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              <name>Title</name>
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                  <text>Lucile Campbell Collection</text>
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              <name>Alternative Title</name>
              <description/>
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                  <text>Campbell Collection</text>
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              <name>Subject</name>
              <description/>
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                  <text>Sanford (Fla.)</text>
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                  <text>Teachers--Florida</text>
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                  <text>Educators--Florida</text>
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              <description/>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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              <name>Contributor</name>
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                  <text>Campbell, Lucille</text>
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                <elementText elementTextId="560082">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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                  <text>Sanford, Florida</text>
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              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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                  <text>Raffel, Sara</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
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                <elementText elementTextId="560088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>Source Repository</name>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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      <name>Still Image</name>
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              <text>1 black and white photographic postcard</text>
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          <name>Physical Dimensions</name>
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        <name>Dublin Core</name>
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            <name>Title</name>
            <description/>
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                <text>Bombardment of Reims Cathedral Postcard</text>
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            <name>Alternative Title</name>
            <description/>
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              <elementText elementTextId="589371">
                <text>Notre-Dame de Reims Postcard</text>
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            <name>Subject</name>
            <description/>
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                <text>Churches--Europe</text>
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                <text> Cathedrals--Europe</text>
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                <text> World War I, 1914-1918</text>
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                <text>A postcard depicting the front gate of Cathédrale Notre-Dame de Reims, or Our Lady of Reims, during the years in which it was bombarded by the German Army in World War I. Originally the site of the coronation of the French kings, photographs of the destruction of cathedral were used as propaganda images by the French against the Germans. This photographs shows rubble from the bombardments near the principal entrance to the cathedral.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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            <name>Type</name>
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                <text>Still Image</text>
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                <text>Original 3 x 5 inch black and white photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            <name>Is Part Of</name>
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                <text>File folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, UCF Public History Center, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589382">
                <text>Digital reproduction of original 3 x 5 inch black and white photographic postcard.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
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              <elementText elementTextId="589383">
                <text>Cathédrale Notre-Dame de Reims, Reims, Champagne-Ardenne, France</text>
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            <name>Creator</name>
            <description/>
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                <text>A., Nancy</text>
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            <name>Publisher</name>
            <description/>
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              <elementText elementTextId="589385">
                <text>Dubois, G.</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description/>
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              <elementText elementTextId="589386">
                <text>Campbell, Lucile</text>
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            <name>Date Created</name>
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              <elementText elementTextId="589387">
                <text>ca. 1931</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589388">
                <text>application/pdf</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589389">
                <text>293 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589390">
                <text>3 x 5 inch black and white photographic postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589391">
                <text>eng</text>
              </elementText>
              <elementText elementTextId="589392">
                <text> fre</text>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589393">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="589394">
                <text> Geography Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
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                <text>Originally created by Nancy A. and published by G. Dubois.</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589396">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
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                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589398">
                <text>Aphasia Project</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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              <elementText elementTextId="589399">
                <text>Raffel, Sara</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589400">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589401">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589402">
                <text>"&lt;a href="http://www.greatwar.co.uk/places/ww1-western-front.htm"&gt;WWI Battlefields of the Western Front&lt;/a&gt;." The Great War: 1914-1918. http://www.greatwar.co.uk/places/ww1-western-front.htm.</text>
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        <name>bombardment</name>
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        <name>bombing</name>
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      <tag tagId="37441">
        <name>Cathédrale Notre-Dame de Reims</name>
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      <tag tagId="2256">
        <name>cathedrals</name>
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      <tag tagId="5040">
        <name>church</name>
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        <name>churches</name>
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      <tag tagId="37443">
        <name>G. Dubois</name>
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      <tag tagId="17148">
        <name>Germans</name>
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      <tag tagId="6055">
        <name>Germany</name>
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      <tag tagId="37444">
        <name>Nancy A.</name>
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        <name>Our Lady of Reims</name>
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      <tag tagId="21364">
        <name>Roman Catholicism</name>
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      <tag tagId="37338">
        <name>Roman Catholics</name>
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        <name>World War I</name>
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        <name>WWI</name>
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              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="705502">
                  <text>Roger Hipel Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="705503">
                  <text>Hipel Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="705504">
                  <text>St. Cloud, (Fla.)</text>
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              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="705505">
                  <text>A collection of postcards from the private collection kept by Roger Hipel of St. Cloud, Florida.</text>
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              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="705506">
                  <text>eng</text>
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            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
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                  <text>Donation</text>
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              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="705508">
                  <text>Williams, Rachel</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="705009">
                <text>Building of the G.A.R. Memorial Hall Postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="705010">
                <text>Grand Army of the Republic Memorial Hall Construction Group Postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="705011">
                <text>St. Cloud (Fla.)</text>
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              <elementText elementTextId="705012">
                <text> Grand Army of the Republic</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="705013">
                <text>A postcard depicting the construction of the G.A.R. Memorial Hall in St. Cloud, Florida. The front of the postcard features four men with a wheelbarrow standing on top of the partially-constructed building. A row of men sit on a bench on the ground in front of the building. Behind them are two rows of men standing. The back of the postcard features a purple stamp in the upper left corner that says, "A.A. MARTIN, KOZY STUDIO, ST. CLOUD, FLA." Handwritten notes say, "ST. CLOUD, FL. 95-" and "half-Built G.A.R. HALL". The Grand Army of the Republic (G.A.R.) was a fraternal organization of veterans of the United States Union Army, Union Navy, Marines and the United States Cutter Service who served in the American Civil War.&lt;br /&gt;&lt;br /&gt;This postcard is part of a private collection kept by Roger Hipel of St. Cloud, Florida.</text>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="705014">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="705015">
                <text>Original 5 x 3 inch black and white postcard: Private Collection of Roger Hipel.</text>
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            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="705016">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/228" target="_blank" rel="noreferrer noopener"&gt;Roger Hipel Collection&lt;/a&gt;, St. Cloud Collection, Osceola County Collection, RICHES.</text>
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            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="705017">
                <text>G.A.R. Memorial Hall, St. Cloud, Florida</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="705018">
                <text>A.A. Martin, Kozy Studio</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="705019">
                <text>A.A. Martin, Kozy Studio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="705020">
                <text>ca. 1914</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="705021">
                <text>ca. 1914</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
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                <text>Wolz, Robert J. &lt;a href="http://www.worldcat.org/oclc/883962692" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Grand Army Men: The GAR and Its Male Organizations: a Collectors Guide and History of the Grand Army of the Republic, Sons of Union Veterans of the Civil War, Military Order of the Loyal Legion&lt;/em&gt;&lt;/a&gt;. 2014.</text>
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                <text>A postcard depicting a street scene in St. Cloud, Florida. There are buildings on either side of the street and people walking on the sidewalks. Horse-drawn carriages are parked on the sides of the street outside of the buildings. The back of the postcard features a purple stamp in the upper left corner that says, "A.A. MARTIN, KOZY STUDIO, ST. CLOUD, FLA." Also on the back is a handwritten message addressed to Arthur S. Hanson at 26 Mck St. of Haverhill, Massachusetts. The message reads, " [...] Penn Ave. 82 here and a fine breeze. Love Mother"&lt;br /&gt;&lt;br /&gt;This postcard is part of a private collection kept by Roger Hipel of St. Cloud, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/228" target="_blank" rel="noreferrer noopener"&gt;Roger Hipel Collection&lt;/a&gt;, St. Cloud Collection, Osceola County Collection, RICHES.</text>
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                <text>A.A. Martin, Kozy Studio</text>
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                <text>ca. 1916</text>
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                <text>ca. 1916</text>
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                <text>Originally created and published by A.A. Martin, Kozy Studio.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt;• reproduce the work in print or digital form&lt;br /&gt;• create derivative works&lt;br /&gt;• perform the work publicly&lt;br /&gt;• display the work&lt;br /&gt;• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                  <text>&lt;em&gt;The Seminole Herald&lt;/em&gt;&lt;span&gt;. &lt;a href="http://www.worldcat.org/oclc/52633016" target="_blank"&gt;&lt;em&gt;Sanford: Our First 125 Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. [Sanford, FL]: The Herald, 2002.&lt;/span&gt;</text>
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                  <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>Original 9 x 14 centimeter color postcard by A.C. Bosselman &amp;amp; Company: Postcard Collection, call number PC2986, Florida Photographic Collection, &lt;a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;, Tallahassee, Florida.</text>
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                <text>Belleville, Bill. &lt;a href="http://www.worldcat.org/oclc/41503194" target="_blank"&gt;&lt;em&gt;River of Lakes: A Journey on Florida's St. Johns River&lt;/em&gt;&lt;/a&gt;. Athens: University of Georgia Press, 2000.</text>
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                <text>"&lt;a href="http://www.stjohnsriverkeeper.org/the-river/history/" target="_blank"&gt;St. Johns River Timeline&lt;/a&gt;." St. Johns Riverkeeper. http://www.stjohnsriverkeeper.org/the-river/history/.</text>
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                <text>St. John’s River View near  SANFORD, Fla. &#13;
11069&#13;
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                <text>&lt;a title="Postcard Collection" href="http://floridamemory.com/photographiccollection/collections/?id=36" target="_blank"&gt;Postcard Collection&lt;/a&gt;, Florida Photographic Collection, State Library and Archives of Florida, Tallahassee, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/10" target="_blank"&gt;Sanford Riverfront Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <elementText elementTextId="443919">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;em&gt;The Seminole Herald&lt;/em&gt;&lt;span&gt;. &lt;a href="http://www.worldcat.org/oclc/52633016" target="_blank"&gt;&lt;em&gt;Sanford: Our First 125 Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. [Sanford, FL]: The Herald, 2002.&lt;/span&gt;</text>
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                  <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>Celery Growing, City of Jacksonville Steamboat in the Background</text>
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                <text>Waterfront Districts</text>
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                <text>Postcard of a celery farm along the riverfront with the City of Jacksonville steamboat in the background. The origins of Sanford's connection to celery farming began on December 26, 1894, when a freeze damaged the area's citrus groves. They began to recover during a warm and wet January which promoted new shoots, but a second freeze hit on February 7, 1895, practically wiping them out. The 24 degree temperature was the coldest known in Florida to that point. The freeze was so intense that the sap froze inside the trunks, many of which split open, sounding like gunshots, and crashed to the ground. The population quickly dropped from 5000 to 2000 as the groves were abandoned. I.H. Terwilliger stayed after the freezes and is believed to have planted the first celery grown in Sanford in 1896. J.N. Whitner and B.F. Whitner Sr. planted 3/4 acre in 1897 with celery imported from Kalamazoo, Michigan. Chase &amp; Company also converted to celery cultivation and by 1898, celery became the crop synonymous to Sanford.&#13;
&#13;
By the mid-1880s, Sanford, Florida had become a major distribution center due to the city's strategic location along Lake Monroe and the St. Johns River. Even before Florida obtained statehood, steamboats frequented the St. Johns River carrying U.S. Army soldiers to Fort Mellon, located on the shores of Lake Monroe, to defend the area against Native Americans during the Seminole Wars. Steamboats were used at the fort and during the Battle of Camp Monroe to relocate Seminoles, explore the St. Johns River, and to distribute military forces. During the second half of the 1830s, steamboats were used to tow barges from the river to Lake Monroe in order to stimulate trade. The first commercial steamboat was developed as the Brock Line in the early 1850s. As trade grew, various wharves and docks were built in locations such as Mellonville Avenue, Palmetto Avenue, Oak Street, and Sanford Avenue. The Debary-Baya Merchant Line began transporting passengers in 1883, which further developed the steamboat industry. The line was purchased by the Clyde Line in 1886 and remained open until 1933. The growth of railroads was the primary cause of the decline of the steamboat industry.&#13;
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                <text>Width: 32.5 ft.&#13;
Depth: 6.6 ft.&#13;
Length: 160 ft.&#13;
Tonnage: 548 gross and 395 net.&#13;
Rig: sidewheel.&#13;
Official number: 126081.&#13;
Year built: 1882, Wilmington, Delaware.</text>
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                <text>The abstract of World War I military service for Settimo Sorci (1893-1989). The document includes Sorci’s surname, Christian name, Army serial number, whether White or Colored, home address, place of enlistment, place of birth, date of birth, organizations served in, with dates of assignments and transfers, grades, with date of appointment, engagement, wounds or injuries received in action, dates served overseas, date of discharge, and remarks. &lt;br /&gt;&lt;br /&gt;Settimo Sorci was born in Italy on January 4, 1893. He came to the United States around 1913. In 1918, he was drafted into the United States Army. During his service, he was transferred multiple times from Company B of the 53rd Pioneer Infantry to Company E of the 329th Infantry, 83rd Division. After his service, he lived in New York and married Anna Giangrasso on November 25, 1924, who was also an Italian immigrant. They had two children: Frances and Anthony. His son, Anthony, served in World War II. After Settimo's wife died, he lived the remainder of his life in Port Richey, Florida. He passed away on April 28, 1989 at the age of ninety-six. Sorci is buried in the Florida National Cemetery in Bushnell, along with his son. &lt;br /&gt;&lt;br /&gt;In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="http://vlp.cah.ucf.edu"&gt;Veterans Legacy Program&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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Max Blum was born in 1895 in New York City. He grew up in a Jewish family to parents who had immigrated to the United States from Germany. Blum served in the United States Army during World War I. His military service began in July of 1918, and he served in the Quartermaster Corps until April of 1919. After his military service, he had a career as a window trimmer in New York. Later in life, he moved to Leesburg, Florida, where he was active in Veterans organizations. Blum passed away in 1989, and is buried at Florida National Cemetery in Bushnell.&lt;br /&gt;&lt;br /&gt;
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• perform the work publicly&lt;br /&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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Born in Middletown, New York, in 1921, Radivoy's father had immigrated to the United States from Austria in the early 1900s, and his mother was born in New York. Radivoy served in the United States National Guard in 1940, and then served in the United States Army during World War II. He rose to the rank of Technician Fifth Grade during his service. After the war, he returned to New York and worked in the restaurant industry throughout much of his life, eventually owning Joe’s Tavern. In addition to living in Middletown, he lived in Rock Hills, New York, and later moved to Holiday, Florida, where he passed away in 1995. He was buried at Wallkill Cemetery in Middletown, New York, and is memorialized at Florida National Cemetery, in Bushnell, Florida.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>and who was notified of his death. In this case, Anderson's father received the news.&lt;br /&gt;&lt;br /&gt; Carl Oscar Anderson was born on March 3, 1893 in Orlando, Florida to parents Axel and Augusta. He was the third of five children. Around 1913, the family moved to Miami, Florida, where Anderson found work at Melrose Dairy. On June 5, 1917, he registered for the draft, and on October 6, 1917, he was inducted into the United States Army. Throughout his service, Anderson maintained the rank of private as he served in multiple units in his first eight months. Then, on June 20, 1918, he departed for France and became part of Company B of the 30th Infantry Regiment, 3rd Division. He and his unit likely participated in the Battle of Meuse-Argonne. On October 3, 1918, Anderson was killed in action, likely during the advance to Bois de Beuge. His legacy lives on, memorialized on the Lake Eola Tablet in downtown Orlando.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>A list of persons in Clearwater, Florida, who failed to submit questionnaires regarding conscription to the Adjutant General of Florida. The document is dated January 30, 1918. Local draft boards sent out a sixteen-page questionnaire, which asked questions about virtually every aspect of registrants’ lives, their economic dependents and their claims for an exemption or deferred classification. Registrants had seven days to return the form. The Form 1013 lists the names of men within the jurisdiction of local draft boards who failed to return their questionnaires or report for examination. Classified as delinquents, the draft boards would report their names to the police who would seek to check their status. The penalty for failing to submit a questionnaire resulted in a registrant waiving their claims for deferred classification and automatically being classified in Class I.&lt;br /&gt;&lt;br /&gt;
A notable person listed is Ben Davis (1895-1947). Born in Charleston, South Carolina, Davis moved to Clearwater, Florida, where he worked as a laborer for H.K. Cheney. On August 1, 1918, the United States Army inducted Davis into military service. Davis trained and served at Camp Devens, Massachusetts, for the entirety of his time in the military. Initially with the 151st Depot Brigade, he joined the 443rd Reserve Labor Battalion on November 1, 1918. On May 30, 1919, Davis received an honorable discharge from the Army, holding the rank of Private First Class. After the war, Davis returned to Clearwater, where he continued to work as a laborer. On October 20, 1944, Davis married Annie R. Leach, a native of Gainesville, Florida. Davis died on December 28, 1947, and is buried in the Bay Pines National Cemetery in Saint Petersburg, Florida in Section 6, Row 3, Site 16. 
&lt;b&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.&lt;/b&gt;</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text> Tuchman, Barbara W., and Robert K. Massie. &lt;a href="http://www.worldcat.org/oclc/881458391" target="_blank"&gt;&lt;em&gt;The Guns of August: The Outbreak of World War I&lt;/em&gt;&lt;/a&gt;. 2014.</text>
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Present-day Maitland was originally inhabited by the Seminole tribe, which called the area "Fumecheliga," meaning "Musk Mellon Place." In 1838, Fort Maitland was established on the west coast of Lake Maitland by the U.S. Army and named after Captain William Seton Maitland, a casualty of the Seminole Wars.&#13;
&#13;
Settlement in Maitland expanded at the close of the American Civil War and the citrus industry grew. Around 1876, Dr. Haskell formed a syndicate and began contruscting a railroad from Jacksonville to Maitland that was completed in 1880. In 1885, the area was incorprated as the Town of Lake Maitland. Many left Maitland following the Freeze of 1894-1895. Despite the freeze's devastation, the citrus industry was able to grow and expand, reaching its peak in 1926.&#13;
&#13;
More growth occurred in the 1950s and 1960s with the development of the space industry in nearby Orlando and Brevard County. In 1959, the city was renamed Maitland. Growth continued in the 1970s with the arrival of Walt Disney World in the Orlando area.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/150" target="_blank"&gt;&lt;em&gt;The Maitland News&lt;/em&gt; Collection&lt;/a&gt;, Maitland Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>A letter from George B. Agnew to Isaac Vanderpool, dated May 21, 1895. On behalf of the National Produce Company as its secretary and treasurer, Agnew offers a business deal with Vanderpool in regards to the purchase of Florida fruits and vegetables for the wholesale market. The National Produce Co. was a produce wholesaler based at 635 Liberty Street in Pittsburgh, Pennsylvania.&lt;br /&gt;&lt;br /&gt;The Vanderpools were one of the original families in Maitland, Florida, with Isaac Vanderpool, the patriarch of the family, buying 160 acres of land in the year 1870. In 1876, after facing a large financial loss and disaster in New York, Isaac and his wife, Harriet Vanderpool, permanently moved to the Maitland area. At the time of their arrival, the area only had about four or five family homesteads and orange groves. Vanderpool was part of the first committee to help incorporate the town of Lake Maitland. The committee included Vanderpool, Henry S. Kedney, George Packwood, and Richard Packwood.&lt;br /&gt;&lt;br /&gt;The Vanderpool family was also heavily involved in civic affairs, which included the establishment of the town of Eatonville by Vanderpool and Josiah C. Eaton. The Vanderpools were paricipants in the creation of the Florida Audubon Society and the organization of the Maitland Public Library. Harriet Vanderpool, along with Bishop Henry C. Whipple, founded the Episcopal Church of the Good Shepherd, and, in 1927, she wrote the "Maitland Song," which the chamber of commerce adopted as the official song for the city. In 1887, Vanderpool became Mayor of Maitland and during this time, acquired land for the city first cemetery. In 1892, he built the first packinghouse in Maitland, which was featured in &lt;em&gt;TheGate City Chronicle&lt;/em&gt; as the state most modern and best packinghouse.</text>
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                  <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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                  <text>"&lt;a href="https://about.usps.com/who-we-are/postal-history/welcome.htm" target="_blank"&gt;Postal History&lt;/a&gt;." United States Postal Service. https://about.usps.com/who-we-are/postal-history/welcome.htm.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/23369979" target="_blank"&gt;St. James Pioneer Days: Parish &amp;amp; School Reunion : October 5-6, 1974&lt;/a&gt;&lt;/em&gt;. [Orlando, Fla.]: [St. James Parish], 1974.</text>
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                  <text>"&lt;a href="http://www.stjamesorlando.org/about-us/" target="_blank"&gt;About Us&lt;/a&gt;." St. James Cathedral. http://www.stjamesorlando.org/about-us/.</text>
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                  <text>The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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                <text>Copyright to this resource is held by Texann Ivy Buck and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="https://www.flsd.uscourts.gov/wp-content/uploads/2014/04/SDFLAnnualReport2013External.pdf" target="_blank"&gt;United States District Court Southern District of Florida: State of the Court Report, 2013&lt;/a&gt;." United States District Court Southern District of Florida. https://www.flsd.uscourts.gov/wp-content/uploads/2014/04/SDFLAnnualReport2013External.pdf.</text>
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                  <text>The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."</text>
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                <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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                <text>The headstone of Julius "July" Perry, surrounded by white flowers, stones, shells and a strip of stickers that read, "I VOTED."&lt;br /&gt;&lt;br /&gt;&lt;span&gt;The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."&lt;/span&gt;</text>
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                <text>Ortiz, Paul. "&lt;a href="https://www.facingsouth.org/2010/05/ocoee-florida-remembering-the-single-bloodiest-day-in-modern-us-political-history.html" target="_blank"&gt;Ocoee, Florida: Remembering the 'single bloodiest day in modern U.S. political history'&lt;/a&gt;." &lt;em&gt;Facing South, The Institute for Southern Studies&lt;/em&gt;. University of Mississippi, May 14, 2010. Accessed February 20, 2019. https://www.facingsouth.org/2010/05/ocoee-florida-remembering-the-single-bloodiest-day-in-modern-us-political-history.html.</text>
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                <text>Byrne, Jason. "&lt;a href="https://medium.com/florida-history/ocoee-on-fire-the-1920-election-day-massacre-38adbda9666e" target="_blank"&gt;Ocoee On Fire: The 1920 Election Day Massacre&lt;/a&gt;. &lt;em&gt;Medium&lt;/em&gt;. November 23, 2014. Accessed February 20, 2019. https://medium.com/florida-history/ocoee-on-fire-the-1920-election-day-massacre-38adbda9666e.</text>
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                <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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                <text>Soil collection at the West Orange Girls Club in Ocoee, Florida, on September 8, 2018. Featured in the photograph are Mary Clare Allen, Valada Flewellyn, Connor Allen, Ida Law, Joy Wallace Dickinson and Harry Coverston. The site of the soil collection is in the general area of where a shootout occurred between Julius "July" Perry and a white mob.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."&lt;/span&gt;</text>
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                <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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                  <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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                <text> Memorials--Florida</text>
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                <text>A conversation on race at the Winter Park Woman's Club on April 24, 2018.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."&lt;/span&gt;</text>
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                <text>Original color photograph by Willie J. Allen Jr.: &lt;span&gt;Alliance for Truth and Justice&lt;/span&gt;, Orange County, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/215" target="_blank"&gt;&lt;span&gt;Alliance for Truth and Justice&lt;/span&gt; Collection&lt;/a&gt;, RICHES.</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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                <text>image/jpg</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text>Originally created by Willie J. Allen Jr. and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;span&gt;Alliance for Truth and Justice&lt;/span&gt;, and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Donation</text>
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            <name>Contributing Project</name>
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                <text>&lt;span&gt;Alliance for Truth and Justice&lt;/span&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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                <text>Cravero, Geoffrey</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="669133">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;span&gt;Alliance for Truth and Justice&lt;/span&gt;, Orange County, Florida</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="669135">
                <text>Ortiz, Paul. "&lt;a href="https://www.facingsouth.org/2010/05/ocoee-florida-remembering-the-single-bloodiest-day-in-modern-us-political-history.html" target="_blank"&gt;Ocoee, Florida: Remembering the 'single bloodiest day in modern U.S. political history'&lt;/a&gt;." &lt;em&gt;Facing South, The Institute for Southern Studies&lt;/em&gt;. University of Mississippi, May 14, 2010. Accessed February 20, 2019. https://www.facingsouth.org/2010/05/ocoee-florida-remembering-the-single-bloodiest-day-in-modern-us-political-history.html.</text>
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                <text>Cordeiro, Monivette. "&lt;a href="https://www.orlandoweekly.com/Blogs/archives/2018/11/19/ocoee-will-issue-proclamation-acknowledging-1920-election-day-massacre" target="_blank"&gt;Ocoee will issue proclamation acknowledging 1920 Election Day massacre&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. November 19, 2018. Accessed February 20, 2019. https://www.orlandoweekly.com/Blogs/archives/2018/11/19/ocoee-will-issue-proclamation-acknowledging-1920-election-day-massacre.</text>
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                <text>Byrne, Jason. "&lt;a href="https://medium.com/florida-history/ocoee-on-fire-the-1920-election-day-massacre-38adbda9666e" target="_blank"&gt;Ocoee On Fire: The 1920 Election Day Massacre&lt;/a&gt;. &lt;em&gt;Medium&lt;/em&gt;. November 23, 2014. Accessed February 20, 2019. https://medium.com/florida-history/ocoee-on-fire-the-1920-election-day-massacre-38adbda9666e.</text>
              </elementText>
              <elementText elementTextId="669138">
                <text>Ericson, Edward Jr. "&lt;a href="https://www.orlandoweekly.com/orlando/dead-wrong/Content?oid=2258296" target="_blank"&gt;Dead wrong&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 1, 1998. Accessed February 20, 2019.</text>
              </elementText>
              <elementText elementTextId="669822">
                <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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        <name>Alliance for Truth and Justice</name>
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        <name>ATJ</name>
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      <tag tagId="54602">
        <name>Community Remembrance Project</name>
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      <tag tagId="54604">
        <name>EJI</name>
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      <tag tagId="54605">
        <name>Equal Justice Initiative</name>
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      <tag tagId="12978">
        <name>lynching</name>
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      <tag tagId="54606">
        <name>lynching memorial</name>
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        <name>Winter Park Woman's Club</name>
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              <name>Title</name>
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                  <text>Oviedo Historical Society Collection</text>
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                  <text>Oviedo Historical Society Collection</text>
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              <description/>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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              <name>Is Part Of</name>
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              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <name>Language</name>
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                  <text>eng</text>
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              <name>Type</name>
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              <name>Contributing Project</name>
              <description/>
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                <elementText elementTextId="525088">
                  <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="525089">
                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
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                <elementText elementTextId="525090">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
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                <elementText elementTextId="525091">
                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
                </elementText>
                <elementText elementTextId="525092">
                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
                </elementText>
                <elementText elementTextId="525093">
                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
                </elementText>
                <elementText elementTextId="525094">
                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
                </elementText>
                <elementText elementTextId="525095">
                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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          <name>Original Format</name>
          <description/>
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              <text>1 newspaper article</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description/>
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              <elementText elementTextId="562939">
                <text>Past and Present: The Oviedo Woman's Club Legacy Lives—And Gives—On</text>
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            <description/>
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                <text>Oviedo Woman's Club Legacy Lives and Gives On</text>
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          <element elementId="49">
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            <description/>
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                <text>Oviedo (Fla.)</text>
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                <text> Clubs--United States</text>
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            <name>Description</name>
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                <text>A newspaper article written by Kelly Allen and published by &lt;em&gt;The Seminole Chronicle&lt;/em&gt; in July of 2008. The article chronicles the history of the Oviedo Woman's Club (OWC), which was founded in 1906 as the Oviedo Magazine Club by seven charter members: H. B. McCall, Edith Meade, Georgia Lee Wheeler, Lillian Lee Lawton, Mattie Aulin Wheeler, Milcah Yonge, and Mary King. The first clubhouse was constructed in 1914 and also served as Oviedo's first library. In 1916, the club joined the FFWC and officially changed its name to the Oviedo Woman's Club. In 1923, the woman's club was federated under the umbrella of the General Federation of Woman's Clubs (GFWC). A new clubhouse was built in 1961 on property donated by R. L. Croom, a former member, which is located at 414 King Street. The Oviedo Woman's Club is involved in many civic projects, including the annual Great Day in the Country Arts and Crafts Festival, the Spring Fundraiser, Tasting Luncheons, and Celebrate Spring Teas.</text>
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                <text>Original newspaper article: Allen, Kelly. "Past and Present: The Oviedo Woman's Club Legacy Lives—And Gives—On." &lt;a href="http://www.seminolechronicle.com/" target="_blank"&gt;&lt;em&gt;The Seminole Chronicle&lt;/em&gt;&lt;/a&gt;, July 24-30, 2008, pages A8-A9: Private Collection of Beatrice Gestrich.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="562946">
                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="562947">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="562948">
                <text>Digital reproduction of original newspaper article: Allen, Kelly. "Past and Present: The Oviedo Woman's Club Legacy Lives—And Gives—On." &lt;a href="http://www.seminolechronicle.com/" target="_blank"&gt;&lt;em&gt;The Seminole Chronicle&lt;/em&gt;&lt;/a&gt;, July 24-30, 2008, pages A8-A9.</text>
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                <text>Oviedo Woman's Club, Oviedo, Florida</text>
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            <name>Creator</name>
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                <text>Allen, Kelly</text>
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="562951">
                <text>&lt;em&gt;&lt;a href="http://www.seminolechronicle.com/" target="_blank"&gt;The Seminole Chronicle&lt;/a&gt;&lt;/em&gt;</text>
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            <name>Contributor</name>
            <description/>
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              <elementText elementTextId="562952">
                <text>Shapiro, Courtney</text>
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              <elementText elementTextId="562953">
                <text>&lt;a href="http://www.oviedowomansclub.org/" target="_blank"&gt;Oviedo Woman's Club&lt;/a&gt;</text>
              </elementText>
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                <text>Gestrich, Beatrice</text>
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            <elementTextContainer>
              <elementText elementTextId="562955">
                <text>ca. 2008-07-24</text>
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            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="562956">
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                <text>The fourth issue of &lt;em&gt;The Watermark&lt;/em&gt; was published on October 12, 1994, and shifted toward a heavier political focus dealing with national LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) issues. The front page is primarily dedicated to the discussion on the participations of "Gays in the Local Media." The other portion of the front page discusses how local politicians participate in the Metropolitan Business Association (MBA) Forum, notably addressing the political careers of Buddy Dyer (b. 1958) and Fran Pignone. The discussion of the articles and articles on the next page discuss the need to maintain anti-discrimination laws. The issue also addresses the HIV-AIDS Institute disconnecting from the University of Central (UCF_, and the remaining offices of HIV-AIDS Education and the "Info-Maniacs," a peer education program. The issue then continued the trend of publishing international issues such as, Maryland’s decision on Parental Rights for gay parents, San Francisco’s fight for non-discrimination for private businesses, and South Africa’s condemnation of Gay Pride. This fourth issue also saw the return of discussion about parties and circuit life, this time covered in an article about Madis Gras in Australia.&lt;br /&gt;&lt;br /&gt;Since 1994, &lt;em&gt;The Watermark&lt;/em&gt; has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, &lt;em&gt;The Watermark&lt;/em&gt; has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, &lt;em&gt;The Watermark&lt;/em&gt; became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased &lt;em&gt;The Watermark&lt;/em&gt;.</text>
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                <text>&#13;
FLORIDA'S DISTINCTIVE GAY AND LESBIAN PUBLICATION.&#13;
VOLUME 1, NUMBER 4&#13;
OCTOBER 12,1994&#13;
GAYS IN THE LOCAL MEDIA&#13;
FAIR SHAKE OR SHAKEDOWN?&#13;
by Rafael Harris Gasti&#13;
John Rose and Rev. George Crossley on Channel 24’s Opinion Street.&#13;
Whether you’re gay or straight, a well-traveled sophisticate or a couch potato, images of homosexuality are everywhere. From PBS’ pixilated Tales of the City, to Channel 2’s investigative report on homosexual encounters in public parks, to The Orlando Sentinel's “Woman Seeks Woman/ Man Seeks Man” TelePersonals, these images are beamed into living rooms and bedrooms and delivered to front doors. For many, these images alone define gay and lesbian experience.&#13;
The influence of the media, particularly television, on popular culture can hardly be overemphasized. This is particularly true when media images are not balanced by real life experience. In Central Florida, these media images of homosexual experience have enormous power, because gay culture and political influence are emergent, and a conservative climate still dissuades many from coming out to family and friends.&#13;
And make no mistake.. .in the media business, where patronage reflects profits and where viewers and readers mean dollars, images of homosexuality are enormously popular. At once sexual and political, titillating and avant garde, news stories and dramatizations addressing elements of gay experience are commonplace; a sweeps week staple. But are these images balanced? Do they truly reflect gay and lesbian experience?&#13;
Three local gay activists, John Rose, Saviz Shafaie, and Brian Arbogast de Hubert-Miller, have made it their mission to research and then address these issues, in letters and phone calls,&#13;
and in the board rooms of local media outlets. Their combined experience is both interesting and instructive.&#13;
Gay advocate John Rose, a native of Orlando, speaks adamantly about the issue of censorship and the need for a diverse, gay-affirming media in Central Florida. Years of activism have mellowed Rose somewhat, but a glimpse of his renowned verbal fireworks is always near the surface. Despite shortcomings, he notes with pleasure that “there has been soTrie substantial improvement concerning gays in the local media.”&#13;
Brian Arbogast de Hubert-Miller, a Community Advisory Board member at WMFE-Channel 24, was more guarded in his assessment of the local media. He maintains pointedly that “money talks,” and that money and politics in conservative Central Florida can be used against the unpopular or unempowered to trivialize and render them invisible.&#13;
Meanwhile, with the demeanor of a thoughtful pacifist, fellow Channel 24 Community Advisory Board member Saviz Shafaie notes that local media have moved away from a focus solely on the exotic and bizarre, like sex crimes and extremes in self-expression. He lauds the appearance of “some gay-sensitive material rather than none,” and he is cautiously optimistic about the future.&#13;
Supporting Shafaie’s optimism, Rose pride-fully notes the recent progress made at PBS affilliate Channel 24. (Note, Channel 24 was&#13;
Continued Page 8&#13;
CANDIDATES MEET FOR MBA FORUM&#13;
&lt; Echoing	Mmionofgay$&#13;
and lesbians, candidates for local elected office joined in a Candidates Forum sponsored by the Metropolitan Business Association, Thursday October 6 at the&#13;
Moderator Tom Dyer opened the forum, which featured a five minute presentation by each candidate followed by a brief question and answer period,: by explaining his criteria for choosing a candidate and issued that as a challen^ to each of the present-&#13;
ers,	^&#13;
“Before 1 consider voting for any person for any office, I ask myself it this is someone who will work to eradicate discrimination against gays and lesbians. And if it is not, 1 will not vote for them,H Dyer said,&#13;
, The first to meet Dyer’s challenge was Orange County Chairman candidate Fran Pignone, who has been an outspoken advocate of the gay and lesbian community, attending June’s Pride Parade as well as the Spectrum Awards. .	,	Continued Page 8&#13;
COUNTY COMMISSIONER MABIJ80TISR: “not favor of&#13;
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Plus...News, Reviews, and LOLA.&#13;
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WATERMARK / October 12,1994 3&#13;
LOCAL &amp; STATE NEWS&#13;
DRIVER’S LICENSE APPLICANTS OFFERED HIV TEST&#13;
FORT MYERS (AP) - Lee County, which offered HIV tests at a high school health fair three years ago, is now setting up testing facilities at its driver’s license office. The county will become thie first in the state to offer the tests to people applying for a driver’s license. Testing began last week.&#13;
“It’s our belief the only way to combat this disease in an effective prevention program is to get out to the population,” said Mark Geisler, executive director of the County AIDS task force.&#13;
The tests are given in a small motor home belonging to the Lee County Public Health Unit on Fridays. The test costs $30. It will be free to anyone unable to pay. Results are confidential and take about three weeks. Lee County has 760 reported AIDS cases.&#13;
FORMER ORLANDO AN HEADS STONEWALL CINCINNATI&#13;
Former Orlando resident and gay activist, Cindy L. Abel, has been selected as the Executive Director of Stonewall Cincinnati. Cincinnati was thrust into the political spotlight in 1989, when local politicians sought to censor an exhibit of works by respected gay photographer Robert Mapplethorpe. Since then, conservatives and gay activists in Cincinnati have clashed repeatedly.&#13;
Abel owned a marketing and public relations firm in Orlando, and served as vice president of the Rainbow Democratic Club. She was also a board member of the Metropolitan Business Association. She is a member of the Board of Governors of the Human Rights Campaign Fund, and prior to accepting her current position was Director of the Privacy Project, and chair of Floridians United Against Discrimination.&#13;
Stonewall Cincinnati is a non-profit organization specializing in education and advocacy on behalf of lesbians and gay men.&#13;
HIV-AIDS INSTITUTE ENDS AFFILIATION WITH UCF&#13;
The HIV-AIDS Institute is leaving the University of Central Florida after an eight-year relationship. Founded in 1986, the Institute grew out of a grant from the Florida Department of Education and a need for current information on HIV disease. The Institute created UCF’s HIV-AIDS Education Office, which will remain at the university, and “Info-maniacs,” an award-winning peer education program.&#13;
Although never officially approved as an institute by the Board of Regents, UCF allowed it to be housed in the College of Health and Public Affairs. Funding for the Institute has come primarily from fund-raisers and grants.&#13;
Institute President Sharon E. Douglass stated that the Institute was never content to be campus bound. The Institute is presently seeking new office space. Anyone wishing to help should call (407) 679-9312.&#13;
ALACHUANS FIGHT TO KEEP ANTI-DISCRIMINATION PROTECTION&#13;
beyoad, Alachua County activists m fighting to maintain a county ordinance which includes sexual orientation in the county’s Human Rights Act&#13;
in Match, 1993* barred discrimination on the basis of sexual orientation in any county business or employment standards*&#13;
Since then, die Concerned Citizens of Alachua County have collected enough signatures to enter two initiatives cm the November 8 ballot. The first —• County Initiative I - would remove the sexual orientation clause from the county’s Human Rights Act The second, Charter Amendment 1, would forever bar the inclusion of sexual orientation in county-wide discrimination protections.&#13;
In an effort to fight the Concerned Citizens of Alachua County, die “No On One” Coalition has been formed. According to spokesperson Georg Ketelhohn, “We are building coalitions in Alachua County which include business leaders, clergy* county and city commissioners, and university faculty who will be holding forums and press conferences to discuss too negative impact that such a measure would have on our community, We will also be mounting a media campaign, including radio, television and print advertising, which will get die message out to the voters,” Ketelhohn said.&#13;
The Concerned Citizens of Alachua County is rumored to be affiliated, at least unofficially, with the American Family Association and its leader, David&#13;
Qrlandoan Carol Bartsch, of the Florida Federal Advocacy Network (FAN) (affiliated with the nationwide Human Rights Campaign Fund], underscores die importance of the Alachua County referendum for the central Florida area. “As a university community* Alachua County is perceived as more progressive, We believe that die AFA thinks that if they can win in Alachua, it will only get easier for them, Orlando may very well be die next target,” Bartseh said,&#13;
House parties will be held in Orlando and across the state in the coming weeks to brief people on the events in Alachua County and to raise money for the effort to fight the initiative.&#13;
For more information on Oriandohouse parties to support“NoOnOne,“ contact Carol Bartsch at (407) 293-0240,&#13;
CANDIDATES&#13;
From Page 1&#13;
Pignone’s opponent in the November 8 election, incumbent Linda Chapin, declined, citing a previous engagement. Chapin did however send Shawn Rader, a friend of the chairman’s, to apologize for her absence.&#13;
Pignone spoke warmly of the gay and lesbian community as the emotional center of her candidacy.&#13;
“When I come to speak at a group like this, I’m at my most personal, my most emotional,” Pignone said. “You are my heart and soul.”&#13;
Pignone was at her most passionate when asked about the fate of culture and the arts in Orange County. As a lifelong devotee of opera, Pignone was one of the few county commissioners who voted to allot the last $50,000 in an attempt to save the symphony. She was saddened the attempt failed.&#13;
“Intuitively, I think it is easier to keep an institution alive than it is to recreate it. I know that we must try to keep these things — the arts, dance, opera — alive to give the people of our community, particularly the young people, options and outlets,” Pignone said.&#13;
County Commission District 6 incumbent Mabel Butler, however, was not as supportive of such a measure when she rose to give her presentation.&#13;
“I’m a B.B. King fan myself,” Butler said. Then turning more serious, Butler said that a county-funded institution like the symphony would better serve the entire community if it was made accessible to all of the citizens of the county.&#13;
“If the taxpayers of Orange County are going to pay for something like a symphony, bring it to all of the people. Don’t just leave it to those who can afford to pay for it,” Butler said.&#13;
During her remarks, Butler empathized with the gay community, saying that her life has been lived in the shadow of discrimination. She indicated she would be support-&#13;
ive of any measure that would ensure the protection of the rights of ays and lesbians.&#13;
“I’ve been discriminated against all my life.. .be it black.. .be it woman. I’m not for any kind of discrimination,” Butler said.&#13;
Butler’s opponent, Charlene Mitchell, did not respond to MBA’s invitation.&#13;
One of the warmest responses of the evening was reserved for Deborah Blechman, candidate for County Judge Group 5. As a long-time supporter of the gay and lesbian community, Blechman has become a regular figure at a number of gay and lesbian functions.&#13;
“I doubt there is anyone here who has not heard me speak,” she joked. Later in her remarks, she commented on the dilemma that is faced by candidates who publicly declare their support of gay and lesbian issues.&#13;
“When I received my invitation and saw that all of the candidates would be there, I thought ‘Oh, no.. .the mainstream press will be there.’ I wasn’t sure I had the courage to do it. I said to [Rainbow Democratic Club board member] Mark Anderson ‘Don’t make me target practice.’ When I got home,&#13;
COUNTY CHAIRMAN CANDIDATE FRAN PIGNONE: “You are my heart and soul.”&#13;
I was ashamed of myself for that...The problem is that there is a climate of hate andmtmeranceout there that is very frightening, even for me as a candidate,” Blechman said.&#13;
Blechman’s opponent, George Winslow, declined MBA’s invitation.&#13;
The forum attracted both candidates in only one race: Circuit Court Judge, Group 28. Roger McDonald, who has previously addressed MBA, spoke first. He discussed his position on gay and lesbian issues, as well as his support of Florida’s current privacy laws.&#13;
“We are lucky that in Florida we have one of the very few state constitutions which specifically refers to a right of privacy. The interpretation of that right will be left in the hands of the circuit and appellate court judges in the coming years. I am a firm believer in the right of privacy for all the citizens of the state, not just selected groups,” McDonald said.&#13;
McDonald’s opponent, Bob Wattles, followed him at the podium. In his candidacy, Wattles has declared that he will not accept campaign contributions from lawyers or&#13;
STATE SENATOR BUDDY DYER: “[ask why] some candidates aren’t here.”&#13;
law firms.&#13;
“As a judge, i must oifey »*Uit)fiaato gy,.&#13;
even playing field. Tcannotbe beholden to&#13;
anyone who comes into my courtroom,”he said during his remarks.&#13;
Incumbent District 14 State Senator Buddy Dyer was confrontational during his impromptu presentation.&#13;
“I’m not as polite as some of the other candidate who are here. I think you should think about what it means that some candidates aren’t here,” Dyer said. Dyer also railed against a wave of intolerance that exists in the Florida legislature.&#13;
“People like [State Senator] Ander Crenshaw can say something like ‘I won’t knowingly hire any gay people’ and somehow that is alright. It’s outrageous,” Dyer said.&#13;
Nancy Patterson, Dyer’s opponent, declined MBA’s invitation.&#13;
The final speaker in the forum was also its most emotional. Louise Ray, candidate ler State Representative, District 33, has made gay rights a central issue in her campaign to unseat Marvin Couch, who declined MBA’s invitation to attend.&#13;
WATERMARK / October 12, 1994 4&#13;
NATIONAL &amp; INTERNATIONAL NEWS&#13;
GAYS NATIONWIDE WORK TO RE-ELECT ROBB IN VIRGINIA&#13;
RICHMOND, Va. (AP) - Homosexuals across the country are working to re-elect Sen. Charles S. Robb, whom they regard as a leader with the courage to condemn discrimination against gays despite the obvious political risks. The Human Rights Campaign Fund, a national gay political action group based in Washington, has made Robb’s campaign against Republican nominee Oliver North one of its top priorities.&#13;
“The radical right views Chuck Robb’s convictions on lesbian and gay equality as a weakness, and will attempt to use this against him to defeat him,” executive director Tim McFeeley wrote members. “We need to prove that Chuck Robb can beat the radical right this year in Virginia.” The fund has contributed the maximum allowable, $10,000, and several members of the fund have held private fund-raisers, McFeeley said.&#13;
David Mixner, a gay-rights leader from California, mailed an appeal to several thousand homosexuals nationwide soliciting contributions for Robb.&#13;
At Richmond’s annual Lesbian and Gay Pride Parade earlier this month, some participants said they were motivated as much by support for Robb as they were by opposition to North. Robb, a Marine company commander in Vietnam, has spoken out for efforts to include gays in the military, provided they don’t engage in behavior that is disruptive or bad for morale. North, a Marine who also served in Vietnam, has been a strident critic of gays in the military, sending out fund-raising appeals that described President Clinton as “the point man...for the radical homosexual lobby.”&#13;
OPPONENTS OF ANTI-GAY PROPOSAL GAIN LEAD&#13;
BOISE, Id. (AP) - Opponents of the controversial Idaho anti-gay initiative have pulled out in front in their campaign against the Idaho Citizens Alliance, according to a new public opinion poll.&#13;
The poll, conducted for KTVB-TV in Boise, KHQ-TV in Spokane, Wash., and The Spokesman-Review newspaper’s Idaho edition, said 44 percent opposed the proposition while 35 percent supported it. The remaining 21 percent said they were undecided. The poll of 808 randomly selected registered voters had a margin of error of plus or minus 3.5 percentage points. The survey was conducted during the final three days of September.&#13;
The results on the anti-gay initiative, which would prohibit state or local laws protecting homosexuals from discrimination, were in direct contrast to another independent survey conducted about five weeks earlier. That poll by Greg Smith and Associates and Tracy Andrus had 49 percent of the respondents favoring the initiative and 43 percent opposing it with a margin of error of just under five percentage points.&#13;
Supporters of the initiative, which drew only a few thousand more valid signatures than required to win ballot status, say it is a pre-emptive strike against what they call the gay agenda. They claim it will only prohibit homosexuals from receiving special rights. But critics, who include virtually every civic and political leader in the state, have called it a bigoted, divisive proposal that would actually strip homosexuals of their basic civil rights.&#13;
Because of the strident language being used in the debate, some analysts are concerned that the undecided bloc in all the polls are actually supporters who do not want to admit to holding a position that many see as hateful.&#13;
MARYLAND APPEALS COURT TO DECIDE VISITATION RIGHTS OF GAY FATHER&#13;
ANNAPOLIS, Md. (AP) - David K. North can visit his three daughters for several hours on the weekend, during the daytime only. No holidays, no overnight visits.&#13;
That’s because a judge doesn’t believe the gay, HIV-positive North - now living with his lover - can be trusted to hide his homosexuality from his children.&#13;
North’s appeal of that 1993 ruling has given the Maryland Court of Special Appeals its first chance to decide whether homosexuality is a reason to limit the rights of a parent. “It’s a very important question. We need more loving parents rather than fewer, and to disqualify a homosexual because of that status is a pretty outrageous thing to do,” said Stuart Comstock-Gay, head of the American Civil Liberties Union in Maryland, which is helping represent North.&#13;
North’s former wife, Kathryn Dionne North, had sought to terminate his visitation rights completely after learning that her ex-husband, a former Baptist minister, is gay. Instead, a judge denied North overnight visits with the girls, ages 9, 6 and 3, letting him have unsupervised visits on Saturdays and Sundays.&#13;
In 21 of 25 states where the issue has been decided at the appellate level, courts ruled that a parent’s rights cannot be limited solely because he or she is homosexual and living with a lover, said Natalie H. Rees, a lawyer appointed by the appeals court to represent the girls. In June, the Virginia Supreme Court overturned a judge’s ruling denying a lesbian custody of her son. The judge had ruled that being a lesbian made her an unfit mother.&#13;
Mrs. North allowed liberal visits until North told her in 1992 that he is gay and that he and friend, David York, were involved in a relationship.&#13;
One reason Circuit Judge Audrey Melbourne cited in limiting North’s visitation rights was that he could not be trusted since he continued to have sex with his wife after learning he had the AIDS virus. “The court finds that the defendant is not candid, is not responsible and is deceitful,” Melbourne said. “The court will therefore not trust defendant’s promise not to display his homosexual lifestyle to the children.”&#13;
Gerald Solomon, one of North’s lawyers, agreed it was wrong for North to continue having sex with his wife. But Solomon said North’s ability to care for the children is all that matters in the pending dispute. And the lawyer noted that state social and mental health workers said North was a good father and the girls enjoyed their visits with him and York. Both agencies supported liberal visitation rights. North said Thursday he did not know when the court would rule on his appeal.&#13;
North wants his daughters for overnight visits, holidays and vacations and said he would not do anything that might expose them to the virus.&#13;
The former minister, who once preached that homosexuality is a sin, also wants to tell his children that he is gay and would like his former wife to join the discussion. “But given her adamant feelings about the evils and abomination of homosexuality,” he said, “that’s just not going to happen.”&#13;
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WATERMARK / October 12,1994 5&#13;
NATIONAL &amp; INTERNATIONAL NEWS&#13;
DISCRIMINATION SUIT AGAINST GOLF CLUB REINSTATED BY GAY MAN&#13;
SAN FRANCISCO (AP) - A discrimination suit by a gay man against a golf club that rejected his membership application has been revived by a state appeals court.&#13;
Thomas Sherck said his sponsors withdrew their support of his membership application to the California Golf Club of San Francisco after learning he was homosexual, because the club did not want homosexuals as members. He sued both the club and his sponsors, Dennis and Ray Youngdahl, under the state’s Unruh Act, which prohibits businesses from discriminating against customers on various grounds. State courts have ruled that discrimination based on sexual orientation is banned by the law.&#13;
The club, which is based in South San Francisco, argued that Sherck was rejected solely because his application was not sponsored by two members, as its bylaws required. A San Mateo County Superior Court judge agreed with those arguments and dismissed the suit, but it was reinstated by the 1st District Court of Appeal in a ruling made public Thursday.&#13;
Sherck quoted the club’s membership committee as asking him whether a bar that he owned was a “straight bar.” That evidence, which was rejected as irrelevant by the Superior Court judge, is relevant to the question of whether Sherck was excluded because of his homosexuality, the court said.&#13;
Sherck also said a friend quoted Dennis Youngdahl as saying, “How dare you ask us to bring in a gay guy?” Though it is hearsay, that statement is admissible against the club, as a “declaration against interest,” because the Youngdahls were the club’s representatives, the court said.&#13;
RELIGIOUS PROTESTERS CONDEMN GAY PARADE&#13;
JOHANNESBURG, South Africa (AP) - Hundreds of people, some dressed or cross-dressed in wild clothes and colors, marched through Johannesburg on Saturday to celebrate gay and lesbian rights in post-apartheid South Africa. A handful of religious protesters condemned the marchers, but the procession was mostly a festive affair that ended with a party in a city park.&#13;
Paul Stobbs, chairman of the Johannesburg gay and lesbian pride parade, said South Africa’s new constitution was the only one in the world that prohibited discrimination against sexual orientation. The constitution took effect with the nation’s first all-race election in April that ended white rule and brought Nelson Mandela’s African National Congress to power. Similar marches have occurred in previous years despite South Africa’s strong religious heritage that condemns homosexuality.&#13;
To a heavy disco drumbeat, the male and female marchers - some dressed in satin, lace or leather - snaked through downtown streets to the amusement of most onlookers and the dismay of others.&#13;
“Sodomites, turn or bum, Jesus saves lives,” said a placard held by one protester. A marcher hit at a poster and organizers had to prevent other scuffles from breaking out. Reacting to heckling from protesters, a group of women marchers chanted: “Two, four, six, eight, how do you know your wife is straight?”&#13;
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WATERMARK / October 12,1994 6&#13;
HEALTH &amp; HIV NEWS&#13;
TEST MAY HELP MEASURE EFFECTIVENESS OF AIDS TREATMENT&#13;
RESEARCH TRIANGLE PARK, N.C. (AP) - A new test for measuring how much of the HIV virus an infected person is carrying could help scientists determine what treatments are best for controlling the virus that causes AIDS.&#13;
“It is possible, and I think probable, that these tools may be able to predict more accurately which treatments will be most effective in managing HIV infection,” said Dr. James Rooney, associate director of the infectious diseases department at RTP’s Burroughs Wellcome Co. The British drug company discovered AZT, the first treatment for AIDS.&#13;
Scientists say the standard blood test now used to detect AIDS is reliable, but may not detect antibodies until several months after the virus has invaded the body. It also does not work for the newborn babies of HIV-positive parents.&#13;
A new test created by scientists at Roche Biomedical Laboratories has been able to detect the virus before antibodies appear, said Dr. Bruce McCreedy, the company’s director of infectious diseases and clinical trials. The test became available in April and is one of two methods for measuring a patient’s “viral load” - the amount of genetic material from HIV in the blood plasma.&#13;
Roche Molecular Systems is in the early stages of developing a test kit allowing doctors and researchers to use the new technology. The test is now only available as a paid service through the company.&#13;
STUDY DETERMINES MOTHER TO CHILD AIDS SPREAD&#13;
ORLANDO, Fla. (AP) - A study of AIDS-infected mothers found that the more virus they carry in their blood, the greater the chance they will pass it on to their babies just before birth or during delivery.&#13;
The research suggests that checking a mother’s viral levels during pregnancy can guide doctors in choosing the right drugs to protect the unborn.&#13;
It also helps explain why only about 1 in 4 infected mothers not treated with anti-AIDS drugs actually passes the virus on.&#13;
AIDS infections in newborns are particularly devastating, often killing youngsters much faster than adults who catch the virus. Recently, doctors have found that giving pregnant women the AIDS drug AZT can significantly lower the transmission rate, from 25 percent to 8 percent.&#13;
Dr. Barbara Weiser of the New York state Health Department presented the latest work, conducted on 27 HIV-infected pregnant women, at a conference Wednesday of the American Society for Microbiology held in Orlando.&#13;
Currently, pregnant women who are infected receive AZT pills beginning at 14 weeks of pregnancy and intravenous AZT during labor. Babies also receive the drug during their first six weeks of life.&#13;
The Centers for Disease Control and Prevention estimates that 6,600 HIV-infected women gave birth last year, and they had 1,720 infected babies.&#13;
The CDC’s Dr. Susan F. Davis said that if all of them had gotten AZT, as many as 1,200 of these newborn infections could have been prevented.&#13;
Doctors believe the risk of transmission from mother to child is highest late in pregnancy and during childbirth.&#13;
HISPANIC WOMAN WARNS COMMUNITY OF ITS ENHANCED RISK&#13;
TAMPA, Fla. (AP) - Stubborn cultural traditions increase the risk of AIDS in the Hispanic community, says a Tampa-area woman.&#13;
Maria Caride, 27, has educated herself since she being positive for HIV, the virus that causes AIDS, in 1990. Now she goes anywhere she can to educate Hispanics about AIDS prevention. But education is difficult in a culture where talk of sexuality and condom use is taboo, she said. “I was never taught about sex and condom use. If someone would have taught me about safe sex, I wouldn’t be in this situation now.”&#13;
Hispanics are contracting the disease faster than any other ethnic group, according to the U.S. surgeon general.&#13;
While Hispanics make up about 10 percent of the nation’s population, they account for 19 percent of AIDS cases in the country. And, according to the Centers for Disease Control and Prevention in Atlanta, Hispanic women represent one-third of all new AIDS cases.&#13;
Hispanic AIDS activists say until Hispanics overcome cultural differences and shatter the stigma associated with the disease, the numbers will only get worse.&#13;
Women in Hispanic families simply don’t talk about sex, activists say. Hispanic men present a different set of problems, they say. Attitudes about sex are often primitive, and&#13;
males are encouraged to be dominant. The Latin machismo eschews condoms - studies show Latin men just won’t wear them, the Hispanic activists complain. Then there is the influence of the Roman Catholic church, which has espoused abstinence over condoms.&#13;
“Hispanics prefer to cover up the problem instead of dealing with it,” said Hispanic AIDS activist Olga Companioni of Tampa.&#13;
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WATERMARK / October 12, 1994 7&#13;
BUSINESS&#13;
BUSINESS PROFILE&#13;
by April L. Gustetter&#13;
THE VERANDA&#13;
|p.Fburteeo ojontdrs'&#13;
the city ofiQrlando, In Feburary of this year, that changed/ Colb^ was;:i|^riruEMfc^!|f	:&#13;
fortunately Blair and bis business partner, Steve Norris, coaid not begin tapping that potential until they knew their legal parameters.&#13;
Directly due to Biair’s perseverance, the laws necessary to own and operate . 'such ah establishment were passed on February 21,1994, Subsequently he and Steve begap renovations. .||^';||d&#13;
doyn^?w^ It is now this city’s first legitimate bed-and breakfast&#13;
“It took going to City Ball every day for eight months, but we got the laws passed They state that a bed-and-breakfast cart have no more than eight rooms to keep the residential look, and that anything!^ must MIow the standards and pld||^&#13;
Owners* Background&#13;
. Blair Colby, 27, has worked in the hospitality industry &lt;6r over 5 years, Travelingthrough Ewopeahd&#13;
|| Steve Norris* 41, has worked for Northwest Airlines for more than 14 years and. is also experienced&#13;
Concept for the Veranda&#13;
HI .l|ih|e writing at tlte&#13;
the |igher-end Corporate clientele, His clients, such as IBM and Orlando Re-■gibnal	’||i&#13;
desire fe have mom luxiu’ipns antj&#13;
to be comfortable	wlllt ||e |ivera^ie foc^I|&#13;
look, not to mention the service. I was getting really frustrated, because 1 was out on .the streets working hard to get these accounts and we couldn’t keep them/’ III 'Thus, the qbykmS'hM'tOprpdM^ initiated. Aceoiding'tp:Blai|:':fe establishments, and ||||§§^&#13;
notion bf hanging a sip a*^':'tpltiftg	in-&#13;
volved footwork of acmaily gpng bed-and-breakfast&#13;
III Once the legalities were resolved, consjtru^ip	::&#13;
intense* nonstop, get»in«thererand-do-ibwfe	jUj&#13;
hanging, of the sign d»s very day of the Grand Opening gg$jy on September 10i| 1994. 'Hie transfbrmat!on;fi^:h^ to a high southern style bed-and-breakfast seemedftlp&amp;&#13;
lion, location, location. “Steve and I both live in downtown Orlando, so we know ; what a gieatnepborhood	isf; anbl|!tbe;$pi|&gt;qf^te|&#13;
on Robinson and we wanted itobe knew the neighborhood was goiiig.tOchanp,&#13;
'• “We wanted a redly southern, plantation-style home feeling about the place,” Blair added, “and we*re very please&lt;|.;wi^.:lpy ,w|ft ifMi cpe ||l|||jp^*.::: and-groove of course),&#13;
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The Vbranda was bupt primarily for the corporate traveler, but as Blair ex-plained, “that usually&#13;
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II	“We don’t want to limit ourselves to Just the corporate traveler, tatgh, We welcome the gay market. espei^i|&amp;llp§1^^&#13;
shown an interest in the Veranda, as well - often for family members coming in to do the tourist thing - but business has been so good that many have had to wait to even see the rooms.&#13;
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MORE COMPANIES ADD DOMESTIC PARTNER BENEFITS&#13;
(AP) - In quest of a better image and better talent, companies are increasingly seeking domestic partner benefits for their employees. Susan Leahy of Blue Cross/Blue Shield MA -Inc., the largest U. S. health insurer to provide domestic partner coverage to customers and employees, explains that, “In a vastly competitive market for health services, companies are looking for ways to attract candidates and maintain a workforce.” Many companies hesitate to insure same-sex couples, worrying that it will increase AIDS claims.&#13;
However, Andrew Sherman, vice president of the Segal Co. and one of the forces behind the Blue Cross and Lotus domestic partners coverage, says that gay couples may actually be less expensive to cover because they are often younger and usually don’t have children. Sherman explains that domestic partners coverage is “a recognition of human capital, wanting to have the best employees possible. A lot of companies have already put non-discrimination policies in place and see this as a continuation.”&#13;
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WATERMARK / October 12, 1994 8&#13;
COVER STORY&#13;
LOCAL MEDIA&#13;
From Page 1&#13;
contacted for this article. Assistant to Executive Vice-President Malcom Wall promised a statement, but none was forthcoming). Rose believes that previous impasses between Channel 24 and Central Florida’s gay community have been turned into a “win-win situation.”&#13;
When Tongues Unta documentary about gay blacks, was shown in 1991, Channel 24 received numerous complaints. The documentary was brash and graphic. In your face, so to speak, and while not patently offensive, Rose laughs, “perhaps not wholly representative of the entire gay community.” But then in the summer of 1992, PBS affiliates were offered the much milder drama, The Lost Language of Cranes, a family tale about a gay son and his troubled father who begins to recognize his own homosexual tendencies. The film was never shown by Channel 24, presumably because of a gay kiss and a chaste bedroom scene. Offended by this unacceptable censorship of a widely-praised film, local progressives and gays&#13;
Saviz Shafaie: “Gays need to take the initiative.”&#13;
organized and demanded to be heard. Challenged outright, Channel 24 set up a series of community meetings. But according to Rose, Channel 24 sought to intimidate the 50 gays and lesbians in attendance by separating them from a “mainstream” liberal group consisting of the ACLU, Central Floridians United Against Censorship, and others committed to free speech issues.&#13;
There was a firestorm of criticism, but after a series of meetings protesters were told the film would not be aired on Channel 24. Despite this negative result, Rose feels that consciousness was raised. He described the meeting as the first “give and take” between a local TV station and the progressive/gay community, and a real learning experience for all parties involved.&#13;
In particular, Channel 24 learned that they&#13;
could negotiate reasonably with this segment of the population, and in fact, they accepted many of the protesters’ proposals. Two representatives from the progressive/ gay community were added to the Channel 24 Community Advisory Board. Importantly, a policy prohibiting discrimination on the basis of sexual orientation was included in Channel 24’s equal employment opportunity guidelines. Rose was quick to assert that for the most part the employees at Channel 24 are gay-friendly. “It’s the management who worry unduly about losing donor support.”&#13;
Shafaie remembered the foregoing events very well. But accentuating the positive, he described programming such as Silverlake Life, which he characterized as a “tasteful special” about a gay couple dealing with AIDS. He also noted Bill Moyer’s supportive special on the Colorado anti-gay referendum, and the indefatigable John Rose’s appearance on Channel 24’s locally produced talk show, Opinion Street.&#13;
Rose referred to himself as the show’s first “token gay panelist.” The show was heavily edited, but Rose was able to make some points. When guest panelist George Crossley, a fundamentalist preacher, simplis-tically blurred AIDS and homosexuality, Rose jumped. He detailed soundly how the HIV virus is rampant among heterosexuals in sub-Saharan countries in Africa, as well as in the United States. AIDS, he assured Crossley, is a universal disease—not a uniquely gay disease.&#13;
Like many PBS affiliates, Channel 24 is a financially tight ship. Rose indicated that the mobile nature of the Central Florida community creates a relative lack of consumer support for public broadcasting, and thus an increased “dependence on local business and foundations.” The same observation was made by Orlando Sentinel columnist and former TV writer Greg Dawson in a recent Watermark interview. Such dependence can lead to undue influence. Homophobic attitudes can creep in and sway programming judgment.&#13;
A case in point was the highly rated Armistead Maupin’s Tales of the City. Ironically, Tales' twentysomething lead gay character, Michael Tolliver, hails from orange-grove Orlando. The program aired was sanitized.. .pixilated.. .to avoid shocking perceived local sensibilities. What was fuzzed out? A little adult language and brief, shadowy nudity in bohemian San Francisco. Despite the thunderous success of this production nationwide, PBS responded to the outcry of a few conservative Congressmen by cancelling a proposed sequel. Regardless of the package or production, it seems that homosexuality is an uncomfortable issue for local public broadcasting.&#13;
Brian Arbogast de Hubert-Miller agrees, but has a stronger assessment of the role played by Channel 24 management. He is adamantly more interested in results...in programming.. .and not surface phraseology. While he conceded that there have been “some technical improvements” in the&#13;
Brian Arbogast de Hubert-Miller: “Money Talks.”&#13;
management’s recognition of sexual minorities, he avowed that “there has been no progress in programming whatsoever since we [Shafaie and Arbogast] came aboard.” Arbogast was disappointed that Channel 24, citing scheduling and economic difficulties, recently chose not to rebroadcast Tales of the City and The Lost Language of the Cranes. They also chose not to show related interviews with Armistead Maupin and AIDS activist Larry Kramer.&#13;
Arbogast depicts Channel 24’s board of trustees as “extremely conservative,” and described himself and Shafaie as being “token members of the Community Advisory Board.” He elaborated that the organization “listens behind the scenes but does nothing up front.” According to Arbogast, Channel 24 is decidely “not proactive” and they repeatedly need to be “prodded.” He underscored the fact that Orlando is a conservative stronghold with little visible gay leadership, unlike New York, Boston, or San&#13;
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A recent programming change has thrown an additional kink into the advancement of gay-themed programming at Channel 24. Rose called it “limited purchasing programming,” which means they now buy programming from PBS in blocks, then choose programs from within that block. Arbogast noted that this arrangement may be of “strategic benefit” to the heterosexist Channel 24 Board of Trustees by providing them with “plausible deniability” to “subtly neglect” gay-themed programming; to “backslide while a cadre of conservatives in Congress argue over the direction of PBS.” Channel 24 recently dropped the issue-oriented Point of View, for instance, which included a gay-themed segment. The net result, according to Arbogast, is that reluctant, indifferent, and cautious corporate donors such as SunBank and General Mills are being appeased.&#13;
One note of success that Shafaie decribed was the March, 1994, Channel 24 pledge campaign. Openly gay and lesbian volunteers raised $7,349 in audience pledges, exceeding expected goals. Although an audience boycott was mildly anticipated by Channel 24 management, they openly presented the names of a cross-section of gay and lesbian organizations during breaks from a Peter, Paul, and Mary concert.&#13;
When questioned about local network affiliates, Channels 2,6 and 9, Rose, Shafaie and Arbogast described a common tendency to sensationalize. On a national level, say with Barbara Walters, there appears to be discernible sensitivity towards gays, but this has not trickled down to the intensely competitive local market.&#13;
Arbogast specifically criticized Channel 6, noting that when they report on gays, it is usually with an unnecessarily provincial tone. Rose also jumped on 6, noting that their “tendency to sensationalize inspires the worst bigots.” Channel 6 was also one of the&#13;
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WATERMARK / October 12, 1994 9&#13;
COVER STORY&#13;
Tales of the City. Visually censored by Channel 24.&#13;
LOCAL MEDIA&#13;
From Page 8&#13;
few CBS affiliates to yank Other Mothers, an after-school special about a lesbian couple and their teenage son, from broadcast. Rose characterized this as overreaction to a call-in campaign by fundamentatist Christians. He notes that the special was devoid of any racy or sexual content, unlike the “straight” soaps broadcast the same afternoon.&#13;
With respect to Channel 2, Arbogast figuratively rolled his eyes, offering his opinion that the station has “sunk to new lows” with “inflammatory” investigative reports. In a recent sweeps week expose, 2 reporter Scott Hanson looked for sex in public parks and discovered a pair of anonymous “homosexuals.” Rose also bemoaned cashing in with this unrepresentative and misleading titilla-tion. Rose accused Channel 2 of “painting with too wide a brush,” and noted the absence of coverage on the rise of courtship and marriage among lesbians and gay men.&#13;
Channel 9 was notably more balanced while openly gay weatherman Burd Bullock was alive, according to Arbogast. Today, he says, treatment of lesbians and gay men on 9 is tolerant, though superficial. But the perceived impact of Bullock’s presence at Channel 9 demonstrates the significance of a surprising fact. Not one of the three local network affiliates includes “sexual orientation” in their employee non-discrimination policies. In fact, rumors aside, there are no openly gay or lesbian local broadcast personalities. Whether consciously or by neglect, the message is clear: sexual minorities are not openly encouraged in local broadcast media.&#13;
Orlando’s largest and most influential media outlet, The Orlando Sentinel, also has no specific, codified employment protection based on sexual orientation. Supervisor Chris Austin points out, however, that the Sentinel's owner, the Tribune Company, has a “diversity program which includes some sensitivity training” on minorities, including gays.&#13;
In terms of content, the Sentinel is dismayingly inconsistent in its approach towards lesbians and gay men. lire Sentinel has demonstrated balanced coverage and steady improvement in news and editorial content, while remaining timid and provincial in policies relating to advertising.&#13;
Arbogast, who plays close attention to the Sentinel's content, states that he has seen “increased coverage” on gay-related events and topics. But he notes that, in terms of headline prominence, placement and pictures, coverage of sex crimes involving two males is still sensational and unbalanced. For example, Dr. William Zink’s high profile and controversial case alleging molestation of young male patients was front page news. Crimes against young female minors are rarely publicized or explored in such detail.&#13;
As a result, Arbogast argues, “the public [not only] receives a distorted impression of the nature of sex crimes,” but far worse, the public receives a muted impression of the prevalence of healthy, adult same-sex relationships. In fact, such relationships are largely ignored by the Sentinel.. .except in their lucrative TelePersonals section, where such relationships may be sought for a price.&#13;
In a broader context, Arbogast notes that there is “disproportionate coverage of the ‘antisocial’ behavior of minorities,” reinforcing their marginalization and scapegoating as “other” and “not mainstream.” Even so, he observes that newspaper coverage of gay issues has improved, particularly with increased wire service coverage. The Sentinel also recently launched a campaign to recognize diversity and increase coverage of minorities. And specific columnists have consistently written thoughtful columns on gay-related issues. Greg Dawson, Jay Boyar, Bob Morris and Myriam Marquez stand out.&#13;
Some Sentinel style policies remain laughably outdated and illogical, however. Although the words “gay,” “lesbian,” and “homosexual” are allowed in news and editorial pieces, Sentinel policy apparently limits or forbids their use in classified ad-&#13;
vertising. Repeated attempts to clarify these policies went unanswered, but the experience of two local businesses is instructive. In June of this year, Watermark's editor and publisher, Tom Dyer, attempted to place an employment ad in the Sentinel: “Advertising Sales Manager for gay and lesbian publication.” The ad was accepted but then changed to “alternative lifestyle publication” without notice. Dyer complained, and his original ad was run after he convinced management that the words “gay and lesbian” described the nature of the job, not the employee sought.&#13;
Just a month later, Stephen De Matteis of Pre-Flight Travel Services had a similar experience when seeking a “Travel Agent with gay/lesbian travel experience.” Again, the Sentinel had to be convinced to run the ad as requested.&#13;
On a more positive note, the Sentinel recently revised its policy regarding the listing of gay companions in obituary notices. It now does so with the permission of the family via funeral directors. Sadly, it may be in the obituaries that healthy gay relationships are first recognized by mainstream media, and that many lesbians and gay men first become visible.&#13;
Looking to the future, Rose notes the need for openly gay news people and media board members. He cites the Woodard case (see story this issue) and its impact on the demise of former Orange County Sheriff Walt Gallagher as a positive example of the power of the press to do good for the gay community.&#13;
Shafaie calls for gays to “take the initiative [with local media] and speak with a clear voice.” Arbogast warns against prior negative conditioning, and suggests the need to build stronger alliances and coalitions within the gay community. He also observes that in some situations, nothing works like “picketers beating the bushes.” Ultimately, decision makers in local media are governed by both the bottom line and by the limiting psychological dynamics of perceived difference.&#13;
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WATERMARK / October 12,1994 10&#13;
VIEWPOINT&#13;
WATERMARK&#13;
Watermark Media, Inc.&#13;
©1994&#13;
editor / publisher Tom Dyer layout/ managing editor April Gustetter account executive Keith Peterson contributing writers Michael L. Kilgore, G. K. Fowler, Harmony Brenner, Nan Schultz,&#13;
R. A. Bach, Dimitri Toscas,&#13;
Jim Crescitelli, Mark Lawhon, Yvonne Vassell, Ken Kundis,&#13;
Rafael Gasti, Leslea Newman, Rosanne Sloan, Joe Sarano photographers &amp; illustrators Alison Bechdel, Eric Orner,&#13;
Russell Tucker, student contributors Robert Holland, Katie Messmer,&#13;
Tera Kenney, Mike Williams&#13;
CONTENTS of WATERMARK are protected by federal copyright law and may not be reproduced in whole or part without the permission of the publisher. Unsolicited article submissions will not be returned unless accompanied by a self-addressed, stamped envelope. Although WATERMARK is supported by many fine advertisers, we cannot accept responsibility for claims made by advertisers.&#13;
Publication of the name or photograph of any person or organization in articles, advertising, or listing is WATERMARK is not to be construed as any indication of the sexual orientation of such persons or members of such organizations (unless, of course, sexual orientation is stated specifically).&#13;
WATERMARK is published every second Wednesday, except the first week in January and the second week in July. Subscription rates are $35.00 (third class).&#13;
ThA c fficial views of WATERMARK are expressed only in editorials. Opinions offered in signed columns, letters and articles are those of the writers and do not necessarily represent the opinions of the newspaper’s owner or management. We reserve the right to edit or reject any material submitted for publication.&#13;
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;■ WaterMark welconi^s your •: Letters to the Editoiv^til&#13;
I!&#13;
editing for content and 5; length. Let&amp;rsifehjdSl sent to:&#13;
0. Box;5336^1i®ll Orlando, |i|||||i||||&#13;
LETTERS TO THE EDITOR&#13;
I read with interest your article in Issue 1.02 entitled “Gayby Boom.” I’ve wanted children for 20 years! I’m not sure how to go about it. I am single, secure and mature. Plus my job allows plenty of time. Do you know of any database or groups or some way of getting people together like myself who want to have kids other than the conventional way? I’d like to know. Thanks.&#13;
Scot&#13;
We’re not aware of any groups like the one you	described, but we suggest you con-&#13;
tact GLCS at 425-4527 and post something with them. You may also want to use CompuWho (advertised in this issue) as a data source. Also take a look at our classified ads for a kindred spirit.&#13;
Editor&#13;
Thank you for sharing the story of our August 15 wedding. We both felt honored (and flattered) to appear on the front page story last issue. Gary Fowler did a terrific job putting that piece together. We really enjoyed doing the interview. What a&#13;
friendly and professional staff you have at Watermark!&#13;
After we saw the front page photo, however, we realized we had neglected to give credit to our wedding photographer. She did such a fantastic job and the photos came out great. If you need a photographer, for a wedding or otherwise, we recommend her to you: Astarita Art &amp; Photo.&#13;
One wonderful side aspect of the wedding was discovering the number of resources available within our community. For example, we registered for gifts at Scott Laurent Galleries in Winter Park. They welcomed our patronage.&#13;
Shelbie Press printed our wedding invitations. They made us feel completely relaxed and comfortable as we made our choices of paper, ink, etc. Where in the world would you go for same sex wedding invitations?&#13;
There are so many who helped make our wedding a success. To our family and friends, we thank you. And to those of you in our community who provided the much needed and appreciated services, thanks for being there.&#13;
(Mrs.) Carol Bartsch &amp; Kim Newton&#13;
Best wishes and remember to announce&#13;
your first anniversary with us.&#13;
Editor&#13;
Dear Miss O’Lay,&#13;
I want to let you know how much I enjoy your column. Your work gives Watermark balance. In fact, I did NOT appreciate the reader’s letter that appeared in Watermark assailing your column. I would like to tell that person to his face that he would NOT be able to write letters to Gay publications had it not been for the efforts of the people who frequented the Stonewall on that fateful night in 1969. What the Gay community does not need at the present time is divisiveness; what it DOES need is a more tolerant attitude... all for one and one for all... as well as a sense of humor.&#13;
I always believe in giving credit when credit is due. Keep up the good work!&#13;
Most Sincerely,&#13;
Jim C.&#13;
Miss O’Lay conveys her appreciation. She lives for her fans. If you would like an autographed 8x10 glossy, send $2 and a self-addressed scented envelope do this publication.&#13;
Editor&#13;
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WATERMARK / October 12,1994 11&#13;
VIEWPOINT&#13;
DONALD&#13;
by James A. Crescitelli&#13;
You never know whether or not the last time you see somebody is going to truly be the LAST time. We humans are blessed with brains and emotions and the capacity to love, but are nonetheless incapable of predicting the events in our lives.&#13;
Everybody had a best friend in high school, and mine was Donald. We debuted as gay teenagers in our senior year and immediately began sneaking off to the bars. We were young New Yorkers in the early ‘seventies, able to do anything, and the city was our oyster.&#13;
We thought we were the most enticing creatures on earth. Week after week, month after month, we posed and preened and drank innumberable gallons of white wine, all in pursuit of, hopefully, being noticed.&#13;
We rarely were. Glamorous and sophisticated as we appeared to one another, we invariably ended up on the subway with only each other, heading back to Brooklyn.&#13;
“There’s something wrong with us,” Donald said one night as we left the West Village. “We spend too much time with each other looking AT men instead of concentrating on looking FOR men.”&#13;
“Yeah, you’re right,” I yawned.&#13;
“People must think you and I are lovers, because we’re always together.”&#13;
“Yeah.”&#13;
It was true; we went to school together and cruised the clubs together; we had dinner with each other, went to Broadway, the movies, galleries...&#13;
“We’re lovers without the sex,” Donald&#13;
decided another time. “Right?”&#13;
I agreed, “Sad, isn’t it?”&#13;
The few times we did manage to meet somebody were when Donald or I found ourselves alone for a few minutes, usually when one of us had to use the restroom. Then the suitors would pounce - never the ones we wanted, but suitors nonetheless. They would all ask the same thing: “Is that&#13;
Glamorous and sophisticated as we appeared to one another, we invariably ended up on the subway with only each other, heading back to Brooklyn.&#13;
other guy your lover?” Donald and I would laugh about them on the phone the next morning, wondering how two handsome creatures like ourselves were constantly striking out on the field of love.&#13;
It went on like that for a few years, and then I moved to Florida. I read To Kill A Mockingbird and Gone with the Wind in eighth grade and decided “the South” was where I wanted to be; I vowed to one day relocate somewhere below the Mason-Dixon line. Nobody told me at the time that Orlando hardly brought to mind the kudzu-&#13;
covered South featured in those books, but I chose Orlando because I had a friend living there.&#13;
Donald was beside himself. He wanted to fold himself into my suitcase and come with me, but this was something I had to do alone.&#13;
We kept in touch and saw each other at Christmas when I would fly up to be with my family. We would drag out the yearbook and monopolize gatherings at friends’ homes with detailed analyses of our fellow graduates.&#13;
He would tell me how popular he had suddenly become, and I suppose it was the lack of my presence during his now-solo Saturday nights that persuaded him to test his wings.&#13;
And fly he did.&#13;
The last time I saw him was a year before he died, but I had spoken to him not two weeks prior to his entering the hospital. Our phone call had been the usual three-hour remembrance of things past, with updates thrown in for good measure. Donald had recently lost his mother, and he was&#13;
telling me how strange he felt and how much he missed her.&#13;
“It’s like she’s waiting for me,” he said, and I was chilled.&#13;
I heard through "..other friend that Donald had collapsed w home and had to be taken to the emergency room. A couple of frantic phone calls to his hospital bed went unanswered, and then, after two weeks, he was gone. I would never see him or talk to him again; I had had no idea our last telephone conversation was going to be just that.&#13;
Friends told me he went quickly. The news filtering back to me was heartbreaking: “He could hardly even write us notes.” “That hospital he was in had no idea how to treat AIDS patients.” “He didn’t have to die from pneumonia.”&#13;
I went up for the funeral, a crowded Irish affair, and saw the faces of friends, shocked, older. Did I look like that?&#13;
I’d known him for such a terribly short time. As I said, we never know.&#13;
And now I can finally say goodbye.&#13;
DON’T LOOK SO DYKEY&#13;
by Rosanne Sloan&#13;
“Don’t look so dykey,” I heard Donna say the day my picture was taken for the paper. “Don’t look so dykey,” she cried. But when I was growing up, no one told me I didn’t have to be a man to love a woman.&#13;
I was the neighborhood tomboy. No one messed around with me, boys or girls. If you were a part of my gang, no one bothered you either. By the time I was six, I had already promised Patty Arnold, with her blonde bologna curls, that we would get married, have two kids, and I would go to work and make lots of money. By eighth grade I had other girls fighting over taking care of my tree fort, making me heart-shaped angel food cakes and bandaging my scrapes. So many that I had forgotten about Patty.&#13;
This was a pivotal point in my “gay” life. (I didn’t consider myself a lesbian yet. I was too tough to be one of “those.”) It was eighth grade graduation from Our Lady of the Blessed Sacrament, and all the girls&#13;
were shopping with their mothers for pretty, white, Laura Ashley dresses. I told my mother under no circumstances would I wear one of “those.” I had to wear a skirt for school, but now I was going to wear what I wanted. So we went to Lord &amp; Taylor’s and bought a very nice, pleated, beige, three-piece suit. At graduation, I couldn’t help noticing that the other girls looked beautiful, and I was “handsome”. For one brief moment, with their eyes twinkling at me, I wondered if I could be more like them.&#13;
Had I had a role model like Amanda Bearse, perhaps I would have learned earlier than age 22 that is was okay for a woman to love another woman, and I, too, was a beautiful “lesbian.” It was along hard journey from that eighth grade of 1979 to the family gathering in the winter of 1986, yet some things seemed unchanged. I wished my breasts were bigger when the&#13;
waitress turned to my mother and said, “My, you have two handsome sons.” And my mother, darting daggers at me, silently screaming, “See. Why do you have to look so dykey?” I could hear Barbara Streisand as Yentl singing in my head, “Look how easily I fool them. They may have eyes, but they don’t see. They never really look at me. People are blind.”&#13;
My style was always the tailored look. I first justified this preference by calling it my Catholic-school-preppy look; later it was my androgynous look. Women seemed to like it - enough to fall in love with me -but then each would begin trying to change&#13;
.. .1 wished my breasts were bigger when the waitress turned to my mother and said, “My, you have two handsome sons. ”&#13;
me. It usually started with the length of my hair, then some make up, some nail polish, and finally, ultimately, “let’s get rid of these clothes!”&#13;
“Wait a minute!” I’d snap, “There’s the&#13;
front door, thank you - I like myself as I am.” Wasn’t it enough for them to love the woman I was in bed? The soft and tender girl longing to be loved in her satin boxers and ginny-t’s? Wasn’t it that person in pleated Gap pants, pocket T and worn penny loafers that captufSd'TTtew-atwnTWrr to begin with? I refused to deny what I was; a lesbian with a masculine flair.&#13;
Yes, indeed.. .a long, hard journey from the summer of 1979; yet some things have changed. My mother called this morning to tell me she has made an appointment for a family portrait. There is a stipulation, though. In her most authoritatively feminine voice she tells me not to dress “casual.” I know what she means by that.. .no manly attire. She waits for a fight but I don’t give her the satisfaction. Instead, I tell her not to worry, that I have the perfect outfit in mind; a one-piece dress with a vest, finished off with my pearls and small heels. Okay, the dress is pleated and the collar is tailored, but I like it that way. It’s my Catholic-school-preppy look. And my mother will think Donna has done wonders with me by making me quite the femme. The truth is, I can see the woman in me through Donna’s eyes, because she loves all of me, including the strength of my body, heart and mind. Every day I get to wear what I want. Why should this occasion be any different?&#13;
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WATERMARK / October 12,1994 12&#13;
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WATERMARK / October 12,1994 13&#13;
Members of the lesbian a cappella group, THE RHYTHM METHOD (plus one) at the Kickoff Fundraiser for the Orlando Gay Chorus: (clocwise from left) Michelle D’Arcy, Meladye Shively, April Gustetter, Rachael Hazen, and Marla VUbsson.&#13;
HARMONIC CONVERGENCE&#13;
Colorado’s The Rhythm Method&#13;
by April L. Gustetter&#13;
It was a rainy Saturday afternoon when four women from Denver, Colorado sat down to be interviewed before going to a soundcheck for their next gig. The kickoff fundraiser for the Orlando Gay Chorus’ musical season would soon be competing with the weather, but neither their harmony nor spirits would dampen. Later that night, they would stand under a tent as the heavens opened, singing a cappella to a modest but appreciative crowd. The lesbian a cappella singing group is The Rhythm Method (TRM), and if you missed them in person, pick up one of their CDs or cassettes at Out &amp; About - a unique and delightful sound (and a fun bunch o’ gals).&#13;
Like all good harmony, this group is made up of distinct voices. As one of three original members of TRM, Michelle D’Arcy began her musical journey in grade school, singing in the chorus and competing in performances with her french horn. Perky and petite with dark, bright eyes, she hails from a singing family, has sung all her life, and (yes) plays guitar.&#13;
Witty and outgoing, Marla Wasson is another original member. She is the daughter of barber shop quartet singers, and a sister among five siblings who, growing up, stood around the piano while her mother played. Originally a music major, Marla switched her academic direction to business .. .which has obviously come in handy being a singer. (Right.)&#13;
Meladye Shively is the third original member of the group, and another brought-up-on-music-guitar-playing gal. Meladye’s penchant for melody took her straight to voice lessons in high school (hated it) and, of course, the chorus. Meladye and Marla are life partners who chuckle when explaining how much togetherness that entails.&#13;
The last to join, but certainly not the least, Rachael Hazen revealed, “My very first solo was in second grade - I sang ‘Rocky Mountain High’ in my music class.’’ From there, she did the choir/chorus thing throughout her academic career,&#13;
and performed in as many productions as she could. Rachael writes and arranges many of the songs, and when she has hair, she’s the only blonde in the group.&#13;
When asked about the group’s name, all four members chattered at once. Rachael spoke above the others, “We all had the assignment of coming up with a name, so I went home and called one of my old girlfriends. We agreed that the name had to have something to do with sex, because if it didn’t it wouldn’t be marketable.” Apparently, by the exclamations of the others, this was a never-before-told version of the story, so we all listened with interest.&#13;
“She was in Maryland and I was in Colorado, so we both whipped out our copies of Our.Bodies and Ourselves, flipped through the book, and there it was....” Rachael trailed off, but Meladye piped in. “When Rachael came and told us what she and Kate thought of, I immediately liked it, because -1 didn’t even think about the sex thing -1 just loved it because it was like ‘pun intended’ - we’re a lesbian quartet, and I thought it was a great little left hook to all those Catholics!” Everyone roared in agreement, and the tone of the interview was set; even in conversation, they teamed up splendidly.&#13;
“We’re an a cappella-out-lesbian group, which I think makes us unique,” said Marla with a trace of defiance. “We’re right out there with our work. We don’t change pronouns, we write songs about girls and we sing songs about girls.” Asked about their beginnings, Meladye opened. “We all met in the Denver Women’s Chorus.We just kind of formed a friendship out of huddling together through that. Then we were at a party one time where Michelle had brought her guitar, and we all sat around and sang with her. We talked about what a ‘nice little blend we had,’ and ‘wasn’t this fun,’&#13;
Continued Page 21&#13;
When presented with an idea for a major Hollywood motion picture, one might question a film about a cross-dresser who is ‘‘the worst director of ail time.’* it does present possibilities to comment on Hollywood and die motion picture in- . dustry; the comic potential of an inept director is considerable, and such a film could even make an artistic statement about transvestism. Unfortunately, no such elements can be found in Tim Burton’s disappointing E# Wood, This film misses many of its golden opportunities, and instead finds itself bogged down by an uneventful screenplay fall of underdeveloped subplots and oae^imea-sional characters,&#13;
Ed Wood is the true life story of Edward D, Wood, Ir.t the man who brought us such sci-fi B-movie cult classics as Bride of the Monster and Orgy of the Dead, The movie starts with Wood as a fledgling playwright, whose cross-dressing tendencies interest him in directing a film about a half man/balf woman. Although Glen or Glenda . is a terrible flop, he is driven to make more movies, He meets and befriends horror film star Bela Lugosi and makes B-film after B-film attempting to resurrect Lugosi’s career and establish his own. As his works accumulate, we watch the framework for his most remembered work, Plan 9From Outer Space, take shape, In the process* Wood achieves his dream to act, direct, and star in his own work - just like his idol, Orson Welles, : "&#13;
The main problem in Ed Wood is the lack of depth of its title character, Indeed this Ed Wood is as much an anti-hero as the real Wood is the anti-Welles, Johnny Depp (looking like Ricky Ricardo on Ritalin) gives a funny, energetic and consistent performance, bat we never know what is going on under the surface of his optimistic grin and arching eyebrows. Wood undergoes no change in the film; he is neither a better person nor a better director by the film’s end. The movie tries to create a climactic plot point when Wood actually meets Orson Welles and is advised, “Visions are worth fighting for/* Wood’s visions aren’t.&#13;
:' The most enjoyable part of the film is Wood’s relationship with Bela Lugosi played to perfection by Martin Landau. At times his resemblance V to the real Lugosi is frightening. Landau gives a hilarious, off-color, and touching performance as die aging morphine-addicted former Dracula star, The one outstanding achievement of Ed Wood is that it manages to make Lugosi sympathetic, and it is he whoremains with us when the movie ends,&#13;
Tim Burton is probably the most logical di-&#13;
Continued Page 20&#13;
WATERMARK / October 12, 1994 14&#13;
ARTFUL LIVING&#13;
Rollins College&#13;
Annie&#13;
Russell&#13;
Theatre&#13;
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”63 Years of Theatre Excellence” The Mystery of Edwin Drood&#13;
OCTOBER 21,22, 26-30, 1994&#13;
OUR TOWN&#13;
DECEMBER 2, 3, 7-11,1994&#13;
Edward Villella&#13;
Miami City Ballet&#13;
JANUARY 13-14, 1995&#13;
wmterfest II&#13;
JANUARY 19-28, 1995&#13;
A Month in the Country&#13;
MARCH 10, 11, 15-19, 1995&#13;
Daniel Ezralow’s Heart Dances&#13;
APRIL 7-8, 1995&#13;
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APRIL 28, 29, MAY 3-7,1995&#13;
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PRISCILLA IS A BUS!: Last month I mentioned the soundtrack from The Adventures of Priscilla, Queen of the Desert. Last weekend in South Beach, I finally got to see the film. Priscilla is a road picture telling the tale of three drag queens making their way across the Australian outback. The acting (Terrence Stamp, Guy Pearce, and Hugo Weaver) and the direction (Stephan Elliott) represent the finest in Australia’s hot new cinema. A big improvement over the days of Crocodile Dundee and the like. The drag routines are excellent, with “I Will Survive” and “Finally” being the standouts. More important, this film offers us character development and presents the leads as people with feelings. It’s really not the campy, comedic send up you might expect. There is a well fleshed-out story involving homophobia, several sub-plots, and most of all, lot’s of heart. The film does drag however (pun intended) in parts and there were moments when I secretly hoped Keanu Reeves and Sandra Bullock would hop on this bus and give Priscilla some Speed. In the end, Priscilla has dignity, is lot’s of fun, and is well worth the trip.&#13;
TRUE ROMANCE: A dear friend gave me the newest Miguel Bose release “Bajo el Signo de Cain” and it turned out to be a lovely deja vu experience. I first heard this CD blasting in a crowded black jeep while speeding and laughing through the streets of Manhattan en route to the Streisand concert back in July. What a gas to return to Orlando and be reacquainted with this wonderful, upbeat music through the kindness of a friend. Bose is starting to gain more attention in the U.S. (partially due to his pretty-boy looks.. .check out the photo on the back of the CD) and it’s about time. OK, I don’t speak fluent Spanish, and I don’t understand the lyrics, but for some reason I just don’t care and I can’t stop listening. Give Bose a listen and you’ll understand exactly what I mean.&#13;
SINEAD ON HEADPHONES: Sinead O’Connor’s new release “Universal Mother” recently hit the record stores. Not as commercially accessible as her popular “I Do Not Want What I Haven’t Got” nor as funky as her debut “Lion and the Cobra,” but there is a purity and passion in this collection of songs. After reading the liner notes on the CD, I took Sinead’s advice and listened on headphones and let the CD play in its entirety. Back-to-back are a cover of Kurt Cobain’s plaintive “All Apologies” and O’Connor’s own desperate “A Perfect Indian.” Definitely not for the suicidal. There is a song written and performed by O’Connor’s eight-year-old son, Jake, “Am I a Human?”.. .not to worry, it’s less than a minute long. The outstanding cut “Scorn Not His Simplicity” is a maternal plea for understanding and represents some of this accomplished and controversial artist’s best work ever. If you’re a Sinead fan, you’ll enjoy this new release.&#13;
KEEP EATING AND EATING...at Thornton Park Cafe, since it reopened not too long ago. Good food and outstanding service in our very own favorite neighborhood. The salmon special (soon to be added to the menu) was delicious. Lunch and Sunday brunch are lot’s of fun, too! Drop by. You can even pick up a copy of	!&#13;
IN REVIEW&#13;
EAT WI RO&#13;
by Rosanne Sloan&#13;
Moorefield’s&#13;
123 S. Orange Avenue • Orlando 872-6960&#13;
There are no words to describe the exquisite, individually prepared dishes at Moorefield’s. Suffice it to say, this is gourmet dining at its best. Margaret Moorefield (yes, there is really a Moorefield) is the owner and executive chef; her life partner, Kara Pritchett, is the hostess, one of the servers, and accountant. Together, their passion for their restaurant comes alive as the meal and good conversation grows throughout the dining experience. But a great mystery exists here.. .a whispered question: Why don’t they associate themselves more with the gay community?&#13;
After getting lost for nearly an hour (I haven’t mastered the south and north ends of Orlando’s streets yet), my partner, Donna, and I were ravenous. On arrival, Kara escorted us to our table, where my eye caught a glimpse of one of the paintings; a larger-than-life sized picture of a naked man, seemingly erect, with wings soaring through the air. Moorefield’s is fronted by floor-to-ceiling windows, and watching the expressions of passersby is high entertainment. Normally they stop only to gawk. Their loss. We were there to dine.&#13;
We began our meal with the homemade toasted garlic Gnocchi with garlic sauce. The appetizer was delicately decorated with shredded carrots and red pepper. Margaret’s Southwestern flair doesn’t stop there. Donna ordered the pan-seared Alaskan&#13;
Moorefield’s accepts all major credit cards. Open 11:30A-2:30PT-F, Dinner 6-10P T-Th / 6-12P F-S. Beer and wine available. Handicap friend^.&#13;
	Theatre Review by Dimitri Toscas&#13;
	NIGHTCLUB CANTATA&#13;
%jr&gt;	SecondStage, Civic Theatre of Central Florida *&#13;
	&#13;
Salmon with a Habanero (pepper) lime butter, and a yellow tomato salsa. This artistic plate was complemented by thin slices of boiled potato and shredded lemon peel I had the Hickory smoked Jamaican Jerk pork loin with Poblano barbecue sauce. My dish was completed with a wonderful carrot-corn bread and potato black bean cake. Donna delved into the walnut cheesecake torte and lost herself totally. Tempted by her moaning, I tried a bite. Never have I tasted a dessert so delicious. It made my conservative apple cobbler seem disappointing, which it wasn’t.&#13;
Moorefield’s is a taste of heaven lost in a community with uneducated palates. Moorefield’s is not just about fabulous food but about two women struggling to survive. During the course of the evening, Kara pulled a chair over like an old friend and filled us in. While Margaret Moorefield is humble about her talent, wearing a traditional chef’s outfit and checking the dining area periodically, Kara is the energy of the establishment. That energy has an undertone of anger. We learned they felt abandoned by the gay and lesbian community. Unfortunately, they didn’t advertise with the community when they first opened, and now their funds are limited. They want their business to thrive in Orlando and within the gay community. And so do we. Rosey’s Rating: ★★★★★/GGG.&#13;
Civic Theatre’s SecondStage steals the spotlight again. Nightclub Cantata is this Fall’s finest theatrical offering so far. It’s passionate, bizarre, intense, personal, genuine .. .in short, nothing less than poetic.&#13;
Elizabeth Swados (who conceived and composed the show) creates a space between two intense poems (written by Nazim Hikmet), then fills it with horror, awe, and struggle. Hikmet’s poetry acts like prison walls, isolating, oppressing, and holding a small band of performers captive.&#13;
Between these walls, they fight for survival, understanding, equality, and acceptance. They also fight for love. Ultimately, they fight to live life to its fullest.&#13;
Expressing themselves through poems set to music, improvised sounds and words, dance and movement, the performers work as a seamless ensemble. Each one deserves to be mentioned by name:&#13;
Angela Sparks works with real attitude and honesty; Anthony Joseph Killeen taps internal anger and personal struggle. Together, they create one of the show’s most intense moments, “Dibarti,” a poem that echoes conflict, hatred, and disappointment.&#13;
Rosemary Marston is earthy, and her deep desire brings “The Dance” to light, making it a sad and exhilarating cry for life.&#13;
Ernest White drives “Adolescents” into the heart with his simple, honest reflections of growing up. Nothing over-the-top here; just hard, isolated truths.&#13;
Will Braun’s impish playfulness is suddenly the knife that stabs the audience at the end of “In Dreams Begin Responsibilities,” a scene staged brilliantly by director Robin Jensen.&#13;
John Bosman, Darla Walker, Angela and Anthony make “Ventriloquist and Dummy” a bizarre expression of relationship, and the fight for equality that threatens most couples.&#13;
Wilton “De Vonn” Baker creates an echoing and moving ode “To The Harbormaster.” Nightclub Cantata works like “performance art.” It is deep and profound, and each person on stage clearly contributes by using their own experiences as an instrument of expression. Their voices join to make one loud cry...the fullness of life that they entreat. Truly, a talented cast.&#13;
Jensen’s direction of Cantata is uncom-&#13;
plicated and direct, letting the words and songs do the work. The lighting and set are minimal but dramatic. The whole space of SecondStage is used effectively.&#13;
Through poetry and songs we move from captivity to freedom, until our one desire is to dance in the sand and move with the cast into a space of rejoicing and light.&#13;
Bravi! Bravi! - to an ensemble that is natural, honest, interesting, and endearing.&#13;
Nightclub Cantata runs through Oct. 16. Tickets $12. Call (407) 896-7365for reservations.&#13;
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What started out In 1978 as a march in support of gay and lesbian | solidarity, a southern hemisphere&#13;
world’s biggest, boldest, bawdiest parties. The Sydney Gay Mardi Gras is a unique and wonderful celebra-§ turn; a time and place where the gay community can proudly proclaim its unity, while at die same time displaying and celebrating its tremendous diversity. Not to mention that special ability to design some bitchuT costumes!&#13;
That first march, on June 24,&#13;
1978, ended in a street dot and con-| frontationwith Sydney police. It was born of anger and a need to raise consciousness regarding discrimination against gays. How times have . changed. The annual event now&#13;
! k widely regarded as the b&amp;d annual;.: gay event in the world.&#13;
Sydney Qay Mardi Gras is by no- j means a one day event. The parade&#13;
|| The 1994 festival, largest to date, presented some 11 feature films, 21 visual artists, and a constant variety Ifdf theater.. musical and culmral forums, A highlight was the first ||p|bli|;p| Gay Comedy Festival, llll^fihg: nine headline comics,' ||f| :jviardi Parade is the highlight of the celebration, The annual nighttime extravaganza is something to behold, as 800,000 (1) spectators line miles of Sydney streets to demonstrate support and share in “family fun.”&#13;
M ARHKf.RA^&#13;
Down Under&#13;
by Stephen De Mels&#13;
watching TV and eating junk food. Also drawing hoots of laughter were J the well-defined hunks pulling a rather large Queen Elizabeth, stating “All the Old Girl needed was to be steered in the right direction/* Leading the parade each year are the “Mardi Gras Boys * This year the energetic group of 150, dressed in bunny ears and bow ties and very little else, danced the whole length of the huge parade in frenzied formation. The ‘‘Boys” include lawyers, accountants, corporate executives, and lots and lots of flight attendants. In fact, the Mardi Gras Boys have become so popular that they are now chosen in auditions. But few are turned away, Sydney Gay Mardi Gras is a celebration of inclusion, and last year’s “Boys” included a 17-year-old and a 64-year-old. Their joy and enthusiasm . make them all beautiful.&#13;
Ill The 1994 brought new participants to Mardi Gras, Hawaii sent a group, and the gay .and. lesbian community j from Tasmania was represented for the first time. Other notable floats included: the Sisters of Perpetual In-dulgenee; Madonaarama, featuring some 30 Madonna wannabes;&#13;
| Sydney ^s leather and “Bear* communities, out in full force (forgive die pun); and die most lively entry, tie Syndey Bootscooters, the Australian line dance group who “bootscooted" die whole parade in denim and silver lame. Major style points!&#13;
There are Mardi Gras celebrations 1 all over the world, each with a spe^J cial message. Sydney’s message has been a long time In the making: “We are Family, and the colors of our rainbow are diverse and bright," The only thing missing from Sydney Mardi Gras is a group from Central Florida, but an adventurous group is already talking about rectifying this problem. Who better to spread hospitality and good cheer! You too could be a part of the biggest celebration of Gay Pride in the world... the 1995 Sydney Gay Mardi Gras.&#13;
Pot aftee video oh the Sydney Gay Mardi Gras, call (407) £57-5(535.;&#13;
In fact, the parade is so fun, so outrageous, it’s easy to overlook the serious political messages being conveyed. Gay Catholics sought acceptance from their church with their float of open arms. Volunteers&#13;
attention to their 47,000 hours of care provided to Sydney PWAs.&#13;
1 My favorite was a group called “Sisterhood of Sit;” self-proclaimed gay and lesbian couch-potatoes who&#13;
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The director. Johanne von SnottW- ^	her of „„ avail. She. n ^ ^	{igure&#13;
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v	Tt's free and a lot less hassle!&#13;
■ , r M G.: next time, take the bus home. It P.S. Confidential to •	...-&#13;
5TREAM&#13;
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T JohfPWayne Bobbit...you know the name.. .has/is/will make a porno movie. He says he’s doing it to prove to the public that his equipment works. We assume he’s donating the proceeds to charity.. .or perhaps N.O.W.? Anyway, we know somebody had a lot of fun picking the name for this instant classic... ScarfaceII and Frankenweenie come to mind. No doubt it will be released in two parts. Regardless, we want to see it and we won’t apologize. We live in a sick culture, and we’re going to take advantage of it.&#13;
▼	Speaking of equipment that doesn’t work...the new fountain at Lake Eola. It was up and running for a few weeks, most often malfunctioning (and a pathetic sight it is, a fountain dribbling water as if out of the side of its mouth...all very Freudian). But it’s been dormant...impotent, really ...for months. Well, a month. Is anyone working on this? And what happened to the musical trees and bushes? It was hokey, but we liked it. Lake Eola is still a great park, even if no one uses the new part.&#13;
▼	You know how we all have sections of the paper that we always read? Well, we just stopped reading Ann Landers.. .just cut her out of our morning routine, and believe me, these routines are not given up cavalierly. Just lost interest...in the problems...in the answers (“Consult a doctor/gynecologist/clergy/counselor”) ...waste of time. Does this mean Ann is getting tired, or that we’re just losing interest in life (and should therefore consult a doctor/gynecologist/clergy/counselor)?&#13;
T We’ve never sampled the stuff, but we sure think Fruitopia is a great product name. Should we steal it as the theme for gay politics, as in “We seek nothing short of...”&#13;
▼	Barney Frank is running unopposed. T While on the subject of politics, a third U. S. Congressman has come out of the closet...sort of. Rep. Steve Gunderson (D- Wisconsin) never actually told the Advocate that he’s gay but his companion did, offering photos of them together as well. This after Rep. Robert Dornan (R-California)...hate him with us, won’t you?...stated during House debate that Gunderson had a “revolving door on his closet.”&#13;
*£ANiSI*iS &amp; "UNATIONjS&#13;
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Mark Lawhon is certified by the American Federation of % Astrologers, and is available for consultations by calling 407-894-1506.&#13;
Mercury rules communications of all sorts. It also affects delivery of communications such as mail, phone calls and messages. Approximately four times a year, Mercury stops motion .. .you can imagine the consequences. Evaluate new projects or documents carefully before proceeding; avoid them if possible. Fixed signs...Taurus, Leo, Scorpio and Aquarius, are particularly hard hit this phase (which runs from 10/10 to 10/ 31), but everyone should use caution. Some additional general advice from your friendly astrologer: plan travel carefully and drive cautiously. You got it.. .travel is also ruled by Mercury.&#13;
ARIES (Mar 21-Apr 19): Fall is in the air and the New Moon on Oct. 19 opens doors for you. Have fun doing the things you love most. Be prepared for fireworks on the 24th, when you’ll have more sexual electricity than Con Ed.&#13;
TAURUS (Apr 20-May 20): This coming month is an excellent time to clean out the crap.. .the “old tapes”.. .lingering from childhood. A check up is also in order to nip any bugs. Don’t think about moving right now, and avoid the legally binding.&#13;
GEMINI (May 21-Jun 20): Mercury rules Gemini, and he’s in retrograde most of the month. Not a good time for heart-to-hearts. Consider delaying plans for entertaining. Instead, spend your time productively, possibly with a friend who needs a hand. But avoid lending that hand financially.&#13;
CANCER (Jun 21-Jul 22): Relationships may seem determined by fate right now. What’s worked in the past may bring unexpected and undesired results. Go ahead with that relocation, but not until next month. A well deserved financial reward is possible.&#13;
LEO (Jul 23-Aug 22): Lingering annoyances.. .that troubling, pervasive “life stuff’ you’ve been dealing with...may come crashing in on you. Common sense will see you through. Is work fulfilling? You may want to consider additional training or education. Expect confusion. Finances will improve next month.&#13;
VIRGO (Aug 23-Sep 22): A grandparent may need your help and time. Good thing. Money’s been flying out of your wallet; now is a good time to curtail frivolous spending. And brace yourself for that Visa or MasterCard statement.&#13;
LIBRA (Sep 23-Oct 23): Spending a lot of time trying to impress a new partner? Turn the spotlight 180 degrees this month and enjoy all the attention. Seek out mutual friends, and don’t&#13;
let well-meaning parents tell you who to hang out with.&#13;
SCORPIO (Oct 24-Nov 21): Focus on career matters this month.. .and little else. Opportunity is knocking. In particular, take a look at what you get, and what you need, from your superiors. Your pet may be a particular nuisance this month. Watch your words, too.. .that Mercury thing.&#13;
SAGITTARIUS (Nov 22-Dec 21): A friend may need your help. In the process, a new friend may materialize. Intrigued? Home seems real confining, but beware of spending too much on diversions. Contracts are favorably aspected, but wait ‘til next month to finalize.&#13;
CAPRICORN (Dec 22-Jan 19): You’re irritated...both at home and at work. Even your relationship is being tested this month. The good news is that if there is no relationship, this is a good time to go out and find one. It’ll be fresh, fun, and too new to be adversely affected.&#13;
AQUARIUS (Jan 20-Febl8): Much uncertainty surrounding your employment situation. You’re underappreciated. Confusion and even deception come from an unexpected source. Seek support from someone who knows how to deal with children; that’s exactly how your boss is acting.&#13;
PISCES (Feb 19-Mar 20): Work is good.. .better than its been for a long while. This is good, because you’ll need to direct energy toward relationships. A karmic link seeks your subconscious recognition and conscious action. Go for it. And plan ahead...next month Mars enters your house of relationships and the late night fires will be burning.&#13;
TT/1 1 L/I\lTim\l\ / UVIWUV1 14*, l S s-r&#13;
1U&#13;
OUR CULTURE&#13;
FLORIDA'S DISTINCTIVE GAY AND LESBIAN PUBLICATION&#13;
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SUNDAY, OCTOBER 23,1994 THE ENZIAN • MAITLAND&#13;
A Benefit for G.L.C.S., P-FLAG, &amp; G.LP.CI.&#13;
Reception 2:00 PM	Movie 2:45 PM&#13;
Reserved Corporate Tobies 2 Person-$20, 4 Person-$40&#13;
Call Chris at (407) 298-7747 for tickets or tables&#13;
THE'&#13;
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Lewis Routh’s outrageous Whores of a Different Color returns to Orlando after a five year hiatus. The off-beat comedy played to packed houses at the Parliament House last time around, and in fact, the play is set on the Parliament House stage, as six gay actors rehearse a play based on a Greek myth about male/male love. According to Routh, the play is a “fun-filled romp that still packs a punch with its message.” Tickets are on sale now and limited to 100 seats per performance. Opening night, Thu. Oct. 13, will be a benefit for Gay &amp; Lesbian Community Services. For more information, call (407) 521-8134.&#13;
Jett Canary and Drew Davenport from Whores.&#13;
1 - . ,-.1&#13;
▼	Power and Glitter, a Fundraiser for the “No On fl” Coalition, will be held at the Scott Laurent Galleries (what would we do without you guys!) on Park Avenue in Winter Park on Friday, October 14, from 7:30 to 9:30 PM. Proceeds will be used to help our friends in Alachua County defeat discriminatory ballot measures (see story, p. 3). Art, live music and hors d’oeuvres will be offered. Tickets are $30 per person, $50 per couple. RSVP to (407) 297-8518.&#13;
▼	Theatre UCF presents The Kentucky Cycle, the first half of Robert Schenkkan’s renowned sweeping epic of three families in eastern Kentucky spanning 200 years of American history. Cycle will be presented this week and next, Thu-Sun. Call (407) 823-1500 for tickets or more information.&#13;
▼	The Destiny off Me continues at The Acting Studio through Sunday, Oct. 16. Destiny is Larry Kramer’s 1993 Obie Award-winning sequel to his earlier AIDS play, The Normal Heart. Tickets are $12; seniors and students $10. Call (407) 425-2281 for tickets.&#13;
T “Florida’s Freshest Fruit,” The Improbabilities, continue to offer their hilarious gay and lesbian improvisational comedy at the Eola Theatre, 17 Wall St. Plaza, Thursday Oct. 20 and 27, at 8:30 PM. Tickets are just $5. Call (407) 521-7499 for more info. Make a night of it and have dinner at MoOieffielllfS (see restaurant review this issue) before the show.&#13;
T The Annie Russell Theatre at Rollins College will open their ’94-95 season with The Mystery of Edwin Drood, an English music hall version of an unfinished Dickens melodrama. Drood will play from Oct.21-30. For information about tickets and performances, phone (407) 646-2145. Also, Academy Award-winning actress Olympia Dukakis makes a public appearance at Rollins College, Saturday, October 22, in a “Community Conversation.”The program begins at 2:30 PM in the Bush Auditorium, Bush Science Center.&#13;
▼	TCN will hold their annual HallOWCCn (impout from Fri., Oct. 28 thru Sun. Oct. 30 at Salt Springs Campground in the Ocala Forest. Facilities accomodate campers, pop-ups, RVs, tents, etc. Sites are $12 and can accomodate up to 5. Boat ramps, canoes, pontoon boats and lots of beautiful scenery and women will be there. Call Nan (she’ll be in The Westphalia) for more information.&#13;
V GLCS sponsors their first annual GAY-TOWEEN, Sun. Oct 30, at the Orlando Marriott Downtown (formerly the Omni). There will be a cash bar, a raffle, and a costume contest. Festivities begin at 8 PM. Admission is $25 for members, $30 for non-members, and $35 at the door. Call (407) 425-4527 for tickets or more information.&#13;
y glcs will sponsor “I’m Coming Out,” a Symposium ffov African American Gays in Orlando, on Friday, November 4, from 6-10 pm at the GLCS Center. The symposium is free, and is specially designed for those 18-25. Music, refreshments, and games will be offered, and the film Paris is Burning will be shown. RSVP by Oct. 28 at (407) 425-4527.&#13;
y	“Puttin’ On The Ritz,” is the theme for Willow's annual Black &amp; White&#13;
Ball to be held on Saturday, November 19 at the Pine Meadows Country Club in Eustis. Tickets are $35. For reservations call Terry (407) 865-5972, or Peppy (904) 383-0928.&#13;
y	Parents FLAG, Delta Youth Alliance (DYA), and the Rainbow Democratic Club (RDC)&#13;
are selling a new and expanded 1995 Entertainment Coupon Book.&#13;
This year’s book contains hundreds of coupons offering savings of up to 50% off purchases at restaurants, businesses, and entertainment outlets. Coupon books are only $30. Many who purchased books last year claim huge savings. Proceeds can be designated for the organization of your choice. To place an order call Allene Baus at (407) 896-0689, or send your check for $32 to: “Coupon Book,” P.O. Box 141312, Orlando FL 32814-1312.&#13;
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WATERMARK / October 12, 1994	19&#13;
OUR CULTURE&#13;
13	B	14		15	••	16		17	1	18		19&#13;
RAINBOW	l $•	“NO ON 1”	1	ORLANDO GAY	1	JOY MCC		DELTA YOUTH		O.B.B.A. Orlando’s		FAMILY VALUES.&#13;
CONNECTION.	1	COALITION	m	CHORUS. See Local		WORSHIP		ALLIANCE.		largest gay &amp; lesbian		Gay &amp; lesbian radio&#13;
Group for teens &amp;		FUNDRAISER. See		Color, p. 18.	|	SERVICES.		See Oct. 24.		bowling league. 9 PM.		on 91.5 FM. Talk,&#13;
young adults from 18-	M	Local Color, p. 18.			1	10:30 AM &amp; 7:15 PM.				644-2244.		music, news, inter-&#13;
25. GLCS at 7:30 PM.				ORLANDO		894-1081.		ORLANDO				views, community&#13;
425-7450.		THEATRE		FRONTRUNNERS.				FRONTRUNNERS.		UCF GLBSU		events. 8-9 PM. 646-&#13;
		SELECTIONS.		9 AM. See Oct. 3.				See Oct. 19.		MEETING. Phillips		2398.&#13;
LUCKY LADIES		• Destiny of Me								Hall, Room 218. 9PM.		i&#13;
BOWLING. Fair		• Nightclub Cantata		GLBL. Bowling at				RAINBOW		648-0057.		ORLANDO&#13;
Lanes Indian Hills.		• Whores of a Different		Fair Lanes Indian				DEMOCRATIC				FRONTRUNNERS.&#13;
6:30 PM. 293-8849.		Color		Hills. 831-7171.				CLUB. Orlando				Meet at the red pagoda&#13;
		• The Kentucky Cycle						Library. 7 PM.				at Lake Eola.&#13;
WHORES. See								236-9476.				6:30 PM. 857-18777.&#13;
Local Color, p. 18.												&#13;
THR		FRI		SAT		SUN	:	MON		TUE		WED&#13;
												&#13;
20		21	I	22		23		24		25		26&#13;
THE		THEATRE		ORLANDO		PRISCILLA		GAYSKATE.		UCF GLBSU		FAMILY VALUES.&#13;
IMPROVABILITIES.		SELECTIONS.		FRONTRUNNERS.		FUNDRAISER FOR		Semoran Skateway in		MEETING.		See Oct. 19.&#13;
Eola Theatre. 8:30 PM.		• Kismet.		9 AM. See Oct. 19.		GLCS, P-FLAG,		Fern Park. 9:15 PM.		See Oct. 18.		&#13;
521-7499.		• The Mystery of				GLPCI. See Local		425-4527.				ORLANDO&#13;
		Edwin Drood.		BOWLING.		Color.				BOWLING.		FRONTRUNNERS.&#13;
LADIES BOWLING.		• The Kentucky Cycle.		See Oct. 15.				DELTA YOUTH		See Oct. 18.		7:30 PM. See Oct. 19.&#13;
See Oct. 13,						JOY MCC.		ALLIANCE. Support				i&#13;
				LCN MOVIE		See Oct. 16.		group for gay, lesbian				P-FLAG MEETING.&#13;
RAINBOW				NIGHT. Unitarian				&amp; bisexual youth				Downtown Orlando&#13;
CONNECTION.				Church. 7 PM.				under 22.6 PM.				location. 7 PM.&#13;
See Oct. 13.				831-2971.				236-9415.				236-9177.&#13;
								ORLANDO				\&#13;
								FRONTRUNNERS.				&#13;
								6:30 PM. See Oct. 19.				&#13;
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WATERMARK / October 12,1994 20&#13;
MARKETPLACE&#13;
Book Review by Harmony Brenner&#13;
SKIN: TALKING ABOUT SEX, CLASS &amp; LITERATURE&#13;
Dorothy Allison’s Skin: Talking About Sex, Class &amp; Literature is a provocative collection of essays, true-to-life monologues, and literary experiments that thoroughly titillate, anger, frighten, and sadden - sometimes all in the same paragraph.&#13;
Dorothy Allison is an eminently talented lesbian writer. Her previous novel, Bastard Out of Carolina, was a 1992 National Book Award Finalist in Fiction. Her first novel, Trash, won the 1989 double Lambda Literary Award for Lesbian Fiction and Small Press Book. Allison has also authored a powerful volume of poetry called The Women Who Hate Me, Poetry: 1980-1990.&#13;
Allison’s writing is like a dense dessert after a light meal; it is rich and substantial. Allison revisits some of her most defining experiences with a total lack of self-contempt or sentimentality. Her hard-boiled examination of self and others makes for enjoyable reading. But there is also a sense of voyeurism as one shares the forays, foibles, and significant suffering unique to a lesbian’s life path. Allison relies heavily on black humor and storytelling tones to keep the shy reader interested and the curious reader satisfied.&#13;
In Skin, Allison has revised and extracted from several exceptional articles that appeared in such periodicals as The New York Native and The Village Voice, and from a few of her celebrated speeches.&#13;
Allison’s most identifiable writing trademarks include questioning the values and mores of self and peers, as well as threading a common chord of suspense throughout all her work. These traits abound throughout Skin. Allison uses her thoughtful commentary, interwoven with undetectable revisionist hindsight, to provide a memorable collection of intellectual exploration, sexual discovery, and literary analysis within a lesbian context.&#13;
Her essay topics range from a near-mugging in New York to her personal thoughts and feelings on writing seminars she attended. The most memorable and insightful group of essays concern sexuality. Allison insists on confronting her discomfort, her desires, and her unanswered questions about sexuality head-on in essays such as “Femme” and “Sex Talk.” Allison develops other topics as well, but as the book’s title indicates, her major forums are sex, class, and literature.&#13;
While there are many popular lesbian writers, Allison leads the small pack of genuine literary contributors who reveal the life experiences of lesbians in a realistic, unromanticized context. Allison herself seems in transition from an oppressed point of origin to an almost boundless destination. Her ability to plant intellectual roots into the barren soil that was her family of origin is truly inspiring. Her earlier works evince a highly abusive and dysfunctional childhood, including incest, poverty, and daily violence. Skin is no exception. Between the lines, Allison processes her pain, relives her fear, and incorporates her shattered child self into the relative sanctuary of her adult life.&#13;
While I enjoyed Skin thoroughly, I would hesitate to recommend it to the recreational reader who is seeking escapist fiction. It is too confrontative for that purpose. However, for those in pursuit of intellectual, spiritual and social challenge, Dorothy Allison’s Skin will stir you up like a hot cup of coffee.&#13;
ED WOOD&#13;
From Page 13&#13;
rector to bring Wood’s story to the screen. In his past works {Beetlejuice, Edward Scissorhands, The Nightmare Before Christmas), there are always driving elements of the supernatural, the skewed, and the downright odd. He is in many respects a modern-day Ed Wood himself. His strength is in making us feel for characters whom we would otherwise pity, dislike, or even avoid. He has a very fine flair for humor; the many laughs which can be found in Ed Wood are neither contrived nor forced. His opening title sequence is superb, and his authenticity in recreating Wood’s original work is brilliant.&#13;
However, Burton’s direction is a beautiful welcome mat to an empty house. Perhaps the film is too true-to-life and could have benefited from some fictionalization. A more engrossing film could have been told from Lugosi’s viewpoint. In any case, Ed Wood fails to capture the “genius” behind the man who is still remembered to this day for his worse-than-mediocre work. The irony of this all is that like Wood’s films, Ed Wood will most likely live on to be shown at sci-fi conventions for decades to come, even after it has been forgotten by the general public. Burton ‘s better work should live so long.&#13;
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THE RHYTHM METHOD&#13;
From Page 13&#13;
so we started doing talent shows at Denver Women’s Chorus retreats. The second year that we did the talent show, we thought, ‘wouldn’t it be nice to have someone sing the base part,’ and we all thought of Rachael, who (we later found out) was hoping we’d ask her.” Rachael had also been with the Denver Women’s Chorus on the support staff.&#13;
TRM didn’t want to be just another singing-guitar-play-ing-all-female group. “Actually,” Marla spoke up, “we started singing a cappella, and it seems to fit who we are. It was easy for us to show up at a gig and sing.. .no tracks, no drums, just stand up and sing.”&#13;
“And,” Rachael added, “there’s a lot about a cappella that’s pure music. You can cover up a lot in a chorus and with a band, but there’s something that’s right on with a cappella that you have to be devoted to.”&#13;
“And the challenge is me,” Meladye included. “I’m challenging myself and having to work with the other members of the group to sing as a unit with no place to hide - that’s the real challenge.”&#13;
There’s a line in one of TRM' songs that says, “singin’ ‘bout boys only gets us down.” When asked whether they get negative reactions to such exclusive lesbian statements, Meladye stated, “The song, for me, is couched in the context of a lover relationship - this is who I am, this is what I do - I’m not going to sing as if I were a man singing about a woman so that the community-at-large finds it appropriate. It’s not that we’re saying we don’t like boys, it’s just that we’re not going to pretend to be them to have our songs accepted.&#13;
“In fact, we have to say that the men’s community has been incredibly supportive of our efforts, both in Denver and in other areas. In some cases, more so than the women.” Feeling prompted to offer a theory behind that, Rachael said, “I think the guys enjoy camp, and a lot of what we do on stage is a little off. We try to screw things up a bit with lyrics or what we do, and I think the men like that show stuff.”&#13;
We turned to the topic of lesbian artists who are doing the mainstream thing, rather than addressing the lesbian audience. Rachael took the lead. “We have a lot of pride, both in ourselves individually and as a group. We’re out at work and our home lives, and we’re out as a group. We don’t want to sing in venues that don’t want to host us and we are proud to stand up and say we’re lesbians, rather than ‘we know you know but we’re not going to say it.’”&#13;
“And if you want to go mainstream and be known nationally, you almost have to sing songs that don’t talk about anybody specifically or that talk about the opposite sex...” added Marla quickly. Rachael noted, “Tracy Chapman and Melissa Etheridge were pioneers of the generic ‘you’ gender-not-specific lyric.”&#13;
“I support people doing what they think is right for themselves and their careers,” Meladye interjected. “I’m really glad to see people like Melissa and k. d. lang stepping out and saying that they’re lesbians, but doing it in their own personal time, when it’s right for them.&#13;
“As for this group, we made a decision a long time ago, before we ever embarked on what we’re doing right now, about who we’d play to, who our community is, who we want to be. We are out lesbians playing to the gay community and we don’t care about being mainstream artists. We’re doing what we want to do now.”&#13;
When the question of profit motives arose, TRM answered on one solid note. “Take a poll: girls, has it ever been about profit?” Marla asked.&#13;
“No, never,” they answered in unison. “We just want to cover our expenses and have a good time.”&#13;
“Lot’s of people dream about what we’re able to do, and here we are in Florida, having a great time,” Marla said, looking at the rain while we all laughed.&#13;
But then the less humorous topic of Colorado’s Amendment 2 came up. [Amendment 2 repeals existing laws and makes further laws that would protect gays and lesbians from discrimination illegal.] Discussing the impact of the political struggle, Rachael delivered the group’s harmonized sentiment. “We’ve helped,” she began, “through fundraisers and rallies where we’ve gladly performed pro bono. We feel good about what we’ve been able to give.”&#13;
In the future, TRM hopes to get more of their own original music out, “and possibly come up with a new CD of our own,” Marla said. She added that while the current CD has but three original pieces, only one is not an original ar-. rangement. “No one else arranges music for a cappella.”&#13;
As we positioned to leave, Marla sat up straight, sending her forefinger out into the air as if to tap a bell. “I have something to add,” she announced. “There are so many things about the gay and lesbian community that the straight media picks up and personifies as evil. I think it’s important that the gay and lesbian chorus movement and positive music is somehow featured, not only in our own media, but in the media-at-large. And the longer that groups like the Orlando Gay Chorus are around, the better it is for our image as a whole community.”&#13;
WATERMARK / October 12,1994 22&#13;
SPORTS&#13;
It isn’t that I’m out of shape. I exercise as much as I can, which means I sometimes put on girl-group records from the ‘sixties and dance around the house.&#13;
So why do my friends suggest - often -that my lover Kirk and I join the Frontrunners, Orlando’s gay running/walking/biking group? We finally succumbed.&#13;
I was amazed at the number of people who thronged at the Pagoda at Lake Eola. Group leaders arranged about fifty of us in a giant circle on the grass. My heart pounded (is that aerobic?); we were people! Actually, we just introduced ourselves and answered a question: What TV family would we want to be part of?&#13;
I answered The Donna Reed Show and got a laugh. This group dynamic exercise is useful. Now I knew the name of the guy in the black biking shorts.&#13;
We separated into preferred activities-running, walking or biking- and we were off. The runners were soon dots in the distance, yet we walkers marched resolutely ahead. I fixed my sight on the black biking shorts and forged onward, Kirk in tow.&#13;
I expected a liesurely stroll around Lake Eola; gossip and swan boats. Hardly. We soon left the park for Rosalind Avenue, and headed south, under the East-West Expressway, past the old Dr. Phillips house, around Lake Lucerne, which is really beautiful at night, and up busy Orange Avenue.&#13;
By now the black biking shorts were a&#13;
full block away. Kirk was slowing down, and I was concerned lest we be the last two of the original group to return to the Pagoda. “Don’t worry,” he kept saying. “There are still two people behind us.” I can be so competitive at times.&#13;
Downtown never looked so magical to me at night! The massive amounts of oxygen I was inhaled caused even our downtown denizens to take on a Damon Runyon-esque quality. As we passed Wall Street, I realized I had lost my Nicoderm patch... a sign?&#13;
Soon we were on our final approach. We picked up the pace a bit as the Pagoda loomed in the distance. “Didn’t mean to pull so far ahead,” Biking Shorts told me. “Sorry.”&#13;
“It’s quite all right (puff, puff). Just how far did we walk?”&#13;
Surely, after all that time, we could have walked to Valdosta, Georgia.&#13;
“Two point eight miles.” he replied.&#13;
“Well,” I said. “Well.”&#13;
The Frontrunners meet on Mondays, Wednesdays and Saturdays at the Pagoda at Lake Eola. See Calender, 19 for times.&#13;
Watermark is looking for a SPORTS EDITOR.&#13;
Call (407) 481-2243.&#13;
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etc., intelligent conversation and a large selection of books in every subject. Publisljgr orders &amp; out-of-print service. (407) 647-2755.&#13;
MEET SOMEONE TODAY! Find that special guy or girl with the "Telephone Matchmaker.” Always a free call and anonymous. Call in Orlando at 648-9047. (Gay owned &amp; operated).&#13;
NEON/INTERIOR NEON. Mood lighting; Neon Sculptures, customized to your needs. LET ME LIGHT UP YOUR NIGHTS! BERND’S NEON - licensed &amp; reputable. Telephone &amp; Fax (407) 644-0553. References available.&#13;
IN YOUR HOME. One on one fitness experience designed to fit your personal needs, including weight loss, body, shaping, cardiovascular aerobics conditioning. Flexible hours &amp; payment plans available. Call 932-4319.&#13;
LOVING LAWN CARE. Help to support a new family business. Blue&#13;
Skye Lawn Service is a licensed, professional business that specializes in all aspects of lawn maintenance. Call (407) 629-0302.&#13;
GAYLINE ONLINE. GayLink (BBS) has gone computerized. Our national network went online August 1st. For a free software package and a 30-day Free Membership, contact the Genesis Foundation. Call (407) 857-5444. Fax (407) 438-3695.&#13;
MISCELLANEOUS&#13;
SEEKING DONATED COUCH. Delta Youth Alliance, a group for gay/ lesbian teens, is looking for a used couch for its meeting room. Please contact Jeff at 895-3722.&#13;
WANTED TO BUY. Disney items -especially buttons &amp; pins. Also, sell &amp; trade Disneyana items. For more information please call Dennis at 407-895-1968.&#13;
Healthy, loving, stable, long-term professional gay couple seek lesbian to function as surrogate mother. Flex-&#13;
ible regarding nature of future involvement with child. SERIOUS RESPONSES ONLY. Will pay all medical and associated expenses. Reply c/o W. Thomas Dyer, Attorney at Law, 701 E. Washington St., Suite 2oo, Orlando, FL 32801. (407) 648-1153.&#13;
Gorgeous AKC Registered DALMATION puppies. Available Oct. 6. Parents on premises. (6) males $300, (4) females $325 and up. Call Rick at 682-6096. All come with certificate of health.&#13;
REAL ESTATE WANTED. Need 3/ 2 home within reasonable commute of Disney. Around $80,000. Can pay 10% dwon on a no-qualify mortgage. Call Frank @ 834-0989.&#13;
.. .Sports Editor. Come join our growing team and help create the best gay &amp; lesbian sports page. Please send resume and writing samples to Watermark, P.O. Box 533655, Orlando, Florida 32853-3655, or call (407)481-2243.&#13;
r&#13;
TO PLACE AN AD&#13;
In PERSON: Bring completed order form with payment to Watermark offices (M-F, 9-5pm) 701 E. Washington St., Orlando. By MAIL: Mail completed order form with payment to:&#13;
Watermark Classifieds P.O. Box 533655 Orlando, FL 32853-3655.&#13;
SUBSCRIPTION AND CLASSIFIED AD&#13;
ORDER FORM&#13;
Headline (optional) - not to exceed 16 characters/spaces&#13;
TEXT (Up to 25 words)&#13;
&#13;
AD POLICY: Watermark reserves the right to edit, reclassify or reject ads not meeting Watermark publication standards. No refunds for early cancellation.&#13;
MISPRINTS: Watermark is not responsible for misprints appearing after first week. Check ads promptly.&#13;
O CHECK ONE:&#13;
□ Announcements □ Employment-Offered □ Employment-Seeking □ Friend/Relationship □ Merchandise □ Real Estate-For Rent □ Real Estate-For Sale □ Roommates □ Services □ Travel □ Volunteers □ Miscellaneous&#13;
NAME:_________&#13;
STREET ADDRESS:&#13;
PHONE (Optional):&#13;
□ Please enter my one-year (25 issues) subscription. Enclosed is my check for $35, payable to: WATERMARK&#13;
OTOTAL COSTS: Up to 25 words for $3.00 per issue. Additional words at 250 each per issue. Please total your costs.&#13;
Up to 25 words $ 3.00&#13;
_____add’l wds x 250 __&#13;
Headline @ $2.00 ____&#13;
SUBTOTAL ________x____# issues&#13;
TOTAL = _______&#13;
ADS MUST RE SUBMITTED: by 5pm Wednesday, the week lllilpr to- puhiicadcipi) ;ap£#j|r; In the following week’s issue# i&#13;
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                <text>The fifth issue of &lt;em&gt;The Watermark&lt;/em&gt; was published on October 26, 1994, and attempted to balance family and politics in dealing with national LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) issues. This new perception allowed the front page to have an article on the developing Gay Neighborhoods in Orlando and on the involvement of gay voters in upcoming elections. Another major section of the paper was dedicated to the scandal revolving around state representative Jimmy Charles, and the sex solicitation case that he was involved in that resulted in him addressing homosexuals in the same breath as pedophiles, delinquents, pimps, and more. Continuing its trend of publishing international stories, this issue addresses the Oregon Citizen Alliance accusing gays as being key participants in the Holocaust, a Colorado anti-gay bill being declared unconstitutional, and the World Health Organization’s addressing of a vaccine to treat HIV. Another issue covered was the inequality of credit for LGBTQ+ members and the proposed gay credit union for Orlando. Finally, this issue saw a spike in advertisements specifically targeting HIV+/AIDS patients.&lt;br /&gt;&lt;br /&gt;Since 1994, &lt;em&gt;The Watermark&lt;/em&gt; has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, &lt;em&gt;The Watermark&lt;/em&gt; has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, &lt;em&gt;The Watermark&lt;/em&gt; became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased &lt;em&gt;The Watermark&lt;/em&gt;.</text>
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                <text>FLORIDA'S DISTINCTIVE GAVAND LESBIAN PUBLICATION.&#13;
GAY VOTERS GIVEN CLEAR CHOICE IN&#13;
7W A XFV U A npc&#13;
Election day b always tie second Tuesday in November- November 8 this tme around, But in one respect, this election year is different* for (he fast time, voters in Central Honda know where many candidates stand on issues of importance to the gay and lesbian community. In fact, many candidates have actively embraced the gay community, seeking gay votes that may have a substantial impact on election results, particularly in close races.&#13;
have been forced, often tentatively, to&#13;
distance, ignoring queries and invitations. Others have delivered a clear anti-gay message.&#13;
But a substantial minority of candidates have actively sought gay support and gay vo&amp;s, Many of these candidates | have teen surprised by the steadfast assistance and financial support offered. But they have also experienced the flip side,* lost endorsements and financial backing from conservatives made uncomfortable by those willing to speak out in support of equal rights and dignity for lesbians and gay men.&#13;
Politicos will study this election to see whether gay votes in Central Florida are too costly at present. Lisa Talmadge, founder of the “Lisa's List Voter Guide," j will be one of those watching very closely, Talmadge has compiled a list of candidates who have expressed a sensi-&#13;
didates on her list have signed the Rainbow Democratic Club Employment&#13;
Non-discrimination pledge, which states: The sexual orientation of on individual&#13;
promoting, or terminadng&amp;fun employee^ im in&#13;
Ultimately, with a good turnout and&#13;
ORLANDO’S EMERGING GAY NEIGHBORHOODS&#13;
by Ken Kundis&#13;
San Francisco, 1974. The shift started slowly. As more and more gay men and lesbians flooded into the Castro Street area, the local residents of this ethnic, working class neighborhood began to notice one charming but dilapidated Victorian home after another being bought and tastefully redecorated. It seemed a new business appeared each day on Castro Street, Eighteenth, and in all directions east and west.&#13;
The throngs of gay men and lesbians flooding the Castro area at that time brought with them incomes that benefited from higher than average educations and that were unrestricted by children. They had money to spend. The once-reticent natives of the Castro Street area quickly saw the benefit of the new money and blood that in-&#13;
chose to leave in the face of the tidal wave of migrating gays couldn’t complain too much; they were selling their homes at nearly twice what they would have gotten for them just five years before.&#13;
Within a mere two years, a full-scale gay community had sprung forth in the Castro. As word spread quickly across the country, more and more gays filed into America’s first self-acknowledged “ Gay Ghetto.	”&#13;
Gentrification, the restoration of a deteriorated area, has been part of the legacy of the gay community in the United States. In the twenty years since the rise of the Castro Street area in San Francisco, gay neighborhoods, or neighborhoods with strong gay and lesbian populations, have sprung up in nearly every major urban area in the country. These include South Beach in Miami; Capitol Hill and DuPont Circle, Washington, D.C.; Virginia Highlands, Atlanta; and, Hillcrest, San Diego. Now Orlando is developing its own brand of gay neighborhoods, based not only on these models, but also on the unique personality of the city itself.&#13;
In the past five years, downtown neighborhoods such as&#13;
SarTpr!?"&#13;
Audubon Park havlTseen lncrea^flg niirfiOers or young urt&#13;
fessionals, including many gays and lesbians, moving into uie area&#13;
and purchasing homes and businesses that were once in disrepair.&#13;
Now, these areas boast some of the most active development in the city, with the majority taking place in Thornton Park, which includes Thornton and Washington streets and is within a short walking distance to Lake Eola. Developers are currently working&#13;
Continued Page 10&#13;
Thornton 1&#13;
THORNTON PARK. With Lake Eola os backdrop, Washington Street boosts o rapidly (hanging commercial district and on ambience that is distinctly goy.&#13;
VOLUME 1, NUMBER 5&#13;
OCTOBER 26,1994&#13;
PHOTO BY JILL PORTER&#13;
WATERMARK / October 26,1994 2&#13;
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900 E. WASHINGTON STREET ♦ ORLANDO, FL 32801 ♦ (407) 425-0033&#13;
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ALL FORDS ARE CREATED EOUAL. DON REID FORD MAKES THE DIFFERENCE&#13;
FRED BERLINER&#13;
Se Habla Espanol&#13;
RSTATE4	- " v -y - DONrrf REID XI FORD^SI f r: . CM MAITLAND J	&#13;
UJ	LEE ROAD V	&#13;
|	§	&#13;
		&#13;
	WINTER PA	&#13;
The Orlando Sentinel&#13;
Dan Matthews&#13;
(former Primary candidate)&#13;
Central Florida Attorneys' candidate poll: Roger McDonald - 89% Bob Wattles - 46%&#13;
iCIRCUlT JUDGE&#13;
Paid Political Advertisement by the campaign fund of Roger J. McDonald, Non-Partisan.&#13;
GAY RIGHTS LAW TO FACE 2ND CHALLENGE BY VOTERS&#13;
TAMPA, Fla. (AP) - Opponents of a Tampa law banning discrimination against homosexuals have collected enough signatures to bring the issue before voters a second time to let them decide whether to repeal the law.&#13;
Hillsborough Elections Supervisor Pam Iorio certified a petition Monday that will send the sexual orientation measure to a public referendum on March 7.&#13;
It will be the second time in less than three years the gay rights ordinance will be up for a vote.&#13;
The law, adopted in 1991, forbids discrimination based on sexual orientation in housing, employment and public accommodations.&#13;
“We’re very much prepared and ready to move toward a March election,” said David Caton, head of a group called “Yes! Repeal Homosexual Ordinance Committee.”&#13;
“The main message is that what one does in the privacy of the bedroom should not be protected as a right to be expressed in any manner in the workplace,” he said.&#13;
Ordinance supporters also have regrouped. Formerly, they were known as “Say No to Hate” and now work as “Citizens for a Fair Tampa.”&#13;
“I defy anybody to read the ordinance and find special rights for anybody. That is not what this is about. It’s about protection for all citizens, and that’s it,” said John Dunn, chairman of the proponents group.&#13;
GROUP TURNS IN SIGNATURES FOR VOTE TO REPEAL ANTI-DISCRIMINATION LAW&#13;
WEST PALM BEACH, Fla. (AP) - A group seeking repeal of a city ordinance prohibiting discrimination on the basis of sexual orientation turned in petitions for a special election.&#13;
The group led by city Commissioner Sarah Nuckles and Bob Proper, local coordinator of the Christian Coalition, needed 1,512 signatures to get on the ballot and gathered 1,703 signatures in 20 days.&#13;
If the signatures are valid, the city charter requires that&#13;
LOCAL &amp; STATE NEWS&#13;
the anti-gay issue be put to voters before Feb. 19, just three weeks before a city general election. A special election is expected to cost $20,000.&#13;
The result would be a one-issue campaign providing the first clear test of the voting strength of the city’s gay and conservative Christian communities.&#13;
Group members said they collected 600 signatures on Sundays outside three city churches to meet Wednesday’s deadline.&#13;
People signed because they were angry the city commission passed the gay rights measure despite strong opposition, group spokesman John McGill said.&#13;
Gay community activist Glen Scriber said he thought the law would survive a referendum. “I honestly don’t believe there are enough bigots in this city to overturn the ordinance,” Scriber said.&#13;
In Gainesville Wednesday, a Circuit Court judge approved a similar measure for the Nov. 8 ballot. A group wants to repeal part of an Alachua County ordinance that protects gays and lesbians from discrimination.&#13;
GAY VIDEO HELD NOT OBSCENE&#13;
A Pinellas County jury recently found a video store clerk innocent of violating state obscenity laws when she rented a gay porn movie to an undercover detective. Defense lawyers said it was the first time in Florida that a gay-themed movie was the subject of a trial involving the state’s laws forbidding distribution of obscene material. “Gay people exist in your community,” said defense attorney Frank de la Grana. “They have as much right as heterosexual people to rent adult videos.”&#13;
Bait was rented four years ago during a series of raids on adult video and bookstores conducted by the Pinellas County Sheriff’s Office. In his charge, the prosecuting assistant state attorney called the movie “patently offensive.” De la Grana attempted to argue that Bait is not obscene using the standards of the local gay community, but County Judge Karl Grube ruled that the jury’s decision must be based on the standards of the entire community. Nonetheless, the jury took only a half an hour to reach its not guilty verdict.&#13;
WATERMARK / October 26,1994 3&#13;
GLCS BOARD MEMBERS RESIGN&#13;
;&#13;
• '	S t I&#13;
i . to 01 i&#13;
.&#13;
. naj ...	-&#13;
item&#13;
:en&#13;
**w influential force within the Central Florida Lesbigay community, and [their] absence from ' our ranks will be missed” GLCS has not stated whether die resignations are related.&#13;
On Oct. 17, the remaining GLCS board appointed two new board members to fill the va-cated seats: Laura J. Harding and Julie A. Whitley, both of Orlando.&#13;
Harding is a long time volunteer for GLCS who hopes to increase program development at the community center Whitley hopes to increase community awareness of GLCS.&#13;
In a statement, GLCS President Ward said, ‘Tm glad to have these two very talented people serving on our board They bring with them insights and abilities that will enable GLCS..,to continue being of service to the entire Central Florida Community”&#13;
Whitley and Harding’s terms will empire In . January, 1995, and January, 1996, respectively,&#13;
- Nominations for four additional GLCS board : positions close Monday, December 5. Each po?:;&#13;
to apply for one of these positions should obtain an application form from The GLCS Center, 7 i 4E. Colonial Du, Orlando. For further in- „' formation, contact Center Director Bart Zarcone at (407) 425-4527.&#13;
STATE REP. JIMMY CHARLES ADDRESSES DAYTONA BUSINESS GROUP&#13;
by Tom Dyer&#13;
Responding to an invitation by the Daytona Beach Business Guild (DBBG), State Rep. Jimmy Charles (D-Daytona Beach) spoke to a feisty group of 80 gay, lesbian, and gay-friendly constituents on October 10 at the Ramada Resort Ocean-front. DBBG members and guests were upset by Charles’ statement to the Daytona Beach News-Journal that, “My district includes runaways, delinquents, pimps, prostitutes, pedophiles and homosexuals.” Although he is expected to win re-elec-&#13;
“77 lestatement itself is so horrible that several of my gay friends called me about it. I’m apologizing to each of you here tonight. ”&#13;
tion, this has not been an easy campaign for Charles, who was elected to his first term two years ago, and whose district covers beachside Daytona, from Ponce Inlet to Ormond Beach. Last month, Charles was arrested and charged with solicitation. Charles has claimed he was just speaking with a troubled constituent, and it was in this context that statements offensive to the gay and lesbian community were made to the press.&#13;
Charles started by apologizing to the group. Although told by his attorney not to discuss matters relating to his arrest, he stated that he was “totally mortified” when he read the newspaper quotation. “It does not reflect what I believe in and stand for as a&#13;
person,” he stated. “The statement itself is so horrible that several of my gay friends called me about it. I’m apologizing to each of you here tonight.”&#13;
Charles also called attention to his voting record. “I have always opposed the religious right in their attempts to legislate discrimination...and I always will.”&#13;
Many at the gathering expressed their appreciation for Charles’ courage and sincerity in apologizing to the group. One audience member told Charles, “It’s unfortunate that this had to happen in your life to get you to come to one of our meetings.” Charles countered that, “until you called me, I didn’t know [DBBG] existed. Had you invited me sooner,&#13;
I would have been here, and I’ll come again.” Reverend Steve Steele of Hope MCC asked Charles if he would publicly retract his statement lumping homosexuals with criminals. Steele pointed out that only a retraction would undo the negative impression of homosexuals created for the public at large. In response, Charles revealed some of the stress he has experienced since his arrest. In a raised voice he asserted, “I am not willing to continue the feeding frenzy on me by issuing a public retraction. I have an election to run, and I need to move on. I’m tired of being attacked by the press.”&#13;
Many in the audience vowed to work toward Charles’ re-election. Charles closed by stating that, if nothing else, the experiences of the recent past would make him “a better policymaker.”&#13;
The Daytona Beach Business Guild meets on the 2nd Monday of each month. Call Scott Green	at (904) 322-9389, or George Coscia&#13;
at (904) 767-5647for more information.&#13;
WATERMARK / October 26, 1994 4&#13;
NATIONAL &amp; INTERNATIONAL NEWS&#13;
COLORADO’S ANTI-GAY RIGHTS AMENDMENT DECLARED UNCONSTITUTIONAL&#13;
DENVER (AP) - State officials plan to appeal a state Supreme Court decision striking down an anti-gay rights amendment as unconstitutional. Gay rights groups hailed the ruling.&#13;
The court ruled Tuesday that Amendment 2, which prohibited local governments from outlawing discrimination against homosexuals, denies gays an equal voice in government.&#13;
“This ruling is a decisive affirmation of lesbian and gay rights, and a crushing blow to the radical right’s efforts to curtail important constitutional protections,’’ said co-cousel Suzanne B. Goldberg, an attorney at Lambda Legal Defense and Education Fund, a gay-rights organization.&#13;
The amendment “singles out one form of discrimination and removes its redress from consideration by the normal political process,” Chief Justice Luis Rovira wrote for the court’s 6-1 majority.&#13;
State Attorney General Gale Norton said the thrust of the state’s appeal to the high court will be the role voters have in setting state policies.&#13;
Two other states will have anti-gay-rights measures on their ballots next month. Measure 13 in Oregon and Proposition 1 in Idaho would forbid state and local governments from giving legal minority status to people based on homosexual behavior. Unlike Colorado, their measures also would limit public schools and universities in how they teach about homosexuality, and limit access to books on the subject at public libraries.&#13;
In Alachua County, Fla., voters will decide on whether to repeal a county ordinance barring discrimination against gays, and whether to forbid the county commission from enacting any such measure in the future.&#13;
Colorado’s Amendment 2, which would have struck down anti-discrimination ordinances in Denver, Boulder and Aspen, was never enforced. It was challenged immediately, and has been the subject of court battles since then.&#13;
It was written by Colorado for Family Values founder Will Perkins and approved, 54 percent to 46 percent, by voters in the 1992 election.&#13;
Perkins told reporters the ruling did not surprise him because courts “already have made known their willingness to ca$t aside the freedoms of those who hold politically incorrect beliefs in today’s society.”&#13;
Perkins also suggested that the court had delayed issuing the ruling until National Coming Out Day, when gays are encouraged to declare their sexual orientation.&#13;
“This is an additional slap in the face for the majority of Coloradans and one they won’t forget,” Perkins said.&#13;
There was no evidence the court timed the decision to National Coming Out Day. But that didn’t bother supporters.&#13;
“I don’t know if it was intentional, but I think it’s a fabulous gift for Coming Out Day,” said Sue Anderson, director of Equality Colorado.&#13;
GAY GROUP ESTIMATES ANTI-HOMOSEXUAL MEASURES COST STATES MILLIONS&#13;
WASHINGTON (AP) - Passage of anti-gay initiatives and ordinances has cost states and cities at least $169 million in lost business, a gay rights lobby asserted.&#13;
“Business organizations are standing up to the radical right groups as the costs of their divisive agenda become painfully clear,” Stacie Spector, director of Americans Against Discrimination, a project of the Human Rights Campaign Fund, said Wednesday.&#13;
Her group surveyed convention and visitors bureaus, chambers of commerce and groups working to defeat such initiatives to estimate the losses.&#13;
In Colorado, for example, which passed the anti-gay Amendment 2 in 1992, the state lost almost $120 million in convention and tourism business through the end of 1993, the group found. At least 47 organizations canceled plans to hold conferences or conventions in Colorado as a result of Amendment 2’s passage, the group said. Several companies also dropped plans to move to the state.&#13;
The group estimated that Cincinnati has lost some $ 19.2 million since voters there passed an initiative in 1993 repealing an ordinance protecting gays from discrimination based on sexual orientation.&#13;
And in Portland, Ore., more than $15 million worth of convention business has been put on hold pending the vote on a statewide anti-gay initiative in November. That figure represents business from eight conventions expected to bring almost 27,000 visitors.&#13;
“Most are waiting to see,” said Deborah Wakefield of the Portland Visitors Bureau. “I’m sure if this passes, the state will see an effect everywhere.”&#13;
The Portland Visitors Association has spoken out against the local ballot initiative, as have several of the other affected convention and tourism offices.&#13;
Cobb County, Ga., lost an estimated $10 million when gay activists pressured the U.S. Olympic Committee into moving the 1996 volleyball competition elsewhere, Americans Against Discrimination said. The activists mounted a protest after the Cobb County Commission passed an ordinance in August 1993 that said “lifestyles advocated by the gay community” were incompatible with community standards.&#13;
And following a vote in 1992 to repeal sections of the city’s human rights ordinance, Tampa, Fla., lost at least $5.5 million with the cancellation of the 5,000-member GALA Choruses convention and a meeting of the Catholic Campus Ministers Association, Spector’s group said.&#13;
OREGON CITIZENS ALLIANCE OFFICIAL: GAYS WERE PART OF NAZI MOVEMENT&#13;
SALEM, Ore. (AP) - Homosexuals had a major role in the Nazi party movement but were not responsible for the Holocaust, an Oregon Citizens Alliance leader says.&#13;
The alliance is sponsoring an anti-gay-rights measure on Oregon’s Nov. 8 ballot and has used the alleged Nazi-homosexual tie in its campaign. A state Voters’ Pamphlet statement in favor of Measure 13 and paid for by the OCA says, “Nazism was largely an outgrowth of Germany’s gay rights movement.”&#13;
Scott Lively, OCA membership director, said in a letter to the editor in The Daily Astorian that homosexuals “were an integral part of the Nazi party throughout history.” Charles Schiffman, executive vice president of the Jewish Federation of Portland, told The Oregonian such allegations are “a low effort to use a terrible tragedy for political purposes.”&#13;
Lively said his aim is to clear up wrong impressions about the OCA. “We wanted to refute this whole idea that people who oppose homosexuality are Nazis,” he said. “If anybody is using Nazi-like tactics, it is gay rights groups like Queer Nation and Act Up.”&#13;
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WATERMARK / October 26,1994 5&#13;
NATIONAL &amp; INTERNATIONAL NEWS&#13;
GAY CANDIDATES WINNING BUT STILL ENDURING BAITING BY OPPONENTS&#13;
(AP) - When Tim Van Zandt ran for the Democratic nomination for a seat in the Missouri Legislature this year, his most serious opponent used the slogan “Straight Talk.” That wouldn’t have been a problem except for one thing: Van Zandt is gay.&#13;
“Every bit of time and energy, every piece of material he put out was about me and my sexual orientation,” Van Zandt recalled. “Almost all of them talked about my ‘secret agenda,’ or my ‘hidden agenda.’”&#13;
Van Zandt won the primary with 80 percent of the vote and faces token opposition, from a Libertarian Party candidate, on Nov. 8.&#13;
But the kind of campaign Van Zandt faced is happening in races around the country where open gays and lesbians are running for office.&#13;
Eighteen open homosexuals are running for state and local offices around the country this fall, according to William Wayboum, executive director of the Gay and Lesbian Victory Fund, which raises money for gay candidates.&#13;
“There were 55 openly gay and lesbian elected officials in 1991, when we started. Now there are 205,” he said last week. “If things go as well as we think, out of these we’ll probably end up adding 10 more on this election cycle.”&#13;
That would bring to 215 the number of openly gay elected officials in the United States - “which is not a great number when you consider there are 475,000 public officials,” Wayboum said.&#13;
His group has tracked gay-baiting of the candidates it supports, and has found a handful of examples, mostly campaign literature that tries to paint gay candidates as anti-family or controlled by outside interests with a hidden agenda.&#13;
Most of it never reaches the national consciousness. But it did last week, in the race for New York state attorney general, after a Republican - Staten Island Borough President Guy Molinari - told an audience: “The next attorney general shouldn’t be an admitted lesbian.”&#13;
In Sheila Kuehl’s race for the California Assembly, a spokesman for her opponent, Republican Mike Meehan, told a newspaper they were going to make an issue of her sexual orientation. Kuehl is a civil rights lawyer and a former actress who played Zelda Gilroy in “The Many Loves of Dobie Gillis” on television in the 1960s.&#13;
GEORGIA HIGH COURT HEARS DOMESTIC PARTNERSHIP ARGUMENTS&#13;
ATLANTA (AP) - City officials say domestic partnership benefits are necessary to attract quality employees, while opponents say such protections are a step toward legitimizing sodomy in Georgia.&#13;
The question goes to the state Supreme Court today as the city of Atlanta seeks approval to extend city health, dental, and other benefits to unmarried city employees who register their partners. Superior Court Judge Isaac Jenrette voided the registry in April, saying the city was not authorized to enact such an ordinance under the Municipal Home Rule Act and the Georgia Constitution.&#13;
Six of the plan’s opponents, including state Rep. Billy McKinney, D-Atlanta, told the Supreme Court in motions the added benefits would cost $2.5 million, 75 percent of which would be borne by taxpayers and 25 percent by city employees through higher withholdings.&#13;
“Another intended change is to lay the foundation for future arguments that sodomy is a fundamental right,” the six opponents said in motions filed before the Supreme Court.&#13;
Georgia law specifically encourages marriage, contends David Myers, an attorney for the plaintiffs. “Every effort to restrain or discourage marriage by contract, condition, limitation or otherwise,” the code says, “shall be invalid and void.”&#13;
City attorneys Kendric Smith and Robin Shahar, who was fired from the State Law Department by Attorney General Michael Bowers after revealing plans of her lesbian marriage, told the Supreme Court that some of the plaintiffs’ arguments are offensive.&#13;
“The tenor of plaintiffs’ complaint, which is replete with the innuendo of bigotry and stereotypes, demonstrates the reality of public prejudice against people of different sexual orientations which could result in disparate treatment,” the city’s motion says. “These ordinances protect all persons from discrimination based upon their sexual orientation, whether ... heterosexual, bisexual or homosexual.”&#13;
In motions before the Supreme Court, the city is supported by the American Civil Liberties Union, the Lambda Legal Defense and Education Fund Inc. and the AFL-CIO, which notes that more than two dozen of the nation’s cities and counties have extended some type of domestic partner benefits.&#13;
DEFENSE DEPARTMENT FOREGOES FURTHER REVIEW OF MILITARY HOMOSEXUALS&#13;
LOS ANGELES (AP)-The Clinton administration passed up an opportunity to challenge a court ruling that allowed reinstatement of a sailor who publicly declared his homosexuality.&#13;
The ruling affects Navy sonar operator Keith Meinhold, who revealed on national television in 1992 that he is gay. Meinhold was discharged under old military regulations that were replaced last year.&#13;
John McGuire, an attorney for Meinhold, said the Justice Department let pass a Friday deadline to appeal an August decision by a panel of the 9th U.S. Circuit Court of Appeals in San Francisco. That 3-0 ruling found the military can dismiss open gays or lesbians only if they say they intend to have homosexual sex, not for simply “coming out.”&#13;
The deadline applied to seeking review by the full appeals court, and the government still has 45 days from Friday to decide whether to appeal to the Supreme Court, Justice Department spokesman Joe Krovisky said. He said Solicitor General Drew Days had not yet decided whether to take the Meinhold case to the high court.&#13;
The federal district court that ordered Meinhold’s reinstatement said there was no rational basis for excluding service members solely because of their sexual orientation.&#13;
“For 2 1/2 years, the Pentagon has fought tooth and nail to kick me out of the Navy because I’m gay,” said Meinhold, now stationed at Naval Air Station Whidbey Island in Washington. “By this decision, they finally have admitted that I can say I am gay and proudly serve my country in the military.”&#13;
The court said that only a statement showing a “concrete, fixed or expressed desire to engage in homosexual acts despite their being prohibited” justifies an involuntary discharge.&#13;
Under the new policy, the military cannot ask about sexual orientation, but can discharge declared homosexuals. The policy gives gays a chance to stay in the service by proving that they will remain celibate.&#13;
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WATERMARK / October 26, 1994 7&#13;
HEALTH &amp;&#13;
APPEALS COURT RULES HEALTH INSURANCE COVERED BY DISABILITIES ACT&#13;
BOSTON (AP) - Companies that provide health insurance plans for businesses may not discriminate against workers with disabilities, including AIDS, a federal appeals court has ruled.&#13;
The U.S. First Circuit Court of Appeals overturned a lower court ruling that said health insurance companies were not subject to the 1990 Americans with Disabilities Act, which prohibits employers from discriminating against workers with disabilities.&#13;
The ruling sets an important precedent for interpreting the federal act, said Marc Elovitz, staff attorney for the American Civil Liberties Union’s National AIDS Project, which filed a brief on behalf of the plaintiff.&#13;
The case began in 1990 when Carparts Distribution Center in Plaistow, N.H., sued Automotive Wholesalers of New England Health Benefits Plan, of Peterborough, N.H., which provided health insurance for Carparts owner Ronald Senter and his employees.&#13;
Carparts claimed that after Senter contracted AIDS, the insurance company capped benefits for AIDS-related illnesses at $25,000. Treatment for any other disease continued to be capped at $1 million. Carparts argued it was thereby forced to discriminate against an employee in the health benefits it provided.&#13;
“For people with HIV and AIDS.. .the discrimination is rampant,” Elovitz said. “AIDS is not an especially expensive condition to treat” compared to heart disease and cancer, yet “there are these caps set on your health benefits solely on the basis of AIDS.”&#13;
The U.S. District Court for New Hampshire dismissed the case in 1993 - after Senter’s death - ruling that the insurance plan was not subject to the Americans with Disabilities Act because it wasn’t an employer. The appeals court, however, held that the insurance company could be considered Senter’s employer under the act if it “exercised significant control over an important aspect of his employment” and acted as an agent of Carparts in providing health insurance.&#13;
WOMAN MUST ALLOW CHILDREN TO VISIT DAD WITH HIV-POSITIVE ROOMMATE&#13;
NASHVILLE, Tenn. (AP) - The Tennessee Court of Appeals has upheld that a Clarksville woman must allow her two daughters to visit their father despite the fact he shares a house with his HIV-positive brother.&#13;
The ruling affirmed a Montgomery County judge’s decision that the presence of the AIDS virus in the father’s family is not enough to bar his children from visiting him and his relatives.	'•&#13;
“The courts should limit visitation when it would expose a child to harm in the physical or moral sense,” a three-judge appeals court panel said, in an opinion written by Judge William C. Koch. But, Koch wrote, there is a “wealth of scientific literature stating that the human immunodeficiency virus is transmitted primarily by the direct mixing of bodily fluids...	, s ^ 4	_ _._&#13;
“We also note that other courts and commentators have concluded that daily household contact with a[n] HIV-positive person either presents no risk of infection or presents virtually no risk.”&#13;
HIV NEWS&#13;
WHO APPROVES LARGE-SCALE VACCINE TRIALS&#13;
GENEVA (AP) - The World Health Organization has given the go-ahead to large-scale trials of a vaccine to try to prevent infection with the virus that causes AIDS.&#13;
A meeting of experts said small-scale trials on people in the United States and Europe had shown that the vaccine was safe and had some impact on improving the immune system. The U.N. health agency said, however, that too little was known about the vaccine to predict its effectiveness.&#13;
“From the information available so far, it is uncertain whether these vaccines will protect against infection in humans,” a WHO statement said.&#13;
WHO said that the complex trials were unlikely to start before 1996, and that it would take years for any results to show. No sites have yet been chosen for the trials, which will involve several thousand people who do not carry the Human Immunodeficiency Virus, which causes AIDS. The vaccine is made from a genetically engineered form of the outer coating of the virus.&#13;
Earlier this year, U.S. authorities decided against an expanded trial of the vaccine involving 9,000 people, saying that small-scale tests had not shown enough promise to justify the expense.&#13;
According to WHO figures, 17 million people have been infected with the virus since it first spread in the early 1980s. About 4 million have gone on to develop full-blown AIDS. It takes on average 10 years for a person with HIV to develop AIDS, which attacks the immune system.&#13;
Experts have warned that it may be another decade before there is any effective prevention or cure. About 90 percent of all new infections are in Third World countries.&#13;
GOVERNMENT STUDIES CARE FOR AIDS AND HIV PATIENT&#13;
WASHINGTON (AP) - The U.S. government has ordered the largest study ever of the costs and quality of care for patients with AIDS and the virus that causes the deadly disease.&#13;
Medical investigators from the RAND Corp. and other researchers will track the type of care that 3,700 patients get in a wide range of settings under the contract announced by the Agency for Health Care Policy and Research.&#13;
The 15 million dollar study will take five years to complete. A similar study in 1991-92 concentrated on the care that individual providers were giving AIDS patients in 10 cities.&#13;
The Centers for Disease Control and Prevention estimate it costs more than $100,000 to treat an HIV patient over his lifetime. There is no cure for AIDS, which is spread through infected blood and body fluids.&#13;
This time the study will include women and children, as well as men, and will look at both urban and rural settings, from major hospitals to small clinics to individual providers’ offices.&#13;
The aim is to find the best arrangements and improve care for AIDS patients, said Clifton R. Gaus, the administrator of the Agency for Health Care Policy and Research.&#13;
The patients will be interviewed four times over 18 months. Among, the tkuesjy^iys. they will be asked is low theyfre paying for their treaffll^	wi 11 also&#13;
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VOTERS&#13;
From Page 1&#13;
informed choices, gay and lesbian voters can determine whether they are to be taken seriously as a voting block and as a constituency.&#13;
LISA’S LIST&#13;
HUMAN RIGHTS POLITICAL COMMITTEE&#13;
NOVEMBER 8,1994 VOTER GUIDE&#13;
Lisa’s List endorses these candidates as most dedicated to Human Rights for all.&#13;
KEY&#13;
1= Candidate’s opponent endorsed by or otherwise aligned with Radical Right/Christian Coalition.&#13;
2= Signed Rainbow Democratic Club Employment Non-Discrimination Pledge.&#13;
3= Given opportunity to sign pledge; either refused or failed to respond.&#13;
U.S. Senate&#13;
*	Hugh Rodham-D	2&#13;
	U.S. House of Rep.	&#13;
Dist. 2	Pete Peterson-D	1&#13;
Dist. 3	Corrine Brown-D	1,2&#13;
Dist. 5	Karen Thurman-D	1,3&#13;
Dist. 7	Ed Goddard-D	1,2&#13;
Dist. 8	Ron Beddell (write-in)	1&#13;
Dist. 15	Sue Munsey-D	1,3&#13;
	State Offices	&#13;
Governor	Lawton Chiles-D	1,2&#13;
Sec. of State	Ron Saunders-D	1,2&#13;
Ed. Comm.	Doug Jamerson-D	1,2&#13;
Agr. Comm.	Bob Crawford-D	3&#13;
Atty. Gen.	Bob Butterworth-D	3&#13;
Ins. Comm.	Bill Nelson-D	1,3&#13;
Comptroller	Gerald Lewis-D	3&#13;
	Florida Senate	&#13;
Dist. 10	Janet Tolar-D	1&#13;
Dist. 14	Buddy Dyer-D	1,2&#13;
Dist. 16	Dan Webster-D	2&#13;
Dist. 18	Patricia Grogan-D	1,2&#13;
	Florida House of Rep.	&#13;
Dist. 16	Kathy Chinoy-D	1&#13;
Dist. 26	Dick McMahan-D	&#13;
Dist. 29	Steve Brewer-D	1&#13;
Dist. 33	Louise Ray-D	1,2&#13;
Dist. 35	Susan Pickman-D	1,2&#13;
Dist. 36	Kim Shepard-D	1,2&#13;
Dist. 38	Bob Sindler-D	1,3&#13;
Dist. 42	Everett Kelly-D	2&#13;
Dist. 44	Joan Smith-D	1&#13;
Dist. 56	Jim Davis-D	1&#13;
Dist. 57	Ron Glickman-D	1&#13;
Dist. 61	Candy Vandercar-D	1&#13;
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Circuit Gr. 28	Roger McDonald	&#13;
County Gr. 5	Deb Blechman	&#13;
	Orange County Chairman	&#13;
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Orange Dist. 4	Tom Staley-R	1,3&#13;
Orange Dist. 6	Mable Butler-D	1,2&#13;
Osceola	Mary Arrington-D	&#13;
Seminole	Adrienne Perry-D	2&#13;
Lake	Bill Good-D	1&#13;
Lake	Bonnie Roof-D	1&#13;
	School Board	&#13;
Orange Dist. 3	J. Rick Roach-D	1,2&#13;
Osceola Dist. 1	Beulah Farquharson-I	&#13;
Osceola Dist. 3	Doris Hill-D	&#13;
Osceola Dist. 5	Crystal Chesnut-I	&#13;
Volusia Dist. 5	William Ross-D	&#13;
Brevard Dist. 1	Robert Jordan-D	&#13;
Brevard Dist. 2	Kathy Carl son-D	&#13;
Lake Dist. 1	Chrely Mullen-D	&#13;
Lake Dist. 3	Paul Leatherland-D	&#13;
Lake Dist. 5	Sandra Green-D	&#13;
WATERMARK / October 26, 1994 9&#13;
BUSINESS&#13;
TEXAS ACTIVIST TO ADDRESS MBA&#13;
Texan Susan Gore, a corporate consultant and nationally known gay activist, will address the Metropolitan Business Association on Thursday, Nov. 3. A dynamic and charismatic speaker, Gore is calling her presentation to MBA “Big Dreams, Big Achievements: Stories by a Non-Native Texas Chauvinist.” According to Gore, Texas could be the next great hotbed for gay activism. “I can’t wait to tell everyone in Orlando about all the exciting things we’re doing in Dallas and in Texas,” she says.&#13;
Gore is Coordinator of the New Frontier Gay &amp; Lesbian Business Expo, to be held in&#13;
Dallas later this month. She is also Co-Chair of National Coming Out Day-Dallas, and is a member of the board of directors of Leadership Lambda-Dallas, Oak Lawn Community Services, and the Stonewall Professional Business Association. She earned her doctorate in Social Psychology at Vanderbilt University, and is listed in Who’s Who in American Women.&#13;
MBA’s November meeting will be held at the Downtown Radisson on Lake Ivanhoe at 6:30 PM. There is a $7 charge for members; $10 for non-members. Call (407) 420-2182 for more information.&#13;
GAY CREDIT UNION PROPOSED FOR ORLANDO&#13;
A group of gay and gay-supportive Central Floridians is in the process of forming Triangle Federal Credit Union (TCFU). The proposed financial institution would serve the needs of gay, lesbian and bisexual community members and their families, and would be the first credit union of its kind in Florida.&#13;
As presently conceived, TFCU will offer savings accounts, certificates of deposit, and&#13;
loans to shareholders. Eventually, plans call for the addition of checking accounts, an ATM card, and a Triangle Federal Credit Union credit card. All accounts would be insured by the National Credit Union Shareholders Insurance Fund, a Federal insuring agency.&#13;
Spearheading the organizational drive for TCFU are local activists John Rose and Le June Perin. The target date for opening&#13;
GM ASKED TO DROP GAY PLEDGE&#13;
DETROIT (AP) - General Motors Corp.’s policy of respecting the diversity of its employees and customers shouldn’t extend to homosexuals, according to a conservative lobbying group critical of the automaker.&#13;
The Family Research Council is not organizing a boycott of GM or pressuring it to fire gay employees, spokesman Robert Knight told the Detroit News. But Knight did say the group planned to ask religious organizations to mount a letter-writing campaign urging that GM stay neutral in any debate over gay rights.&#13;
The organization was responding to GM’s mention of “sexual orientation” in its pledge to respect workers’ and customers’ diversity. The pledge was part of the automaker’s annual Public Interest report, in which it states its positions on pollution, safety, employee relations and other issues.&#13;
The report describes diversity as “a strength enabling us to do a better job of satisfying the customer.” It says diversity includes race, gender, family status, military service, ethnic background, religious beliefs, education, age, sexual orientation and physical abilities.&#13;
In a Sept. 1 letter to GM President John F. Smith Jr., Knight said GM had unwittingly endorsed “the radical homosexual agenda.” The diversity pledge, however, doesn’t specifically mention homosexuality.&#13;
“For the Family Research Council to confuse our statement on ‘diversity’ with support for any group’s agenda is indeed unfortunate,” GM spokesman William Noack said.&#13;
. The Washington, D.C.-based Family Research Council is a private, nonprofit “pro-family public policy organization,” said spokeswoman Kristi Hamrick. Its president is Gary Bauer, the former Reagan White House domestic policy adviser.&#13;
MBA SPONSORS NEW BUSINESS SEMINAR&#13;
The Metropolitan Business Association (MBA) will sponsor a free seminar for new or prospective business owners and entrepreneurs. The seminar will feature experts in the areas of: business structures, taxes, marketing and advertising, insurance, legal matters, networking, and mortgages. The&#13;
seminar will be held in the Community Room at the Winter Park Mall from 9 AM to 1 PM on Saturday, November 12, and refreshments will be served. For reservations or more information, contact Elliot Barber at (407) 843-9582.&#13;
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WATERMARK / October 26,1994 10&#13;
COVER STORY&#13;
NEIGHBORHOODS&#13;
From Page 1&#13;
on a number of ambitious projects, including the development of ten new townhouses and a marketplace of shops, the Thornton Park Marche.&#13;
The trend is not all centered around Lake Eola, however. Because of its many gay residents, Lake Davis is now affectionately referred to as Lake “Bette” Davis. Other gay friendly areas, including a burgeoning business center along Mills Avenue near Colonial Drive, are also beginning to make their presence felt.&#13;
Building Neighborhoods&#13;
According to Sandra Frederick of S &amp; M Renovations, whose slogan is “Whipping Houses Into Shape,” the areas of Thornton Park, Eola Heights, and Colonialtown are quickly becoming some of the most sought after real estate in the city.&#13;
“You can see the amount of money that’s being poured into the area just by driving down the streets,” Frederick said. While she is hesitant to label the trend as specifically a gay phenomenon, she agrees that there is a large gay and lesbian element to it.&#13;
“All types of people are moving into the area - both straight and gay - who have money and a desire to create these kinds of upscale neighborhoods,” Frederick said.&#13;
Frederick, along with partner Michael Halpin, have seen S &amp; M Renovations’ business go from strictly property management to buying up buildings, renovating them and selling them at a profit.&#13;
“Our business is really expanding. While we’ve done some work outside of the area -in Winter Park and the Gatlin area - we’ve concentrated mostly downtown. That’s where the majority of the interest is,” she said.&#13;
Phil Rampy, the developer most often credited with the rise of the Thornton Park area, says that the gay and lesbian influx in the area, while always there, has become&#13;
more organized as of late.&#13;
“Now there are realtors who cater to the gay and lesbian community. This kind of thing builds on itself. People have friends who have moved into these areas and have had very positive experiences. They’ve told their friends and associates and the movement has just multiplied exponentially,” Rampy said.&#13;
According to Rampy, the North Eola Heights area, which includes nearly 600 houses and ends at Robinson Street, Mills Avenue, Magnolia Avenue and Colonial Drive, is the most established of these ‘gentrification’ neighborhoods.&#13;
“More money has been put into property in Eola Heights than in Thornton Park, partly because it is a much larger area and also because the development has been going on for longer. But we have great plans for Thornton Park,” Rampy said.&#13;
Rampy indicates that the areas of Colonialtown and Audubon Park are also beginning to see more and more development. Historically, these areas have been home to a large number of gays and lesbians who are younger and renting their properties. However, as Rampy indicates, these areas will begin to benefit from the rest of the development downtown.&#13;
“The Colonialtown and Audubon Park areas are really beginning to come into their own as well,” Rampy said.&#13;
Rampy gives a large modicum of the credit for development downtown to city government.&#13;
“Mayor Hood was instrumental in making things happen. There was never any prejudice when you would go to her administration for assistance. She and her staff would show you which avenues to go down to get things done,” Rampy said.&#13;
Also, the renovation of Lake Eola Park has had a dramatic impact on the desirability of downtown living.&#13;
“I can remember as a realtor several years ago telling people ‘Well, this property is not Continued Page 11&#13;
LAKE "BETTE" DAVIS. The actress and gay icon would hardly call this neighborhood "a dump."&#13;
. EOLA HEIGHTS. Classic example of gentrification fueled by an influx of lesbians and gay men.&#13;
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WATERMARK / October 26,1994 11&#13;
COVER STORY&#13;
NEIGHBORHOODS&#13;
From Page 10&#13;
really that close to Lake Eola’. You really had to sell against the proximity to the park. Now, I feel it has become a major component of the success of development in the area,” Rampy said/&#13;
Becoming Visible: Mills Avenue&#13;
Unlike the more planned neighborhoods of Thornton Park and Eola Heights, the Mills Avenue area near Colonial Drive has more casually become a gay business center. New businesses have been opening along Mills Avenue for nearly four years now. More than a dozen gay-friendly or gay-owned and operated establishments now do business on the street. And it’s no coincidence that Gay and Lesbian Community Services (GLCS) recently moved their thriving community center just two blocks away on Colonial.&#13;
Starting at Framing of Central Florida on Colonial Drive, gay-friendly businesses stretch down to Virginia Avenue and include Pronto Press, Underground Records, Ritzy Rags, House of Flowers, Shelbie Press and Cactus Club. The Union, a gay-friendly restaurant, will open on Virginia Avenue just off Mills later this year.&#13;
In the heart of all of this activity is Out &amp; About Books, 930 North Mills Avenue. Owner Bruce Ground has seen his business grow strongly in the two years since opening his shop, which features an eclectic selection of gay-themed books, cards and gifts. He thinks that the other busi-&#13;
OUT &amp; ABOUT BOOKS. Bruce Ground's bookstore is the focol point for the Mills Avenue gay commercial area.&#13;
it would be in New York City. There it would be nothing special. Here in Orlando, we provide a completely unique service. It is an outlet that probably wouldn’t otherwise be available,” Ground said.&#13;
While Ground has said that he has received nothing but cooperation from the city, he has felt the sting of discrimination and harassment a number of times.&#13;
“Ordinarily, it is just someone who calls up and says something derogatory - a crank call. But when I first opened, United Telephone refused to let me use the words ‘gay and lesbian’ in my yellow pages ad. I told them I couldn’t advertise my business without using those words but they held firm. Eventually I had (Orlando activist) John Rose call and make a fuss. Suddenly, of course, they acquiesced,” Ground said.&#13;
Ground plans to convert some of Out &amp; About’s space into a coffee house, to be opened sometime in the next year.&#13;
The Cactus Club has also been prospering among the gay businesses on Mills Avenue. Residing on the site of the old Silver Hammer club at 1300 N. Mills Avenue, the Cactus Club has attracted a consistent and diverse clientele since it opened 3 1/2 years ago. Owner Stan Jirsa indicated that the bar’s success is no great mystery.&#13;
“We are in a good location. A lot of our customers live in the area and can either walk here or will have to drive only a short distance,” Jirsa said.&#13;
The bar has become a popular early&#13;
nesses along Mills Avenue have an opportunity to help one another while building their own business.&#13;
“It really is becoming a more synergistic arrangement. If, for example, someone buys a print here and wants to get it framed, I send them to Framing of Central Florida. We all have begun to help one another out,” Ground said. Ground feels that the presence of his shop and some of the other gay-identified businesses in the area provide a more vital service to the gay community in Orlando than they would in more gay-concentrated areas of the country.&#13;
“Our being here is more important than&#13;
evening watering hole, often the first stop for an evening out for Orlando gay men and lesbians. The bar boasts a strongly mixed clientele, usually attracting an even split of gay men and lesbians on Friday evenings, its most popular night.&#13;
We’re located near a lot of the other bars. Southern Nights is just up the street. The Club is not far away,” Jirsa said.&#13;
In fact, on Saturday nights, Cactus Club patrons can receive free admittance to the Club, which is housed in the old Firestone building on Orange Avenue.&#13;
“It’s been a beneficial arrangement for both bars,” Jirsa said.&#13;
A Study in Upward Mobility: Thornton Park&#13;
Nowhere is the change in downtown more visible than in the Thornton Park area. Aside from boasting the offices of Watermark, The Veranda (a new bed and breakfast) and a number of gay-owned professional businesses, the area has become a gathering place for downtown residents, including many gays and lesbians.&#13;
Development of the area began four years ago when developer Phil Rampy purchased El Refugeo, an out-of-business Cuban grocery that had been condemned and was rife&#13;
. . .the Mills Avenue area near Colonial Drive has... become a gay business center. More than a dozen gay-friendly or gay-owned and operated establishments now do business on the street.&#13;
with code violations. Along with partner Sandra Frederick, Rampy renovated the location which now houses the Thornton Park Cafe, a charming upscale eatery featuring Mediterranean and Northern Italian cuisine.&#13;
Tony Costa and his wife Teddy and their partner Pablo Felix lease the property from Rampy and have created a restaurant that has become popular with the gay community, a fact not lost on Costa.&#13;
“We love the neighborhood and the people,” Costa said. “Our patrons are educated and sophisticated. They have plenty of money to spend and are delightful to serve,” Costa said.&#13;
The Thornton Park Cafe, whose serving staff is almost entirely gay, has become successful because of the patronage of many people who live in the neighbor-&#13;
hood, Costa said.&#13;
Also coming to the area is the Thornton Park Marche, which developer Phil Rampy envisions as a bohemian-style shopping village. A gourmet grocery to be located on East Washington Street is scheduled for a June 1995 opening. Rampy hopes to reserve the remainder of the space for unique businesses that offer not only quality goods and services, but also contribute to the personality of the whole area.&#13;
“It’s more important to me to have a business in there that has personality, a sense of style that is consistent with the other businesses in the area. This is why we are trying to make the rent on the spaces as affordable as possible,” Rampy said.&#13;
Three other buildings that Rampy has purchased in the area will be converted into ten townhouses, two of which will be available for occupancy in January.&#13;
The area will also be seeing substantial renovations in the coming months. Streets in the Thornton Park area will be completely gutted and a new brick street will be laid. Old fashioned gas-buming lamps, matching those that adorn Lake Eola Park, will also be installed.&#13;
With all of the development and interest being focused on Thornton Park, Rampy feels the gay community has a real opportunity to build a new kind of gay-friendly neighborhood. It is Rampy’s hope that the neighborhood will be one of inclusion, not a “gay ghetto,” characteristic of other cities’ gay neighborhoods. -&#13;
“I hope the area will be one where gay and straight people live side by side, both working for the betterment of the neighborhood. I think the neighborhood will live up to its potential if it embraces a full range of people, making it more representative of our city. The gay community here in Thornton Park can include themselves in the mainstream, instead of isolating themselves. It will be for the benefit of everyone in the area.”&#13;
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WATERMARK / October 26,1994 12&#13;
VIEWPOINT&#13;
SOMETIMES I DON’T FEEL VERY GAY&#13;
by Brandon Dean&#13;
It’s been almost three years since I moved to Florida and discovered my sexuality. Of course, it wasn’t quite in that order; I realized I was attracted to guys, and I knew I had to move out on my own. Now, on the third anniversary of my coming out, I don’t feel very gay.&#13;
It would be easy to say that the sexual freedom, the celebration of community pride and the newness of the gay lifestyle is wearing off, but that would be simplistic. It goes much deeper. I’m not some bitter queen who doesn’t go out to the bars anymore and sits around the apartment watching videotapes of Ab Fab while swizzling gin and tonic (at least I hope not).&#13;
But that kind of simplistic stereotyping is part of the problem. Gay life is too often&#13;
protrayed - by those on the outside looking in - as overly simple and stereotypical. A recent phenomena in modem gay history is the new “glossy queer.”&#13;
In the past several years, the media’s attention to gays, the invention of “lesbian chic” and the advent of queer market power has hyped an alternative “lifestyle.” Being gay is no longer thought of as a choice, but rather as an all-inclusive lifestyle. The closet has been continually shrinking, and the idea of compartmentalizing your gay life is no longer much of an option.&#13;
Gay newspapers, magazines, movies and videos insist that being gay is an integral part of your identity as a queer. But in some instances, the gay lifestyle is like a queer albatross around your neck - it is something&#13;
you can never get rid of. Unfortunately in the push to bring queer identity to the forefront, gay media have offered up a glossy version of how that is done.&#13;
Tales of media moguls and musicians who have come out and lead well-balanced queer lives abound. Glamour stories of how to be the most fashionable queer at the next gay soiree fill the pages of our glossy gay mags. Health and exercise tips can make you the most-well-liked muscle queen in your aerobics class. And book reviews of which corporations are most queer-friendly pop up regularly.&#13;
Maybe my life has gotten too complicated recently, but there is more to me than always being the perfect Out Queer. Yes, I am concerned about the upcoming School Board election, in which several conservative candidates want a “more moral” environment for children, but I am also concerned about the president’s foreign policy and how we got mixed up in the Haitian crisis. And I am even more concerned about how many hours of overtime I need to work this month to pay off some of my credit card debt, than I am about the really cute go-go boy I missed on&#13;
Sunday night (although my friend insists that if I had seen him, it would have given me a new perspective on life).&#13;
I am beginning to realize that, although I may be 100 percent gay from my head to the tip of my toes, there are times when my identity will supersede my queer identity. I will not be queer 100 percent of the time. I don’t want to hide my sexuality, but I don’t have the time to dwell on it constantly, either. It is often not a simple thing to be a well-balanced queer.&#13;
It is a significant thing to successfully integrate one’s queer identity into one’s personality. But the resulting focus on the “glossy gay lifestyle” may be disenchanting. Everyone can’t be a model lesbian like Melissa Etheridge. Instead, we may need to be reminded of our older, more long-suffering gay icon, Judy Garland, and realize the glossy image of a perfect (gay) lifestyle doesn’t always suit us queers.&#13;
Brandon Dean is a twentysomething writer based in Florida. Empire Syndicate, 1994.&#13;
Watermark welcomes your Letters to the Editor. AH letters are subject to editing for content and length. Letters should be sent to:&#13;
P. O. Box 533655 Orlando, FL 32853-3655&#13;
WATERMARK&#13;
Watermark Media, Inc.&#13;
©1994&#13;
editor / publisher Tom Dyer layout / managing editor April Gustetter account executive Keith Peterson contributing writers Michael L. Kilgore, G. K. Fowler, Harmony Brenner, Nan Schultz, Bandon Dean, Dimitri Toscas,&#13;
Jim Crescitelli, Mark Lawhon, Yvonne Vassell, Ken Kundis,&#13;
Rafael Gasti, Stephen De Matteis, Rosanne Sloan, Joe Sarano photographers illustrators Alison Bechdel, Eric Orner,&#13;
Russell Tucker, Jill Porter student contributors Robert Holland, Katie Messmer,&#13;
Tera Kenney, Mike Williams&#13;
CONTENTS of WATERMARK are protected by federal copyright law and may not be reproduced in whole or part without the permission of the publisher. Unsolicited article submissions will not be returned unless accompanied by a self-addressed, stamped envelope. Although WATERMARK is supported by many fine advertisers, we cannot accept responsibility for claims made by advertisers.&#13;
Publication of the name or photograph of any person or organization in articles, advertising, or listing is WATERMARK is not to be construed as any indication of the sexual orientation of such persons or members of such organizations (unless, of course, sexual orientation is stated specifically).&#13;
WATERMARK is published every second Wednesday, except the first week in January and the second week in July. Subscription rates are $35.00 (third class).&#13;
The official views of WATERMARK are expressed only in editorials. Opinions offered in signed columns, letters and articles are those of the writers and do not necessarily represent the opinions of the newspaper’s owner or management. We reserve the right to edit or reject any material submitted for publication.&#13;
WATERMARK is not responsible for damages due to typographical errors, except for the cost of replacing ads that have such errors.&#13;
WATERMARK P.O. Box 533655 Orlando, FL 32853-3655 TEL 407.481.2243 FAX 407.481.2246&#13;
LETTERS TO THE EDITOR&#13;
Recently I read Rod and Bob Jackson-Paris’ autobiography, Straight from the Heart: A Love Story. It’s their story of their lives growing up gay and how they met. If we are looking for role models in the gay community, these two gentlemen are perfect icons.&#13;
Bob Paris is a professional body builder and a former Mr. Universe. He has motivated me to work out more frequently, and I feel obligated to support him. Bob had a contract with with Mr. Joe Weider, who promotes many professional body builders. Joe promoted Bob for a long time, and said that Bob was one of his most aspiring body builders. During this time, Bob did an interview with Ironman magazine and he announced that he was a homosexual. When it came time to sign to a new contract, Joe told Bob that he couldn’t promote Bob anymore. Job discrimination, pure and simple. This is recounted in Bob and Rod’s book.&#13;
Mr. Weider publishes three fitness magazines: Flex, Muscle and Fitness, and Men's Fitness. I cancelled my subscription to&#13;
Men’s Fitness, and said that I enjoyed the magazine, but I could not support a man who discriminated against a man just because he was openly gay. I encourage and ask that you show your support to Bob and his husband Rod, and ban Joe Wieder magazines and products. There are lots of alternatives. Exercise for Men Only and Mens Workout are two good magazines. Bob Paris also has two exceptional work out books. Beyond Built, and Flawless both have many work out routines pictured. Bob and Rod have also done an artistic photography book together, appropriately entitled Duo. Support our community by banning Weider. I’m sure Bob and Rod would thank you.&#13;
Ok, fine. Editor&#13;
As a long term resident of Orlando (25 years), I am writing to express my dissatisfaction with actions taken by [the Parliament House]. I have been a “regular” customer at [the PH] for nearly ten years. In this period of time several “in” bars have come and gone, but the P.H. remained, and I remained a loyal customer. I now find myself regretting my loyalty, and the amount of money that I have spent [there].&#13;
Placing a chain link fence between [the PH] and the Full Moon Saloon was a poor statement... along with harassing customers with questions about which bar they plan on patronizing. Until you gain respect for your customers you will continue to loose them.&#13;
Richard Morgan, Jr.&#13;
This issue just doesn’t seem to want to go away. Watermark would very much like to print the Parliament House’s response to the fence controversy.&#13;
Editor&#13;
Stephen Blackwell&#13;
WATERMARK /October 26,1994 13&#13;
VIEWPOINT&#13;
DON’T VOTE REPUBLICAN&#13;
by Nan Schultz&#13;
I’m going to put this rather bluntly: “Don’t vote Republican.” I have pondered how to frame this sentiment in a manner less absolute, more measured. I have searched in vain for some caveat to attach, some “with the exception of’ to add, but alas, no redeeming factor presents itself, no mitigating circumstances appear. The simple fact is, there is no reason for anyone who is gay to vote for anyone who is Republican. Voting for every Democratic candidate whose name appears on the ballot doesn’t make sense, but at the risk of losing what small voice a vote is, I would recommend voting for no&#13;
..	.no redeeming factor pre-&#13;
sents itself no mitigating circumstances appear. The simple fact is, there is no reason for anyone who is gay to vote for anyone who is Republican.&#13;
one rather than voting Republican. Why? Simple: their voting record on issues of importance to gays and lesbians, and their ties to and reliance on the religious right.&#13;
Last month the Human Rights Campaign Fund (HRCF) sent out a special election bulletin, including a brochure listing House of Representatives and Senate voting records on five bills the HRCF found to be critical indicators of attitudes toward gay and lesbian issues. A quick glance at the results indicates that the Republican party had a miserable record where we are concerned, and&#13;
a simple spreadsheet analysis changes that impression from merely miserable to positively abysmal.&#13;
The Senate and House bills for which the voting information was provided included a Domestic Partners Bill which allows domestic partners to be eligible for certain benefits, an amendment to prevent the codification of the “Don’t Ask, Don’t Tell” military policy, and the Helms-Smith-Hancock Amendment to the Elementary and Secondary Education Act denying funds to schools with “any program or activity which directly or indirectly has the purpose or effect of encouraging or supporting homosexuality as a positive lifestyle alternative.” Other measures dealt with HIV/AIDS prevention or the treatment of PWAs, and access/funding for abortions. If none of these issues matter to you, then you can quit reading. Or consider these numbers and see if you can tell what’s wrong with this picture.&#13;
In the Senate there are 44 Republicans. 21 of the 44 voted against every measure tracked by the HRCF. Another 16 voted favorably on less that half of the issues. Only 2 voted favorably 100% of the time. How does that compare to the Democrats? Of 56 Democrats in die Senate, 26 voted favorably on issues of importance to lesbians and gays 100% of the time. 13 others voted for at least 50%, and only 3 voted favorably on none of the critical issues.&#13;
In the House of Representatives, the numbers are bigger but the percentages are much the same. Of 179 Republicans in the House, 133 voted against every measure tracked by the HRCF; 19 voted for only 1 of 5; and only 3 voted favorably in all cases. And although a total of 129 out of 264 House Democrats voted favorably on all issues relating to gay and lesbian civil rights,&#13;
be aware that an alarming 62 Democrats voted for none or only 1 of the 5 measures.&#13;
A friend of mine recommended that I track those she called “Dixiecrats,” or Southern Democrats. Well, that was certainly revealing. Guess who the “rebel” Democrats were? Yep, the Dixiecrats. In fact, 50 of the 62 House Democrats who consistently voted against the interests of gays and lesbians were from the Southern states. I think the Democratic party has its work cut out for it. Force the Dixiecrats to join the party where their sympathies lie.&#13;
And just where do Republican sympathies lie? From everything I can gather, they stand rather clearly with the radical right. Many Republicans are a bit shy about the relationship, but that in itself is part of the strategy. While they rely on both the money and the votes of the Christian Coalition and their brethren, Republicans frequently hide or at least downplay their alliance with these groups to avoid alarming more mainstream conservative voters.&#13;
It is not a matter of great secrecy, however, that Republicans and radical righters are cozy. A quick check of the popular press revealed no less than 15-20 news articles in the last 2 years connecting the two. Here is a sampling of the fare.&#13;
From a US News and World	, June&#13;
6, 1994 article entitled “Onward Christian&#13;
Soldiers:”&#13;
•	A Republican pollster estimates that 1 of every 5 Republican voters is a fundamentalist.&#13;
•	20 state party (Republican) organizations are under the control of the radical right.&#13;
•	battles between centrists are not new to the Republican party, but “what is new is the religious zeal of the fundamentalists, and their reluctance to compromise on core issues like gay rights and abortion.”&#13;
Time Magazine, June 27, 1994, In an article “On Heaven’s Ticket:&#13;
•	notes that the religious right has kept up its building process jamming GOP Committee meetings and state caucuses.&#13;
•	describes the Christian Coalition’s “grass roots effort [which has] paid off in control over the [Republican] party apparatus in Texas, Virginia, Oregon, Iowa, and South Carolina, as well as significant influence in perhaps a dozen other states.”&#13;
•	quotes Arlen Specter, leader of a failed centrist movement as saying, “the people on the far right are much more interested, much more determined, much more motivated than the centrists.”&#13;
There is plenty more where that came from. The alliance is clear. The numbers are in. The Republicans are not your friends. I look forward to hearing from those of you who still think they are.&#13;
We^lknow a fag is a Homosexual gentleman who has just left the room.&#13;
TRUMAN CAPOTE&#13;
THE WAX MUSEUM&#13;
(A CAUTIONARY TALE FOR HALLOWEEN)&#13;
by Michael L. Kilgore&#13;
My friend David is an expert at disguise. He makes frequent but unscheduled appearances at Southern Nights in never to be repeated, one-of-a-kind total makeovers. Sometimes he appears as a latex-leather master complete with whip, other times as a stiletto booted Spanish dancer in tight, crushed blue velvet. Most recently, he appeared at Twirl as a man-machine, half of his body painted in silver, cutting through the crowd in slow-motion Borg fashion. Assuring me that his guises are an easy way to weed out the folks on drugs when he’s out cruising, he claims that it is, otherwise, just a kick.&#13;
Before coming to Orlando to work at the attractions, David started his career in costume with the dubious distinction of being a docent at Ft. Ticonderoga in upstate New York. Every day, he and his fellow tour guides would dress in authentic eighteenth century costume to take the guileless on an overlong tour. In addition to the usual authentic craft demonstrations, the fort boasted a musty wax museum which was the last stop before the souvenir shop. Each docent had to rotate through giving tours, demonstrations and working the trinket stand. And since, more often than not, tourists were relatively sparse and there was nothing to do, David and a couple of his friends started honing their make-up skills by adding themselves to the collection of&#13;
dummies in the museum. It was a challenge to see if people would even notice.&#13;
Shortly before closing one Sunday afternoon, the group had assumed their post in the museum. David had made himself up as a loin-clothed Mohican scalping a settler. (This scene, by the way, was not in the history books.) Finally, a bored family of five stopped to witness the gory scene. After commenting on its grisly impact and how much better this scene was than the rest of the museum, they moved on, leaving behind an enthralled five year old. As she turned away, David shifted his position, just&#13;
.. .we would assume the standard straight disguise.. .after all, why not? It's what we do best.&#13;
in time for the little girl to see a new frozen scenario when she looked back one last time.&#13;
The little girl ran for her parents screaming, “Mama, they’re alive! They moved!”&#13;
By the time the family came back, David had resumed the original pose, and the mother was not amused. Rebuking the little girl with several hard slaps on her hands, she shrieked, “Dorothea, I’ve just about had&#13;
enough of your lying. I don’t want any more stories. One more time and I’m really going to hit you!” And then she marched out the exhibit, yelling back, “Come on, NOW.” Dorothea stood in front of David, crying quietly and rubbing her burning hands. Looking up at him, she sobbed, “You moved. I know you moved.” David bent over and replied quietly, “No I didn’t,” and then resumed the pose scalping his friend as the little girl ran down the hall howling, “Mama, they’re alive! They moved!”&#13;
I’m standing in front of a small group of executives about to begin a workshop on valuing differences. David’s story keeps replaying itself in my mind as I survey the assembling group. Fourteen men, each the President of a major company, and the CEO of the conglomerate have entered the room. Collectively, they represent close to $5 billion in annual revenues and make decisions affecting the lives of tens of thousands of employees. My job is to help them understand that they have hidden assets in their companies in the form of women and men whose contributions are devalued because of who they are: their race, their gender, their age, their sexual orientation, their ethnicity.&#13;
I’ve done this workshop successfully dozens of times before. My job is simply to keep the dialogue progressing. It requires only two things of me: good listening skills and absolute integrity about who I am. It’s always a stretch, but I’ve seen total bigots walk out of this workshop at least allowing that they might have been wrong about a few people and taking some active steps to change both their own attitudes and their organizations. Yet this time is different for me. I’ve been asked to do something I’ve never done before - simply, not to mention that I am a gay man. Not exactly to lie, but also not to bring it up.&#13;
One of the Presidents, an active right-wing fundamentalist, had called the workshop coordinator the night before. In tears he had told her that if even the words sexual orientation were used in the session, he would stonewall the entire change effort the organization was undertaking. She told me this saying, “I can’t tell you what to do; but...” So the dilemma for me was about integrity. The workshop is about helping people capture their personal truth; and yet, to make it work, I was being asked to lie. To complicate it further, there were two other people, a gay man and a woman whose brother had just died of AIDS, who had been invited. It was also my job to tell them, “I can’t tell you what to do: but...“ As we stood talking, the image of David’s pretend wax creation kept coming back to haunt me. At first Jorge, Luisa and I wept because we knew that one more time our difference would not be addressed. After making the collective decision that in the interest of the whole organization it was better not to speak, that, in essence, we would assume the standard straight disguise, Jorge turned to me and said, “After all, why not? It’s what we do best.”&#13;
Well, the workshop was a huge success and the Presidents approved the program so now I know it can work without total integrity. But I lost an important part of me in the process that I’ve worked years to claim. I became that wax museum piece, moving only when no one is looking. The question for me now is, whose pain is greater, the one wearing the mask or the one surprised by the movement? Or does everybody just get numb? Being masters of disguise is, perhaps, what we do best. But I keep wondering, when do I get to move? Will there ever be that day of recognition? “Mama, they’re alive! They moved.”&#13;
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WATERMARK / October 26,1994 15&#13;
Watermark Interview:&#13;
LEWIS ROUTH ACTS OUT&#13;
ack toy popular demand&#13;
LEWIS ROUTH, ploywrite, director and founder of ACT OUT Theatre: “Mores will be my last production with Act Out."&#13;
Lewis Routh has been an integral part of gay culture in Central Florida for some time. For Routh, that may seem a back-handed accolade. He has mounted many attempts to bring gay theatre to the gay community, and the reception has been decidely mixed.&#13;
His most recent production, Whores of a Different Color, played to appreciative but light audiences at the Parliament House's Footlights Theatre. And for Routh, that’s the problem. A tinge bitter, he feels that lack community support has made his job, his mission really, an uphill one. But Routh loves theatre, expecially theatre, and he remains thankfully unconvincing when he threatens to throw in the towel.&#13;
I caught Routh between moving a houseful of furniture and rehearsing Whores, but he was more than willing to take the time to talk about gay theatre, Central Florida, and his life here. This man has much to say.&#13;
Let’s start with something big. What is your greatest achievement?&#13;
Being with the same lover for 18 years: Marlin Haindfield. He’s assisted with ACT OUT’s productions, directing and promoting.&#13;
What kind of shows does ACT OUT do?&#13;
Most of the shows that I have done have been in the “Community Theatre” venue, in that the actors did not get paid. I’ve always liked doing gay and lesbian plays, because it’s a real good way for us, as a&#13;
community, to regain a certain amount of dignity and pride.&#13;
It always seems that the examples we have of gay and lesbian images in “mainstream” theatre are kind of limited to the images that straight people have of us.&#13;
For example, La Cage aux Folles is a very good show, but it’s still Drag Queen. Larry Kramer’s The Normal Heart or The Destiny of Me and those victim-of-AIDS plays are also another thing that the straight community has latched onto and thought, “That’s an okay image of gay people.” But images of ourselves where we’re just real, everyday people that happen to be gay are not viable interests in the “mainstream” theatre. It’s certainly true in TV and movies.&#13;
They’re touting the fact that Harvey Fierstien is on TV as an openly gay character. Well, that’s nothing new; it’s been there before. And here, he’s going back to the old stereotype. He’s an interior decorator for one.&#13;
When did the ACT OUT Theatre start?&#13;
I had a production company called “Midtown Productions” in Atlanta, the first gay and lesbian theatre company there. I was trying to bring a form of entertainment to the community that was something other than the drag shows and strip shows. Not that I have anything against those forms of entertainment; I love a good drag show, and I’ve certainly been known to stuff a few dancers’ baskets with dollar bills.&#13;
Continued Page 18&#13;
At the beginning oiPulp Fiction, the definition of die word pulp appears on die serein;&#13;
istically ppn^d iifi rough, unHmshetf^ per|| But -as; this seemingly violent, disjointed* and incoherent babbling on the world of crime develops, it slowly crystallizes into a skillfully woven web of intricate plotlines. These stories overlap, intertwine* and ultimately create a satisfying movie on an undesirable subject - the end product is anything but rough or unfinished.&#13;
The film contains three stories* all linked by Mareellus Wallace, the leader of a powerful crime and drug ring. Vincent Vega and Mareellus Wallace's Wife, is about one of Wallace’s hit men (John Travolta) taking Mrs, Wallace (Uma Thurman) out for an evening on the town;&#13;
The Gold Watch is about a boxer (Bruce Willis) trying to renege bn a fight-fixing deal he’s made with Wallace, In The Bonnie Situation, Travolta mid cohort Samuel L. Jackson have to clean up after an accidental murder and contend with a restaurant robbery* All three narratives involve crime, drug abuse and violence, Writer/Director Quentin Tarantino (Reservoir Dogs, Natural Born Killers) has accomplished no small feat in tying these stories together into one cohesive, albeit Quirky, work. He has a great flair for suspense* keeping us on the edge of our seat and, hi fact* unsure if we want to see what’s coming next. Like a carnival ride* Pulp Fiction will crawl at a snail’s pace, and then suddenly begin moving at lightning speed. The plot twists* particularly in The Gold Watch would have made&#13;
on the cyclic nature of both life and crime are well developed.&#13;
Ill&amp;femdvlll^ltrehgdi is its ability to humanize its distasteful characters and entertain even when plotlines come to a screeching halt. The characters are always unexpected: competing in a twist contest, making logical robbery career moves, and discussing such trivialities as why one shouldn’t eat pork, what Big Macs are called in France, and why a woman should want a pot belly. With a running time of two and a half hours* die slow parts could be trimmed a bit, but Tarantino is smart enough to inject comic moments to carry;; us through.&#13;
The performances in the film are excellent. From an all-star cast* Travolta, Thurman, Amanda Plummer as a psychotic robber* and Harvey Keitel as a&#13;
Continued Page IS&#13;
WATERMARK/October 26,1994 16&#13;
IN REVIEW&#13;
tie Review 1*5&#13;
Dimitri&#13;
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the mystery. on the night ^e ;: went Although she had style and sang well, I #hnted her to really let goof her | 01 gtt&#13;
' Jeff Danila was an appropriately slimy Jasper, and even slimier as Mr. Clive Paget (the actor who played Jasper), Bill Klear was an endearing Reverend&#13;
: Crisparkle, and Shawn St. John was a suiprislhg BasS®|His^&#13;
'&#13;
In a east where so many performers stand out, it is difficult to elevate any single actor, but the spotlight should be focused on Megan Morrison as Priif|§ cess Puffer, and Christopher Fitzgerald as Mr. Cartwright (the Chaaman and&#13;
Morrison’s earthy, opium queen, Puffer, is immediately captivating. Her voice is strong and vibrant, and her character develops from that of a clown* like relief to a real, downtrodden woman.&#13;
i|&#13;
every aspect of this character to light. Even his ability to switch into the quirky role of Sapsea shows his agility as a performer. His singing is just as strong as his acting, and he is always in control,..well, almost always. There was that “Off to the Races” incident,&#13;
On the whole, this production was grand, and every bit as fun as die person-&#13;
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THE RAINBOW GAYME&#13;
Shoppers beware! There’s only 8 weeks until CHRISTMAS! Now calm yourself; we’re going to help you cope. Here’s something that’s sure to get you through Holiday Shopping Hell without too many scars.&#13;
There’s this new little trend - the return of the board game! And a GAY game, no less. We’ve seen it advertised in OUT. We saw it on the sale table at Out &amp; About Bookstore (but didn’t really pay attention). Now everyone wants The Rainbow Gayme. It’s a national hit and we finally checked it out.&#13;
We borrowed Bruce’s (	Grey&#13;
lost our order), and he reminded us that we could order this and other quality merchandise at Out &amp; About on Mills Avenue. (Thanks, Bruce.. .and there’s your shameless plug! It’s the least we could do.)&#13;
Now all that was left to do was get some people together to play. Easier said than done, so my man, Paul and I played it alone. We don’t recommend this. It just doesn’t work for two. We closed the box and waited for a small crowd to gather.&#13;
As fate would have it, a small crowd (our friends Lisa and Frank) did gather at our home one night and we played the Gayme. It’s a combination of all your old favorites: Truth or Dare, Pictionary, Charades, Multiple Guess, and Balderdash. This is quite the interactive gay and lesbian history and culture game.&#13;
You start in the closet and work your way around the rainbow path to “Liberation” by solving problems (like: “What does it mean if a lesbian is ‘packing’? A: She is wearing a dildo under her clothes, B: She is leaving her girlfriend, C: She is carrying a concealed weapon, or D: Any of the above.”),&#13;
drawing pictures that describe “family” vocabulary (like “Glory Hole”), and acting out gay and lesbian films, books, or personalities (like “Queen of Wands”). There’s also a “group grope” that reveals some of your darkest secrets.&#13;
It is fun, but we realized quickly that there aren’t enough questions, and you need a lot more than three or four people playing to make it really fun. The winner? (You’re dying to know who won, aren’t you?)&#13;
Well, I guess now is as good a time as any to tell you.. .I’m gay. (I hope you’re all okay with that.) I thought I might have an advantage over Lisa, who isn’t. Surprisingly, she almost won...until she got the “Island of Lesbos” question and didn’t know who Sappho was. Ultimately, Frank snuck up from behind and snatched the crown.&#13;
When all was said and done, everyone wrote down what they thought of the game. Here’s what they said:&#13;
“Like any game, it’ll be fun if the people you play it with are fun,” and “Full of lots of facts and things I didn’t know,” ( FYI: Sappho’s an ancient Greek lesbian poetess, and the answer to the “packing” question is “D”.), “They could have used the cards better by putting five or six questions on each card. More questions, more fun,” “It’s a great educational tool...good for awareness and outreach,” and “Have a Kir Royale before you play. That’s three parts champagne, one part Chambord. Guaranteed success.”&#13;
We all decided it’s a keeper. Add it to your gift list and order it from Out &amp; About Books. Happy Holiday Hunting (we’ll give you more shopping tips as we get closer to that joyous time of year).&#13;
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WATERMARK / October 26,1994 17&#13;
JAixEi MeDih&#13;
by T*U&#13;
no excuses! Went to see Sandra Bernhard’s “Excuses for Bad Behavior” show at The Club last week with a group of friends. As some of you may have heard, this show was moved to The Club after it was cancelled at the Tupperware Auditorium. Rumor has it that a lack of ticket sales at Tupperware caused this change of venue. A decent sized crowd showed up at The Club, but the show was by no means a sellout. Having seen Sandra several times before, I was extremely disappointed. The witty sarcasm and irreverence of previous shows, most notably the “Without You I’m Nothing” tour, were gone. Sandra has lost her edge. Perhaps what was cutting edge humor in the late 80’s just doesn’t play well today. Sandra’s backup band, “The Strap Ons” (great name, by the way) performed as well as the average high school garage band. Complete with a repertoire of forgettable songs from the 70’s, “Excuses” reminded me of my high school days, hanging out in the basement of my friends’ houses while we performed cover versions of radio tunes, smoking cigarettes, drinking beer, and trying to act cool. Fun at 16 perhaps, but watching Sandra and The Strap Ons playing at this old game left me feeling uncomfortable and embarrassed for a performer I have enjoyed in the past.&#13;
BCSX SANDWICH.. .in town is the peanut butter and jelly and banana deluxe at the White Wolf Cafe. Served with a side of potato salad and a tall glass of cold milk, this is the yummiest junk food you’re gonna find. For the health and fitness crowd, the menu is loaded with salads, although I haven’t had great luck in my samplings. White Wolf is much more fun in the PM, I’ve noticed...the crowd definitely changes after the sun goes down at this cute little cafe/curio shoppe on North Orange Avenue’s Antique Row.&#13;
ON THt SMAII SCRCCN: Party of Five (Monday, 9 PM, FOX) is my favorite new show of the season (an absolutely biased statement since it’s the only new show I’ve seen). Nevertheless, Party of Five is kind of like a hybrid of Melrose Place and Thirty Something. The story of five siblings living in San Francisco after the untimely death of their parents, Party focuses on relationships and coming-of-age issues, played against a chaotic but loving makeshift household headed up by the oldest brother (and absolute hunk), Charlie. What’s great about this show, besides the insider references to of-the-moment artists like Liz Phair and Sheryl Crow, is the fact that some issues simply don’t get resolved by the closing credits. If you haven’t tuned in yet (and why not, since it’s on right after MelrosellW), give it a look.&#13;
AXXHC Merits: The new Warren Beatty/Annette Bening film, Love Affair, is ? remake of the 50’s An Affair To Remember, which was itself a remake of the late 30’s film Love Affair. Confused? Well, suffice it to say that some things are just better left alone. This film is nothing more than a vanity showcase for married man, Beatty, and his lovely wife Bening. The story is absurdly contrived. As we saw in Bette Midler’s Stella (a remake of Barbara Stanwyck’s Stella Dallas) old fashioned tear-jerkers don’t take kindly to 90’s remakes. A brief appearance by the great Katherine Hepburn, looking every minute of her 86 years, attempts to give this film a touch of class. It took a great deal of coaxing on Beatty’s part to get Hepburn to sign on for the role, and it was worth it, as Hepburn is the only performer in the film that wins your heart. The scenery is lovely, but it really doesn’t make up for the fact that this tired story has been told before, with much better results. After seeing this movie, I was reminded of how I felt on the day I heard Beatty and Bening tied the knot...Annette Bening deserves better!!&#13;
If you’re a fan of serious acting, check out Blue Sky with Jessica Lange and Tommy Lee Jones. Blue Sky is director Tony Richardson’s last film (he died of AIDS while editing it), and is one of the films that sat on the shelf for three years after Orion Studios went bankrupt. Like some of the other releases involved in the litigation that followed the demise of Orion, this film unfortunately may not find an audience due to the lack of a wide release or expensive ad campaign. The story involves an Army family moving from one tacky base to another during the cold war years of the early 60’s, focusing on the troubled mother and wife, played by Lange. In a performance that would represent career-defining work for a lesser performer, Lange demonstrates once again that she is one of the finest American actresses working in films. Her brilliantly nuanced performance of a woman walking the very fine line of mental illness is disturbing in its reality and truly harrowing at times. Yet it is hard to take your eyes away from the screen when watching an artist at the top of her craft.&#13;
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ACT OUT&#13;
From Page 15&#13;
I was the first one in Atlanta to bring a nightclub act to a gay club, but it became so popular that the straight people, who were used to going out earlier, started coming to this gay club and took over.&#13;
It was really funny, but a lot of that happened because of the coverage we got in the straight press. It was hard in Orlando to get coverage [of any kind] when ACT OUT started here. We were doing a new play every month. I wasn’t saying to them, “Come and review the shows, and be honest in your reviews.’’ I wanted them to run the pictures and press releases that I sent them, and they wouldn’t. And because of the community’s lack of support, the theatre I’ve done has been associated with one bar or another.&#13;
The ticket sales from our productions go to organizations that support the community. We keep enough [money] to pay for the show and put some in our coffers for the next show, but a portion goes to some organization. That is something that I think I’ve done that is good.&#13;
What are some of ACT OUT’s greatest accomplishments?&#13;
We were recognized by one of the fathers of gay and lesbian theatre, Robert Patrick. He was a playwright that spoke about gay issues in the early days. He came to Orlando, and I was ashamed.&#13;
Here I had gone to all of the trouble bringing him here, at ACT OUT Theatre’s expense, only to be told by the gay papers that they didn’t know who he was and they weren’t interested in talking to him. And yet, the news media from Channel 6, which is probably the most homophobic news program that we have, was real interested in doing an on site interview with him at the Civic Theatre, where we were doing our production.&#13;
It’s those kinds of things that have left me a little jaded, if you will, with Orlando’s gay and lesbian community. I want them to get their shit together and do something more for themselves.&#13;
Do you think it’s because we’re kind of a new community that we’re not sure how to handle situations like that or how to recognize their accomplishments? Because we are a new community...&#13;
I do know that, but I feel that our decision making [is poor]. They feel safe in the bars, because they have this idea that gay theatre equals sex or pornography. Gay art is in the back room, and when you move it to the front-people are afraid if it. We really are a pom-culture; we think being gay is exclusively these trashy, pornographic images, but I don’t agree, and I don’t promote that. It’s only one-tenth of who I am, I don’t know about you.&#13;
Because of this kind of attitude [in the press and community], Whores will be my last production with ACT OUT. A friend of mine, Rebecca Ranson is moving to Orlando from Atlanta. She believes theatre should be used to educate, and I’d sure like to pass on the reigns to her. If she doesn’t [take them],&#13;
PULP FICTION&#13;
From Page 15&#13;
crime clean-up specialist, are particularly good. Most impressive is the frequently underappreciated Bruce Willis.&#13;
Tarantino aims for a “retro” feeling in the film, filling the soundtrack with music from the sixties and the seventies. One of the most interesting scenes is when Travolta and Thurman are patrons of a fifties-style restaurant complete with antique cars as eating booths and celebrity look-alikes as waiters. If it weren’t for the presence of cellular phones and sophisticated drugs and&#13;
I don’t know what’s going to happen to ACT OUT Theatre. It may just close up.&#13;
You closed once before, right?&#13;
I tried to go to clubs in town that had stages, but they weren’t interested in what we were doing. A couple of them told me right to my face that our shows sucked, which kind of hurt my feelings, and maybe they did.&#13;
But people asked me to come back, and we did Street Theatre this past June for the Gay Pride Benefit, and they stayed away in droves. We had more actors on stage than people in the audience.&#13;
What are some of the plays you’ve done that have been popular?&#13;
Bar Dykes, a 1950’s style lesbian play written by Maryl Mushroom. It was ourhigh-&#13;
JETT CANARY &amp; DREW DAVENPORT from Lewis Routh's Whores of A Different Color.&#13;
est attended show, and that had to do with the lesbians coming out as well as our male dominated audience.&#13;
And Whores of a Different Color, the one we’re re-doing this month. It packed them in. I think that has a lot to do with the fact that it’s got “Whores” in the title, and the other one had “Dyke” in the title. Anything that’s got any kind of a sex act in the title, [like] “Masturbators from Hell,” would sell out before we opened the door.&#13;
What was your most artistically satisfying production?&#13;
The production of Pouf Positive by Robert Patrick, and Safe Sex, by Harvey Fierstein. Paul Wegman was in both of them.&#13;
Safe Sex is set on an enormous seesaw with the two actors rocking back and forth, talking about the balance between two men who are in love. Artistically, it was the most difficult show to mount. At one point, one of the actors gets off the seesaw and walks to the other side and the seesaw stays perfectly balanced. It was the most rewarding show.&#13;
weapons, Pulp Fiction could pass as a period piece.&#13;
The film even abandons the conventions of temporal continuity to smartly place its strongest statement at the film’s end: Jack-son, holding a gun to a robber’s head, quotes Ezechiel and ponders who is righteous and who is evil. After witnessing the tables turn, seeing the hunters become the hunted and vice versa, we understand that in the world of crime, good and evil are frequently indistinguishable. If you can make the time to see it, Pulp Fiction is worth the investment.&#13;
WATERMARK / October 26,1994 19&#13;
ARTFUL-LUil&amp;Ui&#13;
Dearest Readers,&#13;
When last we spoke, I'd left your cliff’s hanging and your participles dangling. Hand me my&#13;
bloody and gather ‘round. Let’s finish this frightening tale before Halloween.&#13;
The brouhaha surrounding Lily O’Shaughnessy on the set of my Jewish-Western epic, “Shoot Out At The Oy Vey Corral,” had reached a climactic head. The has-been harlot/starlet, sweet Lily, had disappeared from the set and a mysterious cloaked figure, wielding a gas can was seen lurking in the shadows. Suddenly there was a scream...a shrill, banshee-like howl not heard since Lori Del Mar&#13;
discovered a burned-out Christmas light just as holiday guests rang her doorbell.&#13;
Then there was an explosion...so loud, so unexpected, that it rocked my world, my boobs, and my last nerve. It was a fireball of such intense heat that my permanent eyeliner jumped off and ran for cover. As the flames subsided and the dust settled, we discovered company; a body, burned beyond recognition. Who was it? What was it? My bloody, please...I panic just thinking about it!&#13;
Well...at first, we thought it was the charred remains of an unfortunate stagehand caught in a real-life “bonfire of the vanities." Or was it vanity herself...the evil Lily? As soon as I checked to make sure it was no part of my already petrified anatomy, I ordered the best boy to get the&#13;
disgusting blob out of my sight before I blew chunks!&#13;
But as the body was removed I detected something -pdcLsomething queer. Not that I pay attention&#13;
to genitalia, but this charcoal briquet had three sets! One in front, one in back, and a third on&#13;
top of its head, conveniently camouflaged by a singed but still obviously cheap toupee.&#13;
Then it struck me. This bizarre creature was my makeup man, Mr. Stanley; the only one who would&#13;
go to such lengths to conceal an otherwise amusing and potentially serviceable deformity) Sad&#13;
really, to have to go through life one-third man, one-third woman, and one-third schmeckle-head.&#13;
His horrific secret was out from under his hat, so to speak.&#13;
Just then a bewildered Lily staggered drunkenly into the room wielding a gun and reeking of&#13;
tequila and gasoline (a “T&amp;G,” one of her favorite libations). Like a post-stroke Bette Davis, she&#13;
slurred, “Who killed my sister? Who killed the wicked bitch of the East?” She lurched toward me.&#13;
"Was it you, ‘my pretty?” she asked. I remember thinking to myself, "My God! The Vizard of Oz is the&#13;
best she can do at a time like this? Wouldn’t something a little more Susan Hayward work better?”&#13;
I recalled a scene from my own much-praised “prison movie” period. “Not me Baby,” I spit. "And&#13;
the cheap theatrics will get you nowhere except the late, late show, so CAN it!” Lily was reduced&#13;
to a pile of tears, sobbing as she told a sordid tale of lust and cross-dressing...and the love of a&#13;
woman for a man with three sets of genitalia. A story so incredible that had I not heard it with my&#13;
own ears, I’m sure I would have heard it with someone else’s.&#13;
Lily’s affair with Mr. Stanley had been a nightmare of drunken lovemaking, stretched out&#13;
sweaters, and Mary Kay parties. And it had all become too much. She planned to leave him that&#13;
fateful night, and after a “heated” backstage argument, Lily left in a huff only to discover that&#13;
her car was out of gas. A bitch as resourceful as she is mean, she found a gas can in props and&#13;
stormed outside to bum a ride to a gas station. When no one stopped for her (quel surprise!), she&#13;
stormed back inside and pulled out her small pearl-handled revolver. Stanley would take her to get&#13;
gas or DIE! But it was too late. Stanley had already...combusted.&#13;
There is an epilogue, dear fans. Lily was confined to an asylum; a prisoner of her own selfish,&#13;
uncaring, loathesome personality. The story is now being worked into a script for, what else, my&#13;
comeback. And the moral is: "Two’s company, three’s a crowd,” or “If you can’t stand the heat, don’t&#13;
burst into flames,” or most touchingly, “Please God, don’t let me wake up with a penis on my head!”&#13;
Until next time...	*&#13;
Loads of love,	/,_________&#13;
STREAM&#13;
Confidential to Clarissa Get&#13;
that thing out of my face!&#13;
&#13;
:^5CiAU5)NE55&#13;
▼	Out * About Books’ Bruce Ground&#13;
turns 32 (Chicken!) on October 28. Lavish gifts and cards are expected (remember .. .presentation is everything). Let’s all of us who drive by the store that day honk at him, too. By the way, his coffee shop is presently under construction and is set to open “in November, or December, or whenever I damn well feel like it.”&#13;
▼	So much for the first openly gay actor playing an openly gay character on a network sitcom. CBS’ Daddy's Girls is headed to “Hiatusville,” and is in fact the first CBS series to be shelved this TV season. We caught the show once, and it only came alive during Harvey Fierstein’s scenes as Dudley Moore’s fashion designer and bitchy confidante. And for the GPC (gay politically correct), screw stereotypes...there are people like that (some write for this paper) and they are funny.&#13;
▼	Christmas gift idea.. .If You Ask Me is a book of hilarious New York matron Libby Gelman-Waxner’s collected columns from Premiere magazine. Libby is actually the invention of gay playwright (Jeffrey) and screenwriter (Addams Family Values) Paul Rudnick, and his commentary on movies and movie stars is laugh-out-loud hilarious. . .perfect light bedtime reading.&#13;
T We’re becoming FOX fans.. .especially late night. At midnight, reruns of the consistently excellent, even inspiring, Northern-Exposure come on. After that, look for a surprising new half-hour talk show called Call. Basically, its a group of bright, attractive yuppies rehashing current events and talking with interesting guests. News from people you wish you knew. Featured are a female sports reporter (we just know she goes kicking and screaming into makeup), and a lot of comfortable, positive references about gay newsmakers and gay culture. The week of National Coming Out Day, gay and lesbian guests like the editor of Out Magazine were featured every night. Last Call is a glimpse of the future and we like it.&#13;
▼	While on the subject of FOX, pick a word...hunk, humpy, humunculous, hunkubine, hunkster, humporama.. .to describe Howie Lons from their new football broadcasting team. Are he and John Madden from the same species? We’ve always thought it would be fun to let gay men, Paul Lynde and Harvey Fierstein types, do football commentary. “Oooh baby.. .major pile-up in the middle of the field.”&#13;
(2he Mostly i/NFAbuiPus Sociai fei! ETHAN GREEN. . .&#13;
&amp;y	CJrurJjTs&#13;
One SaTurpay Afternoon when You SHoUlJCvE BEEN ScRuBBiNG T&amp;E BaTHRooM, You AnA A CELE-bRATeA TELEVi5i&gt;N PiTcHMAN FeU PeePLY in L©V£&#13;
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■ ANAS ?&#13;
ONE*..&#13;
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,'PNfS -&#13;
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v jf// -o*&#13;
Hell,Even a guy w^fiots Been t© h©tianta asnvany Times AS	SucJtyCLAIMED To have no IDEA TftAT&#13;
Y©UR MAN WAS queer.&#13;
’course Buck ISN’T THE BRIGHTEST bulb PuRNlNG, AnA PRobAbLY FELT A BiT SiUY WHEN YoU PoinTEA Out a FEW SAliENT point&#13;
TRvE,/f)E likedlHiS SEY Ki'nA’a STeRiLE, BuT You FiGUneA TiME AnA A liTTLE biT OF ELBoW GREASE WeuiA (REMEAv TjhAT...&#13;
/THE’5 GoT A GREAT T RoLLEA up sleeves V Show off sweluhg EARR1N6S, AHA AN OBSESSION V CLEANING HoitfE... what do you think f 'S PUHNo. I MEAMf -J THE GuV Does WEAR WHITE SLACKS IVBBFoRE W*EfA®RiALPAY.J	LHicH • CEPS,1 Mif-b I Pfl ?/ /j	&#13;
		&#13;
WATERMARK / October 26, 1994 20&#13;
ARTFUL LIVING&#13;
PAUL SWIFT, “THE EGGMANDEAD AT 60&#13;
Funeral services were held October 10th for Paul Swift, best known for his role as The Eggman in the John Waters film “Pink Flamingos.”&#13;
In Baltimore, Swift was better known as a mainstay in the historic Fells Point waterfront section, where he often danced naked on top of the bar at closing time.&#13;
“Paul ended every night like that,” said Mary Vivian Pearce, who appeared with Swift in several of Waters’ early films. “I guess he did it for the same reason he always wore 400 bracelets.”&#13;
Swift died Friday of AIDS at the Francis Scott Key Medical Center.&#13;
“I can’t imagine Paul ever being normal,” Waters said. “I wouldn’t say he was an actor in the Shakesperean sense, but he was an actor people remembered. Paul always led his own life.”&#13;
“Transitions” may include memorials, remembrances, weddings, anniversaries, promotions, and other announcements. Please send submissions with photo to WATERMARK • P.0. Box 533655 • Orlando, FL 32853-3655. Announcements are free of charge.&#13;
----------------------------------------------1&#13;
STnd ‘Then I&#13;
‘Thought Of You . . .&#13;
Ttowers Tre ‘Teelings&#13;
c *&#13;
TRANSITS &amp; ^ MJNATIONS&#13;
* By (hark LfmiHon, m&#13;
Mark Lawhon is certified by the American Federation of Astrologers, and is available for consultations by calling 407-894-1506.&#13;
ARIES (Mar 21-Apr 19): The Solar Eclipse on 11 -3 will make its presence felt in joint financial dealings, including marital or partnership funds. Relatedly, your mate’s employment situation may change. If she is working overtime, it may stop; if he is unemployed, he will get off the sofa and eventually stop caring about his soaps.&#13;
TAURUS (Apr 20-May 20): Major relationship changes may occur for you Bulls during the next year. If you’re in love, don’t take it for granted. If you’re single,.odds are you won’t be for long. But make it a point to be patient and seek balance and harmony in all partnerships.&#13;
GEMINI (May 21-Jun 20): It’s Deal-A-Meal time! Focus on health and proper diet, and while you’re at it, take a look in your mirror and your closet. If you look the same as your high school yearbook picture, now’s the time to be adventurous... with clothes, haircut, the works.&#13;
CANCER (Jun 21-JuI 22): November’s Solar Eclipse will likely advance relationships that are presently in the “casual” stages. Accept all invitations... even the dullest... and you may be pleasantly surprised. Also look for a birth in the family, or at least increased activities ;with children. Just don’t take the kids to any theater I’m in.&#13;
LEO (Jul 23-Aug 22): Emphasis is on family matters, especially your opposite-sex parent, and on home life. Buying, selling, or remodeling are all possibilities. And if you work out of your home, that may also be affected. Otherwise, old matters may be resolved for you, and now would be a good time to initiate future plans.&#13;
VIRGO (Aug 23-Sep 22): There will be a big change in your attitude this year. You may even acquire one. Attend to interactions with siblings, as well as with neighbors and friends you treat like “family.” Lots of short trips and interesting correspondences will make life fun.&#13;
LIBRA (Sep 23-Oct 23): Your personal income will demand full attention in the coming months. A marked change in the way you earn money is likely. Evaluate your resources, as unexpected expenses or fluctuations in income should be expected. But this is an excellent time to make long-term plans for your financial future.&#13;
SCORPIO (Oct 24-Nov 21): Don’t be surprised if acquaintences pull the, “Is that you?” number, ‘cause you’re due to experience noticable changes in your personal appearance. Weight loss, a new hairstyle, even cosmetic surgery are all possibilities. By all means enjoy all the positive attention; just don’t ignore your partner, who may need some reinforcement.&#13;
SAGITTARIUS (Nov 22-Dec 21): Watch your health this year, and don’t hesitate to seek professional advice if it seems warranted. Just don’t put it off. However, do put off any changes in your work situation... this is not the time. Take pleasure in solitude and introspection.&#13;
CAPRICORN (Dec 22-Jan 19): Social ties, group activities and friendships are all enhanced; they will take up a large portion of your time, so prioritize and budget wisely. A cherished goal will motivate you. And as off-the-wall as it may sound, consider exploring exotic religions, or even the occult; the mind-trip may prove worthwhile for you.&#13;
AQUARIUS (Jan 20-Febl8): Smile. You are very much in the public eye. Enjoy it, but watch your backside and be ready to defend your actions. Above all, protect your reputation and don’t compromise future financial security. A parent’s health may be a major source for concern, and may alter your life pattern significantly.&#13;
PISCES (Feb 19-Mar 20): Watch for a major shake-up among relatives, particularly those who live far away. Travel plans may be delayed or cancelled altogether. That’s OK. This is an important time for you to reevaluate personal spirituality and philosophy, thus paving the way for positive growth in your outlook and personality.&#13;
^tSQimwiGe&#13;
9^0/tist&#13;
846-4113 (Kissimmee) 348-4033 (B. V.L.) 828-8005 (Orlando)&#13;
1213 W. Oak Street Kissimmee&gt; Florida 34741&#13;
ADVICE-O-&#13;
Dear Advice-O-Rama,&#13;
I’ve recently broken off a multiple-year relationship. Prior to this one, my former (all long-term) partners and I have been amicable through and since each separation. Not so this time. How do I deal with an angry, bitter ex who is certain I’m out to screw her financially, despite both my legal and verbal commitments to the contrary?&#13;
Signed, At A Loss&#13;
Dear At A Loss,&#13;
With the ending of a relationship, feelings of grief, loss and anger will frequently surface. Some individuals have difficulty managing these feelings. When they are too uncomfortable, these feelings are often misdirected to material matters.&#13;
This appears to be the root of the problem, and in fact your ex-partner sounds like she’s using division-of-property issues to maintain a relationship with you, at any cost and of whatever kind. You must set boundaries so that you are not manipulated by her.&#13;
I have two suggestions. On a personal level, take some time out from the conflict by not interacting with each other for an agreed upon period of time. If the situation continues, find a counselor who can offer assistance in the termination process by providing a format and safe arena for talking through unresolved feelings. Once the emotions are dealt with, it will be easier for both parties to move on.&#13;
Watermark ‘s Advice-O-Rama counselor is Keith Baber, M.Ed.. Keith has a degree in Counseling-Psychology, and is in private practice in Altamonte Springs. He can be reached at (407) 834-3279.&#13;
WATERMARK / October 26,1994 21&#13;
TRAVEL&#13;
November it's bard to imagine frosty air and snow-covered mountains, romantic fires, hot buttered rums and gorgeous ski instructors...OK, so maybe its not that hard, If it’s sounding better and better, we have just the&#13;
THINK SNOW THINK SKIING&#13;
for die week based on double occupancy. Contact an 1GTA (Interna-&#13;
There am several great gay and lesbian ski weeks coming up in the early part of 1995 and youll need to act now if you want to tal#'|^:|n:;-any of them.&#13;
Aspen offers a GAY SKI WEEK*&#13;
gay and lesbian comunity in Aspen numbers about 2,GOG during Gay Ski Week. The Aspen week is not an “official ey enL? and while Ihstu are no&#13;
sponsors mil his that 'during.(^:Sldi&#13;
and gay-friendly.&#13;
A far more organized event is the Whistler Gay Ski Week ‘95 inWhis-. tier, British Columbia, Canada from February 5th through the I2th. Last year’s events drew over 2,500 ski-era and thek rtlend$. Whisder ^ been voted the #1 ski resort in North I America for the past three years. This; European-style village offers Ski in/ (Ski Out accommodation! M shopping in several great craft shops and boutiques. The restaurant choices in Whistler are quite inviting, from friendly casual snacks around the fire in the lodge to first i class elegant dining.&#13;
There are two mountains for skiing - Whistler and Blackcomb - of* fering both fun and challenge. Ski week also tempts the more adventurous with a chance to Helicopter Ski.&#13;
: After all that skiing, unwind at Gay Ski Week’s unique “Mountain /%p:^apahee,|Th§ is a party with special appeal for Snow Queens and Ice Fairies - a real Kodak moment if ever there was one.&#13;
The present currency exchange rate is favorable for planning a Canadian vacation. Land-only packages, are available with options ranging from moderate to luxury condos.&#13;
The more worldly traveler can enjoy Gay and Lesbian Winterfest *95, January 19th through die 29th in Germany and Austria, If you’ve al~&#13;
:;ppfwltr-;s|j destination of European royalty, heads of state, Popes and :■ prinia donnas, is the chance to do it light. With well over 5,000 gay and lesbian skiers from around the world, Winterfest is the biggest gay ski event&#13;
Winterfest organizers have ptef&#13;
need to know about Winterfest, gay and lesbian nightlife and programmed activities. When you arrive&#13;
the beginning. Before you leave Munich, you’ll be treated to a&#13;
Club Crawl, The entire gay and les-bian eommunity in Mnnicb turns out to show Winterfest guests a good time. This is clearly the way to see&#13;
gayfe&#13;
remember it the next day (whose&#13;
Ledmhosen wem those, anyway?}.&#13;
in the heart of the Alps and the fa-mrgtsT^roiian food and waimhospi-tality. The city is filled with incredible alpine beauty (and the landscape’s not bad either!}. With Innsbruck as hub, skier and non-skier can enjoy short day trips to Salzburg, Vienna, Venice and St Moritz, ill Winterfest ‘95 organizers arrange i&#13;
bawdy burlesque shows to casinos, discos, Tyrolian folk parties and night tobogganing. Packages for Winterfest *95 (with air from Miami) start at $1,262 per person, based on double occupancy.&#13;
So, if you fancy yourself a snow bunny, think you look good in ski clothes or just like hot buttered ram around a roaring Ere, consider one of these fun-filled gay and lesbian ski weeks.&#13;
Survey: Key West hotels most expensive in nation&#13;
|f' KEY WEST &lt;AP} ~ Looking fbr the country Vmost expensive hotel | rooms? Think palm trees and sunsets, not Broadway, a survey says," At an average of $147 a night, the (•Keys lead the list of pricey lodging^&#13;
according to a company that studies the hospitality Industry.&#13;
New York was second, with an average of $143, and another Florida area, Naples - which used to be atop the list - was third, at $140. .&#13;
Free Tours and Wine Tasting&#13;
Mon-Sat 10-5 PM Sun Noon-5 PM&#13;
JUST 30 MINUTES FROM ORLANDO&#13;
6 MILES NORTH OF CLERMONT ON U.S. 27 • 1-800-768-WINE&#13;
&#13;
The VaGAYtioners Club Time to think Skiing&#13;
&#13;
Special Gay Ski weeks are happening everywhere call today for the beet vaMe,Remember that space will-fill up fast co don't delay.&#13;
Whistler Gay Ski Week - 7 night packages from $ 62&amp;plus air Winterfest *95 Germany &amp; Austria air and land packages from $1,262.&#13;
407 551 S63S&#13;
A percentage ofalisld lockages booked win go to support a&#13;
Christmas of Sharing on Dec. 9tn.&#13;
Aruba - Costa Rica - San Juan - Mexico - New Orleans - Key West - Orlando RS.VP. Cruises - Gay Rodeos - Gay Mardi Gras - Mr Leather and so much more&#13;
mu MOON&#13;
SALOON&#13;
,A C\ay .American Sowfkem Style Saloon&#13;
Liberty Records Presents A GARTH BROOKS&#13;
.Ain't C\o\V\ PoWH Till TKe Sun Comes Up&#13;
Halloween Party&#13;
Saturday, October 29th Free T-Shirts, CD's 8 Posters Fastest Tush Push Contest Costume Contest 8 A Grand Prize Give Away ]&#13;
^oskim dor)fesl&#13;
Monday, October 31th 10:30&#13;
LEATHERFEST '94&#13;
November Sth&#13;
Open Dancin0&#13;
Wednesday -Friday - SaWday &amp; Sunday&#13;
Oowntvy &amp; Western Dance. Lessons w/ Tern &amp; ^}ewyand Djf ;Alan Sllis Wednesday 8-11 Saturdays 8:30 - 10:30&#13;
TVink Specials M'gMy&#13;
•Happy Hout* 12PM - 8PM Open Daily 12PM - 2AM&#13;
500 No. Orange Blossom Trail Orlando, FL (407)648-8725 Lighted 8 Secured Parking Available Acrossed the Street&#13;
WATERMARK / October 26, 1994 22&#13;
OUR CULTURE&#13;
HOPE &amp; HELP PRESENT “P” AND LEIGH&#13;
A “Red Ribbon Performance” of the best in female impersonation will be presented by the Hope &amp; Help Center at the Parliament House on Monday, Nov. 14. Some of Central Florida’s most talented performers will create a memorable evening of fun and entertainment. Co-hosts for the evening will be the Fabulous Miss P and Leigh Shannon, together for the first time on stage.&#13;
The evening will start with a cocktail party in the Parliament House Piano Bar at 7 PM. Showtime in the Footlights Theater is 8 PM. During the evening, a Key West get-away weekend will be raffled off along with other valuable prizes. The “Red Ribbon Performance” will benefit the Hope &amp; Help Center, enabling them to continue serving 1900 clients with HIV/AIDS throughout Central Florida.&#13;
Tickets are on sale for $ 12 in advance, $ 15 at the door, and can be purchased at the Hope &amp; Help Center in Winter Park. Call (407) 645-2577 for more information.&#13;
(Top left) THE FABULOUS MISS P; (lower left) LEIGH SHANNON.&#13;
■ BRINGING&#13;
COMMON SENSE &amp; DIGNITY TO THE COURTROOM&#13;
■ WORKING TOWARDS&#13;
A SAFE COMMUNITY&#13;
0&#13;
• fcOCAt COLOft&#13;
▼	Now playing at Theatre Downtown is the Central Florida premiere of Mac Wellman’s Dracula. Based on Bram Stoker’s novel, this production plumbs the depths of the Victorian underworld and exposes its Freudian sexual obsessiveness in poetic satire. Dracula plays until Nov. 5 on Thursdays, Fridays and Saturdays at 8 PM, with a special Halloween performance on Monday, Oct. 31 at 8 PM. For ticket information, call (407) 839-3900.&#13;
T “Florida’s Freshest Fruit,” The Improbabilities, will perform one last show at the Eola Theatre on Wall St. Plaza, Thursday Oct. 27, at 8:30 PM. Then they’ll take Manhattan as their new home... the Manhattan South Studio Theatre that is, 1012 N. Mills Ave. Shows are every Sunday night at 8 PM Tickets are just $5. Call (407) 521-7499 for more info.&#13;
T ICN will hold their annual Halloween (ampout from Fri., Oct. 28 thru Sun. Oct. 30 at Salt Springs Campground in the Ocala Forest. Facilities accomodate campers, pop-ups, RVs, tents, etc. Sites are $12 and can accomodate up to 5. Boat ramps, canoes, pontoon boats and lots of beautiful scenery and women will be there.&#13;
Call Nan (she’ll be in The Westphalia) for more information.&#13;
V Gadzooks! Gay Ballroom Freakazoids! GLCS sponsors their first annual GAY-LOWEEN, Sun. Oct 30, at the Grand Ballroom of the Orlando Marriott Downtown (formerly the Omni). Entertainment will be provided by Leigh Shannon, Carmella Marcella Garcia, Danielle Hunter and Katrina Lewis. There will be a costume contest and a raffle featuring: vacation packages at resorts including Big Ruby’s in Key West and the Club Carribean Resort in Ft. Lauderdale; dinner packages at area restaurants; theater and attraction tickets; gift certificates. The Marriott is offering a special room rate of $69. Festivities begin at 8 PM. Admission is $25 for members, $30 for non-members, and $35 at the door, and includes valet parking, food, raffle and costume contest enry. The Marriott is offering a special room rate of $69. Call (407) 425-4527 for tickets or more information.&#13;
▼	Daytona Beach's lambda Center presents a Costume Ball Fundraiser on Sunday, Oct. 30 at the 769 Club. There will be a costume contest, DJ and dancing, food and drinks, and guaranteed good cheer. Proceeds will benefit the Lambda Center and Hope MCC. Festivities begin at 8 PM. For more information, call (904) 253-4361 or (904) 255-0280. The Lambda Center also sponsors Stepphl* Out, a social support group for lesbians, gay men and bisexuals. Meetings are the 1 st and 3rd Mondays of each month at 7 PM at 320 Harvey St., Suite A. For more information call the Lambda Center at (904) 255-0280.&#13;
▼	Nuslc Orlando holds their Second Annual Mozart festival&#13;
on Thursday, Nov. 3 at 8 PM, and on Sunday, Nov. 6 at 7:30 PM, at St. John Lutheran Church in Winter Park. Thursday’s show features the Music Orlando Chamber Orchestra, Alfred Savia, Conductor, and is entitled “Amadeus Revisited.” Sunday’s show offers “A Mozart Chamber Evening.” Call (407) 426-1719 for tickets or information.&#13;
▼	The Clblc Theatre Off Central Florida SecondStage series presents El Grande De Coca-Cola Nov. 3-20, with performances Thursday through Saturday at 8 PM, and Sunday at 2:30 PM. El Grande goes south of the border and into the straits of hilarity. The play takes place in a terrible small town with a terrible small nightclub, where a company of second-rate performers puts on a hilariously inept show. Due to popular demand, the Civic Theatre is also presenting a one-time only, GI1COTC |JCT“ fOTIIiaiKC of its acclaimed production of Nightclub Cantata on Saturday, Nov. 5 at 8 PM. And the Mainstage production of William Gibson’s acclaimed The Miracle Yorker will begin on Thursday, Nov. 10 and run through Dec. 4. This stirring dramatization of the real-life story of Helen Keller is one of the most warmly admired plays of the modem stage. For ticket information call (407) 896-7365.&#13;
T GLCS will sponsor “I’m Coming Out,” a Symposium ffor African American Gays in Orlando, on Friday, Nov. 4, from 6-10 pm at the GLCS Center. The symposium is free, and is specially designed for those 18-25. Music, refreshments, and games will be offered, and the film Paris is Burning will be shown. RSVP by Oct. 28 at (407) 425-4527.&#13;
▼	Lesbian singer Laura Chandler will be in concert at The Junkyard in Casselberry on Thursday, Nov. 10, and at The Mill in Winter Park on Friday, Nov. 11. Shows begin at 9:30 PM, and tickets are $3. Contact The Junkyard and The Mill for more information.&#13;
▼	Joy MCC will hold a Gayla Auction at 7:30 PM on Saturday, Nov, 19. This entertaining annual event features an amazingly wide variety of desirable items, from the practical to the exotic. Artwork, musical instruments, antique furniture, vacation packages, and more will all be featured at incredible value. Joy MCC is located at 2351 S. Femcreek Ave. Call (407) 894-1081 for more information.&#13;
▼	“Puttin’ On The Ritz,” is the theme for Willow's annual Block &amp; White Boll, to be held on Saturday, Nov. 19 at the Pine Meadows Country Club in Eustis. Tickets are $35. For reservations call Terry at (407) 865-5972, or Peppy at (904) 383-0928.&#13;
WATERMARK / October 26,1994 23&#13;
OUR CULTURE&#13;
OCTOBER/NOVEMBER&#13;
27&#13;
RAINBOW&#13;
CONNECTION.&#13;
Group for teens &amp; young adults from 18-25. GLCS at 7:30 PM. 425-7450.&#13;
LUCKY LADIES BOWLING. Fair Lanes Indian Hills. 6:30 PM. 293-8849.&#13;
THR&#13;
MBA MEETING.&#13;
Downtown Radisson. 6:30 PM. 420-2182.&#13;
LADIES BOWLING.&#13;
See Oct. 27.&#13;
RAINBOW&#13;
CONNECTION.&#13;
See Oct. 27.&#13;
28&#13;
THEATRE&#13;
SELECTIONS.&#13;
Dracula.&#13;
Extremities.&#13;
Edwin Drood.&#13;
FRI&#13;
31&#13;
DELTA YOUTH ALLIANCE. Support group for gay, lesbian &amp; bisexual youth under 22. 6 PM. 236-9415.&#13;
ORLANDO&#13;
FRONTRUNNERS.&#13;
Meet at the red pagoda at Lake Eola.&#13;
6:30 PM. 857-1777.&#13;
MON&#13;
DELTA YOUTH ALLIANCE.&#13;
See Oct. 31.&#13;
ORLANDO&#13;
FRONTRUNNERS.&#13;
6:30 PM. See Oct. 31.&#13;
MON&#13;
1&#13;
O.B.B.A. Orlando’s largest gay &amp; lesbian bowling league. 9 PM. 644-2244.&#13;
UCF GLBSU MEETING. Phillips Hall, Room 218.&#13;
9 AM. 648-0057.&#13;
TUE&#13;
FAMILY VALUES.&#13;
Gay &amp; lesbian radio on 91.5 FM. Talk, music, news, interviews, community events. 8-9 PM. 646-2398.&#13;
ORLANDO&#13;
FRONTRUNNERS.&#13;
7:30 PM. See Oct. 31.&#13;
WED&#13;
FAMILY VALUES.&#13;
See Nov. 2.&#13;
ORLANDO&#13;
FRONTRUNNERS.&#13;
7:30 PM. See Oct. 31.&#13;
WED&#13;
&#13;
ft I think I was twenty-five the first time I had sex&#13;
I stopped at twenty-six. »	•&#13;
ANDY WARHOL (1927-1987)&#13;
FRIENDS OF FRAN URGE YOU TO MAKE A DIFFERENCE&#13;
VOTE NOVEMBER 8TH&#13;
fW&#13;
COUNTY CHAIRMAN&#13;
Paid Political Ad by Friends of Fran Pignone&#13;
WATERMARK / October 26,1994 24&#13;
MARKETPLACE&#13;
ACCOUNTANT&#13;
BOOKSTORE&#13;
•Monthly Accounting •Financial Statements •Tax Service (Individual, Corporate, Partnership, Estate)&#13;
Barber &amp; Latto&#13;
Certified Public Accountants&#13;
639 Ramona Lane&#13;
(West Colonial &amp; Ramona)&#13;
Orlando, FL 32805&#13;
(407) 843-9582&#13;
ACCOUNTANT&#13;
FRACASSI &amp; ASSOCIATES&#13;
Certified Public Accountant 218 South Bumby Ave. □ Orlando, FL 32803 Fax 407/896-6824 □ Phone 407/896-6858&#13;
Personalized Professional Service Business &amp; Individual Income Taxes Accounting &amp; Payroll for Small Business Free Initial Consultation&#13;
ATTORNEY&#13;
W. THOMAS DYER&#13;
ATTORNEY AND COUNSELOR AT LAW&#13;
Wills, Estate Planning, Probate •Partnership and Parenting Agreements&#13;
701 E. WASHINGTON ST. SUITE 200&#13;
ORLANDO, FLORIDA 32801&#13;
PHONE (407) 648-1153 FAX (407) 841-7501&#13;
ATTORNEY&#13;
Marbaret E. Lederer, P.A.&#13;
Attorney At Law • Registered Nurse Personal Injury&#13;
227 N. Magnolia Ave. • Suite 200 • Orlando, FL 32801&#13;
Phone: (407) 246-0044 • Fax: (407) 426-7227&#13;
ATTORNEY&#13;
(407) 843-8390&#13;
&amp;&#13;
CDavid*B. Slaughter&#13;
Attorney At Law&#13;
617 E. Washington St. Suite 3 P. O. Box 922 Orlando, Florida 32802&#13;
AUTOMOBILES&#13;
Home of the new and exciting %'metc&#13;
ASK&#13;
FOR&#13;
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Bob Miller&#13;
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Hm: 884-7128	Pgr: 526-0596&#13;
Sales &amp; Leasing Consultants&#13;
Sue Copening 295-8100&#13;
3883 W. Colonial Dr. • Orlando, FL 32808&#13;
ip you uownr&#13;
lAfA HITT VO El El&#13;
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I'mmmil| fiiiiiiiiii&#13;
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BOOKSTORE OF DAYTONA BEACH&#13;
Metaphysical Books &amp; Things MON-FR110 AM-6 PM SAT 11 AM-5 PM 1501 Ridgewood Avenue (In The Coastal Centre) Holly Hill, FL 32117 Beth Faulds, Owner 904/672-4451&#13;
CARD SHOP&#13;
1	1	lEl			IAI	Ifl	1				A	y	y	y	M	I&#13;
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A skinny little card shop&#13;
2409 EDGEWATER DR. 849-1486&#13;
CATERING&#13;
f|&#13;
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Full Service Catering and Party Planning (407) 578-1157&#13;
MICHAEL PELKOWSKI JEFFREY GAUL&#13;
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•Serving Orlando since 1980 •Computerized &amp; personalized •Nutritionally sound&#13;
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Mention This Ad and Receive 10% Off Reducing&#13;
872-0054&#13;
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^ SECOND IMAGE II&#13;
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Call For * a Special Needs *&#13;
629-8881&#13;
5Q0 it OrlandoTtAve*&#13;
Winter Park Mall&#13;
DISPLAY/MERCHANDISING&#13;
VISUALS. INC.&#13;
DISPLAY &amp; MERCHANDISING&#13;
NEW &amp; USED&#13;
if I&#13;
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With over 1,000 mannequins in stock, new and used, plus a complete restoration &amp; make-over service.&#13;
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(T,&#13;
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imiiK&#13;
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Great Selection Herbal Teas&#13;
Vitamins&#13;
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LAURENCE C. STILL • JAMIE P. STILL&#13;
Owners&#13;
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(407) 297-6655 Fax (407) 297-7565&#13;
mini n JILL POR WEDDINGS • CDIPI	IPIY IER^§|/ ^ V INI CEREMONIES &gt; P0B1IES • FASHION 1IERECEPII0NS&#13;
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MASSAGE&#13;
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IP \ 1 §&#13;
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License No. 0017506&#13;
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Watermark is available at...&#13;
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Cassadaga&#13;
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Angels &amp; Dolphins Bookstore 1501 Ridgewood Ave., Holly Hill&#13;
•	The Beachside Club 415 Main St. • The Barracks 952 N. Orange Ave. • The Buccaneer Motel 2301 N. Atlantic Ave. • The Hollywood Club 615 Main St. • Hope MCC 56 N. Halifax Ave. • Jerry’s Antiques &amp; Bargain Barn 1311 Center St., Holly Hill • Lambda Center Harvey St. • The Oasis Beach Motel 3169 S. Atlantic Ave. • Otherside of the Rainbow 2301 N. Atlantic Ave. • The 769 Club 769 Alabama St. • The Villa 801 N. Peninsula Dr.&#13;
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Absolute Leather 3400 S. Orange Blossom Tr. • Aids Resource Alliance 1221 W. Colonial Dr. • Alobar Books &amp; Music 709 W. Smith St. • Bad Mood Records 225 N. Magnolia Ave. • The Cactus Club 1300 N. Mills Ave. » Centaur 741 W. Colonial Dr. • City Lights 3400 S. Orange Blossom Tr. • Civic Theatre of Central Florida Loch Haven Park • The Club at Firestone 578 N. Orange Ave. • Colonial Promenade Cinema 6 4672 E. Colonial Dr. • Connections 1517 N. Orange Blossom Tr. • The Eagle 3400 S. Orange Blossom Tr. • The Eco Store 2421 Edgewater Dr. • The Edge W. Washington St. • Faces 4910 Edgewater Dr. • The Full Moon Saloon 500 N. Orange Blossom Tr. • GLCS Center 714 E. Colonial Dr. • The Hair Exchange 431 E. Central St. • Hall’s Flowers 817 E. Washington St. • Hank’s Place 5026 Edgewater Dr. • Joy Metropolitan Community Church 2351 S. Femcreek Ave. • The Leather Closet 498 N. Orange Blossom Tr. • Moorefield’s 123 S. Orange Ave. • New Image Fitness Center 3400 S. Orange Blossom Tr. • Out &amp; About Books 930 N. Mills Ave. • The Parliament House 410 N. Orange Blossom Tr. • Peaches Music &amp; Video 2901 E. Colonial Dr. • Peaches Music &amp; Video 8114 S. Orange Blossom Tr. • Pieces of Eight Antique Emporium 2021 N. Orange Ave. • Retro Records 59 N. Bumby Ave. • Sam Flax Discount Art Supplies 1401 E. Colonial Dr. • Shelbie Press 1308 Lang Ave.&#13;
•	Southern Nights 375 S. Bumby Ave. • The Spiral Circle 750 N. Thornton Ave. • Thornton Park Cafe 900 E. Washington St. • Video Express 3400 S. Orange Blossom Tr. • Watermark Offices 701 E. Washington St. • Yab Yum Cafe 25d Wall Street Plaza&#13;
Winter Park&#13;
Acorn Books 521 S. Park Ave. • Michael Dunn, M.D. 1355 Orange Ave. • East-West Compact Discs &amp; Tapes 240 N. Orlando Ave. • Hope &amp; Help Center 1935 Woodcrest Dr. • The Phoenix 7124 E. Aloma Ave. • The Powerhouse 111 E. Lyman St. • Rollins College Office of Student Affairs • A Second Image II Costumes Winter Park Mall&#13;
Organizations&#13;
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If you would like to see Watermark distributed at a retail or commercial establishment in your neighborhood, call us at (407) 481-2243 and let us know.&#13;
WATERMARK / October 26,1994 26&#13;
SPORTS&#13;
GAY FITNESS CENTER SEEKS NEW IMAGE&#13;
by Kelly A. Kersey&#13;
The New Image Fitness Center is a serious work-out facility with some PR hurdles to overcome. Located next to two bars, The Eagle and City Lights, New Image occupies the same space as the former Club Body Center, a...well, it was a bath house. Indeed the unassuming facade, devoid of windows, looks like anything but the ubiquitous fitness mega-centers with rows of exercycles on display.&#13;
But in fact, New Image is equipped to compete with Bally’s and other heavily advertised fitness centers. The gym houses a full line of nautilus and universal exercise equipment, as well as free weights. New Image also offers medium and low-impact aerobics classes for their predominantly gay male membership. During my visit to the club I found a great many “fitness freaks,” with gym bag in tow, who’d clearly been using the equipment provided in pursuit of just the right “buff.”&#13;
Membership at New Image is limited to men. Management explains that there is only one locker and shower area, and the inclusion of women would turn the laid back, almost club-like atmosphere into a potentially uncomfortable environment for men and women alike. Membership is not restricted to gay men only, but a majority of New Image members are just that. “Our&#13;
members don’t have to be gay as long as they know its a predominantly gay atmosphere and they’re not offended by it,” says New Image’s certified personal trainer, Andrew.&#13;
And that’s one of New Image’s distinct advantages. Gay members need not huddle together and dish in whispered tones like they would, and do, at other fitness centers. The other advantage, and its a big one, is that New Image is open 24 hours a day. Those who work unusual hours, or who’s energy cycles don’t jive with standard hours, can get a full work out in at any time of day or night.&#13;
Because New Image is an all gay club, it’s also a great place to meet new people, but therein lies the dilemma for New Image; an all gay male fitness club with showers, lockers, towels and all that stuff. Where does one cross the line from appropriate flirting too, well, you know. “I have not seen anything here that I have not seen at Bally’s,” says Andrew. “We have a strict policy that does not allow sexual activity, drugs or alcohol. If we see it, we’re supposed to stop it and we do.”&#13;
The New Image Fitness Center is located at 3400 S. Orange Blossom Trail. For membership information, call (407) 420-9890.&#13;
CLASSIFIEDS&#13;
EMPLOYMENT-OFFERED&#13;
PARLIAMENT HOUSE. Now accepting applications for the following:&#13;
FRONT DESK GUEST SERVICES HOUSEKEEPING RESTAURANT WAITERS BEVERAGE WAITERS RESTAURANT BUS PERSON Apply at the Front Desk. Parliament House. 410 N. Orange Blossom Trail, Orlando, FL 32805.&#13;
(407) 425-7571&#13;
FRIENDSHIP/RELATIONSHIP&#13;
Attractive-Italian GWM, 5’8”, 159 lbs, romantic, healthy, masculine, sincere, honest, straight forward with varied interests, seeking similar inshape GWM 29-49 for friendship/ relationship. Tom (407) 647-7759.&#13;
REAL ESTATE-FOR RENT&#13;
DOWNTOWN FOR RENT. Immaculate 1 bdrm. apt. in historic dist.&#13;
Convenient, quiet, secure! Washer-dryer. Owner pays heat, hot &amp; cold water. Large screened porch. Carpeted &amp; air. $393/mo. 425-1735.&#13;
UNLIMITED INCOME. Potential! Looking for key players to participate in highly lucrative, fully funded venture. Part or full time. Earn $5,000+ p/month after 90 days. (800) 497-5755.&#13;
NAT’L HOME EMPLOY. Directory. Over 400 legitimate opportunities to make hundreds of $’s every week from your home. Little or no startup cost. No MLM’s. $39.95. Major credit cards. Tax and shipping included. (407) 423-5480, Box 1 A.&#13;
DOWNTOWN ORLANDO. Massage therapists needed. New clinic to open early 1995. Flat room rates - no percentages. Some experience/client base should be established. Call Eric Rollings at (407) 896-4827. Outside metro Orlando (800) 484-1034, sec. code 5990.&#13;
Altamonte/Capistrano Condo. 2/2 on ground floor. Near pool &amp; tennis. Has all appliances and screened porch. Assumable no-qualify loan. $2,000 down plus small 2nd moves you in. Call Bill @ 834-0203.&#13;
HIRING Houseman/Chauffer/P.A. References and experience a must. Salary plus room and board. Great job for right person. Call 645-3357.&#13;
MERCHANDISE&#13;
MAKE ME AN OFFER. Moving -must sell! 7’ sofa, full-size mattress &amp; boxspring, 13” color TV, dresser, large oak teacher’s desk, Aiki stereo components, albums, turntable, microwave, portable heater. Will sell separately or one (cheaper) price for all. 894-1724 for appt.&#13;
REAL ESTATE-FOR RENT&#13;
DOWNTOWN-Faaabulous lakeside bottom half of house, private en-&#13;
trance, huge bdrm, liv. rm., Florida rm„ 9x12 walk-in closet, refridg., w/d, wet bar, patio, over 1000 sq. ft., $450/mo. 1/3 util, reference and sec. deposit. Lease neg. 1 person only. Call Joe 645-3357.&#13;
REAL ESTATE-FOR SALE&#13;
LAKEFRONT 3BR ROCK. Across lake from Parliament House. Has boat dock, in-home office or 4th bedroom. 3 bath. 2 or 3 couples could share.ERA Sunflorida Realty 365-8888. Ask for Doug. 831-5165 eves.&#13;
ROOMMATES&#13;
ROOMMATE WANTED. 2 bedroom, 1.5 bath home near downtown/ Lake Como. Renovated kitchen, washer/dryer. Non-smoker preferred. $275/mo. plus utilities. Call Jim at 895-0993. Available mid-Oct.&#13;
S. ORLANDO/MEADOW WOODS. 2 GWMs looking for responsible, honest, friendly GWM for roommate. We offer a stress-free, 3/2 home. W/&#13;
D, A/C, cable, private yard, secured. No pets, no drugs. Quiet type A+. $225/mo., $100 dep., 1/3 util. HIV+ check us out! (407) 856-9825.&#13;
ROOMMATE WANTED. 2 br/1 bath near downtown Orlando. No pets or smoking. $325 includes utilities and cable. Contact Steve: 539-1234 or 843-5946.&#13;
ROOM FOR RENT. New lakefront home. Seek non-smoking liberal female. Ocoee. $425 includes all but phone. 877-6655.&#13;
S.E. Seminole UCF area. GWM couple seeks GWM roommate to share new home, jacuzzi, private phone &amp; TV hook up. $75 wk + 1/3 util. 366-0464.&#13;
MISCELLANEOUS&#13;
MALE COUPLES sought. Local art-ist (photographer/writer) seeks subjects for retrospective on the image of male couples. Committed couples of varying ages sought for interview and photo shoot. Interview&#13;
and information contact Stephen -895-9970 (weekdays).&#13;
WANTED TO BUY. Disney items -especially buttons &amp; pins. Also, sell &amp; trade Disneyana items. For more information please call Dennis at (407)895-1968.&#13;
Healthy, loving, stable, long-term professional gay couple seek lesbian to function as surrogate mother. Flex-ible regarding nature of future involvement with child. SERIOUS RESPONSES ONLY. Will pay all medical and associated expenses. Reply c/o W. Thomas Dyer, Attorney at Law, 701 E. Washington St., Suite 2oo, Orlando, FL 32801. (407) 648-1153.&#13;
...contributing writers from Volusia, Brevard and Lake counties. Please send resume and writing samples to Watermark, P.O. Box 533655, Orlando, Florida 32853-3655, or call (407) 481-2243.&#13;
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ADS MUST BE SUBMITTED By Spin Wecl ne$day,. thct weed* prior to publication, to appear in the following week’s issue*&#13;
Community Education Forum*&#13;
Monday, November 28th 6:30 - 8:30 p.m.&#13;
Radisson Plaza Hotel Orlando&#13;
Ivanhoe Boulevard (1-4 Exit 42 - Downtown Orlando)&#13;
PRESENTING&#13;
MARTIN DELANEY&#13;
FOUNDER OF PROJECT INFORM&#13;
and treatment options for those that are HIV+ and their caregivers. Founded by Martin Delaney, it provides an up-to-date source of progress on Clinical Trials, government action on HIV issues and service sources.&#13;
Mr. Delaney will bring to us the latest information on HIV/Aids Trials. This open session&#13;
Drs. Goodsame &amp; Hopkins&#13;
"THE LIVING ROOM7RESEARCH CENTER&#13;
Open Forum - No Charge - Free Garage Parking&#13;
Public Welcome - For Information call (407) 647-6000&#13;
*This is the 4th Forum in a series provided by Drs. Goodgame, Hopkins &amp; Wright as a free community service.&#13;
Project Inform provides a nationwide toll-free information line on action in medical, service&#13;
will provide a question and answer forum that will give those in attendance an access to the latest information in the field.&#13;
( ID&#13;
Board!&#13;
140 Fernwood Blvd Fern Park, FL 32730 (407) 831-7359&#13;
(Located across from the Orlando Jai-Lai Formerly "Central Station")&#13;
-Plenty Of Free Parking-&#13;
Thursdays ft Sundays&#13;
Shownights&#13;
w/ Melissa Mason &amp; Guest&#13;
11pm&#13;
Fridays &amp; Saturdays GO-GO's&#13;
Happy Hour&#13;
24-l's&#13;
Daily From *»-8pm&#13;
Sundays&#13;
Retro T-Dance From 6-IOpm</text>
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        <name>Alison Bechdel</name>
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        <name>Bening</name>
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        <name>Bette Davis</name>
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        <name>Bill Klear</name>
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        <name>Bill Nelson</name>
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        <name>Billy McKinney</name>
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        <name>Bob Butterworth</name>
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        <name>Bob Crawford</name>
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        <name>Bob Sindler</name>
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        <name>Bob Wattles</name>
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        <name>Elovitz</name>
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      <tag tagId="45917">
        <name>Eric Orner</name>
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                  <text>Henry Shelton Sanford Accounts Collection</text>
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                  <text>Sanford Accounts Collection</text>
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                  <text>Collection of documents related to the financial accounts of Henry Shelton Sanford (1823-1891), an American diplomat, lawyer, and businessman. Born in Derby, Connecticut, Sanford eventually joined the United States Diplomatic Corps in 1849. During his initial tenure in the Diplomatic Corps, Sanford served as Secretary of the American Legation at Paris. In 1853, he was promoted to the position of Chargé D'Affaires in France. In 1861, President Lincoln named Sanford as the U.S. Minister to Belgium. During the Civil War, Sanford served as a fiscal agent for the U.S. Government and supervised the U.S. Secret Service in Europe. After his tenure as Minister to Belgium, Sanford played a role in the establishment of the Congo Free State, a vast colony in Equatorial Africa under the direct control of the Belgian King Leopold II. In particular, it was Sanford who lobbied U.S. President Chester A. Arthur to recognize King Leopold's colony, a move that sparked broader international recognition of the Congo Free State. He also served as a delegate for the American Geographical Society at the International African Association Congress established by Leopold II and held in Brussels in 1887. Sanford organized the "Sanford Exploring Expedition," an expedition that served to answer scientific and commercial inquiries in the Congo.&#13;
&#13;
Aside from his diplomatic career, Sanford was also a businessman and investor. He made several real estate investments in Florida in the late 1860s and early 1870s, the most notable being the purchase of the "Sanford Grant" in May 1870. The grant encompassed over 20 square miles and provided the basis for the town that eventually bore Sanford's name. Sanford was convinced that Florida would prove a profitable place to invest. Anticipating significant traffic and commerce by waterway, Sanford bought a land grant positioned on Lake Monroe along the St. Johns River. The city of Sanford thus became deemed the "Gate City of South Florida" - the southernmost stop along the river. During the 1870s, Sanford invested significant amounts of money to the development of his city - he built a wharf, several hotels, a general store, and a sawmill - all of which he hoped would spur investment and growth in the city. Sanford also developed several experimental citrus groves in his Florida city. The first was St. Gertrude's Grove. The second and more successful grove was Belair, developed in the early 1870s. Though Sanford never lived in Florida, he did visit occasionally from the late 1860s until his death in 1891. His diplomatic and business duties kept him preoccupied abroad, and most of his development in Florida was undertaken by representatives and confidants. Following the "Great Freeze" of 1888, Sanford's Belair grove was destroyed. Sanford was committed to rebuilding the grove and, in the late stages of his life, he committed his energies to his Florida investments. He died several years later though, and his wife Gertrude, in an effort to settle debts owed in Europe and elsewhere following his death, sold many of Sanford's properties in Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                  <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                  <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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                  <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="486115">
                  <text>Fedorka, Drew M.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486116">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486117">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486118">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="486119">
                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
                </elementText>
                <elementText elementTextId="486120">
                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Sanford, Florida: 1889&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="486121">
                  <text>&lt;em&gt;&lt;a href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
                </elementText>
                <elementText elementTextId="486122">
                  <text>Florida Citrus Mutual. "&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=321" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;, 2012.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511765">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="488587">
              <text>1-page handwritten statement</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487984">
                <text>Edwin G. Eastman Bank Account Statement (June 8, 1871)</text>
              </elementText>
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          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487985">
                <text>Eastman Bank Account Statement</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487986">
                <text>Sanford (Fla.)</text>
              </elementText>
              <elementText elementTextId="487987">
                <text> Sanford, Henry S. (Henry Shelton) 1823-1891</text>
              </elementText>
              <elementText elementTextId="487988">
                <text>Banks and banking--Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487990">
                <text>This is a bank statement created by D. G. Ambler for Edwin G. Eastman. The statement provides a list of deposits and transfers between March and June 1871. Ambler was a banker located in Jacksonville, Florida, who handled the financial and banking needs of Henry Shelton Sanford (1823-1891) and his respective agents and representatives while they tended to Sanford's Florida properties. Eastman, meanwhile, was an associate of Sanford. The two initially met through their mutual service in the U.S. Diplomatic Corps during the American Civil War. Eastman served as an advisor and representative to Sanford for a brief period between 1870 and 1871. Eastman oversaw operations in the what would become Sanford, Florida, beginning in December 1870. He was put in charge by Henry Sanford to ensure the successful management of the sawmill built in 1870, He was also tasked with maintaining the various experimental groves owned by Sanford, first St. Gertrude's Grove and later Belair Grove. &lt;br /&gt;&lt;br /&gt;The more successful of the two, Belair Grove, was an experimental grove located three miles southwest of the city named after Sanford. It was part of the Sanford Grant, a 12,547.15-square-acre allotment of land purchased by Henry Sanford in 1870. In Belair, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could effectively grow and introduce new varieties into the burgeoning citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Ellen Dupuy Sanford (1841-1902), handed over the operations of Belair to Sydney Octacius Chase, Sr. (1860-1941) and Joshua Coffin Chase (1858-1948).</text>
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          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487991">
                <text>Text</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487992">
                <text>Original statement: box 45, folder 1, subfolder 45.1.31, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487993">
                <text>Box 45, folder 1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="487994">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487995">
                <text>Digital reproduction of original statement.</text>
              </elementText>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487998">
                <text>Jacksonville, Florida</text>
              </elementText>
              <elementText elementTextId="583794">
                <text>Belair Grove, Lake Mary, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487999">
                <text>Ambler, D. G.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488000">
                <text>1871-07-08</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488001">
                <text>image/jpg</text>
              </elementText>
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          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488002">
                <text>1-page handwritten statement</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488003">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488004">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="488005">
                <text> Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488014">
                <text>Originally created by D. G. Ambler.</text>
              </elementText>
              <elementText elementTextId="488015">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="488016">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="488017">
                <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488018">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488019">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488028">
                <text>Fedorka, Drew M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488029">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488030">
                <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488031">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="488032">
                <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
              </elementText>
              <elementText elementTextId="488033">
                <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: 1889.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488674">
                <text>128 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="11771">
        <name>Ambler, D. G.</name>
      </tag>
      <tag tagId="3002">
        <name>Belair Grove</name>
      </tag>
      <tag tagId="11779">
        <name>E. G. Eastman</name>
      </tag>
      <tag tagId="35504">
        <name>Edwin G. Eastman</name>
      </tag>
      <tag tagId="29354">
        <name>finances</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1024" public="1" featured="0">
    <fileContainer>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/23088918cbdc1f35551a2b0697b8e064.pdf</src>
        <authentication>0acef492f71ffacfef2eec52310155c5</authentication>
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    </fileContainer>
    <collection collectionId="102">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="473987">
                  <text>Thomas Cook Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="473988">
                  <text>Cook Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="473989">
                  <text>Orlando (Fla.)</text>
                </elementText>
                <elementText elementTextId="473990">
                  <text>Orange County (Fla.)</text>
                </elementText>
                <elementText elementTextId="473991">
                  <text>Longwood (Fla.)</text>
                </elementText>
                <elementText elementTextId="511698">
                  <text>Cape Canaveral (Fla.)</text>
                </elementText>
                <elementText elementTextId="511699">
                  <text>Lake Wales (Fla.)</text>
                </elementText>
                <elementText elementTextId="511700">
                  <text>Silver Springs (Fla.)</text>
                </elementText>
                <elementText elementTextId="511701">
                  <text>Weeki Wachee (Fla.)</text>
                </elementText>
                <elementText elementTextId="511702">
                  <text>Winter Haven (Fla.)</text>
                </elementText>
                <elementText elementTextId="511703">
                  <text>Osceola County (Fla.)</text>
                </elementText>
                <elementText elementTextId="511704">
                  <text>Winter Park (Fla.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="473992">
                  <text>Collection of digital images, postcards, documents, and other records from the private collection of Thomas Cook. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="473996">
                  <text>Cook, Thomas</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="473998">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="473999">
                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="474000">
                  <text>Cape Canaveral, Florida</text>
                </elementText>
                <elementText elementTextId="511712">
                  <text>Lake Wales, Florida</text>
                </elementText>
                <elementText elementTextId="511713">
                  <text>Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511714">
                  <text>Orange County, Florida</text>
                </elementText>
                <elementText elementTextId="511715">
                  <text>Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511716">
                  <text>Osceola County, Florida</text>
                </elementText>
                <elementText elementTextId="511717">
                  <text>Winter Haven, Florida</text>
                </elementText>
                <elementText elementTextId="511718">
                  <text>Winter Park, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="474035">
                  <text>All items in the &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank"&gt;Thomas Cook Collection&lt;/a&gt; are provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="474036">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="474037">
                  <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="474038">
                  <text>Private Collection of Thomas Cook</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="101">
              <name>Has Part</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511707">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/103" target="_blank"&gt;Postcard Collection&lt;/a&gt;, Thomas Cook Collection, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511719">
                  <text>&lt;span&gt;Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt; Charleston, S.C.: Arcadia Pub, 2012.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511720">
                  <text>"&lt;a href="http://sanfordhistory.tripod.com/Links/wtour.pdf"&gt;Downtown Orlando Historic District Walking Tour&lt;/a&gt;." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.</text>
                </elementText>
                <elementText elementTextId="511721">
                  <text>&lt;span&gt;Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511722">
                  <text>&lt;span&gt;Osborne, Ray. &lt;a href="http://www.worldcat.org/oclc/253374549" target="_blank"&gt;&lt;em&gt;Cape Canaveral&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2008.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511723">
                  <text>&lt;span&gt;Smith, Margaret. &lt;a href="http://www.worldcat.org/oclc/51888803" target="_blank"&gt;&lt;em&gt;The Edward Bok Legacy: A History of Bok Tower Gardens: The First Fifty Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Lake Wales, Fla: Bok Tower Gardens Foundation, 2002.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511724">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Flekke, Mary M., Sarah E. MacDonald, and Randall M. MacDonald. &lt;a href="http://www.worldcat.org/oclc/85451307" target="_blank"&gt;&lt;em&gt;Cypress Gardens&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2006.&lt;/span&gt;</text>
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                <text>Booklet about the Bok Tower Gardens published in 1950. Edward Bok retired to the town of Lake Wales, Florida. Bok set out a plan to establish a natural garden and bird sanctuary where people to visit to quietly enjoy nature.He engaged Frederick Law Olmstead, Jr. to design the grounds and asked architect Milton B. Medary to design and build a carillon tower. Lee Lawrie, a noted sculptor from New York, designed the elaborate marble sculpture that adorns the tower. Work was completed in 1928 and, on February 1, 1929, President Calvin Coolidge dedicated the sanctuary. Edward Bok died less than a year later in 1930 and was buried at the foot of the tower.&#13;
&#13;
The tower and the carillon housed inside is Bok Tower Gardens' most distinctive feature. The carillon consists of sixty bells, ranging in size from 16 pounds to just under 12 tons. The bells are played like an organ with the keys connected to the clappers of each bell. Bok Tower has had only three regular carillonneurs in its more than 70 years. The sanctuary's first carillonneur was Anton Brees, serving as the only carillonneur from 1928 until 1967. Milford Myhre has been the resident carillonneur since 1968. William De Turk has been the assistant carillonneur since 1993. De Turk is also the librarian of the Anton Brees Carillon Library, which is reportedly the largest and most comprehensive carillon library in the world.</text>
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                <text>THE MOUNTAIN LAKE SANCTUARY&#13;
FLORIDA&#13;
&#13;
Photographs by&#13;
SANDERS&#13;
LAMBERT&#13;
MORSE&#13;
&#13;
COPYRIGHTED 1950&#13;
THE AMERICAN FOUNDATION INCORPORATED&#13;
ALL RIGHTS RESERVED&#13;
PRINTED IN THE UNITED STATES OF AMERICA&#13;
BY &#13;
EDWARD STERN AND COMPANY INCORPORATED&#13;
&#13;
THE MOUNTAIN LAKE SANCTUARY &#13;
AND SINGING TOWER&#13;
&#13;
were dedicated and presented &#13;
for visitation to the American People&#13;
by CALVIN COOLIDGE&#13;
President of the United States&#13;
&#13;
February the First&#13;
MCMXXIX&#13;
&#13;
Make you the world a bit better or more beautiful because you have lived in it. &#13;
&#13;
A PERSONAL FOREWORD&#13;
&#13;
The inspiration for the Sanctuary and the Tower came of that stuff of which dreams are made. The two combined a dream ti carry on the work of my grandfather, who a hundred years ago transformed a grim desert island in the North Sea, ten miles from the Netherlands mainland, into a bower of green verdure and trees to which came the birds which made the island famed. &#13;
But an inspiration is of little value if it is not carried into realization, and I was fortunate to enlist the deep interest and sympathetic cooperation of two men who are responsible for what the visitor sees: Frederick Law Olmsted for the Sanctuary and Milton B. Medary for the Tower. Naturally, I could not have obtained two men more thoroughly fitted to give me what I wanted to present to the American people for visitation, and what has been so often called "The Taj Mahal of America"--a spot which would reach out in its beauty through the plantings, through the flowers, through the birds, through the superbly beautiful architecture of the Tower, through the music of the bells, to the people and fill their souls with the quiet, the repose, the influence of the beautiful, as they could see and enjoy it in the Sanctuary and through the Tower. &#13;
An incidentally it gave me a wonderful opportunity to follow and carry out the injunction of my grandmother to her children and grandchildren: "Wherever your lives may be cast, make you the world a bit better or more beautiful because you have lived in it."&#13;
That is the basis upon which the Sanctuary and the Tower rests. &#13;
&#13;
Edward W. Bok&#13;
&#13;
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank"&gt;Veterans Legacy Program Collection&lt;/a&gt;</text>
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                <text>A pillar honoring the place where Second Lieutenant Mudge fell during Dade’s Battle. The area is now a part of Dade Battlefield State Park in Bushnell, Florida. On June 13, 1842, as a prelude to the formal ending of the Second Seminole War, Col. William Worth announced that the remains of the officers who fell in the war would be gathered and reinterred in the burial ground next to the St. Francis Barracks in St. Augustine, Florida.&lt;br /&gt;&lt;br /&gt;Robert Rich Mudge was born in Lynn, Massachusetts, in 1810. He applied to the United States Military Academy (USMA) at West Point, New York, three times before he was accepted in 1829. He graduated as a brevet second lieutenant four years later. In September of 1835, as a full second lieutenant, he deployed to Florida to serve in the Second Seminole War (1835-1842). Mudge served with Company B of the 2nd Artillery Regiment and fell during Dade’s Massacre on December 28, 1835 &lt;br /&gt;&lt;br /&gt;In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>&lt;a href="https://vlp.cah.ucf.edu/" target="_blank"&gt;Veterans Legacy Program Project&lt;/a&gt;</text>
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                <text>Mudge, Alfred. 1868. Memorials: A Genealogical Account of the Name of Mudge in America. Boston: Alfred Mudge &amp; Son.</text>
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                  <text>Barnes, Mark </text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The headstone of Private James Whitley (ca. 1924-1944). A native of Orange County, Florida, Whitely was a private in the U.S. Army during World War II. He died during his service in France and is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. Whitley is one of 85 Florida residents interned at Epinal. He was born to John Whitely and Rachel Whitley sometime around the end of 1924. As an African-American, Whitley grew up in segregated Orange County. He was drafted into the Army on February 9, 1943, and was assigned to a segregated unit in the 4255th Quartermaster Truck Company. Whitley's unit transferred to Hampshire, England, on June 30, 1944, where they managed supplies for the invasion of Europe by the Allied Forces. Whitley died during combat in France on September 12, 1944. He was awarded the American Campaign Medal, the World War II Victory Medal, and a Purple Heart for his service.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Originally created by Dwight Anderson and published by &lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Dwight Anderson and &lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Barnes, Mark </text>
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                <text>&lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:VTC4-NZK" target="_blank"&gt;James Whitley&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTC4-NZK.</text>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:KMVK-BW1" target="_blank"&gt;James Whitley: United States World War II Army Enlistment Records&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:KMVK-BW1 (accessed October 20, 2015).</text>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:VTC4-NZK" target="_blank"&gt;James Whitley: United States Census, 1940&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTC4-NZK (accessed October 20, 2015).</text>
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PVT 4255 OM TRK CO&#13;
FLORIDA SEPT 12 1944</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The headstone of Private James Walter Grady (1924-1945). A resident of Sanford, Florida, Grady was a private in the U.S. Army during World War II. He died during his service in France and is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. Grady is one of 85 Florida residents interned at Epinal. Grady was born to Meothel Grady and unknown mother. He worked as a farmhand in the Sanford area prior to his enlistment into the Army on September 1, 1943. Because he was an African American, Grady was assigned to a segregated unit of the 3126th Quartermaster Service Company. Prior to their deployment in France, the 3126th was stationed at Maindy Barracks in Cardiff, Wales. Grady died in France on April 5, 1945.</text>
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                <text>&lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=grady&amp;amp;GSfn=james&amp;amp;GSmn=w&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56372634&amp;amp;df=all&amp;amp;" target="_blank"&gt;Pvt James W Grady&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=grady&amp;amp;GSfn=james&amp;amp;GSmn=w&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56372634&amp;amp;df=all&amp;amp;.</text>
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                <text>"&lt;a href="http://genealogytrails.com/fla/seminole/ww2honordead.html" target="_blank"&gt;Army Honor List of Dead and Missing Personnel&lt;/a&gt;." Genealogy Trails History Group. http://genealogytrails.com/fla/seminole/ww2honordead.html (accessed October 27, 2015).</text>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:MNNR-6X9" target="_blank"&gt;James Walter Grady&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:MNNR-6X9 (accessed October 13, 2015).</text>
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                <text>JAMES W. GRADY&#13;
PVT 3126 OM SV CO&#13;
FLORIDA APR 5 1945</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Copyright to this resource is held by Dwight Anderson and &lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Barnes, Mark </text>
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                <text>&lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=williams&amp;amp;GSfn=samuel&amp;amp;GSmn=t&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56376369&amp;amp;df=all&amp;amp;" target="_blank"&gt;PFC Samuel T Williams&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=williams&amp;amp;GSfn=samuel&amp;amp;GSmn=t&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56376369&amp;amp;df=all&amp;amp;.</text>
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                <text>"&lt;a href="http://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank"&gt;World War II Honor List of Dead and Missing Army and Army Air Forces Personnel from: Florida&lt;/a&gt;." National Archives and Record Administration. http://www.archives.gov/research/military/ww2/army-casualties/florida.html (accessed October 20, 2015).</text>
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                <text>SAMUEL T. WILLIAMS&#13;
PFC 29HNF 75 DIV&#13;
FLORIDA FEB 3 1945</text>
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        <name>Samuel T. Williams</name>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The headstone of Lieutenant Dean N. Post, Jr. (1921-1944). Lt. Post was a pilot from Tampa, Florida, who served in the U.S. Army during World World II with the 357th Fighter Group of the 264th Fighter Squadron. His airplane crashed in Martimpré, France, on May 27, 1944, and was executed by German authorities after being hidden by French citizens in Gérardmer. Lt. Post is buried at Epinal American Cemetery and Memorial in Dinozé, France. </text>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:VTZL-TCM" target="_blank"&gt;Dean Post&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTZL-TCM.</text>
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                <text>"&lt;a href="http://francecrashes39-45.net/page_fiche_av.php?id=2675" target="_blank"&gt;Crash du P-51 Mustang - type B-10-NA - s/n 42-106632 C5*?&lt;/a&gt;" Franch-Crashes 39-45. http://francecrashes39-45.net/page_fiche_av.php?id=2675.</text>
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                <text>"&lt;a href="https://fold3.com/image/28628684/?terms=Dean%20Post" target="_blank"&gt;Missing Air Crew Reports&lt;/a&gt;." fold3.com. https://fold3.com/image/28628684/?terms=Dean%20Post.</text>
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                <text>Frommer, Jean-Loup. "&lt;a href="http://www.aerosteles.net/stelefr-gerardmer-post" target="_blank"&gt;1st Ltt Post N. Dean Jr.&lt;/a&gt;" Aérostèles. http://www.aerosteles.net/stelefr-gerardmer-post.</text>
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CAPT 232 INF 42 DIV&#13;
FLA DEB 23 1945</text>
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                <text>Frommer, Jean-Loup. "&lt;a href="http://www.aerosteles.net/stelefr-gerardmer-post" target="_blank"&gt;1st Ltt Post N. Dean Jr.&lt;/a&gt;" Aérostèles. http://www.aerosteles.net/stelefr-gerardmer-post.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The headstone of Major Jack Cameron Heist (1919-1944). Maj. Heist was born to Henry S. Heist and Christina Heist on November 6, 1919, in Eustis, Florida. He received his commission on May 29, 1941, to serve in World War II. Maj. Heist was an Ammunition Officer for the XIX Corps. He died during his service  in an ambush on September 2, 1944, near Thiant, France. He is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. Maj. Heist is one of 85 Florida residents interned at Epinal. </text>
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                <text>Copyright to this resource is held by Dwight Anderson and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.lavoixdunord.fr/region/liberation-de-thiant-l-histoire-bouleversante-du-ia27b36952n2369051" target="_blank"&gt;Libération de Thiant&lt;/a&gt;." La Voix Du Nord. http://www.lavoixdunord.fr/region/liberation-de-thiant-l-histoire-bouleversante-du-ia27b36952n2369051.</text>
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                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=heist&amp;amp;GSiman=1&amp;amp;GScid=1991677&amp;amp;GRid=56372930&amp;amp;" target="_blank"&gt;Maj Jack C Heist&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=heist&amp;amp;GSiman=1&amp;amp;GScid=1991677&amp;amp;GRid=56372930&amp;amp; .</text>
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                <text>"&lt;a href="https://www.newspapers.com/clip/4441134/the_wilkesbarre_record/" target="_blank"&gt;Local Men in Armed Forces&lt;/a&gt;." &lt;em&gt;The Wilkes-Barre Record&lt;/em&gt;, December 24, 1942, page 6. https://www.newspapers.com/clip/4441134/the_wilkesbarre_record/.</text>
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                <text>Army</text>
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                <text>Veterans--Florida</text>
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MAJ HQ XIX CORPS&#13;
FLORIDA SEPT 2 1944</text>
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PVT 191 TK BN&#13;
FLORIDA MAY 10 1945</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The headstone of Captain Aquilla A. Calhoun, Jr., a native of Panama City, Florida. Capt. Calhoun attended the University of Florida (UF) and graduated with a Bachelor of Arts. It was upon his graduation that Capt. Calhoun enlisted as a second lieutenant in the U.S. Army Reserves. Upon his enlistment, he entered the 92nd Field Artillery's 2nd Armored Division in Fort Benning, Georgia. His unit gained the nickname the Brave Cannons, which has stuck throughout the 92nd Field Artillery's career. With the intensification of World War II, the Allied began to execute the Omaha Beach Normandy Invasion in June of 1944. After the invasion, Capt. Calhoun made his way to Northern France, where he played a vital role in the liberation of Bresles, a commune in the Picardie region of France. Capt. Calhoun died during his service in France and is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. Calhoun is one of 85 Florida residents interned at Epinal. His death led to the creation of a tribute site and memorial in his honor in Bristles.</text>
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                <text>Headstone of Capt. Aquila Calhoun</text>
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                <text>Originally created by Dwight Anderson.</text>
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                <text>Cepero, Laura</text>
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                <text>&lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>David, Powell. "&lt;a href="http://www.bravecannons.org/History/red_devil.html" target="_blank"&gt;Unit History: The 1/92nd Field Artillery Association - Vietnam&lt;/a&gt;." Brave Cannons. Accessed March 21, 2016. http://www.bravecannons.org/History/red_devil.html.</text>
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                <text>"&lt;a href="https://www.newspapers.com/image/39103540/?terms=Calhoun" target="_blank"&gt;To Receive Degree from U. of Florida&lt;/a&gt;." &lt;em&gt;The Panama City News-Herald&lt;/em&gt;, January 18, 1942. https://www.newspapers.com/image/39103540/?terms=Calhoun.</text>
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                <text>"&lt;a href="https://www.newspapers.com/image/39092405/?terms=Calhoun" target="_blank"&gt;Miss Lillian Luke Becomes Bride of Lt. A. A. Calhoun In Lovely Eufaula Ceremony&lt;/a&gt;." &lt;em&gt;The Panama City News-Herald&lt;/em&gt;, January 18, 1942. https://www.newspapers.com/image/39092405/?terms=Calhoun.</text>
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        <name>Mike Calhoun</name>
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        <name>U.S. Army Reserves</name>
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        <name>veterans</name>
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        <name>World War II</name>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The headstone of Corporal Wilson Foch Smith (1918-1945). A resident of Graceville, Florida, Smith was born to Robert Smith and Hester Smith on October 24, 1918. He worked as a farmhand in the Graceville area prior to his enlistment into the U.S. Army on January 22, 1941. Cpl. Smith was assigned to Company B of the 654th Tank Destroyer Battalion. He died in a Curtiss C-46D-10-CU Commando airplane crash after one of its engines caught fire. Cpl. Smith was on his way to a hospital in France and then back to the United States when the plane crashed in Taillefontaine, France on May 23, 1945, killing 44 passengers. Cpl. Smith is buried at Epinal American Cemetery and Memorial in Dinozé, France.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Originally created by Dwight Anderson.</text>
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                <text>Copyright to this resource is held by Dwight Anderson and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text> Cepero, Laura</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Headstone of Staff Sergeant Thomas E. Eason Headstone at Epinal American Cemetery and Memorial</text>
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                <text>The headstone of Florida native Staff Sergeant Thomas E. Eason (1922-1945), who served for over three years in the U.S. Army Air Forces' (USAAF) 569th Bomb Squadron of the 390th Bomb Group, as a waist gunner on a Boeing B-17 Flying Fortress nicknamed "Sweet and Lovely" and "Princess Pat." SSgt. Eason completed 28 missions in both the Pacific and European Theaters of World War II. On January 20, 1945, he was killed near Altenheim, France, after his airplane was shot down by enemy combatants. Over the course of his service, SSgt. was awarded the Distinguished Flying Cross with two Oak Leaf Clusters.</text>
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                <text>GRid=56372149"&gt;color digital image&lt;/a&gt; by Dwight Anderson.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Originally created by Dwight Anderson.</text>
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                <text>Copyright to this resource is held by Dwight Anderson and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.americanairmuseum.com/unit/1251" target="_blank"&gt;569th Bomb Squadron&lt;/a&gt;." American Air Museum in Britain. http://www.americanairmuseum.com/unit/1251.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The headstone of Private James Robert Maddox (1924-1944). In 1924, Maddox was born in Detroit, Michigan, to Claude Haskell Maddox, Sr. (b. 1895) and Nita P. Maddox (b. 1900). Maddox was the oldest of three with two brothers, William Maddox and Claude Haskell Maddox, Jr. The Maddox family moved from Columbia, South Carolina, to Tallahassee, Florida, sometime between 1930 and 1940. On February 27, 1943, Maddox enlisted into the U.S. Army's 15th Infantry Regiment of the 3rd Infantry Division at Camp Blanding. This regiment served in Licata, Salerno, and Anzio, Italy, from 1943 to 1944. The regiment landed in southern France on August 15, 1944. Pvt. Maddox was Killed in Action (KIA) on October 9, 1944. He is buried at the Epinal American Cemetery and Memorial in Dinozé, France.</text>
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                <text>GRid=56373914"&gt;color digital image&lt;/a&gt; by Dwight Anderson.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:SPZC-N6W" target="_blank"&gt;Bobbie Maddox&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:SPZC-N6W.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:VTCM-11F" target="_blank"&gt;J Robert Maddox&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTCM-11F.</text>
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                <text>The headstone of Private Van Buren Porcher (d. 1944), who was born in Alachua County, Florida. Porcher was married twice in Gainesville: first to Taresa May Aldridge in 1933 and then to Hattie Smith in 1939. After enlistment, Pvt. Porcher was assigned to the U.S. Army's 448th Quartermaster Troop Transport Company on May 28, 1943. While serving in World War II, Pvt. Porcher was Killed in Action (KIA) on September, 2, 1944. He is currently buried at Epinal American Cemetery and Memorial in Dinozé, France.</text>
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                <text>Copyright to this resource is held by Dwight Anderson and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>The headstone of First Lieutenant Frank Black Morgan (1920-1944). 1st Lt. Morgan was born on January 28, 1920, to Samuel Morgan and Edna Grace Morgan. Samuel Morgan was a first generation American of Northern Irish descent, working in the publishing industry as an editor and linotype operation. Edna Grace Morgan (née Black) was a native of Pennsylvania. 1st Lt. Morgan had two older brothers: Samuel Cree Morgan (1909-1990) and James Alexander Morgan (1912-1982). The Morgans owned a home on 17 Clopper Street in Greensburg, where 1st Lt. Morgan resided until he entered active service on April 27, 1942, out of Pittsburgh, Pennsylvania, at the age of 22. 1st Lt. Morgan trained at MacDuill Field, a U.S. Army Air Corps which would become MacDill Air Force Base in Tampa, Florida, and then served with the 555th Bomber Squadron, a unit within the 386th Bomber Group. 1st Lt. Morgan served his country with distinction, earning an Air Medal with Eight Oak Leaf Clusters. He died on December 20, 1944, four days into the Ardennes Counteroffensive, also known as the Battle of the Bulge. His death is listed as non-battle related, suggesting that he may have been one of the many Martin B-26 Marauder crashes at takeoff or upon landing. 1st Lt. Morgan died just before the end of the World War II at the age of 24. 1st Lt. Morgan is buried in Plot B, Row 39, Grave 46 at Epinal American Cemetery and Memorial in France. A second memorial was organized by his family is at Parker Presbyterian Cemetery in Parker, Pennsylvania. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The headstone of Sergeant John B. Hancock (1913-1945) at Epinal American Cemetery and Memorial in Dinozé, France. Sgt. Hancock was born in Thomasville, Georgia, in 1913, but later migrated to Auburndale, Florida. Hancock managed a Great Atlantic Pacific Tea Company store in Haines City until he enlisted in the 45th Infantry Division's 179th Infantry Regiment. Sgt. Hancock served initially in Africa in 1943, until the 45th Infantry Division's participation in the Allied invasion of Sicily, codenamed Operation Husky. The division then went on to participate in the Allied invasion of Italy, where Sgt. Hancock was injured. He was returned to duty in February of 1944 in southern France. On November 1, 1944, Sgt. Hancock went Missing in Action (MIA) after serving in the Allied invasion of Southern France, codenamed Operation Dragoon.</text>
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                <text>GRid=56372799"&amp;gt;color digital image by Dwight Anderson: Private Collection of Dwight Anderson.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>ca. 2013-11-18</text>
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                <text>1 color digital image </text>
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            <name>Language</name>
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            <name>Provenance</name>
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                <text>Originally created by Dwight Anderson.</text>
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                <text> Cepero, Laura</text>
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                <text>Headstone for Private Ralph Brantley (1922-1944). Pvt. Brantley was born in Georgia in 1923, but had migrated to Spartanburg, South Carolina, by 1930. By 1940, he was residing in Jacksonville, Florida. Pvt. Brantley served in the 180th Infantry Regiment of the 45th Infantry Division during World War II. He was Killed in Action (KIA) and is buried at Epinal American Cemetery and Memorial in Dinozé, France.</text>
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                  <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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                  <text>"&lt;a href="https://about.usps.com/who-we-are/postal-history/welcome.htm" target="_blank"&gt;Postal History&lt;/a&gt;." United States Postal Service. https://about.usps.com/who-we-are/postal-history/welcome.htm.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/23369979" target="_blank"&gt;St. James Pioneer Days: Parish &amp;amp; School Reunion : October 5-6, 1974&lt;/a&gt;&lt;/em&gt;. [Orlando, Fla.]: [St. James Parish], 1974.</text>
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                  <text>"&lt;a href="http://www.stjamesorlando.org/about-us/" target="_blank"&gt;About Us&lt;/a&gt;." St. James Cathedral. http://www.stjamesorlando.org/about-us/.</text>
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                  <text>The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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                <text>Letter from Charles O. Andrews to James D. Beggs, Jr. (April 4, 1941)</text>
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                <text>A letter from Charles O. Andrews (1877-1946) to the Orlando Postmaster, James D. Beggs, Jr. Sen. In the letter, Sen. Andrews requests a brief history of the Downtown Orlando Post Office. He planned to use said information to present that the dedication ceremony for the new building.&lt;br /&gt;&lt;br /&gt;The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James D. Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land of Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen &amp;amp; Son. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka/items/show/7611" target="_blank"&gt;Letter from J. D. Beggs to Senator Charles O. Andrews (April 7, 1941)&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka/items/show/7611.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka/items/show/7618" target="_blank"&gt;Letter from James D. Beggs, Jr. to Charles O. Andrews (April 8, 1941)&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka/items/show/7618.</text>
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                <text>Andrews, Charles O.</text>
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                <text>Originally created by Charles O. Andrews.</text>
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                <text>Copyright to this resource is held by Texann Ivy Buck and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Kilsheimer, Joe. "&lt;a href="http://www.worldcat.org/oclc/201942542" target="_blank"&gt;Old Post Offices Aid Revitalization Efforts&lt;/a&gt;." &lt;em&gt;AMERICAN CITY AND COUNTY&lt;/em&gt;. 119: 20-21.</text>
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                <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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        <name>Billy Beardall</name>
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        <name>Charles Oscar Andrews</name>
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        <name>J. D. Beggs</name>
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        <name>James D. Beggs, Jr.</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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                  <text>"&lt;a href="https://about.usps.com/who-we-are/postal-history/welcome.htm" target="_blank"&gt;Postal History&lt;/a&gt;." United States Postal Service. https://about.usps.com/who-we-are/postal-history/welcome.htm.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/23369979" target="_blank"&gt;St. James Pioneer Days: Parish &amp;amp; School Reunion : October 5-6, 1974&lt;/a&gt;&lt;/em&gt;. [Orlando, Fla.]: [St. James Parish], 1974.</text>
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                  <text>"&lt;a href="http://www.stjamesorlando.org/about-us/" target="_blank"&gt;About Us&lt;/a&gt;." St. James Cathedral. http://www.stjamesorlando.org/about-us/.</text>
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                  <text>The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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                <text>Telegram from Andrews to Beggs (Apr. 9, 1941)</text>
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                <text>Kilsheimer, Joe. "&lt;a href="http://www.worldcat.org/oclc/201942542" target="_blank"&gt;Old Post Offices Aid Revitalization Efforts&lt;/a&gt;." &lt;em&gt;AMERICAN CITY AND COUNTY&lt;/em&gt;. 119: 20-21.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/23369979" target="_blank"&gt;St. James Pioneer Days: Parish &amp;amp; School Reunion : October 5-6, 1974&lt;/a&gt;&lt;/em&gt;. [Orlando, Fla.]: [St. James Parish], 1974.</text>
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                  <text>The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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                <text>A telegram is from Senator Charles O. Andrews (1877-1946) to James Milligan. It is regarding the dedication ceremony of the new building for the Downtown Orlando Post Office in Downtown Orlando, Florida. In the letter, Sen. Andrews informs Milligan of the arrival time of Walter Myers, the Fourth Assistant Postmaster General.&lt;br /&gt;&lt;br /&gt;The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James D. Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land of Jefferson Street for the new building. The building, located at 51 East Jefferson Street, was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen &amp;amp; Son. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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                <text>Kilsheimer, Joe. "&lt;a href="http://www.worldcat.org/oclc/201942542" target="_blank"&gt;Old Post Offices Aid Revitalization Efforts&lt;/a&gt;." &lt;em&gt;AMERICAN CITY AND COUNTY&lt;/em&gt;. 119: 20-21.</text>
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        <name>James Milligan</name>
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                  <text>Punta Gorda (Fla.)</text>
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                  <text>Moore, Samantha</text>
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                  <text>Santos, Marina</text>
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                <elementText elementTextId="511591">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/77" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>Apopka Seaboard Air Line Railway Depot, Apopka, Florida</text>
                </elementText>
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                </elementText>
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                  <text>Avon Park Seaboard Air Line Depot, Avon Park, Florida</text>
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                  <text>Avon Park Atlantic Coast Line Train Station, Avon Park, Florida</text>
                </elementText>
                <elementText elementTextId="511597">
                  <text>Church Street Station, Orlando, Florida</text>
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                <elementText elementTextId="511598">
                  <text>Fort Pierce Atlantic Coast Line Railroad Depot, Fort Pierce, Florida</text>
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                  <text>Fort Pierce Florida East Coast Railway Company Depot, Fort Pierce, Florida</text>
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                  <text>Kissimmee Railroad Station, Kissimmee, Florida</text>
                </elementText>
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                  <text>Lake Wales Atlantic Coast Line Railroad Depot, Lake Wales, Florida</text>
                </elementText>
                <elementText elementTextId="511602">
                  <text>Lake Wales Depot Museum, Lake Wales, Florida</text>
                </elementText>
                <elementText elementTextId="511603">
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                <elementText elementTextId="511604">
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                </elementText>
                <elementText elementTextId="511605">
                  <text>Orlando Railroad Depot, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511606">
                  <text>Oviedo Train Depot, Oviedo, Florida</text>
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                <elementText elementTextId="511607">
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s American Economic History Undergraduate Class, Spring 2014</text>
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                  <text>Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
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                  <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/184906141" target="_blank"&gt;&lt;em&gt;A Journey into Florida Railroad History&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2008.</text>
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                  <text>Murdock, R. Ken. &lt;a href="http://www.worldcat.org/oclc/38291666" target="_blank"&gt;&lt;em&gt;Outline History of Central Florida Railroads&lt;/em&gt;&lt;/a&gt;. Winter Garden, Fla: Central Florida Chapter, National Railway Historical Society, 1997.</text>
                </elementText>
                <elementText elementTextId="511616">
                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2477" target="_blank"&gt;RICHES Podcast Documentaries, Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2477.</text>
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                <text> Railroads--Florida</text>
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                <text>The last passenger train at the Mount Dora Train Station, located at 341 North Alexander Street in Mount Dora, Florida, in 2012. 1886 was when the first railroad stopped in Mount Dora, connecting Jacksonville to Tampa. The Mount Dora Depot cost $8,223 to build. The last passenger train left Mount Dora in 1950 and freight was discontinued in 1973. On March 5, 1992, the station was added to the U.S. National Register of Historic Places.</text>
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                <text>Digital reproduction of &lt;a href="http://www.railpictures.net/viewphoto.php?id=424180&amp;amp;nseq=0" target="_blank"&gt;original color image&lt;/a&gt; by Kevin Andrusia on RailPictures.Net, January 2012.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/97" target="_blank"&gt;Central Florida Railroad Depots Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original color image by Kevin Andrusia, January 2012.</text>
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                <text>Original color image by Kevin Andrusia, January 2012.</text>
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                <text>Mount Dora Train Station, Mount Dora, Florida</text>
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                <text>Andrusia, Kevin</text>
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            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="537876">
                <text>Palmieri, Pat</text>
              </elementText>
              <elementText elementTextId="537877">
                <text> Gray, Mark</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="537878">
                <text>2012-01</text>
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            <description/>
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            <name>Language</name>
            <description/>
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                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="537883">
                <text>History Teacher</text>
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                <text>Geography Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created and owned by Kevin Andrusia.</text>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="537886">
                <text>Copyright to this resource is held by Kevin Andrusia and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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              <elementText elementTextId="537887">
                <text>Donation</text>
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          <element elementId="138">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="537888">
                <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s American Economic History Undergraduate Class, Spring 2014</text>
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            <name>Curator</name>
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              <elementText elementTextId="537890">
                <text> Cepero, Laura</text>
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          <element elementId="134">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="537891">
                <text>&lt;a href="http://www.railpictures.net/" target="_blank"&gt;RailPictures.Net&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="537892">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="537894">
                <text>Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
              </elementText>
              <elementText elementTextId="537895">
                <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/184906141" target="_blank"&gt;&lt;em&gt;A Journey into Florida Railroad History&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2008.</text>
              </elementText>
              <elementText elementTextId="537896">
                <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/52260683" target="_blank"&gt;&lt;em&gt;A Short History of Florida Railroads&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2003.</text>
              </elementText>
              <elementText elementTextId="537897">
                <text>Murdock, R. Ken. &lt;a href="http://www.worldcat.org/oclc/38291666" target="_blank"&gt;&lt;em&gt;Outline History of Central Florida Railroads&lt;/em&gt;&lt;/a&gt;. Winter Garden, Fla: Central Florida Chapter, National Railway Historical Society, 1997.</text>
              </elementText>
              <elementText elementTextId="537898">
                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2477" target="_blank"&gt;RICHES Podcast Documentaries, Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2477.</text>
              </elementText>
              <elementText elementTextId="537899">
                <text>"&lt;a href="http://www.csx.com/index.cfm/about-csx/our-evolution-and-history/interactive-timeline/" target="_blank"&gt;Our Evolution and History: CSX&lt;/a&gt;." CSX http://www.csx.com/index.cfm/about-csx/our-evolution-and-history/interactive-timeline/.</text>
              </elementText>
              <elementText elementTextId="537900">
                <text>"&lt;a href="http://www.american-rails.com/atlantic-coast-line.html" target="_blank"&gt;The Atlantic Coast Line Railroad, Standard Railroad of the South&lt;/a&gt;." The American Railroads: A Long and Storied History. http://www.american-rails.com/atlantic-coast-line.html.</text>
              </elementText>
              <elementText elementTextId="537901">
                <text>Homan, Lynn M., and Thomas Reilly. &lt;a href="http://www.worldcat.org/oclc/45710359" target="_blank"&gt;&lt;em&gt;Mount Dora&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2000.</text>
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          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="631996">
                <text>MOUNT DORA, FL&#13;
[illegible]&#13;
&#13;
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The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
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The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A Casualty Questionnaire completed by First Lieutenant George J. Arnold in relation to the death of Florida native Staff Sergeant Thomas E. Eason (1922-1945). According to this document, SSgt. Eason was Killed in Action (KIA) during the bailout procedure after his crew's airplane was shot. SSgt. served for over three years in the U.S. Army Air Forces' (USAAF) as a waist gunner on a Boeing B-17 Flying Fortress nicknamed "Sweet and Lovely" and "Princess Pat." SSgt. Eason completed 28 missions in both the Pacific and European Theaters of World War II. On January 20, 1945, he was killed near Altenheim, France, after his airplane was shot down by enemy combatants. Over the course of his service, SSgt. was awarded the Distinguished Flying Cross with two Oak Leaf Clusters.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>ca.1945-01-20</text>
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                <text> Civics/Government Teacher</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;&lt;li&gt;create derivative works&lt;/li&gt;&lt;li&gt;perform the work publicly&lt;/li&gt;&lt;li&gt;display the work&lt;/li&gt;&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;&lt;/ul&gt;This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Epinal Cemetery Project</text>
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            <name>Curator</name>
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                <text>Lancaster, John</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="https://www.fold3.com/" target="_blank"&gt;Fold3&lt;/a&gt;</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text> "&lt;a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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                <text>GRid=56372149" target="_blank"&gt;SSgt Thomas E Eason&lt;/a&gt;." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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                <text>GRid=56372149.</text>
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        <name>Earl D. Greenstreet</name>
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        <name>First Lieutenant</name>
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        <name>Heilbronn, Germany</name>
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        <name>Joseph A. Moller</name>
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        <name>Kenneth E. Tricker</name>
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        <name>Thomas E. Eason</name>
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                  <text>Friends of Lake Apopka Collection</text>
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                  <text>Lake Apopka (Fla.)</text>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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                  <text>Saint Johns River, Florida</text>
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                  <text>Zellwood, Florida</text>
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                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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                  <text>Cepero, Laura</text>
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                  <text>King, Joshua</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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                <text>Letter from Allen E. Arthur to Gary Sharp (December 9, 1974)</text>
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                <text>Letter from Arthur to Sharp (Dec. 9, 1974)</text>
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                <text>In this letter, Allen E. Arthur, member of the Orange County Board of County Commissioners, expresses his belief that a park in the Gourd Neck Springs area would aid in the restoration process for Lake Apopka. Commissioner Arthur also served as the chairman of the Lake Apopka subcommittee of the Environmental Resources Committee of the Orlando Area Chamber of Commerce. Gourd Neck Springs is a small spring located in the southwest portion of Lake Apopka, in a small cove called “Gourd Neck” due to its distinctive shape. This area of the lake was considered in the 1960s as a potential nursery for fish. The Lake Apopka Technical Committee explored damming the Gourd Neck, separating it from the lake and preventing polluted lake water from entering, but these plans did not materialize. Efforts were also made in the 1960s to have the Gourd Neck area purchased by the State of Florida for use as a public park. The Gourd Neck Springs Park Association was formed in 1961 to study the site’s potential for a park and lobby for support from legislators. The land bordering the area was privately-owned by various individuals. One of these, Gary Sharp, continued seeking support for a park into the 1970s. While the project received support from Florida legislators and environmentalists, the land was never purchased by the state.</text>
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                <text>Photocopy of original 1-page typewritten letter from Allen E. Arthur to Gary Sharp, December 13, 1974:  binder 1974, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>Binder 1974, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Friends of Lake Apopka Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of photocopied 1-page typewritten letter from Allen E. Arthur to Gary Sharp, December 13, 1974.</text>
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            <elementTextContainer>
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                <text>Gourd Neck Springs, Florida</text>
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            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="616936">
                <text>Arthur, Allen E.</text>
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            <elementTextContainer>
              <elementText elementTextId="616937">
                <text>1974-12-09</text>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
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                <text>image/jpg</text>
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              <elementText elementTextId="616939">
                <text>120 KB</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="616940">
                <text>1 typewritten letter on Orange County, Florida letterhead</text>
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                <text>eng</text>
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            <description/>
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                <text>History Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by Allen E. Arthur.</text>
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            <name>Rights Holder</name>
            <description/>
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&lt;br /&gt;
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
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• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>&lt;br /&gt;0:00:00 Introduction &lt;br /&gt;0:01:38 Oviedo in the 1960s &lt;br /&gt;0:07:44 How Oviedo has changed over time &lt;br /&gt;0:12:06 Mary Alice Powell Aulin &lt;br /&gt;0:18:24 Oviedo’s Centennial &lt;br /&gt;0:19:37 Andrew Aulin, Sr. &lt;br /&gt;0:28:45 The Lees and the Lawtons &lt;br /&gt;0:33:18 Alice Aulin, Andrew Aulin, Jr., and Oviedo during World War II &lt;br /&gt;0:39:25 Colloquial expressions and historical artifacts &lt;br /&gt;0:46:10 Closing remarks</text>
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                <text>2016-01-14</text>
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                <text>2015-03-12</text>
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                <text>Originally created by Julia Nadine Davis Aulin and Sarah Schneider, and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GRid=69149825" target="_blank"&gt;Andrew Aulin&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GRid=69149825.</text>
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                <text>"&lt;a href="http://articles.orlandosentinel.com/1993-01-13/news/9301130107_1_oviedo-sanford-grandchildren" target="_blank"&gt;MARY ALICE AULIN, 83, Myrtle Avenue, Oviedo, died Tuesday...&lt;/a&gt;" &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 13, 1993. http://articles.orlandosentinel.com/1993-01-13/news/9301130107_1_oviedo-sanford-grandchildren.</text>
              </elementText>
              <elementText elementTextId="585976">
                <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                <text>&lt;a href="https://youtu.be/jbZLM5i5vB8" target="_blank"&gt;Oral History of Julia Nadine Davis Aulin&lt;/a&gt;</text>
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            <description/>
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              <elementText elementTextId="585986">
                <text>&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Alright, so we’re here with, um, Ms. Nadine [Davis] Aulin, conducting an oral history interview. Um, the interview is conducted by myself, Sarah Schneider, at the Alafaya [Library] Branch of the Orange County Library System, um, in Orlando, Florida. It’s Friday, March 13&lt;sup&gt;th&lt;/sup&gt;, twe—2015, and, um, the interview will cover topics about Oviedo’s history and the Aulin family’s history, and, um, this is being done for the UCF [University of Central Florida] Public History introduction class, um, for their project on Oviedo’s history. So welcome. Thank you for talking with us today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, I’m glad to be here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, and so could you start off just introducing yourself, um, to the camera. So tell yourself a little—tell us a little bit about yourself, um, where you grew up, and how long you’ve been in Oviedo.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Okay, I, um, was born and raised in Orlando. Um, remember Orlando from when it was, uh, 75,000 until now. uh, I married my husband&lt;a title=""&gt;[1]&lt;/a&gt; in 1965, and prior to that, I had been to Oviedo many times. my grandparents lived in Chuluota, uh, but I wasn’t, you know, didn’t really know people from Oviedo, but, uh, my husband, uh, went to Vietnam in 1965 through ’66, and during that time, uh, I lived with his aunt, who was, uh, Nettie [Dorcas] Jacobs Aulin. She was married to, uh, Theodore Aulin, who everybody called “The Judge,”, because he was Justice of the Peace.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Ah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, in addition to that, my mother-in-law,&lt;a title=""&gt;[2]&lt;/a&gt; at that time, was living and she lived in Oviedo, and we had a close relationship.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, great, um, and so what was life like in or—in Oviedo when you moved here—in the area?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, it was sorta cool. Um, the big events happened through the [First] Methodist Church [of Oviedo] or the [First] Baptist Church [of Oviedo]. uh, anything that was going on it was either through that or the—or the [Seminole County Public] Schools. Um, people—it was a big deal to go into Orlando out to eat. You know, you didn’t just do that willy-nilly. You, eh—it was an occasion.&lt;/p&gt;
&lt;p&gt;Um, what I loved about that time is, uh, Oviedo had one police officer, and that was, um, George Kelsey, and his family had been here I think as long as the Aulins, uh, and he, uh, took care of the town. He, uh, would sleep, I think, in the early morning and then be around 18 hours a day doing his job, and he did it well. I don’t think we had too much crime. Uh, one of the things is, uh—Aunt Nettie—when I was living with her, we had an armadillo that bothered us, and she called Mr. Kelly[sic]—Mr. Kelsey to, uh, come get rid of that armadillo, and he says, “Well, Aunt Nettie, I’ll—I’ll be there as soon as I can. I just got in bed,” and she said, “Well, he’s out in our yard now, you need to come by now.” [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So he did. He came, and, uh, he says, “Okay. Well, I’m here. Where’s the armadillo?” And we—of course, the armadillo was gone by the time he got there, and she says, “Well, just hang around. you can shoot it,” and he says, “I don’t think I’m gonna be shooting armadillos, Aunt Nettie,” and—because, you know, everybody called everybody “Aunt” or “Ms.” or—you know, it wasn’t just first names, and she was, uh—one of his best friend’s son, er—her son was one of his best friends, and so, of course, he wanted to accommodate her, but he didn’t [&lt;em&gt;laughs&lt;/em&gt;]—he wanted to be shooting armadillos in Downtown Oviedo. We lived right across from the Baptist church.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So that wouldn’t have gone over very well, but that’s just sorta how Oviedo was back in those days—is that everybody knew everybody, and, uh, like the mayor of the time was, uh—oh, gosh, what was his name?&lt;a title=""&gt;[3]&lt;/a&gt; He was so nice. Um, it’ll come to me, but anyway, he used to go to the post office every morning and bring me my mail. You know, you’re not supposed to let somebody have somebody else’s mail, but he would bring me my mail, because my husband, being in Vietnam, he would write to me every day, and so this mayor would, uh—gosh, why can’t I think of his name? Um, he would bring me my mail, and, uh, it was just sorta, you know—sorta like, uh, small town, uh, neighborly kinda things that went on, back in those days.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Great, great, and did you mention, um—what year did you come to Oviedo?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I was, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;I’m not…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;We got married in ‘65, and he soon left to go to Vietnam right after that. So, yeah, ’65.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And I was working at the Townhouse Restaurant, and it was like a year old&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;When I started to work there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Wow, uh, huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And so it’s been an institution…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;For many years now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah, Um, and what kinds of people—what kinds of jobs did people have in town around that time?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, most everybody worked at either the packin’ house or in the groves, and you know, of course, there was the insurance companies, and there was real estate, uh, people back, at that time. Oviedo was beginning to build up, because the [Florida Technological] University&lt;a title=""&gt;[4]&lt;/a&gt; was in the works…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And people were moving out this way and buying houses, and, um—but farming and, um, the citrus was[sic] the main jobs, uh, I think, uh, at the time. At some point in time, I went to work for Citizens Bank [of Oviedo],&lt;a title=""&gt;[5]&lt;/a&gt; and at that time, it was like the, uh, only—the—the next largest business that wasn’t, uh, uh, the packin’ house…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;You know, and, uh, I think it was the only building, at that time, that had an elevator, and it may still be.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I don’t know. I can’t—I don’t know if there’s any buildings in the actual town that has an elevator, besides that. Maybe they do. I don’t know, but that was sort of a big deal that they had an elevator...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;To [inaudible], uh, but yeah. There was one—I—I I’m trying to think if there was any other major jobs. Uh, there was your, uh—you know, you had school teachers and that kind of thing, but mostly it was farming.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Something to do with farming.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, and you mentioned people going to Orlando. that was a special treat. What other kinds of things did people do for fun in town?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Oh, back then they, uh—ball games. They were really into, um, the different ball games, so like baseball, football. The Oviedo, um—had just—the [Oviedo] High School had just started over, at, uh, Career Field, and, uh, they had their first football game—a team for the school’s in 1964—maybe ‘63—but it was a very good team. By 1965, they had, uh, uh—were winning a lot of games, and people really supported them, and, eh, little league and—and all that. people were really into that. I remember [&lt;em&gt;laughs&lt;/em&gt;] when we came home from, uh, our honeymoon, the—after we took our luggage to his mother’s house—we went to, uh, a baseball game.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;You know, who does that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] But, eh, you know, it was the community thing, I think, uh, maybe because the community was so small, but people were active. If, um, you—even if you didn’t have children playin’ ball, you still wanted to go to support them and be there, and, uh, it was just, like I said, small town U.S.A.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, great. Um, and so what is Oviedo-life like today? What…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well [&lt;em&gt;laughs&lt;/em&gt;]...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I—I think that, um—I, uh, think that it’s still very neighborly, but more secular. Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I think there’s, uh—you know, people who live out on this side of town sort of do their kind of thing with their kids and their schools, and on the other side of town, the same thing, you know? I think that, uh, it—I—I think Oviedo still sort of has a reputation of being friendly and has that small town atmosphere kind of thing. Um, I don’t know if you’ve looked on the website. There’s an Oviedo community web—website, and people…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Go in with their gripes and—or their happy things, or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;You know, whatever. So it’s still, uh—technology’s sorta caught up with us, and...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;But I don’t think in a negative way. I think that’s sort of a good thing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Great, um, and has—is there anything else that has changed in Oviedo since you’ve lived here that you—that you’ve noticed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Oh, I’m sure they’re lots of changes that I, you know—of course, they’re building new buildings and tearing down old buildings. Um, citrus has not gained or even [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] and citrus is leaving us, and so is, uh, when—when we were first—when I first came here to Oviedo, um, out in Black Hammock, there was celery growing and cabbage and onions, and there was always something growing out there, and Now, there’s really nothing. There’s palm trees, but with the building industry not being too hot, they’re just growing and growing. They’re not being sold, uh, and I don’t even see much sod being sold. Um, uh, we, uh—all that has changed. It’s just not agriculture any more, and, uh, you know, then, uh, it’s modern times. I think people are, um, you know, since we’ve started here, there’s been integration, and so, that’s a big difference in Oviedo. um, people working together of different races and things like that, and I think it’s going pretty well.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Um, so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay, great. Um, so do you have any other stories—memorable stories about your time living in Oviedo, um, while you’ve been living there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;There’s been like the—I think it was, uh, one of the packing houses out on, uh, [Florida State Road] 46 caught on fire. This was in the early maybe 70s—maybe late 60s…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, that was a huge deal. I mean, everybody, uh, was going out to see that fire….&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, but, uh—and of course, there’s been, u, funny things that’s happened, and I—right now, I can’t think of any[&lt;em&gt;laughs&lt;/em&gt;], but, uh—you know, personal things—but, uh, eh, Just the change and the times, and the university, like I said, started it all. Uh, people started moving out here and then, because there was now new bedroom communities. Uh, then other businesses, that catered to that, have moved out here. I mean, we’ve got so many food, you know, restaurants and places to get food, and, uh, we don’t—and, you know, we’ve got a [Oviedo] Mall. Who would’ve ever though Oviedo would have a mall, and all these different places? Uh, It’s, uh, a very—like if—if you think back—1965 and today—it’s like two different worlds…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Until you get down to the nitty gritty of it and start talking to people that actually live here. They still—still, I think, sorta have the same mindset.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Maybe I’m wrong, but that’s what I think.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Huh. Um, alright. So what family stories have you heard, uh, about Oviedo’s early history? So before you lived here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, my, um, mother-in-law, who I, uh, learned so much from, she, uh, came here when she was I think 17—maybe 18 years old—from Lake Monroe, Florida, which is right outside of, uh, Sanford. Uh, she came out here because there was a lady that was running the hotel in Oviedo, that was right where the main red light is, um, in Oviedo. It was sort of east, uh, or south of that, and, uh, since then, of course, it’s burned down, and—but, uh, she came out to actually take care of the lady’s children while the lady ran the hotel. The [?] t turned into—she became like the telephone operator there, and, uh, I think she is noted as the first telephone operator in, uh, Oviedo, because, you know, that was a big deal back then too, and she, uh—that’s where she met her husband.&lt;a title=""&gt;[6]&lt;/a&gt; Uh, he worked across the way at the packing house with his, you know—his—the people who owned the packing house were relatives of his. Not that—I—I don’t think it was nepotism that he had a job there. It’s just there were not many other places to work, but, um, she met him there, and she learned how to pack fruit just by sittin’ around. I guess that was their courting days, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;“Here, let me show you how [&lt;em&gt;laughs&lt;/em&gt;] to pack fruit.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;But, uh—and she used to tell me, um, or she told me once that, uh, she—when they courted, uh, her husband’s, uh, cousin, would loan him his car, and it was a roadster, and I never quite got the concept of what a roadster is, but I do know that, uh, one of the cars that they rode around in had the rumble seat in the back&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Ah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And when they would double date, she and her husband always had to be in the rumble seat, but when it was just the two of them, they would—a big date would be him taking her to Lake Monroe to visit her parents [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So—but anyway, they, uh—they—she used to tell me stories about how they dressed, and, you know, her husband, um, was sort of dashing. I think he wore this straw, Panama hat or somethin’, and, uh, she was a great seamstress, so she made all her clothes, and she was seamstress for Oviedo. She, uh, made so many wedding dresses for people, and, uh, I think she sewed for about—oh, gosh. I want to say about 40 years…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And she was really great. Uh, she would make you clothes that—as a matter of fact, there was one person in Oviedo that used to take her to, uh, Winter Park, and they would sketch out the dresses in the windows…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And then she would come back and make them for this person, and, you know, for hardly any money at all, and in Winter Park, it would cost like, 20 times whatever she charged…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Because they were very nice dresses, but, uh—and she did that up until she was in her ‘60s.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, everybody loved to have her make them a dress, and she always was—loved to do it, because it was like her calling. It was her art. It was her thing, and, uh, she really enjoyed that very, very much, and, uh, of course, it was the different people that would come there. She had these, um—what do they call them? Dress models?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, and she had one that was—one lady that was sort of heavy, and that’s what she called it—by this lady’s name, and, um, I’m not saying their names, ‘cause their families all—still are here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And then there’s another one that the lady was quite tall, and she called it that, and then finally she got this little short, fat, one and she called it Nadine [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And she used to make me my clothes, even when we were stationed in Germany or wherever. She’d send me, uh, my clothes, and they would be perfect every time. So, um, she was very, very talented at that, and I, uh, think that, uh—like I said, I think that it was her art, and she enjoyed doing it, and I think a lot of people, uh, of that era enjoyed working. I don’t think you see that so much anymore.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And I think people, uh, of my father’s age and, uh, Andy’s parents, they just sorta took their job very, very seriously, and it was their thing. It was, you know—they had pride in what they were doing. It wasn’t just—and of course, they had to earn money, and they didn’t earn that much for whatever they were doing, but still it was their—their art. It was their art.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So there’s, um—some of the funny stories would be, uh, Andy’s uncle, eh, Theodore, who they all called Fifi, um, he didn’t [&lt;em&gt;laughs&lt;/em&gt;] believe in change. So like, if they put in a traffic light or a stop sign where they never had had one before, he never paid—after he got old, he never paid any attention for—to it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, he was just—and George, the policeman, would just say, “Well, that’s Uncle Fifi. We just have to watch out for him.” [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And there was other people like that. there were what you call “characters” around the town, and—and that’s what people did—is they just sorta said, uh, “Well, that’s who they are,” and, you know, you just have to watch out for them, and I think that’s where the lovely—lovely thing about Oviedo and small towns everywhere, I’m sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And so, uh, don’t know what else…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah, that’s great, um, and you mentioned the—being a telephone or switchboard operator. Um, so what were the name—what was her name? [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Her name was Alice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Alice?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Mary Alice Aulin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Um, yeah. Uh, she did that, and, uh, as a matter of fact, when they did the centennial here, I, uh—they recognized her for that, and, um, it was very nice, um, and that was a nice thing too. I don’t know if you, uh—I’m sure you got information about that, but that centennial thing was really a nice thing that Oviedo did. Uh, brought everybody together, and then people that were new got to know more about what was going on. uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;There was, like, memorial celery vase.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Have you heard that or seen that? Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;I haven’t seen it. no.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, uh, most of us have one that were around at that time, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And that’s when, um, Mr. Neely’s book&lt;a title=""&gt;[7]&lt;/a&gt; came out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, or Miss [Donna] Neely’s. I guess it was Ms. Neely’s. Uh, Dr., uh—what was his name?&lt;a title=""&gt;[8]&lt;/a&gt; Doesn’t matter.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;That’s okay. Uh, [inaudible] another one of those things that will come to you, but, um, that all sorta gelled at the same time for the centennial, and It was a big celebration, and, um, it was very, very, very nice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm, nice. Yeah, um, and have you heard any family stories about Andrew Aulin?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Oh, yes, he…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;That you’d like to share.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Was, uh—now, the first Andrew Aulin? You know, there’s…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;The first Andrew Aulin, and then there was my husband’s father, Andrew Aulin, and my husband, Andrew Aulin, and none of them have middle names, and, uh, [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So it’s just…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Confusing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, but anyway, the first one, uh—it’s was my understanding that he traveled a lot before he settled down and came to Florida, but, um, one of the places that he traveled to or was in was, um, Oviedo, Spain. There was a big University [of Oviedo] there, and evidently, he was a scholar, and he had gone to, uh, [Uppsala] University in Uppsala, Sweden. he was Swedish, and, um—so when he came to Oviedo and they decided they were gonna make a town, and as a postmaster, they had him choose the name, he chose Oviedo, because this area reminded him of that town—city—I guess it was—and, uh—so therefore, he named it Oviedo, because—and—and also it had the Spanish name and Florida has a Spanish name—is a Spanish name. So he all thought it all sorta fit.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, um, it’s also my understanding—and this is sorta—I’ve heard people sorta joke about it—that he really cared more about reading and his books and doing scholarly things that, uh, he didn’t really care much about his business. He—he had a business, and I heard someone say—I think it was Mr. W. A. Ward’s father, uh, Bill Ward—said, um, that he would like—and maybe it wasn’t Mr. Ward—but anyway it doesn’t matter—it was somebody from that era—said that, uh, you would go into the mercantile store and say, you know, you wanted—I don’t know, um—seven yards of material or whatever, and he’d say, “Well, it’s back over that way,” and he’d go right back to his book [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh—so whether people paid him or not he wasn’t real [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;But I’m sure they all did pay, because it was a different era, again, at that time, but, uh, they said that they[?]—they would often see him sittin’ outside his—his store—just sittin’ there reading a book…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, he—it’s also my understanding that he, uh, taught, was one of the first like little school situations here. Not that it was really a school. I don’t know about that. I just know that he taught people whatever he taught them, I don’t know if it was Greek or, uh, some, uh—something more than just grade school kind of things. I’m not sure about that. I just know that, uh—that was, uh,—has been told to me several times—was that he, um—and it may be even—there’s a letter written by, uh, Steen Nelson, uh, who…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Nelson and Company.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, in that letter, there’s a descript—description of, uh, Andrew Aulin, and, uh, I think in there, he mentions him being a scholar, and, um, his store, and naming the town, and—and those kind of things, and I have—I just thought of it. I think I have a copy of that letter that I’ll try to provide for you, if I can find it. Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah, that’d be great.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, then there’s[sic] other people in town that have a copy of it too, so I’m sure that we can locate it, and that’s sorta interesting too. I don’t know much about Steen Nelson, other than Nelson and Company was originally his business.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, I don’t know if he became a partner with Mr. [Benjamin Franklin] Wheeler[, Sr.], or if the Wheelers just bought it out, or what.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I don’t know that, but, uh, yeah. that’s, uh, how it all started with him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, and do, you know, anything about, um, Andrew Aulin’s role as sort of an entrepreneur or stockholder—I think was the word. That I think he was involved in some entrepreneurial ventures with those people. I don’t know if you’ve heard anything about that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, he probably was…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I mean, because he was very much involved in the very beginning of Oviedo, and if you look at the land, uh, plats from that time, his name’s everywhere.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So I, um—that part though I don’t really know, but I…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Do know that once upon a time, he owned a lot of land in Oviedo, and then I think, by the time he passed, there—he had sold it or, uh—I know that my mother-in-law used to talk about, uh, there were boom times and not-boom times, and, uh, in the boom times, everybody had money and had high hopes, and then it would all crash, and—but that’s all throughout history. You know, they…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;That—early 1900s, and on, and in 1929, and then on and on, and so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;People would have stuff and then they’d have nothing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And—but, fortunately, back in those times, if you were a farmer, you could always grow your crop, but—as long as you didn’t have a dust bowl, like they did out West, and that kind of thing, but—yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay, um, and have you heard about anything in terms of Andrew Aulin, uh, growing citrus? Have you heard any…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Stuff about that? Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;He did. He grew, um,—he had orange groves, um, and I—he had, uh, different properties around. I know that on the, uh, south side of town, uh, he had properties, and then down—what we now call Downtown Oviedo, uh—I think he had properties down there that he grew not oranges on. I think it was, um, other kinds of crops. Uh, I’m thinking strawberries and celery. I don’t think celery was the big thing particularly, at that time. I think celery came along a little later, but, uh, yeah, uh, he did, and I—I that part—I’m sorry to tell ya—I haven’t ever delved into it, but I have always liked to hear the character stories, ya know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah, um, and have you heard anything about him as a postmaster, beyond what you were saying? Have you heard any stories about that, or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Nothing other than him naming the town.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, I don’t know how it came about that he was the first postmaster. Uh, I do know that, uh, prior to that, everybody got their mail from, um, White’s Wharf, but, uh, then I guess they decided they needed a post office in Oviedo.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, great, and, uh, you mentioned earlier, uh, the Swedish background of the family. Um, do you know anything more about that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, no, other than they’re from a place, um—it’s a big— it’s a big town in, uh, Ov—I mean Spain, uh—Sweden. Um, it’s right on the—the ocean. I, uh, don’t[?]—I have all this stuff at my house, because, um, I have sort of like a history, but I can’t think of it now. Uh, it’s called “getting old.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Did you say before Uppsala? [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, Uppsala was where he went to university.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh, okay. That was the university. [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Yes, he went to school there, and, um, I can’t think of the name of the town where he was born, but that’s as far back as, uh, we’ve been able to go in his genealogy is to that town. Um, it starts with an M. I can’t think of it, but anyway, uh, he—I think it was a relatively young age when he left Sweden. I mean, um, not as a child, but [inaudible] probably in his early, early 20s, and then he traveled, and I think he even lived for a time in, uh, Ohio, and then, um—but it wasn’t until he came to Oviedo that he met his wife,&lt;a title=""&gt;[9]&lt;/a&gt; who was a Lawton, and, uh, her, uh, family was one of the main fam—founding families of, uh, Oviedo.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, the Lawtons, uh, and Wheelers, and, uh, Aulins—they were sorta—and they sorta—and the Lees—the Lees also is another…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Name. Speaking of Lee, my mother-in-law, when she was a child, went with, uh, her uncle and her father on a, uh, river trip to Rockledge to get some—her uncle was the grocer. So they went on a skiff. She’s always called it that. I don’t know a skiff—from Lake Monroe to, uh, Rockledge, er, you know, by the coast, and, uh, I didn’t even know that the waterway would—would go that far, uh, on the St. Johns [River], but, um, back then, it did for sure, and she talked about how they camped on the way, and—but another person in their party was a gentleman named Thee Lee. I’m thinking his name was Theodore Lee. Uh, uh, I don’t know, but anyway, uh, we called him Thee Lee, and, um, he was a young man and he was—I guess knew her father or the uncle or somethin’. Anyway, he went on this trip with them and he would kill duck or whatever for their supper, and then she would always laugh and she says, “And then, 10 years or so later, I met him, because I was gonna marry his cousin.” So he was…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Andrew’s cousin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, um—so I—I just thought that was so neat. She was just she had to be under 11 years old, because her father, uh, got killed on the railroad when she was, uh, 11. So she had to be pretty little kid when she went on that trip, but she remembered so much about them killing the geese and roasting them on the fire at night.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And isn’t that an adventure for an 11-year-old? I mean golly.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah, wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, sounds so cool [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, awesome. Yeah, and what else have you heard about the Lawtons, and, uh, Lona Lawton, and everybody?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, um, I just know that, uh, there was a Mr. Lawton, uh, here in Oviedo that, uh, when he—he found out that I was married to—and I worked in a bank—when he found out that I, uh, was married to an Aulin, uh, his wife would send me cookies every once in a while.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Aw.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And also Andy’s cousin’s wife lived there, uh—worked there, and so they were all—they were very kind to us, uh, just because of the relationship, I guess, and, um, I just thought that that was so cool that he would, uh—that she would do that, and now, I can’t remember which Lawton they were, because, uh, at that time, there was[sic] several older Lawtons living in Oviedo.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh—but that was so cool that he—that she would send us those cookies just because we were [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Aulins. It was just this family ties, I guess, but, um, the—I’m trying to think of some of the—there was, um, a lot of Lawtons. Uh, I think there was like—it was of two different mothers, but there was like a bunch of ‘em. I—I’m wantin’ to say eight, or maybe even more than eight…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Children, and, um, so they, um, settled here in Oviedo, and then, uh, I’ve since learned that there’s some Lawtons of that same group that live up in, uh, Northwest Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, I’ve been in contact with their, um, great-grandchildren, um, but, uh, they—they were big farmers, and, um—then also, I think they, uh, were teachers, and, uh, I know that, um, another one of my husband’s aunts was a teacher, and she, uh, married a gentleman and they lived out—and went out to live out in Texas, and that’s where the original Andrew Aulin died. He was in Texas. that’s where he’s buried—is in Texas, because he was living out there with his daughter, and, um—but yeah, they—I think they sort of have a—a legacy of teaching and farming.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm, yeah. Um, have you heard anything about, uh, Lona Lawton as—and her role as a switchboard operator after the [World] War [I]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Lona Lawton?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Or Alice Aulin?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, I believe it was Lona Lawton that they mentioned in the book.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Nah, I…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Maybe.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;What war?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, I said after World War—World War I?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, that would have had to have been Andy’s mother,&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Alice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Mary Alice Aulin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Because Lona Lawton…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Was, um, Andrew’s mother.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And she died before, um, Andy’s mother met him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So I—she met him, um, around 1920.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Something like that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Um, maybe twe—even ’22—something like that, ‘cause she was, uh—well, she was born in 1904, and, um, so she was only like 18 in ’22, so yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So Lona had—had died…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Ah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Before then.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, and she, uh—I think way before then. I think in the early 1900s.&lt;a title=""&gt;[10]&lt;/a&gt; Uh, Andy’s father was the youngest child, and he was born in like 18-something.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Like, uh, 1893, I’m thinking—somewhere in that area.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So, yeah, she had been dead a long time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm, mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Um, so it wasn’t her. It was Andy’s mother, and I don’t remember, um, I mean it was after World War I that she, uh, did that because, uh, she was like 18 when she started.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And then, at one point, uh, she got married and—but then, at a later time, they came and put the switchboard in her house.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Ah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;They lived on Graham [Avenue].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And then she ran it from there, and then, um, another time, when she lived on Myrtle Street, they’ve[sic] moved it there, and she—but she had the—it, like, blew up in her ear, or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I don’t know what you’d call it. Uh, it had a short somehow and it made her, uh, almost deaf in one ear from doing that, and that was—I think that was like in the ‘30s…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;When that happened.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And have you heard anything about Andrew Aulin’s experience in World War I, uh, so [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Yes, I know that he was, um, uh—now, this is Andrew Aulin, Jr.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh, okay, sorry.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, Andy’s father—my husband’s father.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;He was, uh, in, um, France during World War I, and he was, um, gassed. He got injured, uh, or, you know, not wounded, but, uh, harmed or disabled, uh, somewhat, by having, uh, gas, because, you know, that was the war when they did the—did that. he was in the trenches, and one of the funny or odd things, I think, is, um, they don’t eat—eat potatoes very much in the Aulin family, uh, or that part of the Aulin family, because all he got to eat when he was, uh, overseas was potatoes, and he said he hoped he never saw another potato, so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Andy’s mother cooked rice every day, and, uh, when I got married, I cooked rice every day for many, many years, and then I finally taught my husband that, you know, life will go on without rice, so [&lt;em&gt;laughs&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;But, uh, rice was the big thing. They ate rice instead of potatoes, and another thing, because of his, uh, eating habits, or lack of, when he was over there, uh, he wouldn’t eat gravy that was white—you know, made with milk.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Because that was just—that’s all they got over there—was white gravy. Er, he thought it had no taste. So Mrs. Aulin—even if the gravy didn’t come out dark enough, she would put like instant coffee in it or somethin’ to make it dark.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] And that’s a good trick.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;It makes it taste better, if you just put a li’l coffee in it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Huh [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;That’s one of the tricks I’ve learned from her, uh, but yeah. I don’t know of any, uh—I just know that he went over there, uh, and got more or less wounded, and, uh, that whole family, I think, is, uh, been in World War—his—my husband’s oldest—older brother&lt;a title=""&gt;[11]&lt;/a&gt; was in World War II and in the Korean War. My husband was in, uh, [the] Vietnam [War], and, um, so they’ve all, you know, served their country.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And I, uh, think that’s sorta something that most of the people in Oviedo did. I mean, there was a lot of people in Oviedo that, uh, served in World War II, and, uh, even some of the people that weren’t in the military, they served by, uh, manning the—they had a tower that they watched for…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Airplanes and what have you, like a civil defense kind of thing…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, I know that Andy’s sisters did some of that and the, uh, other girls in town, uh, volunteered to do that, and there was—the tower was downtown, uh, by the red light too…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;h huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;From what I understand. I think that’s where it was. Have to ask somebody who was here then, but I think that’s where it was from the stories...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;They tell.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm, um, and you mentioned some of the founding families of Oviedo. What—is there anything else—any other stories you know about them, or, um—besides [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, I do know that, uh, it—I think this is sort of funny. Uh, When I came and I was living with Andy’s aunt and she would mention someone or I would mention someone, and she would say something like, “Oh, they’re one of the new people.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] And I would say, “Oh, when did—when did they come to Oviedo?” And she says, “Oh, I think they came in like the 20s.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] And—she—her family was the Jacobs, and they—her father settled on—at—at Lake Pickett…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Way back in the 1800s. Uh, his brother settled on Lake Mills.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And then his sister was married to, uh, a Kilby, I think, and they settled in, um, Geneva on Lake Harney.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So it—out of the same family, they all settled on lakes, and then Aunt Nettie married, uh, an Aulin, and so she was like from first—a first family of two different places, and, uh, she used to say—and not only she—when I would first come to Oviedo and I’d be like at my grandmother’s, somebody would say, uh, “Oh, we’d better get back to Oviedo before the creek rises,” or if you were in Oviedo, uh, they would say, “Well, we’d better get back to Chuluota before the creek rises,” and Aunt Nettie explained to me what that was—is that once upon a time there was a—a low bridge, where the regular bridge is going from Oviedo to Chuluota, but it was a low bridge, and if the water got high, you couldn’t go across it, because you couldn’t see the bridge, and, uh, so it was true that if it was raining or something like that and the bridge got overflowed, then you were stuck. You had to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] stay there. So that’s why they said that. They—and they still say it as far as I know, to this day, “If, you know—if the creek rises, we’d better,” just as a sort of joke or whatever, and, um, I [&lt;em&gt;laughs&lt;/em&gt;] always thought that—well, I liked it when I found out what it—what it meant, and there was something else I was gonna tell you around those lines, but, um, every little town has its—its little sayings, and funny things, and, um—but I can’t think of what else I was gonna tell you. Anyway…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh [&lt;em&gt;laughs&lt;/em&gt;]. So tell me about, um, you mentioned some of the artifacts that you had, um, so tell me a little bit about what those were or if you have any stories about them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, I don’t really have any artifacts. I have some copies of things that…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, have been handed to me, because of my interest in genealogy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, I have, uh, copies of some pages out of a Lawton, uh, Bible that, uh—these people I’ve met in Northwest Florida—and it has, of course, the names of people that were here, you know, like, uh, Lona, and Narcissa [Melissa Lawton], and those, um, Lawtons, and, um, then I have, uh, different, you know, writings, and newspaper clippings, and, um, things like that. I had some, um, things that belonged to my husband’s, um, father, but I sent them to, uh—or had his grandmother send them—send them to her son—her grandson in Tennessee, because he was interested in that stuff…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And not many people, you know, really are, and so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I thought that would be a good thing for him to have, but as far as, uh, actual hold-it-in-your-hand kind of thing, other than copies and—and writings, I don’t— I don’t really have anything.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, and what were some of the things that were sent? what were some of the, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, well, I’ve got, uh—we have a copy of, uh, Nar—Narcissa’s diary.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;A portion of it that she did&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;In World War…&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;child cries&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I mean in the Civil War.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, and that’s very interesting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And I mean it really takes you back in—in time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And there—one of the things she writes about is, uh, having to make, uh, shoes for, uh, some of the people that worked there, and she didn’t—obviously, they were slaves, but she didn’t call them that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;It was “our people,” you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And she had to make them some shoes, and, uh, she talked about the war, and, she, you know—she heard bad news that would come down from Virginia, and she was in, uh—right outside Thomasville, Georgia, is where they lived at that time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, it’s really, really a treasure having—having that, uh, but it’s, uh, a copy of it, and it’s, uh—I don’t even know who’s got the original. Oh, I do. I[?] happen to be—the original, uh, got washed away in a flood they had out in Texas, where…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Where it was—where it was kept, uh, which is regrettable, ‘cause, I mean, now it’s gone, but fortunately, we all have—or not all of us—but a lot of us have copies of it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Wow[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So that’s really, really another treasure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, then I have these like—I think I had already told you—these copies of that—pages out of that Bible, where they note the family happenings—you know, deaths, births—that kind of thing—weddings, Um, and like—like I said, the Steen, uh, Nelson letter. I’ve got, I think, probably, uh, all the books and things that were written, and—and I have treasures from the, um, centennial, and newspaper clippings, and things like that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Awesome, very cool. Um, so are there any other stories that you want to share about—in general, that you’ve been thinking about? Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, I, you know—I can sit here and tell you stories, uh, about, uh, my mother-in-law [inaudible], but I don’t know if they would have any interest to, um—I mean, it’s just—you would just be interested if you were her granddaughter or something like that, you know? It’s just sorta family things.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;But, um, Aunt Nettie, uh, as I said, you know—she—her husband was the one they called “The Judge.” he was the Justice of the Peace, and, um, she, um, also had, uh—it wasn’t a boarding house, but she had extra rooms in her house, and there was a time when the railroad people were working here or whatever, uh, and, you know, Oviedo used to be really busy with all of the fruit, vegetables being shipped in and outta here—or being shipped out of here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, um, so she would, um, let out a room to these people that work for the railroad, and, uh, she used to tell me little saying—like one of ‘em would, uh, put cheese in his coffee, and [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I’ve never heard of that before, and then she would always say, uh—she was a swe—sweet, old lady. She was so precious, and she would say, uh, “Nadine, you want some cheese in your coffee?” I said, “No, Aunt Nettie. I don’t want any cheese in my coffee.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;That’s what the man would say. He would say…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;“I want some cheese for her coffee.” [&lt;em&gt;laughs&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Just little stories like that…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;You know, that doesn’t mean anything to anybody, but…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Just, uh, you had to know the people. You had to be there, you know, sort of thing. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, great, and, um, so do you have any last words about maybe what impact that your relatives and—have had in the town in the early history or just any other thoughts about Oviedo’s history in general?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, I [inaudible]—I think that Oviedo has a, uh—a good history, you know? You don’t really think of too many bad things happening in Oviedo. I don’t know—don’t know that I recall anything bad. I did[?]—I know that there’s been some, uh—there used to be a prison camp out on the way to Winter Park, on that road.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, I think there was an escape, uh—escape there, and I think, uh, that’s when Mr. John Courier[sp] got hurt. Now, this you’re gonna have to talk to other people about, because I don’t really know, but I do know that there’s been things like that that have happened…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;That are tragic.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;But, um, I—I don’t know any firsthand information about that, and—but as far as Oviedo is concerned, I think that, uh, like I said in the beginning, the—the churches is[sic] what it was all based on, and I think pretty much, it still has that, uh, heritage, that rock, that—that keeps it sorta held together, and I think all that’s important. Uh, we have a lot more churches now than just the Methodist and the Baptist.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, the, uh, church that’s, uh, mainly black people on the, uh, way out of town…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, I think that’s been there for years and years and years and years, and, uh, I noticed the other day, it’s growing like gangbusters, just like the other churches.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And that’s really great, and that’s really a good foundation, and I think that they’ve—we’ve maintained that foundation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So that’s a good thing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Great, alright. Well, thank you so much for talking with us. this was really helpful.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Oh, well, thank you. I hope that it was. I, uh, enjoyed it. Sorta nice bringing those memories back. Sorry I couldn’t remember some things.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;No, no. It’s—that’s great.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Andrew Aulin III.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Mary Alice Powell Aulin.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Lee Gary.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Now the University of Central Florida.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Now the Citizens Bank of Florida.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; Andrew Aulin, Jr.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[7]&lt;/a&gt; &lt;em&gt;Oviedo: Biography of a Town&lt;/em&gt;.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[8]&lt;/a&gt; Richard R. Adicks, Jr.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[9]&lt;/a&gt; Emma “Lona” Leonora Lawton Aulin.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[10]&lt;/a&gt; 1904.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[11]&lt;/a&gt; Charles Warren Aulin.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                  <text>Marie Jones Francis Collection</text>
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                  <text>Francis Collection</text>
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                  <text>Midwives, African American</text>
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                  <text>Midwifery--United States</text>
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                  <text>Collection of digital images, documents, and other records depicting the life and work of Marie Jones Francis. Francis, the "midwife of Sanford," lived at 621 East Sixth Street in Sanford, Florida. Francis, the "midwife of Sanford," left behind a successful hotel and restaurant she owned in Sarasota in 1942 to return to Sanford and become a midwife. World War II caused a shortage in doctors and nurses, so Florida's Children's Bureau sent Francis to Florida A &amp;amp; M to acquire her practical nursing license in 1945. She specialized in premature babies and returned to Sanford to aid her mother, Carrie Jones, at Fernald-Laughton Memorial Hospital before they opened the ward in their home. "When her health starting failing," she recollects in a newspaper article, "I took over." Francis converted her house at 621 East Sixth Street to also serve as a maternity ward, where she delivered over 40,000 babies over her 32 year career. She became a midwife in the same vein as her mother, Carrie Jones, and together they ran the Jones-Francis Maternity Hall in Georgetown.&lt;br /&gt;&lt;br /&gt; Francis served her community in several ways. She delivered babies for both white and black families from Seminole County, primarily patrons who either preferred natural births or could not afford deliveries at a hospital. In the 1950s, it cost $70 to stay nine days where soon-to-be mothers were taken care of. Francis was assisted by her sister, Annie Walker, who did the cooking. The house and ward also served as a school, where Marie Francis taught nurses the art of midwifery. Nurses would come from across the state to learn how to delivery infants naturally. A heavy burden on a single working mother, Marie Francis had three daughters, Cassandra Clayton, Daphne Humphrey, and Barbara Torre. Clayton and Humphrey became school teachers and Torre became a purchaser at Seminole Memorial Hospital.</text>
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                  <text>Firpo, Julio R.</text>
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                  <text>Humphrey, Daphne Francis</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <description/>
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                <elementText elementTextId="435369">
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              <name>Coverage</name>
              <description/>
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                <elementText elementTextId="435370">
                  <text>Georgetown, Sanford, Florida</text>
                </elementText>
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              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435373">
                  <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435374">
                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511426">
                  <text>Firpo, Julio R.</text>
                </elementText>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435375">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435376">
                  <text>Dickinson, Joy Wallace. "&lt;a href="http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm" target="_blank"&gt;A Very Rich Trail: Florida’s Black Heritage is Celebrated in an Updated and Expanded State Publication&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 24, 2008, page J1. http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm.</text>
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                  <text>Moore, Stacy. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2922" target="_blank"&gt;Midwife on Job Here 32 Years&lt;/a&gt;." &lt;em&gt;The Little Sentinel&lt;/em&gt;, April 4, 1979, page 26.</text>
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                <elementText elementTextId="435378">
                  <text>Jeria, Michelle. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2933" target="_blank"&gt;Sanford's Birth Place: Marie Jones Francis Delivered More than 40,000 Babies in Her Sixth Street Home&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, Feb 16, 2003, page 1C.</text>
                </elementText>
                <elementText elementTextId="435379">
                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2944" target="_blank"&gt;Midwives Supply Needed Service Community&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;span&gt;, July 24, 1964, page 3.&lt;/span&gt;</text>
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                  <text>Flewellyn, Valada Parker, and the Sanford Historical Society. &lt;a href="http://www.worldcat.org/oclc/320804616" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, South Carolina: Arcadia Publishing, 2009.</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511425">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560032">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560033">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Title</name>
            <description/>
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                <text>Midwives Supply Needed Service Community</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="434636">
                <text>Midwives Supply Needed Service Community</text>
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            <name>Subject</name>
            <description/>
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              <elementText elementTextId="434637">
                <text>African Americans--Florida--Sanford</text>
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                <text> Sanford (Fla.)</text>
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                <text> Georgetown (Sanford, Fla.)</text>
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                <text>Midwives--United States</text>
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            <name>Description</name>
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                <text>A newspaper article about African-American midwives in Seminole County, Florida, in the 1960s. The article states that of the 760 babies born at the Seminole Memorial Hospital in 1963, nearly 400 were delivered by African-America midwives. The article explains that the demand for midwifery was due to rising costs in hospital delivery and prenatal care. The article also discusses the licensing for midwives, the delivery process, and then highlights two midwives in Seminole: Mary Moye and Marie Jones Francis. Moye, who lived at 1515 West Sixteenth Street, had been practicing midwifery for 40 years and had been licensed and registered for 20 years at the time that the article was published. According to the article, her services typically cost between $65 and $90. &lt;br /&gt;&lt;br /&gt;The article also highlights Marie Francis, the "midwife of Sanford." Francis left behind a successful hotel and restaurant she owned in Sarasota in 1942 to return to Sanford and become a midwife. World War II caused a shortage in doctors and nurses, so Florida's Children's Bureau sent Francis to Florida A &amp;amp; M to acquire her practical nursing license in 1945. She specialized in premature babies and returned to Sanford to aid her mother, Carrie Jones, at Fernald-Laughton Memorial Hospital before they opened the ward in their home. "When her health starting failing," she recollects in a newspaper article, "I took over." Francis converted her house at 621 East Sixth Street to also serve as a maternity ward, where she delivered over 40,000 babies over her 32 year career. She became a midwife in the same vein as her mother, Carrie Jones, and together they ran the Jones-Francis Maternity Hall in Georgetown.&lt;br /&gt;&lt;br /&gt; Francis served her community in several ways. She delivered babies for both white and black families from Seminole County, primarily patrons who either preferred natural births or could not afford deliveries at a hospital. In the 1950s, it cost $70 to stay nine days where soon-to-be mothers were taken care of. Francis was assisted by her sister, Annie Walker, who did the cooking. The house and ward also served as a school, where Marie Francis taught nurses the art of midwifery. Nurses would come from across the state to learn how to delivery infants naturally. A heavy burden on a single working mother, Marie Francis had three daughters, Cassandra Clayton, Daphne Humphrey, and Barbara Torre. Clayton and Humphrey became school teachers and Torre became a purchaser at Seminole Memorial Hospital.</text>
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            <name>Type</name>
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                <text>Text</text>
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            <name>Source</name>
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              <elementText elementTextId="434645">
                <text>Original newspaper article: Austin, Dottie. "Midwives Supply Needed Service Community." &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;, July 24, 1964: Private Collection of Daphne F. Humphrey.</text>
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            <name>Is Part Of</name>
            <description/>
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              <elementText elementTextId="434646">
                <text>&lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;, July 24, 1964, page 3.</text>
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              <elementText elementTextId="541069">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank"&gt;Marie Jones Francis Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434647">
                <text>Digital reproduction of original newspaper article: Austin, Dottie. "Midwives Supply Needed Service Community." &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;, July 24, 1964.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434650">
                <text>Seminole Memorial Hospital, Sanford, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434651">
                <text>Austin, Dottie</text>
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            <name>Contributor</name>
            <description/>
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              <elementText elementTextId="434652">
                <text>Humphrey, Daphne F.</text>
              </elementText>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434653">
                <text>ca. 1964-07-24</text>
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            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434654">
                <text>1964-07-24</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description/>
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            <name>Extent</name>
            <description/>
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                <text>2.2 MB</text>
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            <name>Medium</name>
            <description/>
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              <elementText elementTextId="434657">
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            <description/>
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            <name>Mediator</name>
            <description/>
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            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434691">
                <text>Originally created by Dottie Austin and published by &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434692">
                <text>Copyright to the resource is held by &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434693">
                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434699">
                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434700">
                <text>Firpo, Julio R.</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434701">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434702">
                <text>Dickinson, Joy Wallace. “&lt;a href="http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm" target="_blank"&gt;A Very Rich Trail: Florida’s Black Heritage is Celebrated in an Updated and Expanded State Publication&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 24, 2008, J1. http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm.</text>
              </elementText>
              <elementText elementTextId="434703">
                <text>Moore, Stacy. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2922" target="_blank"&gt;Midwife on Job Here 32 Years&lt;/a&gt;." &lt;em&gt;The Little Sentinel&lt;/em&gt;, April 4, 1979, 26.</text>
              </elementText>
              <elementText elementTextId="434704">
                <text>Jeria, Michelle. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2933" target="_blank"&gt;Sanford'S Birth Place: Marie Jones Francis Delivered More than 40,000 Babies in Her Sixth Street Home&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, Feb 16, 2003, 1C.</text>
              </elementText>
              <elementText elementTextId="434705">
                <text>Flewellyn, Valada Parker, and the Sanford Historical Society. &lt;a href="http://www.worldcat.org/oclc/320804616" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, South Carolina: Arcadia Publishing, 2009.</text>
              </elementText>
              <elementText elementTextId="541072">
                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3309" target="_blank"&gt;Oral History of Daphne F. Humphrey&lt;/a&gt;." Interview by Julio R. Firpo. Home of Daphne F. Humphrey. April 8, 2011. Audio record available. RICHES of Central Florida.</text>
              </elementText>
              <elementText elementTextId="541073">
                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3309" target="_blank"&gt;Oral History of Daphne F. Humphrey&lt;/a&gt;." Interview by Julio R. Firpo. Home of Daphne F. Humphrey. April 8, 2011. Audio record available. RICHES of Central Florida.</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="541067">
                <text>&lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;</text>
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            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="541068">
                <text>1964-07-24</text>
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            <name>Requires</name>
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              <elementText elementTextId="541070">
                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="541071">
                <text>Private Collection of Daphne F. Humphrey</text>
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        <name>African American</name>
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        <name>Austin, Dottie</name>
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        <name>Francis, Marie Jones</name>
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        <name>Joshua Drane</name>
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        <name>license</name>
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        <name>Mary Moye</name>
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                <text>The tenth issue of the twelfth volume of &lt;em&gt;The Watermark&lt;/em&gt; was published on May 19, 2005, and covered stories related to the local, national, and international LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) communities. Topics include the opening of a new Kissimmee bar, the death of community pioneer Jack Nichols (1938-2005), the overturning of a Nebraska state amendment that would have banned gay marriage, and the homophobia of Catholic priests in Spain. There is also an interview with Betty White (b. 1922), coverage of an AIDS protest outside the White House, and a look into the annual Orlando Fringe Festival. Although the "Editor's Desk" section mentions that this issue has 88 pages, the largest of 2005, there are only 48 pages available.&lt;br /&gt;&lt;br /&gt;Since 1994, &lt;em&gt;The Watermark&lt;/em&gt; has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, &lt;em&gt;The Watermark&lt;/em&gt; has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, &lt;em&gt;The Watermark&lt;/em&gt; became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased &lt;em&gt;The Watermark&lt;/em&gt;.</text>
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                <text>The first issue of the thirteenth volume of &lt;em&gt;The Watermark&lt;/em&gt; was published on January 12,2006, and was the newspaper's health and fitness issue. The issue features stories relevant to GLBT physical and mental health, covering stories on cigarette smoking in the GLBT community, the mental health effects of HIV/AIDS, and healthy GLBT relationships. The cover story highlights Sterling Powell, who was a print, radio and TV personality in the Tampa Bay area that changed his lifestyle to focus on his health and changes to his diet. The issue also features stories about Les Ballets Trockadero de Monte Carlo, which was an all male ballet troupe, and the sentencing of Steven Lorenzo, who conspired with Scott Schweickert to drug and murder nine gay men.&lt;br /&gt;&lt;br /&gt;Since 1994, &lt;em&gt;The Watermark&lt;/em&gt; has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, &lt;em&gt;The Watermark&lt;/em&gt; has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, &lt;em&gt;The Watermark&lt;/em&gt; became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased &lt;em&gt;The Watermark&lt;/em&gt;.</text>
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                <text>The eleventh issue of the twelfth volume of &lt;em&gt;The Watermark&lt;/em&gt; was published on June 2, 2005 and covered a wide range of topics and stories of interest to the LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) community. The headline story surrounded the ongoing investigtion of the deaths of two Tampa men, Jason Galehouse (1977-2003) and Michael Wachholtz (1977-2003). Steve Lorenzo and Scott Schweickert, who were arrested in 2005 for the murders, would not be convicted until over a decade later. Also included in this issue was the proposal of a new federal bill that included transgendered people as a protected class, the postponement of WorldPride, and the closing of a local Tampa business. In the &lt;em&gt;Water Colors&lt;/em&gt; section, former Christian singers Jason and DeMarco gave an interview. This issue of &lt;em&gt;The Watermark&lt;/em&gt; featured spotlights of many famous women who would be entertaining the masses at Gay Days Weekend 2005, the largest annual gathering of LGBTQ+ people in Orlando, as well as a schedule of events. Overall, this issue provided readers with answers, information, and entertainment.&lt;br /&gt;&lt;br /&gt;Since 1994, &lt;em&gt;The Watermark&lt;/em&gt; has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, &lt;em&gt;The Watermark&lt;/em&gt; has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, &lt;em&gt;The Watermark&lt;/em&gt; became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased &lt;em&gt;The Watermark&lt;/em&gt;.</text>
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&lt;div class="element-text"&gt;&lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;&lt;/div&gt;</text>
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                <text>The draft registration card for Edwin Clay Bagby. The card lists a serial number, the name of the registrant, the order number, the place of residence, the mailing address, telephone, age, place of birth, state, date of birth, the reference and their address, their employer and place of employment.&lt;br /&gt;&lt;br /&gt;
Born in Savannah, Georgia, on March 12, 1927, Bagby served in the United States Army from November 8, 1950, to November 7, 1952, during the Korean War. In addition to being scholars, much of the Bagby family served in the military. Bagby completed his service as a corporal, concluding his service on November 7, 1952. He spent most of his life in  Miami, Florida. He died on April 10, 1996, and is buried at the Florida National Cemetery in Bushnell, Florida.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>Originally created by Edwin Bagby and published by the War Department, Office of Provost Marshal General, Selective Service System.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text> Cravero, Geoffrey</text>
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                <text> &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;</text>
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            <name>External Reference</name>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text> Black, Jeremy. &lt;a href="http://www.worldcat.org/oclc/834223370" target="_blank"&gt;&lt;em&gt;World War Two: A Military History&lt;/em&gt;&lt;/a&gt;. London [u.a]: Routledge, 2003.</text>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.orangecountyfl.net/" target="_blank"&gt;Orange County Commission Chambers&lt;/a&gt;</text>
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                  <text>&lt;a href="http://gallery.cah.ucf.edu/"&gt;University of Central Florida Art Gallery&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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              <name>Language</name>
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                  <text>"&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;." Art Legends of Orange County. http://www.artlegendsoc.org/.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>&lt;em&gt;Abandoned&lt;/em&gt;, an oil painting by Ralph L. Bagley (ca. 1914-2008). Bagley was an artist and instructor who taught in Central Florida from the 1950s until his death in 2008, when he was 94 years old. He was born in Bertrand, Missouri, and attended the Flint Institute of Art in Flint, Michigan, continuing his studies in New York and Washington, D.C. Bagley and his wife, Marianne Bagley, moved to Orlando, Florida in 1950, where Bagley founded the Orlando Institute of Art, the city’s first fine-arts school. Bagley depicted landscapes, still lifes, and portraits in a variety of media, including oil, watercolor, and charcoal.&lt;br /&gt;&lt;br /&gt;Bagley also taught at Orlando Junior College, becoming head of the school’s art department in 1965. After the college closed in 1971, he taught at Lake-Sumter Community College in Leesburg, the Maitland Art Center in Maitland, and the Loch Haven Art Center (now the Orlando Museum of Art). He toured the nation with at least 30 one-man art shows featuring his paintings. Among many positions he held in art organizations, Bagley was president of the Orlando Art Association and a founding member and president of the Artists’ League of Orange County. The works of his many students sustain his legacy.</text>
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                <text>Original oil painting: Bagley, Ralph L. &lt;em&gt;Abandoned&lt;/em&gt;: &lt;a href="http://www.cityoforlando.net/arts/" target="_blank"&gt;City of Orlando Terrace Gallery&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>&lt;em&gt;Composition&lt;/em&gt;, an oil painting by Ralph L. Bagley (ca. 1914-2008). Bagley was an artist and instructor who taught in Central Florida from the 1950s until his death in 2008, when he was 94 years old. He was born in Bertrand, Missouri, and attended the Flint Institute of Art in Flint, Michigan, continuing his studies in New York and Washington, D.C. Bagley and his wife, Marianne Bagley, moved to Orlando, Florida in 1950, where Bagley founded the Orlando Institute of Art, the city’s first fine-arts school. Bagley depicted landscapes, still lifes, and portraits in a variety of media, including oil, watercolor, and charcoal.&lt;br /&gt;&lt;br /&gt;Bagley also taught at Orlando Junior College, becoming head of the school’s art department in 1965. After the college closed in 1971, he taught at Lake-Sumter Community College in Leesburg, the Maitland Art Center in Maitland, and the Loch Haven Art Center (now the Orlando Museum of Art). He toured the nation with at least 30 one-man art shows featuring his paintings. Among many positions he held in art organizations, Bagley was president of the Orlando Art Association and a founding member and president of the Artists’ League of Orange County. The works of his many students sustain his legacy.</text>
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                <text>Original oil painting: Bagley, Ralph L. &lt;em&gt;Composition&lt;/em&gt;: &lt;a href="http://www.cityoforlando.net/arts/" target="_blank"&gt;City of Orlando Terrace Gallery&lt;/a&gt;, Orlando, Florida.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>&lt;em&gt;Old Mill&lt;/em&gt;, a painting by Ralph L. Bagley (ca. 1914-2008). &lt;em&gt;Old Mill&lt;/em&gt; features a mill in Pigeon Forge, Tennessee.&lt;br /&gt;&lt;br /&gt;Bagley was an artist and instructor who taught in Central Florida from the 1950s until his death in 2008, when he was 94 years old. He was born in Bertrand, Missouri, and attended the Flint Institute of Art in Flint, Michigan, continuing his studies in New York and Washington, D.C. Bagley and his wife, Marianne Bagley, moved to Orlando, Florida in 1950, where Bagley founded the Orlando Institute of Art, the city’s first fine-arts school. Bagley depicted landscapes, still lifes, and portraits in a variety of media, including oil, watercolor, and charcoal.&lt;br /&gt;&lt;br /&gt;Bagley also taught at Orlando Junior College, becoming head of the school’s art department in 1965. After the college closed in 1971, he taught at Lake-Sumter Community College in Leesburg, the Maitland Art Center in Maitland, and the Loch Haven Art Center (now the Orlando Museum of Art). He toured the nation with at least 30 one-man art shows featuring his paintings. Among many positions he held in art organizations, Bagley was president of the Orlando Art Association and a founding member and president of the Artists’ League of Orange County. The works of his many students sustain his legacy.</text>
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                <text>Original painting: Bagley, Ralph L. &lt;em&gt;Old Mill&lt;/em&gt;: &lt;a href="http://www.cityoforlando.net/arts/" target="_blank"&gt;City of Orlando Terrace Gallery&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by Ralph L. Bagley and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Finley, Gabrielle. "&lt;a href="http://articles.orlandosentinel.com/2008-01-13/news/dead13_1_bagley-art-center-institute-of-art" target="_blank"&gt;Obit: Art teacher Ralph L. Bagley, 94, stressed creativity among students&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 13, 2008. http://articles.orlandosentinel.com/2008-01-13/news/dead13_1_bagley-art-center-institute-of-art.</text>
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                  <text>The Orlando area was originally occupied by the Creek and Seminole tribes. In 1838, Fort Gatlin was erected on the shores of Lake Gatlin, just a few miles south of present-day Downtown Orlando. Centered around Church Street, Orlando became a city in 1884.&lt;br /&gt;&lt;br /&gt;Originally a cattle town, Orlando grew into a major citrus growing center by the 1920s. The city continued to grow during the Great Depression with aid from the Work Progress Administration (WPA). During World War II, Orlando became a major military center as well, with the development of the McCoy Air Force Base and Pinecastle Air Force Base, and with the addition of the Naval Training Center (NTC) Orlando in 1968. Downtown Orlando declined in the 1960s and 1970s. Redevelopment began in the 1970s and continued into the 1980s, with projects such as the Church Street Station entertainment complex. In 1998, a building boom began and continued through the 2000s.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, S.C.: Arcadia Pub, 2012.</text>
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                  <text>Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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                  <text>"&lt;a href="http://sanfordhistory.tripod.com/Links/wtour.pdf" target="_blank"&gt;Downtown Orlando Historic District Walking Tour&lt;/a&gt;." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.</text>
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                <text>&lt;em&gt;40 Years of the Parliament House&lt;/em&gt; is a documentary film about the history of the Parliament House, a gay resort located at 410 North Orange Blossom Trail in Orlando, Florida. The Parliament House Motor Inn chain was founded in Kansas City, Missouri, by Ned Eddy, Sr. and his two sons, Ned Eddy, Jr. and James "Jimmy" Eddy. The Orlando Parliament House was a 120-room hotel and the first motor inn established by the chain. The inn was designed by Alan Berman and was built on Orlando’s Rock Lake by Hodes and Cumming Construction. Parliament House officially opened on February 11, 1962. Ned Eddy, Jr. served as the inn manager and his brother, Jimmy Eddy, was the manager of the cocktail lounge. &lt;br /&gt;&lt;br /&gt;With the opening of the Walt Disney World Resort in 1971, came the construction of hotels and motels on International Drive, leaving the Parliament House Motor Inn outside the tourist district. The motor inn soon became a hotspot for prostitution as the OBT area declined. By 1975, the Parliament House was near bankruptcy. On March 27, 1975, William G. Miller (d. 1987) and Michael Hodge (d. 1992) purchased the motor inn and converted it into a gay resort. A couple of years after the deaths of Bill Miller and Mike Hodge, the Parliament House was sold to Susan Unger and Don Granatstein in August of 1999. Unger and Granatstein began renovating the resort, which had been in decline since Hodge's death in 1992. Renovations were completed in 2000. The Parliament House again faced foreclosure in 2010 and filed for Chapter 11 bankruptcy on July 25, 2014. Stakeholders approved a $14-million debt relief plan in February of 2015.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2476" target="_blank"&gt;RICHES Podcast Documentaries, Episode 24: The Parliament House&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2476.</text>
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                  <text>Seminole County Public Schools Collection</text>
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                <elementText elementTextId="511303">
                  <text>SCPS Collection</text>
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              <name>Subject</name>
              <description/>
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                  <text>Seminole County (Fla.)</text>
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                  <text>Schools</text>
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                  <text>Elementary schools</text>
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                  <text>Grammar schools</text>
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                <elementText elementTextId="511309">
                  <text>Middle schools--Florida</text>
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                  <text>Education--Florida</text>
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                  <text>Teachers--Florida</text>
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                <elementText elementTextId="511312">
                  <text>Educators--Florida</text>
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            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511313">
                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511317">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Type</name>
              <description/>
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                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Cameron City, Sanford, Florida</text>
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                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
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                  <text>Chuluota Primary School, Chuluota, Florida</text>
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                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
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                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
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                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
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                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
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                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
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                <elementText elementTextId="511330">
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                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
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                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
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                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
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                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
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                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
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                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
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                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
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                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
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                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
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                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
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                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
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                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
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                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
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                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
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                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
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                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
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                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
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                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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            <element elementId="117">
              <name>Accrual Method</name>
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              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
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          </elementContainer>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description/>
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              <text>80-page school assignment&#13;
</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Sanford High School Student Work Packet</text>
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            <name>Alternative Title</name>
            <description/>
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                <text>Sanford High Student Work Packet</text>
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            <description/>
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                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="473563">
                <text> Schools</text>
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                <text> High schools--Florida</text>
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                <text> Education--Florida</text>
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                <text>The first page of a student work packet completed by Sanford High School fifth graders in 1906. The assignment was due January 26th, 1906, and consists of work from approximately 24 students. The assignment consists of four different assessments: spelling, writing, grammar, and penmanship. The grades that the students received ranged from 60% to 98%, with a class average of 84%. &lt;br /&gt;&lt;br /&gt;Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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            <name>Type</name>
            <description/>
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            <name>Source</name>
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                <text>Original school examination, January 26, 1906: Sanford High School Collection, box 3A, folder Student Work 1905, item SCPS00505, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <description/>
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                <text>Sanford High School Collection, box 3A, folder Student Work 1905, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <description/>
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                <text>Digital reproduction of original school assignments, January 26, 1906.</text>
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            <description/>
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            <name>Creator</name>
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                <text> Temple, Louis Denham</text>
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                <text> Horne, May Belle</text>
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                <text> Williams, J. Brodie</text>
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                <text> Vaughan, Lillie</text>
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                <text> Walker, Mary</text>
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                <text> Vaughan, Willie</text>
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            <description/>
            <elementTextContainer>
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            <name>Format</name>
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                <text>image/jpg</text>
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            <name>Extent</name>
            <description/>
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                <text>261 KB</text>
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            <description/>
            <elementTextContainer>
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                <text>1 school assignment</text>
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            <name>Language</name>
            <description/>
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                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473604">
                <text>History Teacher</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <description/>
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            <description/>
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              <elementText elementTextId="473615">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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            <name>Curator</name>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="473617">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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          </element>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="473619">
                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
              </elementText>
              <elementText elementTextId="473620">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="473621">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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              <elementText elementTextId="473622">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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        <name>Baisden, Loretta</name>
      </tag>
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        <name>Baisden, Miriam</name>
      </tag>
      <tag tagId="7538">
        <name>Brown, Kate</name>
      </tag>
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        <name>E., Selma</name>
      </tag>
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        <name>education</name>
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      </tag>
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        <name>Horne, May Belle</name>
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        <name>Sanford</name>
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      </tag>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>Collection of documents related to the financial accounts of Henry Shelton Sanford (1823-1891), an American diplomat, lawyer, and businessman. Born in Derby, Connecticut, Sanford eventually joined the United States Diplomatic Corps in 1849. During his initial tenure in the Diplomatic Corps, Sanford served as Secretary of the American Legation at Paris. In 1853, he was promoted to the position of Chargé D'Affaires in France. In 1861, President Lincoln named Sanford as the U.S. Minister to Belgium. During the Civil War, Sanford served as a fiscal agent for the U.S. Government and supervised the U.S. Secret Service in Europe. After his tenure as Minister to Belgium, Sanford played a role in the establishment of the Congo Free State, a vast colony in Equatorial Africa under the direct control of the Belgian King Leopold II. In particular, it was Sanford who lobbied U.S. President Chester A. Arthur to recognize King Leopold's colony, a move that sparked broader international recognition of the Congo Free State. He also served as a delegate for the American Geographical Society at the International African Association Congress established by Leopold II and held in Brussels in 1887. Sanford organized the "Sanford Exploring Expedition," an expedition that served to answer scientific and commercial inquiries in the Congo.&#13;
&#13;
Aside from his diplomatic career, Sanford was also a businessman and investor. He made several real estate investments in Florida in the late 1860s and early 1870s, the most notable being the purchase of the "Sanford Grant" in May 1870. The grant encompassed over 20 square miles and provided the basis for the town that eventually bore Sanford's name. Sanford was convinced that Florida would prove a profitable place to invest. Anticipating significant traffic and commerce by waterway, Sanford bought a land grant positioned on Lake Monroe along the St. Johns River. The city of Sanford thus became deemed the "Gate City of South Florida" - the southernmost stop along the river. During the 1870s, Sanford invested significant amounts of money to the development of his city - he built a wharf, several hotels, a general store, and a sawmill - all of which he hoped would spur investment and growth in the city. Sanford also developed several experimental citrus groves in his Florida city. The first was St. Gertrude's Grove. The second and more successful grove was Belair, developed in the early 1870s. Though Sanford never lived in Florida, he did visit occasionally from the late 1860s until his death in 1891. His diplomatic and business duties kept him preoccupied abroad, and most of his development in Florida was undertaken by representatives and confidants. Following the "Great Freeze" of 1888, Sanford's Belair grove was destroyed. Sanford was committed to rebuilding the grove and, in the late stages of his life, he committed his energies to his Florida investments. He died several years later though, and his wife Gertrude, in an effort to settle debts owed in Europe and elsewhere following his death, sold many of Sanford's properties in Florida.</text>
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                <elementText elementTextId="486096">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
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                <elementText elementTextId="486098">
                  <text>eng</text>
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                  <text>Belair Grove, Lake Mary, Florida</text>
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                  <text>Jacksonville, Florida</text>
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                <elementText elementTextId="486102">
                  <text>St. Augustine, Florida</text>
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              <name>Accrual Method</name>
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                  <text>Donation</text>
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              <name>Provenance</name>
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                  <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <elementText elementTextId="486111">
                  <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
                </elementText>
                <elementText elementTextId="486112">
                  <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486113">
                  <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486114">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="486115">
                  <text>Fedorka, Drew M.</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486116">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486117">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486118">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                <elementText elementTextId="486119">
                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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                <elementText elementTextId="486120">
                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Sanford, Florida: 1889&lt;/span&gt;</text>
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                <elementText elementTextId="486121">
                  <text>&lt;em&gt;&lt;a href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
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                <elementText elementTextId="486122">
                  <text>Florida Citrus Mutual. "&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=321" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;, 2012.</text>
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              <name>Contributor</name>
              <description/>
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                <elementText elementTextId="511765">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
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            <elementText elementTextId="488583">
              <text>1-page handwritten receipt</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="488222">
                <text>Receipt of Payment for Edwin G. Eastman from Joe Baker (July 17, 1871)</text>
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          <element elementId="86">
            <name>Alternative Title</name>
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              <elementText elementTextId="488223">
                <text>Baker Receipt for Eastman</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="488225">
                <text>Sanford, Henry Shelton, 1823-1891</text>
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                <text>This is a receipt of payment for Edwin G. Eastman from Joe Baker written on July 17, 1871. Baker charged Eastman $5.00 "for consultation  advice in relation to a pair of horses bought." It is unclear who Joe Baker was. The two horses mentioned were presumably for use at Belair Grove or another Florida property owned by Henry Shelton Sanford (1823-1891). Eastman was an associate of Sanford. The two initially met through their mutual service in the U.S. Diplomatic Corps during the American Civil War. Eastman served as an advisor and representative to Sanford for a brief period between 1870 and 1871. Eastman oversaw operations in the what would become Sanford, Florida, beginning in December 1870. He was put in charge by Henry Sanford to ensure the successful management of the sawmill built in 1870, He was also tasked with maintaining the various experimental groves owned by Sanford, first St. Gertrude's Grove and later Belair Grove.
&lt;p&gt;&lt;br /&gt;The more successful of the two, Belair Grove, was an experimental grove located three miles southwest of the city named after Sanford. It was part of the Sanford Grant, a 12,547.15-square acre allotment of land purchased by Henry Sanford in 1870. In Belair, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could effectively grow and introduce new varieties into the burgeoning citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Ellen Dupuy Sanford (1841-1902), handed over the operations of Belair to Sydney Octacius Chase, Sr. (1860-1941) and Joshua Coffin Chase (1858-1948).&lt;/p&gt;</text>
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                <text>Original receipt: box 45, folder 1, subfolder 45.1.35, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
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            <elementTextContainer>
              <elementText elementTextId="488230">
                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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          <element elementId="104">
            <name>Is Part Of</name>
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            <elementTextContainer>
              <elementText elementTextId="488231">
                <text>Box 45, folder 1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="488232">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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            <elementTextContainer>
              <elementText elementTextId="488233">
                <text>Digital reproduction of original receipt.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488236">
                <text>Belair Grove, Lake Mary, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488237">
                <text>Baker, Joe</text>
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          </element>
          <element elementId="90">
            <name>Date Created</name>
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            <elementTextContainer>
              <elementText elementTextId="488238">
                <text>1871-07-17</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488239">
                <text>application/pdf</text>
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          <element elementId="113">
            <name>Medium</name>
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            <elementTextContainer>
              <elementText elementTextId="488240">
                <text>1-page handwritten receipt</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488241">
                <text>eng</text>
              </elementText>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488242">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="488243">
                <text> Economics Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488252">
                <text>Originally created by Joe Baker.</text>
              </elementText>
              <elementText elementTextId="488253">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="488254">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="488255">
                <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488256">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
              </elementText>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488257">
                <text>Donation</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488267">
                <text>Fedorka, Drew M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488268">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488269">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488270">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="488271">
                <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
              </elementText>
              <elementText elementTextId="488272">
                <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: 1889.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488676">
                <text>141 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="11781">
        <name>Baker, Joe</name>
      </tag>
      <tag tagId="3002">
        <name>Belair Grove</name>
      </tag>
      <tag tagId="11776">
        <name>Eastman, E. G.</name>
      </tag>
      <tag tagId="35504">
        <name>Edwin G. Eastman</name>
      </tag>
      <tag tagId="29354">
        <name>finances</name>
      </tag>
      <tag tagId="13522">
        <name>horses</name>
      </tag>
      <tag tagId="5710">
        <name>Lake Mary</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/e93f61acac2c9bfc078a433cf125bc70.pdf</src>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
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                  <text>Westinghouse Electric Collection</text>
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            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="559971">
                  <text>Westinghouse Collection</text>
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              <name>Subject</name>
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                  <text>Westinghouse Electric Corporation</text>
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              <name>Description</name>
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                <elementText elementTextId="583075">
                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="583076">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>A memorandum from Marketing Manager K. A. Oleson and Commercial Operations Manager A. R. Collier to Electric Utility Sales and Electric Utility International regarding the reorganization of Westinghouse Electric Corporation's Steam Turbine Generator Division (STGD). In 1983, the Westinghouse power generation business operation, starting with the Steam Turbine Generator Division, was taking shape in its new Orlando headquarters under the management team led by General Manager Dr. Stan Quick (under E. J. "Gene" Cattabiani, Vice President of the Power Generation Group). This series of letters, memoranda, and charts documents the changes in management leadership at the Orlando site from 1983 through 1998, when the Westinghouse Power Genration Business was acquired by Siemens. Following the announcement of the retirement of Dr. Quick in 1984, the management was led by the team of Bob Ractcliffe and Howard Pierce. In 1987, Tom Campbell was appointed General Manager of the Power Generation Technology Systems Division under Nat Woodsen and Jim Moore, Vice Presidents of the Power Systems Business Unit. In 1988, the Power Generation Business Unit  (PGBU) was formed under Frank R. Bakos, Vice President and General Manager (under Executive Vice President Ted Stern), and, in 1995, Randy H. Zwirn took the helm as Vice President and General Manager of the PGBU. He remained at the executive level for 20 years, through the PGBU acquisition by Siemens in 1998 and beyond to 2016.&lt;br /&gt;&lt;br /&gt;Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its division headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando. The PGBU building was located in The Quadrangle, at 4400 Alafaya Trail.</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                <text>A memorandum from Frank R. Bakos, Vice President and General Manager of Westinghouse Electric Corporation's Power Generation Business Unit (PGBU), regarding recent appointments and the restructuring of the PGBU in 1990. In 1983, the Westinghouse power generation business operation, starting with the Steam Turbine Generator Division, was taking shape in its new Orlando headquarters under the management team led by General Manager Dr. Stan Quick (under E. J. "Gene" Cattabiani, Vice President of the Power Generation Group). This series of letters, memoranda, and charts documents the changes in management leadership at the Orlando site from 1983 through 1998, when the Westinghouse Power Genration Business was acquired by Siemens. Following the announcement of the retirement of Dr. Quick in 1984, the management was led by the team of Bob Ractcliffe and Howard Pierce. In 1987, Tom Campbell was appointed General Manager of the Power Generation Technology Systems Division under Nat Woodsen and Jim Moore, Vice Presidents of the Power Systems Business Unit. In 1988, the Power Generation Business Unit (PGBU) was formed under Frank R. Bakos, Vice President and General Manager (under Executive Vice President Ted Stern), and, in 1995, Randy H. Zwirn took the helm as Vice President and General Manager of the PGBU. He remained at the executive level for 20 years, through the PGBU acquisition by Siemens in 1998 and beyond to 2016.&lt;br /&gt;&lt;br /&gt;Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its division headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando. The PGBU building was located in The Quadrangle, at 4400 Alafaya Trail.</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                <text>A memorandum from Frank R. Bakos, Vice President and General Manager of Westinghouse Electric Corporation's Power Generation Business Unit (PGBU), regarding recent appointments and the restructuring of the PGBU in 1994. In 1983, the Westinghouse power generation business operation, starting with the Steam Turbine Generator Division, was taking shape in its new Orlando headquarters under the management team led by General Manager Dr. Stan Quick (under E. J. "Gene" Cattabiani, Vice President of the Power Generation Group). This series of letters, memoranda, and charts documents the changes in management leadership at the Orlando site from 1983 through 1998, when the Westinghouse Power Genration Business was acquired by Siemens. Following the announcement of the retirement of Dr. Quick in 1984, the management was led by the team of Bob Ractcliffe and Howard Pierce. In 1987, Tom Campbell was appointed General Manager of the Power Generation Technology Systems Division under Nat Woodsen and Jim Moore, Vice Presidents of the Power Systems Business Unit. In 1988, the Power Generation Business Unit (PGBU) was formed under Frank R. Bakos, Vice President and General Manager (under Executive Vice President Ted Stern), and, in 1995, Randy H. Zwirn took the helm as Vice President and General Manager of the PGBU. He remained at the executive level for 20 years, through the PGBU acquisition by Siemens in 1998 and beyond to 2016.&lt;br /&gt;&lt;br /&gt;Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its division headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando. The PGBU building was located in The Quadrangle, at 4400 Alafaya Trail.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/169" target="_blank"&gt;Westinghouse Electric Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 3-page typed memorandum from Frank R. Bakos, January 7, 1994.</text>
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                <text>Bakos, Frank R.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://www.siemens.com/global/en/home.html" target="_blank"&gt;Siemens&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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        <name>Christopher J. Ranck</name>
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        <name>E. Paul Loch</name>
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                  <text>"&lt;a href="http://thehistorycenter.org/Orlando+Remembered+Committee/" target="_blank"&gt;Orlando Remembered Committee of the Historical Society of Central Florida, Inc.&lt;/a&gt;" Orange County Regional History Center. http://orlandoremembered.org/.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Bacon, Eve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Chuluota, Fla: Mickler House, 1975.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>Herrera, Angelena</text>
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                  <text>Lindsay, Anne</text>
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                  <text>Randall, Robert</text>
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                  <text>Williams, Rachel</text>
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                  <text>Williamson, Ryan</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/110" target="_blank"&gt;Orlando Public Library Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Oral History of Dann Pottinger </text>
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                <text>An oral history interview of Dann Pottinger, conducted by Caitlin Baldwin on November 9, 2015. Pottinger was born August 14, 1947, on the British Bay Island in Honduras. He moved to Orlando, Florida as a small child and attended primary school in the area. Pottinger spent most of his working career as a banker in the Orlando area, however he describes himself as an historian. Pottinger has been involved in a number of historical groups and was an early member of Orlando Remembered, which is a community group, dedicated to preserving memory of Orlando's downtown landmarks. To date, the group has constructed approximately 18 displays, which are located in building throughout the Downtown Orlando area. Pottinger was president of the group in the early 2000s.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:02:10 Growing up in Orlando&lt;br /&gt;0:03:58 Orlando Remembered&lt;br /&gt;0:06:28 Goal of Orlando Remembered, snow birds, and horse trotting&lt;br /&gt;0:11:48 Air Force Bases&lt;br /&gt;0:14:45 Designing exhibits&lt;br /&gt;0:21:16 Favorite exhibits and lost materials&lt;br /&gt;0:24:21 Personal goals for Orlando Remembered and community involvement&lt;br /&gt;0:27:43 Historical Society of Central Florida and the Orange County Regional History Center&lt;br /&gt;0:30:28 How to become involved in Orlando Remembered and expanding outside of Orlando&lt;br /&gt;0:34:06 Future of Orlando Remembered</text>
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                <text>Oral history interview of Dann Pottinger. Interview conducted by Caitlin Baldwin in Orlando, Florida, on November 9, 2015.</text>
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                <text>Original 34-minute and 38-second oral history: Pottinger, Dann. Interviewed by Caitlin Baldwin, November 9, 2015. Audio record available. &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;, Oviedo, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>16-page digital transcript of original 34-minute and 38-second oral history: Pottinger, Dann Interviewed by Caitlin Baldwin, November 9, 2015. Audio record available. Oviedo History Harvest, &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida.</text>
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                <text> Pottinger, Dann</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>Beiler, Rosalind J.</text>
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                <text>Originally created by Caitlin Baldwin and Dann Pottinger, and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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                <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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                <text>&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Okay, where and, uh—where and when were you born? The address and year, please.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;I was born in 1947 in August, but I will tell you this: that I am not a native-born Orlandoan, though my family has been here for many, many, many years. I was born on the British Bay Islands off of Honduras, which, uh, were, uh, for many years a British possession, and, uh—and where my mother’s family, the Kirk-Connells, are from. So in any event though, my family, uh, originally—my, uh, parents, uh—my—my dad’s family came to Orlando and brought him to recover from the great influenza [pandemic] of 1917&lt;a title=""&gt;[1]&lt;/a&gt; that killed hundreds of thousands of Americans and a million people around the world. He was a, uh, cadet training at the University of Kentucky, and many of ‘em got it. They were able to, uh, come from their home in Kentucky down here and spent the winter, and nursed him back to health. He went back, graduated from UK in ’23, and by ’26 he was back here as a full time resident. So that’s how we got here. Uh, my mother’s family a little the same. they maintained a home in Tampa. Uh, My grandfather—her father—was, uh, a sailing ship captain, and, uh, came back and forth to Tampa Harbor, and, uh, she was born in the Bay I—British Bay Islands,  Honduras, and, uh—which are a neat little thing, if you look at a map. They’re only three major islands of it and a bunch of little keys, but Honduras is the only country in Central America that faces north, and that’s where, eh, we’re all related with the same families in the Cayman Islands. So a—anyway, the indigenous to the Caribbean [Sea], uh—that’s how I got here.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Hm, very interesting. So how old were you exactly when you moved to Orlando?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;I was just a—a baby. yeah.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;So what would you say was your favorite part about growing up in Orlando?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;I think the neighborhoods of Orlando and then the friendships that we had in a small town. Uh, a wonderful place to grow up. Uh, you—particularly among the families that had been here a long time, uh, you knew each other across town. I mean, when I was, uh, young dating and what, uh, I went to Edgewater High School, but I dated girls from Boone High School, and in the afternoon, the little motor scooters—or later, the cars—would cross the boys from Boone going to Edgewater, ‘cause, of course, they were prettier girls, and the boys from Edgewater going to Boone, because they were beautiful girls. So that’s kind of the way, uh, we all grew up. we knew each other. Uh, it was a relatively small town, and, uh, that changed—the first change of that was Martin Marietta [Corporation] moving here from Baltimore[, Maryland], and, uh, bringing eight thousand families. Uh, I think I’m right on that figure, but, uh, eh, the—the—the life and breath of Orlando, uh, breathed around their ups and downs at Martin Marietta, uh, when, you know, armaments and so forth—missiles and such—were big. Things were booming and when they laid off three thousand people, Orlando was in dire straits.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;So like, what time of year—what year…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;That would have been the late ‘50s.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Okay[?].&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Yeah, that was all dairy land. All dairy.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Very interesting. Um, how and why did you become involved with Orlando Remembered?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;I’ve always been a historian. Uh, I—I know it. With contemporaries of mine, it—it probably bored them to death, uh, but I was, uh, uh, a language person, and—and I was a history person. I wound up being a banker, but mathematics was never my long suit. I just, uh—people were—and—and that provided well for me in life. So, uh, that’s, you know—that’s kind of the reason I be—got involved. People asked me to come to get involved with Orlando Remembered, and it was my pleasure and has been all these years.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Very interesting. So you were not one of the founding members of…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;No, I was not, uh, because, at that particular time, I was spending a little time out of here, and, uh, uh, the—the origin of it started at, uh, the Beacham Theatre. That’s where the first meeting—and I could not be there that particular time. Uh, We had a, uh, place in North Carolina, and, uh, like so many Floridians that grew up in the days before air conditioning, if you had 50 cents to clink together in your pocket, you either rented or you owned a place, as we did in Islands[?], North Carolina, or somewhere up that around Asheville—western North Carolina. Anyway, I was not here for that. So—but I soon right[?].&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;So you’d been there almost the entire time.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Almost the entire time.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;You just missed the first meeting?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Just wasn’t at the very first meeting, which I consider were the founders. I knew every one of them, um, there—there were some wonderful—The Serroses, the Pajo[sp], Vandenburg[sp]—Pajo[sp] Pounds, we all knew her as. So forth and so on. A lot of them that were very active in that time. Grace Chewning[sp], um…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Are a lot of the founding members still…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;There are still a number of them, surprisingly enough, still—still around. Uh, Andy Serros is, uh—that I mentioned earlier—and his brother, Bob [Serros], is[—is active, but, uh, Andy passed away a few years ago and he was one of the original founders, and there was, uh—there were a couple of others that have passed away.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;What is the overall goal of Orlando Remembered?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger &lt;br /&gt;&lt;/strong&gt;To preserve, uh, the memory of areas and locations, and landmarks in the city, and, uh, we’ve—we’ve  done that in several ways, but, uh, I think one of the—the best ways is the, uh—the location of displays in various spots around Downtown Orlando, and a couple outside of downtown, uh, with memorabilia, uh, of that area, and, uh, You know, at some point in time, I’d love to take you on a walking tour and—and show you some of those things. Just to stroll down, uh, Orange Avenue, and you can see the way it looked in the—sometimes as far back there’ll be something there from the 1890s, from one of the hotels—from the hotel that my grandparents stayed in, when they came that year in 1918—at the Wyoming Hotel. Uh, there’s a set of china and—and some se—tableware that I believe are in the display at the Orange County Courthouse. Uh, go in the courthouse—for any of you that might want to make that tour and see—walk in the front, leave your holstered items in the car, because you’re going to go through the, uh—the, uh, security thing there, but go over to the left and you’ll see it, uh, in the lobby there. You’ll see a great one. Uh, it tells all about what’s happened on that street and that block and that area around there. It, uh, uh, had the Wyoming Hotel on it, which was only a winter hotel, as many in Florida were. It closed in the summer, like Park Avenue did.&lt;/p&gt;
&lt;p class="Body"&gt;Uh, my in-laws had a, uh, store on Park Avenue for over 40 years, and they were one of the very few that stayed open year-round. Uh, Most of ‘em were—would head back in the cooler—warmer months of Florida. They’d go to cooler locations, uh, whether the hotels or the shops, like there—not—that wasn’t so in Orlando, necessarily. it was a year round, but in those winter destinations like that and such, they’d go, uh, up to Algonquin, you know, up to Maine, up to, uh, uh, Vermont—wherever they might be, and, uh, open a shop up there for the summer months and come back. So our whole, uh, life around here was really dependent on those northerners coming down, and, uh, in the early days, before Martin Marietta and such, in the winter time, we had not only the casual tourists who came down, because—to try and get away for a week or two—we had those that came down, as later my grandparents did, after enjoying it so much and—and many others, and spent time down here.&lt;/p&gt;
&lt;p class="Body"&gt;Some of them spent the winter, some—excuse me—spent six months, but we also had the, uh, we were the winter, uh, trotting horse capital of the United States, and it brought a lot of revenue in. Uh, it was at—held out at Ben White [Raceway], which was a raceway that was at the corner of about what’s Lee Road and—and [U.S. Route] 441. Uh, It’s now a big athletic fields, and there’s some stables, I think, still in the back, but it was a huge, uh, money infusion in the winter. Those people came—the owners of those—that was—it was always considered a, uh, uh, society kick above, uh, horse racing. Uh, the trotters and pacers were brought down, and, uh, they stabled them here, and, uh—the races. It—it—you knew when—you knew when Ben White opened, because traffic picked up. Now that would sound ridiculous with today’s horrible traffic in Orlando…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;But back then there weren’t that many cars on the road and—and, uh, man, you’d see these automobiles come into town and up on the hood was a, uh—a metal, stainless, pretty thing of a, uh, trotting horse and a—and a sulky[?] behind it, You know? You knew they were involved in that. Eh, It just, uh—one of the things that—that, you know, came across that kept our town going before Martin Marietta and before [Walt] Disney [World Resort] and such.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Mentioning the horses, do you have an exhibit that features that aspect yet?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger &lt;br /&gt;&lt;/strong&gt;You know…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Aspect yet?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;We—we have some pictures of it in one or two, but we don’t have anything, because there’s no facility out there left at Ben White to put it in. We would do that, because there—there—there’s enough, probably, memorabilia from those days, but what we try to do is locate what was on those various blocks. Maybe not just a block, maybe an area, in other words.&lt;/p&gt;
&lt;p class="Body"&gt;We’ve—in some cases, we’ve helped spon—helped sponsor a plaque, uh, like for the air base that was in town. Where Herndon Airport&lt;a title=""&gt;[2]&lt;/a&gt; is today. It was the Orlando [Army] Air Base before it was the Navy base.&lt;a title=""&gt;[3]&lt;/a&gt; So, uh, you know, there are—there are—newcomers, or what maybe consider themselves long time Orlandoans—that remember a Navy base out there, but I remember when it was the Orlando Air Base, and—and we had another air base that opened, uh—was Pine Castle Air Base, and, uh, that’s, uh, now the Orlando International Airport. The runways were there for the big bombers and it was a SAC base—a Strategic Air Command, and again, both of those things brought in a great deal of money when they came here.&lt;/p&gt;
&lt;p class="Body"&gt;Uh, the—the closing of Orlando Air Base was going to be a pretty big blow, and at that time, the owner and publisher of &lt;em&gt;The Orlando Sentinel&lt;/em&gt; was a man name Martin Andersen—always with an “EN” at the end. Never—you could always tell somebody new to town when they write it as “Anderson,” but Martin Andersen was a Texas boy who knew LBJ,&lt;a title=""&gt;[4]&lt;/a&gt; and, uh, Johnson was president and, uh, he persevered on it and got a branch of the Great Lakes Naval Training Center to be established on the base, on part of what had been, uh, the—the air base, and, uh, it—it brought in not just recruits. It brought in families. It brought officers, enlisted men. It brought a whole lot of payroll coming in here. It was wonderful. Ah, uh, again, another mile stone that came along through connections or coincidence—whatever it might be. Uh, the same thing with the—the air base out here. Uh, it was going to close and MacDill [Air Force Base] in Tampa was going to take over as the air base for Florida—the major one, and, uh, the facilities were there for many years. The terminal was a big, uh, round-top hangar that had been used by the, uh—by the, uh, Air Force itself, and there was a lot of housing out there. There’s still some housing, uh, in—in that area out there, but, uh, there—There’s a, uh, Naval exchange, uh, where, you know, those that are qualified can—retirees and so forth—can go shop and so forth. Uh, a lot of other services were—were left in place and the city has had good use out of it.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Good, good. How does the group decide which sites to commemorate with exhibits?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Well, usually, it’s sponsored. Someone, uh, finds someone, uh, you know, that—that owns a building in that location, uh, and we—sometimes the building owner contributes financially to building—the displays are not cheap to put together, and, uh, you know, they’re—they’re—they’re housed—they’re lighted many of them and so forth, but, uh, it also takes someone who—who might have worked in that building or—or owned a building there and, uh, they have memorabilia, and, boy, we seize on it when we do, and, uh, they’re—they’re scattered throughout mostly in the downtown area. Uh, I mentioned the courthouse. The big Bank of America tower has one that we’re redoing in there now —I dedicated that when I was president of Orlando Remembered. Uh, I did a number of the—of the dedications of those, e—e—either when I was involved as—as one of the officers or not, but, uh, we have one in what was the Rutland building and that was a well-known building. That’s the corner of, uh—of Jefferson [Street] and—no, no—Jack—excuse me, uh—I believe it is on Orange Avenue at the corner of Washington [Street] —Washington and Orange. Uh, A building that once housed the most prestigious, uh, men’s store and lady’s store in downtown, when they were private companies, not big, you know, uh, uh, department stores—nation chain—national chains and such. Uh, We have another one in the SunTrust [Center] tower downtown that we’ve had there in the, uh—what was originally the CNA Building, but where the Citrus Club is, and that name has changed a number of times on that building.&lt;/p&gt;
&lt;p class="Body"&gt;So—but, uh, they’re—they’re throughout there. They, uh—and again, usually it’s—it’s because someone has a real interest in it or a financial interest in getting one of those, uh, displays in there. Uh, eh, It’s, uh—it’s a job to maintain them. They need periodic cleaning and dusting. The city has—has helped us with one. There’s one at the, uh, Bob Carr [Theater] auditorium, uh, that shows—that used to be the Orlando Municipal Auditorium. It was the auditorium and it wasn’t as big as it is today. If you go inside and you really look, you’ll see the old front is 20 feet back from the front now, uh, and it’s where people gather outside and so forth, but it’s air conditioned and then—so forth. It’s—it’s an anti-room to the—to the auditorium itself. We’re hoping that—that it’ll stay that way. There’s talk of tearing it down, and it’s a treasure that, uh, those of us that—that love Orlando, uh, would hate to see come down, and, uh, it—it—it’s a memory. I mean, we went to, uh, plays, you know, eh, when we were in junior—I mean in the grade school—went there. Uh, the Junior League used to put a play on every year there, and all the school children in Orlando got to take turns going down to see it in busses and so forth. I remember that as a—a child. It—it was great.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;So you mentioned the exhibits are usually started by somebody who’s interested. Eh, like—I’m sure a lot of people are interested in creating different exhibits. How do you decide which exhibit’s going to be created by that person?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Well, we can only do one at a time, because we’re—we’re—we have no continuous funding basis. So a lot of times, it also depends on the owner of a building. who’s going to, first place, give us the space and the electricity and so forth, and might want one of those in there to draw, uh, attention to their own building or, you know, it’s a lot cheaper than buying a, uh, painting to put on the wall, probably, for ‘em, over the long run, uh, and It—it gives—it’s on tours many times. Uh, I’ve done those tours and taken people, you know, and I think the, uh—the museums now has[sic] a tour basis. I’m pretty sure that includes that, and—and their brochures that—that you can get, you—today you go online and you can find out where they all are and it’s even a map, I think, in there to—to follow through.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;How does Orlando Remembered pay for the exhibits?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinge&lt;br /&gt;&lt;/strong&gt;With contributions from its members, uh, from, uh, the owners of the building. Uh, most of the material that goes in there—in fact, t—to all of it, it is given to us. It’s donated to that particular, uh, point to—to some—someone that may have worked in—the one, you know, where there was a department store. Uh, hey may have the old nametag out of the back of a sweater or something. Uh, you know, to one that had a, uh, restaurant in it, there’s some china from that Wyoming Hotel, I tell you about, and some, uh, other things. So the materials that go into it, we don’t pay for. We just need the—the cabinetry and so forth—is—is all custom done and it’s done attractively. So it’s thousands of dollars to do it, and, uh, uh, uh, I’m talking, you know, uh, uh, five figure in thousands. So, eh, you know, it’s—it’s, uh, not something that you just decide because you have some china that you’ll put it in there. You need—you need a, uh, sugar daddy that’s—that’s there to contribute.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Roughly how many members of Orlando Remembered are there?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;I can’t tell you that. I really don’t know. I’m—I’m a, uh, you know—I—I just—I can’t recall a—a recent number.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Okay. In your opinion, what’s your favorite Orlando Remembered exhibit?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Well, I love the one in the courthouse, as I said. Uh, There’s, uh—there are several of them downtown that, uh—that the, uh, one at the Municipal Auditorium—that’s another one that I like. The one that was in the Rutland building, and at, uh, one time, I’m not sure we still have the one that was at the, uh, back of Central Avenue-side of, uh, the northeast corner—southeast corner of Central and Orange, which was originally Yowell’s[?] and became Yowell’s[?] -Ivy’s Department Store. Uh, it’s an office building now, and who knows what’s in the downtown—downstairs. It rotates constantly, but, uh, that was a good one. SunTrust has an[sic], uh, good one.&lt;/p&gt;
&lt;p class="Body"&gt;Some of ‘em, you know, we’ve had to track down, because all of sudden somebody goes by and looks, and it’s gone. Someone has, you know—the manager of the building has decided to put it in a storage room, hopefully. Uh, we’ve—we’ve lost a couple of ‘em that, uh, you know, uh—the materials We’ve had to buy back a janitor or custodian—whatever it would be—keeper of ‘em—at, uh, one of those corners at Central and Orange—took a lot of it home and we had to repurchase things, because it had been given to us, and, uh, you know, you—you just—it can happen in a moment, and—and it can, you know—I mean, we are not a—a business that goes by and checks it every week. So, you know, months can go by and one of our members doesn’t notice it, and no one calls us and says, “You know, there was a display in, eh, the lobby, but it’s not there anymore.” Well, I don’t know that we—we don’t really have a—an office phone number to call.&lt;/p&gt;
&lt;p class="Body"&gt;So, uh, we—we’ve been through all of that with it, but, you know, determination and a love for the city and to continue its history has kept us going, and we continue to provide these. So we’ll—it costs money to maintain them. Again, as I think I mentioned earlier, they have to be cleaned. They have to be opened. they’re sealed. It has to be a, uh—it’s not a, uh—take a—a rag down there and—and clean the outside. You gotta clean the inside, you gotta clean the displays, gotta clean the linings, and so forth. So it—it takes—it takes upkeep and it takes, uh, continuous maintenance.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Who’s responsible for…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Well, the…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Cleaning and everything?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;We’ve—get someone to do it—a professional to do it, and again, that’as part of—of maintaining these. Uh, we—we don’t have any huge balance, so we have to do it as we can.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;What are your personal goals for Orlando Remembered in the future?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;I’d like to see it continued on and on, and, uh, the, eh, eh, you know—for those of us that are, as I am, near 70, uh—and—and we’ve got members that are, you know, 85 years old, and so, uh, uh, you know—but we’ve got members coming along that have lived here 35 years, 50 years, 60 years. There’ll be things that they remember that have changed dramatically in Orlando that—and there’s space to make, uh—to put a display up, uh, and—and I think that, uh, they’ll be active in that. Uh, we’ve tried to get some other organizations, and then[?]—I won’t mention the name, but, uh, there’s one that’s a lot of young ladies your age—under 40, I think—and you go inactive[?] or something, if I remember right.&lt;/p&gt;
&lt;p class="Body"&gt;My wife and daughters were—daughter was in that, but, in any—in Junior League—and, eh, you know, we may indeed get them interested. So there are things like that, that, uh—that—that will be of interest to someone later, and the displays that we did will be of no more interest, uh, in many cases. Some we hope, but once you lose the generation that remembers what was in that building, it becomes something for the history museum, not something for an active mind to draw you back to your own personal memories of it, and, therefore, you need to continue on, and, o’ course, downtown now, you’ll have to have a great memory of which nightclubs were where…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;‘Cause that’s about all there is in those buildings downtown anymore. So—but, uh, you know, there—there are spots for it everywhere.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Has Orlando Remembered had—had a lot of success at attracting younger generations and everything?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Uh, I think we’ve—we’ve done alright. We’ve got a good, uh, variance of age groups. Uh, we’d like to have more younger people. We’d love to have people your age. We’d love to have people from the university, and, as you are doing, take an interest. We welcome you. There are no dues to come, uh, help us. We’d love to have it.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;How does Orlando Remembered interact with the community?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Well, we try to do it with these displays and—and by keeping them alive. A little bit of writing the newspaper has done well with us, and we’ve been able to, uh, get some good publicity when we open these, and, uh, once in a while, we do an interview, like this one is—is being done, and we have others. We’ve—I’ve[?] done a TV interview and a—a show. So, I mean, it’s—it’s, uh, eh—I’ve also gone around to schools and some of—not specifically to talk about Orlando Remembered—but I try to bring out when I talk about history to them, the, you know—go see the displays that are—that are available, and, uh, it—it’ll—it’ll—and take your parents with you, because they’ll remember a lot of those things that are in there.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;What was the connection between Orlando Remembered and the Historical Society of Central Florida/the Orange County Regional History Center?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Not really anything in the—in the years other than cross membership. Uh, it’s two separate accounts and, uh, two separate organizations. I was also president of the Orange County [Historical] Museum&lt;a title=""&gt;[5]&lt;/a&gt; and the historical society—Orange County Historical Society, before it moved downtown, when—the last year that it was at Loch Haven [Park], in what is—I’m trying to think what’s there in that theater thing now—but anyway, um, it—it was there for many—it was originally in an old, red brick courthouse when I was a little boy. That’s where that park in front of the historical museum is. Uh, in the front was an 18, uh, 88- or 1892- courthouse, and it was the—the 1927 courthouse where the museum—museum is today—was there and active as the courthouse. This red brick building was start—had the—the museum in it, that was all volunteer, run by the Antiquarian Society, which was a group of prominent family ladies who gathered memorabilia and—and volunteered hours up there, and, uh, it was relatively small, but it was the beginning of the history center. Some of those volunteers’ children or grandchildren had been active in the historical society and in Orlando Remembered.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Which organization were you president of first?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Uh, the museum, I think, uh, eh, eh, if my memory serves, but I think—yes, I’m certain of it. Uh, again, age hits you&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;You try to remember which one was which, but I—I was president of the historical society and the museum, uh, and I think that was 1999 or 2000 [inaudible]—something like that—and, uh, after—following that—that I really got active in—in Orlando Remembered. I had been a little bit active, but I’ve given you another line—something else to do. You know, when you get finished being the president of an organization, the greatest thing you can do is to step aside and let the new people have it, and don’t hang around from it.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Sometimes that’s the hardest thing though.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;It is hard. It is hard, but, uh, in any event, uh, it—it—it was a good break and I’ve—I’ve enjoyed it. Both of ‘em.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;How does—how does one become involved with Orlando Remembered?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Oh, our meetings, and—and, uh, I can give you an address—you may have it—for Grace, uh, and she is, uh—she is our recording secretary and a great person, and you do have that, uh—that address—e-mail. Uh, she can put you on a mailing list. We’d love to have—and if there are other students that would like to come sit [inaudible]—to some, it may be very boring, you know, and—and we talk about the same thing—about trying to get a display. I don’t know how long we’ve gone on trying to put together getting a display on the Navy base of some&lt;a title=""&gt;[6]&lt;/a&gt;—what would I call a Navy base—but out at Baldwin Park. Not just a little sign, but a—a real display of what used to be there— the glass-cased display. It’s gonna happen one of these days, but gosh, you know, even somebody that’s a member gets tired of hearing, “Well, we’ve made no progress on the,” you know, this and that, and the next thing over and over, but we—we—right now, there’s a lot of, uh—a lot of our displays are[sic]—have[sic] hit the age and stage of maintenance, and so, that’s been our—our push this last year, rather than new ones, but we’ll continue on, and perhaps we’ll go beyond just Orlando. You know, Winter Park area has others and, uh, you know, a, uh—a couple of the—the fine families out in West Orange County have done a great job in Winter Garden. Uh, they’ve—they’ve really done a super job. If you’ve not been to Downtown Winter Garden, don’t miss it. It is as pretty, if not more beautiful, than Park Avenue in Winter Park. It’s, uh, uh—it’s two streets with a park—little park down the middle, and some great restaurants. Good place just to go out and sip one in the evening or to eat lunch or something.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;I was actually just there last week for their [Central Florida] Railroad Museum.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Oh, wonderful.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;So that’s a very…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;That’s great.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;It’s the first time I’ve ever been Downtown Winter Garden.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Isn’t it…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;It’s so pretty.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;A cute little town?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;It really is, and—and it was dilapidated—is not the word for it—15 years ago. I mean it—but again, several families, uh, have, uh, the Chicones and a few others have put together some—some wonderful things out there. Uh, Again, I urge you to go out there.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;So I know you mentioned that like, downtown’s all just nightclubs and stuff and Orlando Remembered does exhibits. Would Orlando Remembered ever try to preserve an entire building, you think? or is that too far out of the question?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;No, I think it’s too far beyond what—what, uh—again, we have no source of—of continuous income. So it—it wouldn’t, uh—unless someone donated a building to us, and, uh, you know, it’d be wonderful, and, uh, you know, you could do vignettes on, uh, you know—throughout the building, or—or a home, you know, that showed various spots. That might even be safer than the way we do it where we’re putting our display—an expensive display in the lobby of a building. Again, without constant control, we don’t know when it winds up at the janitor’s garage at home. So, you know, you—you just need a continuous thing, and, you know, we have no employees. It’s not—it’s just volunteer. All of it.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;How do you believe Orlando Remembered will change in the future?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Well, I know there’ll be changes to it, but I think some of ‘mem will be good, because I, eh—just like this right now, I see more interest in young people with history, uh, you know, than—than there were—was in my day growing up. It—it—there was very little interest in—in, uh—I was—I was a rarity to be a young lad, and, uh, uh, I don’t know of another soul…&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Correction: 1918.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Now called the Orlando Executive Airport.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Naval Training Center Orlando.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Lyndon Baines Johnson.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Present-day Orange County Regional History Center.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; Naval Training Center (NTC) Orlando.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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                <text>Letter from F. G. Banks to Clayton Phillippy (September 5, 1963)</text>
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                <text>Letter from Banks to Phillippy (September 5, 1963)</text>
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                <text> Water conservation</text>
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                <text>A letter of correspondence from F. G. Banks, the Assistant Chief of the Fisheries Division of the Florida Game and Freshwater Commission, to Clayton Phillippy, a biologist with the commission. The letter describes an attached report by Doyle C. Golden regarding pesticide content in Lake Apopka fish samples and makes recommendations for future samples.</text>
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                <text>Photocopy of original 1-page typewritten letter from F. G. Banks to Clayton Phillippy, September 5, 1963: binder 1963, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>Originally created by F. G. Banks.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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                <text>State of Florida&#13;
Game and Fresh Water Fish Committion&#13;
Tallahassee&#13;
32304&#13;
September 5, 1963&#13;
&#13;
A.D. Aldrich, Director&#13;
O.E. Frye, Ass't Director&#13;
&#13;
Mr, Clayton Phillippy&#13;
2202 Lakeland Hills Boulevard&#13;
Lakeland, Florida&#13;
&#13;
Dear Flip:&#13;
&#13;
Mr. Doyle Golden submitted his report yesterday on the Lake Apopka fish which were forwarded to him for analysis.&#13;
&#13;
Attached is a copy of the report which indicated the presence of three types of insecticides found in both the bream and bass. We discussed the possibility of his agency conducting additional tests, and he informed us that there is a possibility that he could handle a limited number of samples during the last week of October.&#13;
&#13;
It is recommended that the next sample contain gizzard shad and catfish. In my opinion, the catfish sample should include some of the smaller fish which are in poor condition. It is also desirable that a sample be obtained from a commercial fisherman if possible. Keep this sample separate.&#13;
&#13;
Eddie Cromwell is familiar with the Department of Agriculture procedure and the name of the gentleman to contact in Sanford. Their representative may wish to be present when the fish samples are taken. It is suggested that Eddie contact Mr. Burke Chester sometime during the first or second week in October to make final arrangements.&#13;
&#13;
Sincerely,&#13;
Jerry&#13;
F.G. Banks, Ass;t Chief&#13;
Fisheries Division&#13;
&#13;
FGB/cr&#13;
Encl.&#13;
cc: Mr. Jim Clugston&#13;
Mr. Eddie Cromwell&#13;
&#13;
Ed Madill&#13;
Chairman, Dade City&#13;
&#13;
Ronald Wise&#13;
Defuniak Springs&#13;
&#13;
Marcus Milan&#13;
Gainesville&#13;
&#13;
W. Thomas McBroom&#13;
Miami&#13;
&#13;
Don Southwell&#13;
Ormond Beach</text>
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