of investors. This attraction opened as the roadside era of Florida was ramping up and consisted of an amalgamation of vendors including an orchid garden, a river boat tour, as well as the star attraction- the mermaid show that took place in an underwater theatre. The attraction grew to include The May Museum of the Tropics, an ‘abandoned Seminole village’, an show called “Birds of Prey”, and a petting zoo. As theme parks became the new norm for Florida’s tourist industry, Weeki Wachee Springs began steadily declining until the state of Florida absorbed the attraction into the state park system in 2008. The attraction now focuses on appealing to a modern audience, while still preserving its rich history.   &#13;
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                  <text>The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text> 21, 2009, at the Plaza Theater in Orlando, Florida. The program includes short biographies on the Artistic Director Jim Brown, the Assistant Artistic Director Jedediah C. Daiger, the Choreographer Claudia Asbury, Accompanist Sue Glerum, the ASL interpreters Eliezer Sierra and Debbie Drobney, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of GALA Choruses.&lt;br /&gt;&lt;br /&gt; 
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed September 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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&#13;
Weeki Wachee Springs is a state park that opened to the public in October of 1949 by Newton Perry along with a group of investors. This attraction opened as the roadside era of Florida was ramping up and consisted of an amalgamation of vendors including an orchid garden, a river boat tour, as well as the star attraction- the mermaid show that took place in an underwater theatre. The attraction grew to include The May Museum of the Tropics, an ‘abandoned Seminole village’, an show called “Birds of Prey”, and a petting zoo. As theme parks became the new norm for Florida’s tourist industry, Weeki Wachee Springs began steadily declining until the state of Florida absorbed the attraction into the state park system in 2008. The attraction now focuses on appealing to a modern audience, while still preserving its rich history.   &#13;
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                <text>Copyright to this resource is held by Rita King and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;  for educational purposes only.</text>
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                <text>Ammidown, Margot. “Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions.” The Journal of Decorative and Propaganda Arts 23, (1998): 238-259.</text>
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                <text>Georgiadis, Bonnie and Lu Vickers. Weeki Wachee Mermaids. Gainesville: University Press of Florida, 2012. </text>
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                <text>Hollis, Tim. Glass Bottom Boats and Mermaid Tails: Florida’s Tourist Springs. Mechanicsburg: Stackpole Books, 2006.</text>
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                <text>Pelland, Dan and Maryan Pelland. Images of America: Weeki Wachee. Mount Pleasant: Arcadia Publishing, 2006.</text>
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                <text>Revels, Tracy J. Sunshine Paradise: A History of Florida Tourism. Gainesville: University Press of Florida, 2011.</text>
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                <text>Vickers, Lu. Weeki Wachee City of Mermaids: A History of One of Florida’s Oldest Roadside Attractions. Gainesville: University Press of Florida, 2007.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Weeki Wachee Tourist Standing Near Sign Advertising Mermaid Positions</text>
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                <text>Color Photograph: Weeki Wachee Springs Tourist Standing Near Sign Advertising Mermaid Job Openings, April 1964</text>
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                <text> Photograph albums--1960-1970</text>
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                <text>Color photograph of a tourist visiting Weeki Wachee Springs in 1964. The tourist is standing beside a sign that reads, "Openings for Mermaid Training School Apply Here." &lt;br /&gt;&lt;br /&gt;Weeki Wachee Springs is a state park that opened to the public in October of 1949 by Newton Perry along with a group of investors. This attraction opened as the roadside era of Florida was ramping up and consisted of an amalgamation of vendors including an orchid garden, a river boat tour, as well as the star attraction- the mermaid show that took place in an underwater theatre. The attraction grew to include The May Museum of the Tropics, an ‘abandoned Seminole village’, an show called “Birds of Prey”, and a petting zoo. As theme parks became the new norm for Florida’s tourist industry, Weeki Wachee Springs began steadily declining until the state of Florida absorbed the attraction into the state park system in 2008. The attraction now focuses on appealing to a modern audience, while still preserving its rich history.</text>
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                <text>Original color photograph of Weeki Wachee Springs Tourist, April 1964: Private Collection of Karen Geiken.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Copyright to this resource is held by Karen Geiken and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;  for educational purposes only.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>A photograph of an underwater filming scene showing Newton "Newt" Perry in a diving helmet at an underwater camera, some time between 1950 and 1970. This photograph may be either from Weeki Wachee Springs State Park or from Newton "Newt" Perry's career as an underwater filmmaker.
&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.
&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.
&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of underwater filming scene, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of underwater filming scene, ca. 1950-1970.</text>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>Perry, Newton</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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                <text>ca. 1950-1970</text>
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                <text>ca. 1950-1970</text>
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              <elementText elementTextId="685379">
                <text>ca. 1950-1970</text>
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            <name>Extent</name>
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                <text>History Teacher</text>
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                <text> Humanities Teacher</text>
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                <text> Theater Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Kephart, Anna</text>
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            <elementTextContainer>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text> 
Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text> 
Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
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                <text>
Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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        <name>diving</name>
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        <name>Florida tourism</name>
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                  <text>The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Originally created and published by the &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed September 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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                <text>&lt;a target="_blank"&gt;About OGC: History&lt;/a&gt;." Orlando Gay Chorus. 2018. Accessed September 18, 2018. https://orlandogaychorus.org/history/.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>A photograph of a swimming area with bathers in front of a building at Weeki Wachee Springs State Park, Florida, around 1950.
&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.
&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.
&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Rebecca Schwandt's Thesis Project</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text> 
Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
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Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Underwater Diver in Diving Suit</text>
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                <text> Mermaids--Florida</text>
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                <text> Underwater photography</text>
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                <text> Diving</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text>Photograph of underwater diver in diving suit with a sunken treasure chest, some time between 1950 and1970. The photograph may be either from Weeki Wachee Springs State Park or from Newton "Newt" Perry's career as an underwater filmmaker.&lt;br /&gt;&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.
&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of underwater diver in diving suit, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of underwater diver in diving suit, ca. 1950-1970.</text>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>Perry, Newton</text>
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            <name>Publisher</name>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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                <text>ca. 1950-1970</text>
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            <description/>
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                <text>ca. 1950-1970</text>
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            <description/>
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              <elementText elementTextId="685301">
                <text>ca. 1950-1970</text>
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            <name>Format</name>
            <description/>
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          <element elementId="112">
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
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              <elementText elementTextId="685305">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="685306">
                <text> Theater Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
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Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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                  <text>The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text> 11, 2011, at the Plaza Theater in Orlando, Florida. The program includes short biographies on the Artistic Director Jim Brown, the Assistant Artistic Director Jedediah C. Daiger, the Choreographer Bob Smith-Trent, Principle Accompanist Sue Glerum, the ASL interpreter Debbie Drobney, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of GALA Choruses. It also features an obituary for Kenny King.&lt;br /&gt;&lt;br /&gt;
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed September 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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                <text>&lt;a target="_blank"&gt;About OGC: History&lt;/a&gt;." Orlando Gay Chorus. 2018. Accessed September 18, 2018. https://orlandogaychorus.org/history/.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text> Tourism--Florida</text>
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                <text> Springs--Florida</text>
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                <text> Parks--Florida</text>
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                <text> Mermaids--Florida</text>
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                <text> Motion pictures--Production and direction</text>
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                <text> Underwater photography</text>
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                <text> Florida--In motion pictures</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text> Underwater cinematography--Equipment and supplies  </text>
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                <text>A photograph of a mermaid swimming in front of an underwater filming tank created by Newton "Newt" Perry some time between 1950 and 1970. The photograph may be either from Weeki Wachee Springs State Park or from Newton "Newt" Perry's career as an underwater filmmaker.&lt;br /&gt;&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of underwater filming tank, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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              <elementText elementTextId="685252">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original photograph of underwater filming tank, ca. 1950-1970.</text>
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            <name>Coverage</name>
            <description/>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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            <name>Creator</name>
            <description/>
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                <text>Perry, Newton</text>
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            <name>Publisher</name>
            <description/>
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              <elementText elementTextId="685256">
                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <name>Date Created</name>
            <description/>
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                <text>ca. 1950-1970</text>
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            <name>Date Issued</name>
            <description/>
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              <elementText elementTextId="685258">
                <text>ca. 1950-1970</text>
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            <description/>
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              <elementText elementTextId="685259">
                <text>ca. 1950-1970</text>
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            <name>Format</name>
            <description/>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685261">
                <text>2.12 MB</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
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              <elementText elementTextId="685263">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="685264">
                <text> Theater Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="685265">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685266">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            </elementTextContainer>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
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              <elementText elementTextId="685267">
                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685268">
                <text>Rebecca Schwandt's Thesis Project</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
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              <elementText elementTextId="685269">
                <text>Kephart, Anna</text>
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          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
            <description/>
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                <text>Personal Collection of Delee Perry</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685272">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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              <elementText elementTextId="685273">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="685274">
                <text> 
Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
              </elementText>
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                <text> 
Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
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              <elementText elementTextId="685276">
                <text>
Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
      <tag tagId="56439">
        <name>underwater filmmaking</name>
      </tag>
      <tag tagId="56437">
        <name>underwater photography</name>
      </tag>
      <tag tagId="16898">
        <name>Weeki Wachee Springs State Park</name>
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&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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                  <text>Orlando (Fla.)</text>
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                  <text>Dance--United States</text>
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                  <text>The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Changing Hearts, May 19 &amp; 20, 2012</text>
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                <text>Changing Hearts, The Plaza Theater</text>
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                <text>Orlando (Fla.)</text>
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                <text> Dance--United States</text>
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                <text> Gay culture--United States</text>
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          <element elementId="41">
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                <text>A program for the Orlando Gay Chorus' concert, "Changing Hearts", on May 19 &amp;amp</text>
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              <elementText elementTextId="681519">
                <text> 20, 2012, at the Plaza Theater in Orlando, Florida. The program includes short biographies on the Artistic Director Jim Brown, the Assistant Artistic Director Jedediah C. Daiger, the Choreographer Bob Smith-Trent, Principle Accompanist Sue Glerum, the ASL interpreter Debbie Drobney, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of GALA Choruses.&lt;br /&gt;&lt;br /&gt;
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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            <name>Source</name>
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                <text>Original 24-page colored program, Special Collections and University Archives, University of Central Florida, Orlando, Florida</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="681522">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, LGBTQ+ Collection, RICHES.</text>
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            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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                <text>The Plaza Theater, Orlando, Florida</text>
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            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="681524">
                <text>&lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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            </elementTextContainer>
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            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="681525">
                <text>&lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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            <name>Date Created</name>
            <description/>
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              <elementText elementTextId="681526">
                <text>ca. 2012-05-19</text>
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            <name>Date Issued</name>
            <description/>
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              <elementText elementTextId="681527">
                <text>2012-05-19</text>
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            </elementTextContainer>
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            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="681528">
                <text>2012-05-19</text>
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            <description/>
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                <text> Dance Teacher</text>
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                <text> Music Teacher</text>
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                <text> Art Teacher </text>
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                <text>Originally created and published by the &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <description/>
            <elementTextContainer>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed September 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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                <text>&lt;a target="_blank"&gt;About OGC: History&lt;/a&gt;." Orlando Gay Chorus. 2018. Accessed September 18, 2018. https://orlandogaychorus.org/history/.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text> Perry, Newton, 1908-1987 </text>
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                <text>An exterior photograph of the underwater theater at Weeki Wachee Springs State Park, Florida, around 1950.&lt;br /&gt;&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of underwater theater at Weeki Wachee Springs State Park: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of underwater theater at Weeki Wachee Springs State Park.</text>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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                <text>ca. 1950</text>
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              <elementText elementTextId="685219">
                <text>ca. 1950</text>
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                <text> Humanities Teacher</text>
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                <text> Theater Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Kephart, Anna</text>
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            <description/>
            <elementTextContainer>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text> 
Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text> 
Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
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              <elementText elementTextId="685236">
                <text>
Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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        <name>Newton "Newt" Perry</name>
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        <name>Rebecca Schwandt</name>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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                <text> 19, 2013, at the Plaza Theater in Orlando, Florida. The program includes short biographies on the Artistic Director Jim Brown, the Assistant Artistic Director Jedediah C. Daiger, the Principle Choreographer Bob Smith-Trent, Principle Accompanist Sue Glerum, the Principle ASL interpreter Debbie Drobney, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of GALA Choruses and the Orlando Gay Chorus.&lt;br /&gt;&lt;br /&gt;
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, LGBTQ+ Collection, RICHES.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>A signed photograph of Eileen Perry Hogshead, the daughter of Newton "Newt" Perry, aged fourteen, as a Weeki Wachee Mermaid. The photograph was taken by Newton Perry around 1950. On the reverse of the photograph is a hand-written caption by Newton.&lt;br /&gt;&lt;br /&gt; Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt; Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. &lt;span&gt;Perry's daughter, Delee Perry, took over Perry's swim school following her father's death in 1987. It was still in operation as of 2020.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Originally created by Newton "Newt" Perry and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                <text>A program for the Orlando Gay Chorus' concert, "A Lotta Night Music", on June 29, 2013, at the Orlando Museum of Art in Loch Haven Park in Orlando, Florida. The program includes an outline of the show's itinerary, a list of the production staff and chorus members, and a season announcement.&lt;br /&gt;&lt;br /&gt;
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>&lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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                <text>&lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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            <name>Mediator</name>
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                <text>Originally created and published by the &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="681747">
                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed September 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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                <text>&lt;a target="_blank"&gt;About OGC: History&lt;/a&gt;." Orlando Gay Chorus. 2018. Accessed September 18, 2018. https://orlandogaychorus.org/history/.</text>
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        <name>A Lotta Night Music</name>
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      <tag tagId="55987">
        <name>A Million Sparks of Light</name>
      </tag>
      <tag tagId="55613">
        <name>And So It Goes</name>
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        <name>And World Goes 'Round</name>
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      <tag tagId="55907">
        <name>Angels</name>
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        <name>Beautiful City</name>
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        <name>Cielito Lindo</name>
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        <name>Corner of the Sky</name>
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        <name>Falling Slowly</name>
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        <name>GLBT</name>
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        <name>Gravity</name>
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        <name>If I Sing</name>
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        <name>LGBT</name>
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        <name>LGBTQ+</name>
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        <name>Loch Haven Park</name>
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        <name>Not While I'm Around</name>
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        <name>OGC</name>
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        <name>Orion</name>
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        <name>Orlando Gay Chorus</name>
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        <name>Pink Panther Theme</name>
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        <name>Something's Coming</name>
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        <name>The Orlando Museum of Art</name>
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        <name>The Way You Look Tonight</name>
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        <name>Unchained Melody</name>
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        <name>Welcome</name>
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        <name>When You Wish Upon a Star</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Weeki Wachee (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>Curator</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Weekiwachee Spring</text>
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            <description/>
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              <elementText elementTextId="685125">
                <text>Weeki Wachee Spring</text>
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            <name>Subject</name>
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              <elementText elementTextId="685126">
                <text>Weeki Wachee Springs (Fla.)</text>
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                <text> Tourism--Florida</text>
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                <text> Springs--Florida</text>
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                <text> Parks--Florida</text>
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                <text> Mermaids--Florida</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text> Underwater photography</text>
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                <text>Advertising card for Weekiwachee Spring from around 1950.&lt;br /&gt;&lt;br /&gt; Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt; Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter, Delee Perry, took over Perry's swim school following her father's death in 1987. It was still in operation as of 2020.&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original advertising card for Weekiwachee Spring, ca. 1950.</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Letter from Val Darling to Newton "Newt" Perry (March 26, 1981)</text>
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                <text>A letter dated March 26, 1981, from the Acting Chairman of the &lt;a href="https://flasportshof.org/" target="_blank"&gt;Florida Sports Hall of Fame&lt;/a&gt;, Val Darling, to Newton "Newt" Perry, informing Perry of his selection to the Florida Sports Hall of Fame for his "immense contributions to the world of sports" and inviting him to an induction ceremony on April 17, 1981.&lt;br /&gt;&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
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Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed September 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>A letter dated March 31, 1997, from the director of the &lt;a href="https://museumoffloridahistory.com/" target="_blank"&gt;Museum of Florida History&lt;/a&gt;, Gaye Guita, to Delee Perry. In the letter, printed on &lt;a href="https://dos.myflorida.com/" target="_blank"&gt;Florida Department of State&lt;/a&gt; letterhead, Gaye Guita invites Delee Perry to attend the opening reception for an new exhibit about Florida's film heritage at the Museum of Florida History on April 6, 1997. This exhibit featured and was dedicated to the memory of Perry's father, Newton "Newt" Perry, and Guita thanks Perry for her assistance with the exhibit.&lt;br /&gt;&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Originally created by Gaye Guinta and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
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Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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                  <text>The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text> 14, 2014, at the Plaza Theater in Orlando, Florida. The program includes short biographies on the Artistic Staff Harold Wright, Clay Price, Sue Glerum, Alecia Bloon, April Trimble and Dwight Shropshire, the Principle ASL interpreter Debbie Drobney, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of GALA Choruses and the Orlando Gay Chorus.&lt;br /&gt;&lt;br /&gt;
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>A small poster for Weeki Wachee Springs. The background of the poster is black, featuring a cartoon mermaid and three fish. The text reads, "Weeki Wachee Live Mermaids. U.S. 19 and Florida 50."&lt;br /&gt;&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://coloradospringsbugmuseum.com/"&gt;May Natural History Museum&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
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Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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                  <text>The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text> 13, 2015, at the Plaza Theater in Orlando, Florida. The program includes short biographies on the Artistic Director James A. Rode, the Associate Artistic Director Harold Wright, the Co-Head Choreographers Alecia Boon and Dwight Shropshire, Principle Accompanist Sue Glerum, the Principle ASL interpreter Debbie Drobney, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of GALA Choruses and the Orlando Gay Chorus.&lt;br /&gt;&lt;br /&gt; 
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank"&gt;Orlando Gay Chorus Collection&lt;/a&gt;, LGBTQ+ Collection, RICHES.</text>
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                <text>&lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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                <text>&lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;</text>
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                <text>ca. 2015-12-12</text>
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                <text>Originally created and published by the &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://orlandogaychorus.org/" target="_blank"&gt;Orlando Gay Chorus&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Rodriguez, Sharon</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed September 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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                <text>&lt;a target="_blank"&gt;About OGC: History&lt;/a&gt;." Orlando Gay Chorus. 2018. Accessed September 18, 2018. https://orlandogaychorus.org/history/.</text>
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        <name>Harold Wright</name>
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        <name>OGC</name>
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        <name>Paul R. Ericson Memorial Fund</name>
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        <name>Rudolph the Red Nosed Reindeer</name>
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        <name>Spectrum</name>
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        <name>Text Me Merry Christmas</name>
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        <name>The Plaza Theater</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Bug Exhibit at the May Museum </text>
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                <text> Springs--Florida</text>
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                <text> Buildings--Florida</text>
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                <text> Entomology</text>
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                <text>The original interior of the May Museum of the Tropics.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original black and white photograph by Elmer "Sparky" Schumacher: &lt;a href="https://coloradospringsbugmuseum.com//"&gt;May Natural History Museum&lt;/a&gt; Colorado Springs, Colorado.</text>
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The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. </text>
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                <text>Copyright to this resource is held by &lt;a href="https://coloradospringsbugmuseum.com/"&gt;May Natural History Museum&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                <text>&lt;br /&gt;0:00:00 Hope CommUnity Center &lt;br /&gt;0:04:30 Working conditions &lt;br /&gt;0:12:48 Apopka farms in the 1970s &lt;br /&gt;0:19:03 Relations between farmworkers and crew leaders &lt;br /&gt;0:24:21 Migration to Florida and the development of muck farms &lt;br /&gt;0:27:47 Shifting racial dynamics and pesticide exposure &lt;br /&gt;0:37:04 Shutdown of Lake Apopka &lt;br /&gt;0:43:13 The legacy of black farmworkers and &lt;em&gt;Dowdell v. City of Apopka&lt;/em&gt; &lt;br /&gt;0:49:51 Segregation &lt;br /&gt;0:52:41 Closing remarks</text>
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                <text>Damron, David. "&lt;a href="http://articles.orlandosentinel.com/2014-04-14/news/os-apopka-nuns-back-demings-20140414_1_nuns-val-demings-sister-gail-grimes" target="_blank"&gt;Apopka nuns donate to Demings campaign&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, April 24, 2014. Accessed October 3, 2016. http://articles.orlandosentinel.com/2014-04-14/news/os-apopka-nuns-back-demings-20140414_1_nuns-val-demings-sister-gail-grimes.</text>
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&lt;div class="element-text"&gt; &lt;/div&gt;</text>
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                  <text>The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text> 14, 2017, at the Plaza Theater in Orlando, Florida. The program includes short biographies on the Artistic Director James A. Rode, the Associate Artistic Director Harold Wright, the Co-Head Choreographers Talia Raymond and Dwight Shropshire, Choreographer Richard Lamberty, Principle Accompanist Sue Glerum, the Principle ASL interpreter Debbie Drobney, program notes, an outline of the show's itinerary, a list of chorus members and contributors, and a history of the Orlando Gay Chorus.&lt;br /&gt;&lt;br /&gt; 
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text> Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed September 18, 2018. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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                  <text>The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."</text>
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                  <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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                <text> Apopka (Fla.)</text>
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                <text>An oral history interview of Robert Hickey, a descendant of the Hickey family of Ocoee, Florida. The interview was conducted by Geoffrey Cravero at the University of Central Florida in Orlando, Florida, on February 26, 2019. Some of the topics covered include the family history of the Hickeys, growing up with his grandparents, John and Lucy Hickey, in Apopka, how John Hickey became a prosperous landowner in Ocoee, learning about the Ocoee Massacre and the resettlement of his family from his grandmother, interviewing his grandmother as an adult and conducting his own research about his grandfather’s landholdings, reflections on the Ocoee Massacre, working towards righting the injustice and honoring his grandparents, his closing remarks, the significance of his family dogs in his childhood, and carrying on his grandfather’s legacy.</text>
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                <text>0:00:00 The family history of the Hickeys &lt;br /&gt;0:03:39 Growing up with his grandparents, John and Lucy Hickey, in Apopka &lt;br /&gt;0:05:33 How John Hickey became a prosperous landowner in Ocoee &lt;br /&gt;0:07:12 Learning about the Ocoee Massacre and the resettlement of his family from his grandmother &lt;br /&gt;0:14:23 Interviewing his grandmother as an adult and conducting his own research about his grandfather’s landholdings &lt;br /&gt;0:17:07 Reflections on the Ocoee Massacre &lt;br /&gt;0:19:49 Working towards righting the injustice and honoring his grandparents &lt;br /&gt;0:24:38 Closing remarks &lt;br /&gt;0:27:51 The significance of his family dogs in his childhood &lt;br /&gt;0:30:16 Carrying on his grandfather’s legacy</text>
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                <text>Hickey, Robert. Interviewed by Geoffrey Cravero, February 26, 2019, 2019. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;, Orlando, Florida.</text>
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                <text> Ocoee, Florida</text>
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                <text>Originally created by Robert Hickey, Geoffrey Cravero and Josie Lemon Allen and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Ortiz, Paul. "&lt;a href="https://www.facingsouth.org/2010/05/ocoee-florida-remembering-the-single-bloodiest-day-in-modern-us-political-history.html" target="_blank" rel="noreferrer noopener"&gt;Ocoee, Florida: Remembering the 'single bloodiest day in modern U.S. political history'&lt;/a&gt;." &lt;em&gt;Facing South, The Institute for Southern Studies&lt;/em&gt;. University of Mississippi, May 14, 2010. Accessed February 20, 2019. https://www.facingsouth.org/2010/05/ocoee-florida-remembering-the-single-bloodiest-day-in-modern-us-political-history.html.</text>
              </elementText>
              <elementText elementTextId="683465">
                <text>Cordeiro, Monivette. "&lt;a href="https://www.orlandoweekly.com/Blogs/archives/2018/11/19/ocoee-will-issue-proclamation-acknowledging-1920-election-day-massacre" target="_blank" rel="noreferrer noopener"&gt;Ocoee will issue proclamation acknowledging 1920 Election Day massacre&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. November 19, 2018. Accessed February 20, 2019. https://www.orlandoweekly.com/Blogs/archives/2018/11/19/ocoee-will-issue-proclamation-acknowledging-1920-election-day-massacre.</text>
              </elementText>
              <elementText elementTextId="683466">
                <text>Byrne, Jason. "&lt;a href="https://medium.com/florida-history/ocoee-on-fire-the-1920-election-day-massacre-38adbda9666e" target="_blank" rel="noreferrer noopener"&gt;Ocoee On Fire: The 1920 Election Day Massacre&lt;/a&gt;. &lt;em&gt;Medium&lt;/em&gt;. November 23, 2014. Accessed February 20, 2019. https://medium.com/florida-history/ocoee-on-fire-the-1920-election-day-massacre-38adbda9666e.</text>
              </elementText>
              <elementText elementTextId="683467">
                <text>Ericson, Edward Jr. "&lt;a href="https://www.orlandoweekly.com/orlando/dead-wrong/Content?oid=2258296" target="_blank" rel="noreferrer noopener"&gt;Dead wrong&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 1, 1998. Accessed February 20, 2019.</text>
              </elementText>
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              <elementText elementTextId="683468">
                <text>&lt;a href="https://youtu.be/yhaH48fBDQs"&gt;Oral Memoirs of Robert Hickey&lt;/a&gt;</text>
              </elementText>
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              <elementText elementTextId="690810">
                <text>Cravero &#13;
…these here. Alright. So today is Tuesday, February the 26 th, 2019. My name is&#13;
Geoffrey Cravero and I am speaking with Mr. Robert Hickey in the conference&#13;
room of Trevor Colbourn Hall at the University of Central Florida in Orlando.&#13;
&#13;
Mr. Hickey, thank you for speaking with us today. Uh, if you would, let’s begin&#13;
with some of your biography. Could you please tell us a little about where you’re&#13;
originally from and your upbringing?&#13;
&#13;
Hickey &#13;
Okay. Uh, I’m originally from Apopka, Florida. That’s where I was born in 1947.&#13;
Uh, I was gonna speak a little to all of that by talking about my family in general.&#13;
&#13;
Cravero &#13;
Perfect.&#13;
&#13;
Hickey &#13;
Um, the Hickey Family. And I think that’s basically why I’m here. To talk about&#13;
my grandparents. And I’d like to start by first talking about them.&#13;
&#13;
Uh, John Hickey. Uh, John Hickey was born March 1, 1871, in Moultrie, Georgia.&#13;
Uh, my grandmother, Lucy, uh—Lucy Silonia Lott, was born in April, uh—born&#13;
April 3, 1884, in Sneads, Florida. And, uh, she died in New York, uh, in June,&#13;
uh—June 26 th of 1990. And my grandfather died in—in Apopka at home in&#13;
September 1, 1955.5 Um, both are currently buried at—at the Edgewood&#13;
Cemetery in Apopka.&#13;
&#13;
Um, it should be noted my grandfather both married previously—uh, he—I&#13;
think he had some 23 years on my grandmother. And, uh, he was married, uh—I&#13;
said previously. And their, uh, children from that previous marriage also in the&#13;
Central Florida area.&#13;
&#13;
Um, uh, my grandmother, uh, uh, had six children from my grandfather. Uh,&#13;
John. And, uh, one of which was my mother, Dorothy. And, uh, Dorothy gave birth to me, as I said before, uh, January 9, 1947, in Apopka. Uh, soon after birth, my mother went to New York to, uh, make a living for herself. And I remained in Florida with my grandparents. And, uh, until I became—I guess until puberty.&#13;
&#13;
But during that time, my grandmother would always take me to New York to&#13;
visit with my mother and other relatives and in-law. And eventually, I wind up living with my uncle. My mother’s brother, David. And, uh, he put me through school. All the way through high school. And after I graduate from high school, I joined the army. And I served in both Vietnam and&#13;
Germany as a helicopter crew chief. So, uh…&#13;
&#13;
Allen &#13;
[coughs].&#13;
&#13;
Hickey &#13;
…and, uh, after that time spent in the military, uh, I came home and I attended&#13;
state university in New York at Stony Brook [University]. And, uh, that’s where I&#13;
got a degree in education. And I was—served as an educator for like the next 25,&#13;
30 years. And I’m currently retired and reside in Queens, New York.&#13;
&#13;
And, uh, I’d also like to mention at this time that I have a sister that’s the mayor,&#13;
uh, in Framingham, Massachusetts. So just need to say that. So all this from the&#13;
Hickey stock. So that generally speaks to the Hickey Family as a whole. Any&#13;
questions you have about them other than that, I’d be more than happy to&#13;
address.&#13;
&#13;
Cravero &#13;
Um, what was it like growing up with your grandparents? With John and Lucy?&#13;
&#13;
Hickey &#13;
Um, it was, um, a very warming experience. Of course, I didn’t understand it as&#13;
much then. Uh, you know, um, it was just the two of them and myself. No&#13;
television. Uh, uh, uh, just a typical evening would be spent, uh, with my&#13;
grandparents listening to the radio. Usually Oral Roberts or someone like that.&#13;
Maybe some hillbilly music, uh, out of the Ozarks. And, uh, eating oranges and&#13;
looking at the fireplace. And, uh, I would sit and listen to these two old souls talk&#13;
back and forth. And, uh, I—I really appreciate that now. I think that’s the&#13;
foundation for some of my, uh, learning and wisdom. Uh, you know? I think it&#13;
helps me to, uh, see things differently. So I—I really appreciate the time I spent&#13;
with my grandparents. And so I was with them until I said—until about twelve&#13;
years old. When I came north to live with my uncle. My uncle, who put me&#13;
through school.&#13;
&#13;
So—but, uh, that foundation never left me. Uh, I was very happy as a kid with&#13;
my grandparents. My best friends were my dogs. Had about five to six dogs&#13;
usually. And th—they were my playmates. So—I mean I was happy. Yeah. So,&#13;
uh, that’s basically about my—my relationship with my grandparents. It was—it&#13;
was a good relationship. And I’m grateful.&#13;
&#13;
Cravero &#13;
Um, what was the Hickey Family like, um, back in—when John and Lucy were&#13;
younger from—from their stories? Before that—the Election Day.&#13;
&#13;
Hickey &#13;
Okay. Well, um [clears throat], from the things my grandmother told me, and&#13;
some of the friends of the family that was familiar with the situation, and from&#13;
some of the research I’ve done, um, they were prosperous. As were most of the&#13;
people in Ocoee from what I can tell. Uh, my grandmother, uh—grandfather was&#13;
very industrious. He, uh, had a lot of property. Uh, property which they sold.&#13;
I’ve seen a lot of copies of contracts where they sold stuff. Um, he also was in the&#13;
lumbering business. He distilled turpentine because he had this huge pine forest,&#13;
uh, p—a lot of pine trees on his property. So he would sell the lumber and he’d&#13;
make turpentine out of the sap. And, uh, he also ran a liberty—livery—delivery&#13;
business. He had an automobile and he had—did some delivery—delivery&#13;
services. So he, like—like most of the people in the area were very prosperous.&#13;
And, uh, they did well.&#13;
&#13;
Cravero &#13;
Um, so what—did your parents—did your grandparents, uh, discuss, um, the&#13;
events leading up to the—that Election Day, November 2 nd , 1920? Um, what&#13;
the—what the overall community, uh, sentiment was like. And—and m—maybe&#13;
the—the months or year or so leading up to that.&#13;
&#13;
Hickey &#13;
Well, later in life, you know, uh, a—as I got older, more so towards high school&#13;
age, when my grandma would come to New York to spend some time with us,&#13;
she would utter certain things. But I had no idea of the gravity of it all. Uh, you&#13;
know, I heard them mention Ocoee here, there. And, um, it was said, but it was&#13;
like, you know, not a whole lot. So—but she spent a lot—she’s told most of what&#13;
I know about it.&#13;
&#13;
She told me about the time that the Ku Klux Klan and all of ‘em rode through the&#13;
community, burning down the homes and, uh, shooting up the place. And how&#13;
they hid out in the swamps in stump holes until, uh, it was over. And, uh, when&#13;
they came out of the s—swam—out of the swamps, uh, everything was gone.&#13;
Everything was burnt up. And, um, my grandfather, you know, some of his&#13;
livestock were still in place. So he did hook up the wagon to—with the mules&#13;
and stuff. And, uh, at night he sent—the next night I think or so, he sent her and&#13;
the children through some of the back roads to Apopka, where they had friends&#13;
to stay with. And, uh, he didn’t want to be with them. He thought they would stand a better chance if they were stopped. And, uh, my grandma did say they were stopped by some white men on horses. But they let ‘em go.&#13;
&#13;
So he, uh—in the next day or two at night, he would travel through the woods&#13;
and the swamps and stuff until he finally made his way to Apopka to join them.&#13;
And that’s where they resettled. Luckily enough, he—he had property&#13;
somewhere—everywhere. So luckily enough, he had property in Apopka, also.&#13;
And, uh, a nice, um, citrus grove with orange trees and grapefruit trees. And so&#13;
he built a nice home on the grove. Uh, and as well as several other little houses&#13;
that he would rent to migrant workers that came in to pick oranges or work on&#13;
the muck, so to speak. You know? The, eh—the workers that picked the produce&#13;
and stuff. And, uh, so he would provide housing for them.&#13;
&#13;
So—but he, you know—he was pretty old. Like I said, he was much older than&#13;
my grandma. So most of the time, when I knew my grandad, he was—eh, he’d&#13;
seen his better years, so to speak.&#13;
&#13;
Cravero &#13;
Mm.&#13;
&#13;
Hickey &#13;
Yeah. So—but, uh, like I said, he resettled in Apopka. Um, again, uh, I didn’t&#13;
know that we were lacking anything. Um, people would come by and speak with&#13;
him. Talk with him. And, you know, about how things used to be. And—and I&#13;
had cousins who said, man, you know? Mister—that grandad had a lot of&#13;
money. You know? People thought that perhaps he had hid some of the money&#13;
out in the grove and stuff. And, you know, I didn’t—I had no idea what they&#13;
were really talking about. But as I did some research, you know—to come across,&#13;
uh, articles that I read as to how he may have been one of the largest—had—he&#13;
lost more land than probably anybody else in that whole situation in Ocoee. And&#13;
to see his name in print: John Hickey Lost More than a Hundred and Some&#13;
Acres. And, you know. So, you know.&#13;
&#13;
But, uh, s—I—so now I—and know he was a man of few words. He didn’t talk a&#13;
whole lot. You know? And now I have a better understanding of what was&#13;
probably bothering him. Yeah.&#13;
&#13;
Cravero &#13;
Um, so [clears throat] do you have any—what are your, uh—did your&#13;
grandparents ever mention, uh, Mose Norman or J—uh, July Perry? Did they&#13;
have any relationship with either of them?&#13;
&#13;
Hickey &#13;
Well, grandma mentioned—you know, when she was trying to tell me about&#13;
the—th—the—the riot. Or the—the—I think they—some people called it a riot.&#13;
Some people called it a massacre. She’d mention the fact that Mose Norman and&#13;
them—she tried to explain who they were. But I didn’t—you know how they&#13;
went and tried to vote. They all tried to vote. You know? I didn’t get whether or&#13;
not s—they were suc—successful or not. But the fact that Mose and, uh, July&#13;
Perry went and—and, uh, how he was murdered. J—July. Mose kind of got away for the moment. And that was supposedly the reason that they came into the community looking for him. And…&#13;
&#13;
Allen &#13;
[clears throat].&#13;
&#13;
Hickey &#13;
…uh, that was the reason for them supposedly, you know—but that’s one school&#13;
of thought. You know? That they were in pursuit of Mose and that’s why they&#13;
decided to turn the place upside down looking for him. And burned them all&#13;
out. Then again, you know, um, uh, how dare they have so much? You know?&#13;
Some people thought that, well, these people got all that stuff out there. And,&#13;
you know? They had more than a lot of the white people in the city had. So—but,&#13;
uh, yeah. That part. She—they knew. Yeah. They were always a close-knit&#13;
community. So, you know—so—but, uh. Yeah. She told me about th—the—you&#13;
know, the night when all that went down. You know? How they had killed Mo—&#13;
uh, July. Yeah.&#13;
&#13;
And I didn’t get—like I said, I wasn’t sure whether or not they had any success at&#13;
voting. I think McKinley was—1920 it was. I—I think it was McKinley or&#13;
something. They were supposed to—they were all fired up about voting. They&#13;
were—they were excited about the opportunity. You know how that was. Paid&#13;
the poll tax and all that other stuff. And really wanted to do it [adjusts papers].&#13;
But, uh, they were denied. You know?&#13;
&#13;
Cravero &#13;
Did they ever mention, um, where a lot of their friends in the community ended&#13;
up settling afterwards? Or—was Apopka like…&#13;
&#13;
Hickey &#13;
Yeah. Apopka. Turned out to be a quite a few in Apopka and that area. You&#13;
know? Um, uh, I’m not sure what made Apopka the place. I just assumed that&#13;
they had property there as well. You know? Like I say, he had qu—quite a bit of&#13;
property all around the area. So, uh, I guess maybe that’s why they headed to&#13;
Apopka. Uh, you know? But it’s—there are a few other family members from&#13;
Apopka she—from Ocoee that settled in Apopka. Uh, but, uh—and that’s the&#13;
best I got it as a kid. You know? I mean I had no idea, uh, you know, what it was&#13;
all about at an early age. And, like I said, it was much later that I got an&#13;
understanding.&#13;
&#13;
Hickey &#13;
And I did interview my grandma. One Saturday morning, a—a friend of mine&#13;
said, “Wow, Bob. Why don’t you interview Grandma and just let her talk?”&#13;
Because she’s w—a very few words. She only spoke basically when spoken to.&#13;
You know? And she’d answer your questions. That was basically it. So a friend&#13;
of my suggested, “Why don’t we take her out to breakfast and—and just ask her&#13;
some basic questions?” ‘Cause she was a history major, this friend of mine. So&#13;
she came up with some questions. And she just got her to talk. And that’s when&#13;
she talked about this thing in some detail. You know? And—and how they lost&#13;
so much. And—and how they were just grateful that they had their lives. And,&#13;
you know? And so am I. You know? I’m—I’m glad to have met ‘em. You know?&#13;
&#13;
And then to read about John Hickey and h—his holdings. And I was most&#13;
impressed with an article I came across, uh, uh, uh, referred to Hickey&#13;
Subdivision. Uh, there’s a[sic] area in Ocoee right now, they still sometime[sic]&#13;
refer to it as Hickey Subdivision. And right at the intersection right now I guess&#13;
would be, uh, Ocoee-Apopka Road and Silver Star [Road]. Right in that general&#13;
area. And it’s like three blocks or more where he had this property that he had&#13;
divided up to more than 50 dissen—different parcels for sale. Uh, I don’t know if&#13;
he was gonna sell it all or if he was going to do some development. [inaudible]&#13;
—like the lots. So I don’t know if he was gonna try to develop it. But, uh, it seems&#13;
like he had some grand plans. You know? And, uh, I—that made me real proud.&#13;
You know? That he was thinking like that. You know?&#13;
&#13;
And, uh—and like I said, you know, he lost quite a bit. But he was still, you&#13;
know, w—w—we wound up in Apopka, you know, in a nice orange grove that I&#13;
was raised on. You know? Three. Two acres. And all—all kinds of fruit trees. I&#13;
mean, tangerines, grapefruits, mandarins. I—I—I would say he had the only&#13;
mandarin tree I ever seen in the area. So, you know? Guava bushes. You know?&#13;
Um, tool shed full of all—whatever you needed. Smokehouse. Hams hanging.&#13;
You know? He—he lived a good life. He believed that. You know?&#13;
So I—I was real proud of that. But I didn’t—I just didn’t know. I just—it was a&#13;
matter of fact, you know? But after seeing what they went through and reading&#13;
about it, I got a great appreciation for it.&#13;
&#13;
Cravero &#13;
Um, what are your own, uh, reflections on—on the Ocoee Massacre?&#13;
&#13;
Hickey &#13;
Um, I think that, uh, it was a trem—quite an accomplishment. You know? It was&#13;
short period of time when—after the end of slavery. Slavery ended in 1865, and&#13;
here we’re talking about 1920. And, you know, 50 years or so later. Uh, a&#13;
tremendous accomplishment by these African-American people to build a—a&#13;
upstanding community, where most of them had. They weren’t lacking. They,&#13;
you know—they had some fellowship. A comradery amongst themselves. You&#13;
know? And, um, and—and i—they did well. They were thriving. And I mean,&#13;
uh, Mose and July Perry. I think I read something about Mose had a real fancy&#13;
automobile. He went to try to vote. [laughs] You know?&#13;
&#13;
But, uh, I was impressed. And, uh, ‘cause I was real sad to see what happened to&#13;
them. That all of what they had, uh, all of a sudden on November 2 nd , 1920, the&#13;
pursuit of life, liberty, and happiness and all the thing that the American dream&#13;
is supposed to be about came to a squeaking halt for these people. You know? I&#13;
mean they in a f—in—in a matter of hours they had to flee for their lives. And,&#13;
uh, you know, for—for the next 50 years, there weren’t[sic] no black people in&#13;
Ocoee. 50 years plus. You know? So, um, it just seemed a little unfair, what&#13;
happened to ‘em. And, you know, it happened a—a—has happened other places.&#13;
You know? But, uh. Yeah. It was a bad thing. And like I said, i—it was, uh, pain&#13;
and sorrow. You know? I was pleased and happy about what I read. How they&#13;
lived and what they did. And then for it to end like that was, uh, bad. You know?&#13;
Very disheartening.&#13;
&#13;
But—and now I understand why my grandad had—didn’t have much to say&#13;
about anything. And right ‘til the—the time he died, he—he was a very bitter&#13;
man. You know? So that—you know, that’s it. Uh, uh, so—yeah. So with that’s,&#13;
you know, um—I’m glad to know that they accomplished all those things. I’m&#13;
sad to see how it ended. Yeah.&#13;
&#13;
Cravero &#13;
Um, can you talk a little about what efforts have been made to somehow right&#13;
the injustice? And—and what else can be done? What’s—what’s lacking?&#13;
&#13;
Hickey &#13;
Well…&#13;
&#13;
Cravero &#13;
[clears throat].&#13;
Hickey …um, I’ve heard things. Uh, we were contacted by, uh, a—a writer for&#13;
Associated Press. I forget his—Allen—I—I forget his—his name. But, you know,&#13;
he brought it to our attention about, you know, what happened then. You know?&#13;
And the injustices of it all. And what—the different type of, uh, movements. Uh,&#13;
people were trying to do some things to try to right that wrong. And, um, uh,&#13;
that’s why I was real glad to hear about Josie’s group and their efforts. And, uh,&#13;
when—and when they reached out to me, I—I was, “Wow. Yes.” I was,&#13;
“Anything I can do to help the situation.” And I’m grateful for—for that&#13;
organization, uh, and all the others. You and your group. And any way that,&#13;
uh—to right the situation as best possible.&#13;
&#13;
I mean, you know, I don’t ever think there’s gonna be any type of reparations. As&#13;
a matter of fact, I s—did speak with someone, uh, regarding that. I spoke with&#13;
the same attorney that handled the Rosewood case. And, uh, you know,&#13;
explained who I was and—and what my concerns and issues was[sic]. And he&#13;
told me, said, “Well, you know, the Florida legislature said this is a one-time&#13;
deal. You know? This is not gonna set a precedent. This is it [claps hands]. Boom.&#13;
Bop. Boom.” I said, “Well, how can this, you know—it’s all the same.” But, uh,&#13;
that’s what I got from him. Okay? And, uh, I have notes on all of that stuff.&#13;
&#13;
But, um, I’m happy to see that people are—the community is now integrated.&#13;
Uh, as a matter of fact, um, uh, aside from visiting, uh, Apopka, where my&#13;
grandparents’ ceme—eh, eh, burial site, you know—I do visit that, uh—them&#13;
whenever I’m in town. And—and I don’t know if I mentioned before that, you&#13;
know, I had a tombstone put out there for them, uh, a couple of years ago. An&#13;
inscribed at the base of the tombstone is a—is a phrase. It’s a little saying. It says,&#13;
“They survived”—excuse me. “They prospered in, and survived Ocoee.&#13;
November 2, 1920.” You know?&#13;
&#13;
So right after I had that put in, the lady contacted me from the—you know, I’ve&#13;
been doing this. I spoke with City Hall in Apopka about the right way to go&#13;
about doing this. And the, uh, clerk from City Hall called me a couple of days&#13;
after it was installed. Said, “There’s a lady that wants to contact you. She was at&#13;
the cemetery. She saw this new tombstone you had erected—put there for your&#13;
grandparents. And she’d like to talk to you.” So, uh, this was [knocks], um, the—&#13;
from the historical society in Apopka. Uh, you know her name [knocks].&#13;
&#13;
Allen &#13;
Francina…&#13;
&#13;
Hickey &#13;
Francina…&#13;
&#13;
Allen &#13;
Boykin.&#13;
&#13;
Hickey &#13;
Boykins. And so then she called me. And she s—said, “I saw that saying.” You&#13;
know? So, you know, I was impressed that that got her attention. You know?&#13;
Because I want, you know—and I don’t want anybody—I don’t want them to be&#13;
known for that much. They did well there. And they survived it. You know?&#13;
The—the whole thing. So—but, um, you know? That’s basically it.&#13;
&#13;
Uh, uh, so, uh, yeah. I will do whatever I can to keep the momentum going. Any&#13;
way I can help the organization moving forward. Uh, I—I will do that. And so,&#13;
i—i—making a trip like this. Hey, it worked. We worked it in. I was happy I&#13;
could be here. You know? I was coming. And so…&#13;
&#13;
Cravero &#13;
[clears throat].&#13;
&#13;
Hickey &#13;
…and, uh, the other thing that we’re gonna do, uh, my friends and I, we’re&#13;
gonna go out and play a little golf in their honor on Saturday in Ocoee [laughs].&#13;
So, you know, I—I—I’ll be thinking about ‘em.&#13;
&#13;
Cravero &#13;
That’s fantastic. Well, we, uh—Mr. Hickey, we appreciate you making the trip&#13;
out here and sharing your story with us. And, um, do you have any final&#13;
thoughts you’d like to share? Anything else you’d like to add before we…&#13;
&#13;
Hickey &#13;
Well…&#13;
&#13;
Cravero &#13;
...finish?&#13;
&#13;
Hickey &#13;
…um, again, uh, um, uh, I’d just like to again say that I’m grateful. And I’m in&#13;
full support of the Peace and Justice Initiative and all the other affiliate&#13;
organizations and individuals who have dedicated themselves to increasing the&#13;
knowledge of the p—events that occurred on November 2 nd , 1920. And that they&#13;
continue their dialogue and panel discussions with local scholars and—and&#13;
groups to try to, uh, bring back some type of truth and reconciliation in this&#13;
regard. And, uh, I pledge to do whatever I can to move the agenda forward.&#13;
&#13;
Cravero &#13;
Alright. Well, thank you so much.&#13;
&#13;
Hickey &#13;
So any time I can be of any further assistance, please don’t hesitate to call.&#13;
&#13;
Cravero &#13;
He’s looking at you [laughs].&#13;
&#13;
Hickey &#13;
No. I’m looking at both of you.&#13;
&#13;
Allen &#13;
[coughs].&#13;
&#13;
Hickey &#13;
‘Cause you’re a team.&#13;
&#13;
Cravero &#13;
Right.&#13;
&#13;
Allen &#13;
Well, I just also want to thank you for coming out and doing the interview. It&#13;
means so much.&#13;
&#13;
Hickey &#13;
Well, I—I want to thank you a—and y’all for what you’re doing. For having&#13;
interest in it. You know? I mean I didn’t—you know, I didn’t know that people&#13;
had that much interest in the whole situation. Okay?&#13;
&#13;
Allen &#13;
I have a question.&#13;
&#13;
Hickey &#13;
Mhmm.&#13;
&#13;
Allen &#13;
So, eh, does—does your family now continue to tell the story to the generations&#13;
that have come in your family?&#13;
&#13;
Hickey &#13;
I am the lead person in my family right now. Pretty much. See, I was mostly y—&#13;
you know, like I said, my grandparents had, uh—my grandma and my&#13;
grandad—that union that—there were six children. And out of those children, I&#13;
think I’m the oldest of the grands. You know? Um, and, uh, the rest of ‘em, th—&#13;
they don’t—they really don’t have an idea about this. Except when I tell ‘em—&#13;
my two nieces that I brought with me last summer, they were very interested,&#13;
you know? And they live here in Florida now. South Florida. And they were&#13;
very interested because that’s the kind of girls they are. You know? So, wow.&#13;
You know? So they intrigued by those type of thing. As a matter of fact, they&#13;
went out to Apopka and visited the historical society. And—and—and, you&#13;
know? So, uh, yeah. They have interest. But, uh, not many of ‘em. You know?&#13;
Uh, they have—they don’t quite understand.&#13;
&#13;
Uh, you know, I—get together for Thanksgiving, I do some storytelling. You&#13;
know? But, and like again, I’m—I’m grateful that I have my—I spent my early&#13;
childhood with my grandparents. You know? I—I can’t tell you how invaluable&#13;
that is. You know? I mean just raw wisdom. You know?&#13;
&#13;
Allen &#13;
When did you become aware of the world? So you didn’t have a t.v. And it is&#13;
you, John and Lucy. When did you become…&#13;
&#13;
Hickey &#13;
Yeah.&#13;
&#13;
Allen &#13;
…aware…&#13;
&#13;
Hickey &#13;
Well…&#13;
&#13;
Allen &#13;
…of what was…&#13;
&#13;
Hickey &#13;
Well, those few trips that we, you know—I was a happy kid. My—my grandad,&#13;
he was—he couldn’t do very much. My grandma was still trying to work. My&#13;
grandma would take a bus to—from Apopka to Orlando to work in the kitchen&#13;
wa—washing dishes in the morning. She would do—catch the bus from Apopka&#13;
at about 4 [inaudible] in the morning. In the dark. My dogs would walk her to&#13;
the bus stop, which about a mile or so to what we called a “hard road”. Because&#13;
we lived down on the dirt road. So they would walk her to the bus stop in the&#13;
morning. She’d catch the bus into Orlando. And then the dogs came back and&#13;
they’d lay out in the front yard until I got up. I was pretty much on my own. Just&#13;
me and my dogs. I—I was able to get me[sic] something to eat and put on my&#13;
little shorts and straw hat. And my dogs and I were all over town the rest of the&#13;
day. People would say all they would see [laughs] a little—the dogs and a little&#13;
straw hat in the middle. The dogs—and I get emotional—took care of me. They&#13;
took care of me. I mean I could go somewhere, it started raining like now. I’d get&#13;
up on the big oak tree. It looked like a canopy. Rain would hardly hit the ground&#13;
sometimes. Later, I’d take a nap. And not that I was being neglected, but I was—&#13;
that was it. And this is before, you know, first grade, kindergarten. Try to do that&#13;
with a kid today.&#13;
&#13;
Hickey &#13;
So from that little snotty nosed kid running around Apopka with his dogs to&#13;
retire as an educator, high school principal, Vietnam veteran, helicopter&#13;
mechanic, you know? It came from somewhere. So it was in the genes. If—if he&#13;
could do what he did, you know—and like I say, to see his name in print, and the&#13;
Hickey Subdivision, 50 plots of—on this map. It’s all laid out. How much did he&#13;
lose? And they were selling property all the time, too. So he was very&#13;
industrious. And, uh, you know, just—just pleased to be a part. You know? You&#13;
got any more questions for me? I—I’ll be more than happy to answer them.&#13;
&#13;
Allen &#13;
Well, just a few. Um…&#13;
&#13;
Hickey &#13;
You alright…&#13;
&#13;
Allen &#13;
You said that your…&#13;
&#13;
Hickey &#13;
…there, buddy?&#13;
&#13;
Cravero &#13;
I’m fine.&#13;
&#13;
Hickey &#13;
[inaudible].&#13;
&#13;
Allen &#13;
You said that your grandfather…&#13;
&#13;
Hickey &#13;
Mhmm.&#13;
&#13;
Allen &#13;
…when he died, he was…&#13;
&#13;
Cravero &#13;
[clears throat].&#13;
&#13;
Allen &#13;
…bitter.&#13;
&#13;
Hickey &#13;
I, you know…&#13;
&#13;
Allen &#13;
How did he show it? How did he…&#13;
&#13;
Hickey &#13;
He never…&#13;
&#13;
Allen &#13;
…show…&#13;
&#13;
Hickey &#13;
He loved me. I’ll say that much. Uh, he was—he was pretty old. Now I was born&#13;
in ’47. He died in ’55. Um, there were times that, you know, he was—his health&#13;
was failing. His mind was getting weak. Uh, but he didn’t, y—you know—he&#13;
treated me well. As he called me Bob. And, um, he—my aunt, who was their&#13;
baby girl, she was there. You know? The funny book reading. And she was like a&#13;
teenager and stuff like that. She tried to chastise me and he’d tell her she’d better&#13;
not. Leave him alone [inaudible]. [laughs] But, uh, uh, no. He didn’t talk a whole&#13;
lot about too much of anything. Some people would come by and visit. I had&#13;
cousins that came by and say, “You know.” Said mist—they s—my grandma&#13;
always called him Mr. Hickey. That’s what she referred to him as: Mr. Hickey.&#13;
And then some—some of my cousins was at—would come by—from like his&#13;
other set of children. Some of their grandchildren and stuff, they’d come by to&#13;
see him, too. And pay homage. And there was a good relationship between the&#13;
other siblings on both ends. And one of my cousins tell me, he said, “You know,&#13;
they said that—that grandpa—that when the banks and stuff was having&#13;
problems with the money. And he didn’t quite understand. So he went up to ask&#13;
the man at the bank, ‘Well, what ya’ll need?’” [laughs].&#13;
&#13;
Allen &#13;
[laughs].&#13;
&#13;
Hickey &#13;
They were having some—[inaudible] shut the banks down because the money&#13;
wasn’t flowing right. So he went—made ‘em—“Well, how much you need?”&#13;
[laughs]. They thought that was funny. You know?&#13;
&#13;
So, like I said, people thought there was money buried out in the orange grove&#13;
and stuff. You know? But I don’t know whatever happened. It may have been.&#13;
You know? But, uh, uh, I think he lost a whole lot. And, like I say, he not only&#13;
lost property with that situation, but I think he lost dignity as well. And I think&#13;
that’s the reason that he was so bitter. You know? Because he was used to being a&#13;
self-sufficient, standup man. And the—to lose everything like that. And he&#13;
couldn’t do anything about it.&#13;
&#13;
And I’m not sure how all of his land was lost. I—I would be anxious to see the&#13;
records on how land was transferred from that point on. Because, uh, I’m&#13;
thinking that when he may have been weak and not well, that he may have had&#13;
visitors to his home to coerce him into doing some things that maybe he wasn’t&#13;
really f—willing to do or wanted to do. And, uh, I’m thinking some of that could&#13;
have—it [inaudible]—you know? Because he was too much of a businessman.&#13;
Too smart. And, uh—and I just think that, uh, it was just taken from him.&#13;
So that’s why I’m curious to, uh, see what it looks like now on the corner of, uh,&#13;
Silver Star and, uh, Ocoee-Apopka Road. You know? So—but, uh, that, I want to&#13;
take a look at.&#13;
&#13;
Allen &#13;
I don’t have anything else.&#13;
&#13;
Cravero &#13;
You good? Alright. Well, thanks again, Mr. Hickey. This has been, uh, Geoffrey&#13;
Cravero with Robert Hickey in the conference room of Trevor Colbourn Hall at&#13;
the University of Central Florida in Orlando, on Tuesday, February 26, 2019.&#13;
&#13;
Hickey &#13;
Yeah. Thank you.&#13;
&#13;
Cravero &#13;
Sounds good. Thank you.&#13;
&#13;
Allen &#13;
Thank you.</text>
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