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NAS Sanford was temporarily decommissioned after World War II in 1946, and then recommissioned as the Naval Auxiliary Air Station (NAAS) Sanford in 1950, due to the outbreak of the Korean War and the ongoing Cold War. Soon afterward, the station was renamed NAS Sanford and redesignated as a full naval air station. On February 6, 1959, NAS Sanford was dedicated as Ramey Field in honor of Lieutenant Commander Robert W. Ramey. In 1968, due to lack of funding caused by the Vietnam War, Congress directed the closure of NAS Sanford. &#13;
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The City of Sanford assumed authority over the former NAS Sanford facility the year after it closed and renamed it the Sanford Airport, which was managed by Commander J. S. "Red" Cleveland. The airport underwent various name changes over the next several decades: Sanford Regional Airport, Central Florida Regional Airport, Orlando-Sanford Regional Airport, and its current name, Orlando-Sanford International Airport. Throughout the 1980s and 1990s, several Naval buildings were demolished and new buildings were constructed.</text>
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                <text>Drawing of the Naval Air Station in Sanford, Florida. This drawing shows a map of the zoning of the NAS Sanford. The air station was commissioned on November 3, 1942, as a naval aviation training facility during World War II. The Navy continued to train pilots at NAS Sanford throughout the Korean War and Vietnam War. NAS Sanford was temporarily decommissioned after World War II in 1946, and decommissioned again in 1950 when it was the Naval Auxiliary Air Station (NAAS) Sanford, due to the outbreak of the Korean War and the ongoing Cold War. Soon afterward, the station was renamed NAS Sanford and redesigned as a full naval air station. On February 6, 1959, NAS Sanford was dedicated as Ramey Field in honor of Lieutenant Commander Robert W. Ramey. In 1968, due to lack of funding caused by the Vietnam War, Congress directed the closure of NAS Sanford. &lt;br /&gt;&lt;br /&gt; The City of Sanford assumed authority over the former NAS Sanford facility the year after it closed and renamed it the Sanford Airport, which was managed by Commander J. S. "Red" Cleveland. The airport underwent various name changes over the next several decades: Sanford Regional Airport, Central Florida Regional Airport, Orlando Sanford Regional Airport, and its current name, Orlando-Sanford International Airport. Throughout the 1980s and 1990s, several Naval buildings were demolished and new buildings were constructed.</text>
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                <text>Original 11 x 16 inch drawing: "Zoning of U.S. Naval Air Station Sanford, Florida." Sanford, Florida: &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; and is provided here by RICHES of Central Florida for educational purposes only.</text>
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                <text>Metzger, Lewis W. &lt;a href="http://www.worldcat.org/oclc/668248552" target="_blank"&gt;&lt;em&gt;From Celery City to Navy Town: The Impact of Naval Air Station Sanford during World War II&lt;/em&gt;&lt;/a&gt;. Orlando, Fla: University of Central Florida, 2010.</text>
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                <text>"&lt;a href="http://www.nassanfordmemorial.com/home.htm" target="_blank"&gt;Naval Air Station Sanford Memorial&lt;/a&gt;." Sanford Airport Memorial Committee. http://www.nassanfordmemorial.com/home.htm.</text>
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                <text>Shettle, M. L. &lt;a href="http://www.worldcat.org/oclc/33082456" target="_blank"&gt;&lt;em&gt;United States Naval Air Stations of World War II&lt;/em&gt;&lt;/a&gt;. Bowersville, GA: Schaertel Pub. Co, 1995.</text>
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SANFORD, FLORIDA</text>
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&#13;
The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state.&#13;
&#13;
Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon.&#13;
&#13;
The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869.&#13;
&#13;
In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally.&#13;
&#13;
The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development.</text>
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                  <text>&lt;span&gt;Joiner, E. Earl. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/348410" target="_blank"&gt;&lt;em&gt;A History of Florida Baptists&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Jacksonville, Fla: Printed by Convention Press, 1972.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Bailey, Julius. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/59879767"&gt;&lt;em&gt;Around the Family Altar: Domesticity in the African Methodist Episcopal Church, 1865-1900&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville, FL: University Press of Florida, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Gannon, Michael. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/1310797" target="_blank"&gt;&lt;em&gt;The Cross in the Sand: The Early Catholic Church in Florida, 1513-1870&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University of Florida Press, 1965.&lt;/span&gt;</text>
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                <text>Zion Hope Missionary Baptist Church, located at 710 Orange Avenue in Georgetown, an African-American community in Sanford, Florida, in 2011. Zion Hope was founded in a brush arbor, under the leadership of Reverend Wash Levingston, on June 9, 1888. After Reverend Joe Richards took over as the first settled pastor, church services were conducted in an old horse stable on Mellonville Avenue from 1888 to 1890. The church relocated to the corner of East Fifth Street and Locust Avenue and converted the original structure into a small, oblong-framed church to accommodate the growing congregation.&lt;br /&gt;&lt;br /&gt;This building served the congregation until 1926. A new concrete, stone-block building was then constructed at its current location, on the corner of East Eighth Street and Orange Avenue under the guidance of Reverend Hardy Wesley Williams. Other previous pastors include Reverends Paul Newman, G. W. Phillips, W .A. Jenkins, and John Hurston, the father of award-winning author and anthropologist Zora Neale Hurston.</text>
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                <text>ZION HOPE MISSIONARY BAPTIST CHURCH&#13;
Rev. Michael Griffin, Pastor&#13;
&#13;
~ZION HOPE ~&#13;
Missionary Baptist Church&#13;
710 Orange Ave., Sanford, Fl 32771&#13;
&#13;
ORDER OF SERVICE&#13;
&#13;
1st Sunday - (Holy Communion) - 11:00 a.m.&#13;
2nd Sunday - (Mission Ministry - 11:00 a.m. &#13;
3rd Sunday - (Pastorial Sunday) - 11:00 a.m.&#13;
4th Sunday - -(Youth Ministry) - 11:00 a.m.&#13;
5th Sunday - (Old Fashion Day) - 11:00 a.m.&#13;
&#13;
Sunday School - (Every Sunday) - 9:45 a.m.&#13;
Bible Study - (Every Wednesday) - 6:30 p.m.</text>
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710 Orange Avenue,&#13;
Sanford, FL 32771</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of Tampa, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Before European settlement, the present-day Tampa area was inhibited by the Tocobaga and Pohoy tribes, which were decimated by European diseases and warfare. In 1824, the U.S. Army established the area's first permanent settlement called Fort Brooke, located at the mouth of the Hillsborough River. &#13;
&#13;
Siding with the Confederacy during the American Civil War, Tampa served as the site of the Battle of Tampa, an inconclusive battle from June 30 to July 1, 1862; the Battle of Fort Brooke on October 16, 1862; and the Battle of Ballast Point on October 18, 1863. Incorporated as a town in 1949, Tampa experienced immense growth in the 1880s with the arrival of the railroad, the discovery of phosphate, and the development of the cigar industry.&#13;
&#13;
From the 1920s to the 1950s, Tampa became a major center for organized crime, Prohibition-era bootlegging, and illegal bolita, a Cuban-influenced lottery. Tampa grew considerably during World War II, as the city was chosen for the location of MacDill Field, now the MacDill Air Forced Base (AFB).  The founding of Busch Gardens Tampa and the University of South Florida also spurred growth.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/133" target="_blank"&gt;Hillsborough County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.tampagov.net/city-clerk/info/archives/city-of-tampa-incorporation-history" target="_blank"&gt;Incorporation History&lt;/a&gt;." City of Tampa, Florida. http://www.tampagov.net/city-clerk/info/archives/city-of-tampa-incorporation-history.</text>
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                  <text>&lt;span&gt;Mulder, Kenneth W. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/22947009" target="_blank"&gt;&lt;em&gt;Tampa Bay, Days of Long Ago&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Tampa, Fla: P &amp;amp; M Pub. Co, 1990.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Brown, Canter. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/42476956" target="_blank"&gt;&lt;em&gt;Tampa Before the Civil War&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Tampa, Fla: University of Tampa Press, 1999.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Kerstein, Robert J. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/45202019" target="_blank"&gt;&lt;em&gt;Politics and Growth in Twentieth-Century Tampa&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville, FL: University Press of Florida, 2001.&lt;/span&gt;</text>
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                <text>Zebras at the Edge of Africa at Busch Gardens Tampa, 2010</text>
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                <text>Tampa (Fla.)</text>
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                <text> Zebras</text>
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                <text>Zebras at the Edge of Africa of Busch Gardens Tampa, a theme park located in Tampa, Florida, in 2010. The park opened as a hospitality facility for Anheuser-Busch Companies, Inc. on March 31, 1959. Busch Gardens originally hosted a brewery with beer tastings, but it was closed in 1995 and the roller coaster Gwazi was constructed in its place. In 1965, Serengeti Plains, inhabited by African wildlife, opened. In 1971, the Serengeti Express Railway, a two-mile railroad surrounding the park, was opened. The Stanleyville section opened, including the Stanley Falls Flume in 1973. In 1976, the Congo area opened, featuring Busch Gardens' first roller coaster, Python. Various theme areas and attractions have been added to the park over the years. The Edge of Africa was opened in 1997.&lt;br /&gt;&lt;br /&gt;From 1976 through the 1990s, the theme park was called Busch Gardens: The Dark Continent, but was renamed Busch Gardens Tampa Bay during that same decade. From 2006 to 2008, the park was renamed Busch Gardens Africa. In 2008, it returned to its original name. The park is currently owned by SeaWorld Entertainment and the Blackstone Groups. Busch Gardens includes several themed areas in addition to the Edge of Africa: Morocco, Stanleyville, Congo, Jungala, Pantopia, Nairobi, Crown Colony Plaza, and Egypt.</text>
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                <text>Original color digital images by Ray Cepero, March 10, 2010: Private Collection of Ray Cepero.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/134" target="_blank"&gt;Tampa Collection&lt;/a&gt;, Hillsborough County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original color digital images by Ray Cepero, March 10, 2010.</text>
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                <text>Edge of Africa, Busch Gardens Tampa, Tampa, Florida</text>
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                <text>Cepero, Ray</text>
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                <text>Cepero, Ray</text>
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                <text>image/jpg</text>
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                <text>272 KB</text>
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                <text> 247 KB</text>
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              <elementText elementTextId="508874">
                <text> 286 KB</text>
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            <name>Medium</name>
            <description/>
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                <text>3 color digital images</text>
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          <element elementId="122">
            <name>Mediator</name>
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            <elementTextContainer>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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            <name>Provenance</name>
            <description/>
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                <text>Originally created by Ray Cepero.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Ray Cepero and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
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                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
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                <text>"&lt;a href="http://seaworldparks.com/en/buschgardens-tampa/park-info/?from=Top_Nav" target="_blank"&gt;PARK INFO&lt;/a&gt;." Busch Gardens Tampa, SeaWorld Parks &amp;amp; Entertainment. http://seaworldparks.com/en/buschgardens-tampa/park-info/?from=Top_Nav.</text>
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                <text>"&lt;a href="http://www.bgtnation.net/p/history_12.html" target="_blank"&gt;Park History&lt;/a&gt;." BGTNation. http://www.bgtnation.net/p/history_12.html.</text>
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        <name>Busch Gardens Tampa</name>
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        <name>Edge of Africa</name>
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        <name>Malcolm McKinley Drive</name>
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        <name>Raúl Cepero</name>
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        <name>Tampa</name>
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        <name>theme parks</name>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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              <name>Is Part Of</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <name>Language</name>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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            <element elementId="134">
              <name>Digital Collection</name>
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                <elementText elementTextId="525090">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="525091">
                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                <elementText elementTextId="525093">
                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
                </elementText>
                <elementText elementTextId="525095">
                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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          <name>Original Format</name>
          <description/>
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              <text>1 newspaper article</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
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                <text>Youths Charged with Burglary</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="541559">
                <text>Youths Charged with Burglary</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
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                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="541561">
                <text> Crime--Florida</text>
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              <elementText elementTextId="541562">
                <text> Juvenile delinquency--Florida</text>
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                <text> Schools</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>A newspaper article from the &lt;em&gt;The Seminole Star&lt;/em&gt; about a burglary that occurred at the Sanford Grammar School in Sanford, Florida. Five underaged youths were involved in the burglary and charged with stealing approximately $175 in school supplies candy, and snacks. All stolen goods were recovered outside the school. Sanford Grammar School which is now the Sanford Student Museum and Public History Center, is a Romanqsque Revival style building designed by Florida architect Wilbur B. Talley and built in 1902. Also known as Sanford High School and the Margaret K. Reynolds building, it was designated as a National Historic Place in 1984.</text>
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                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                <text>A newspaper article published in &lt;em&gt;The Oviedo Voice&lt;/em&gt; on January 2, 2003. The article cites the New Year's resolutions of various residents from Oviedo, Winter Springs, and Casselberry.</text>
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                  <text>Frey, Lou, and Aubrey Jewett. &lt;a href="http://www.worldcat.org/oclc/422763388"&gt;&lt;em&gt;&lt;em&gt;Political Rules of the Road: Representatives, Senators, and Presidents Share Their Rules for Success in Congress, Politics, and Life&lt;/em&gt;&lt;/em&gt;&lt;/a&gt;. Lanham, MD: University Press of America, 2009.</text>
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                  <text>Collection of digital images, documents, and other records from the Lou Frey Institute of Politics &amp;amp; Government Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Congressman Lou Frey, Jr. (1934-2019) served in the House of Representatives from 1969-1979. He was on several committees during his time in office, including the Select Committee on Narcotics Abuse and Control and the Science and Technology Committee. He was also the chairman of the Young Republicans of Florida.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;According to its website, "The Lou Frey Institute promotes the development of enlightened, responsible, and actively engaged citizens.&lt;/span&gt;
&lt;p&gt;The Institute works to accomplish its mission:&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;through civic education programs that encourage thoughtful debate and discussion about current policy issues;&lt;/li&gt;
&lt;li&gt;through experiential learning programs that encourage the development of civic and political skills;&lt;/li&gt;
&lt;li&gt;by working to help strengthen the civic education capacity of Florida’s k-12 education system; and&lt;/li&gt;
&lt;li&gt;through research, policy analysis, and advocacy."&lt;/li&gt;
&lt;/ul&gt;</text>
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                <text>Year End Report from Congressman Lou Frey, Jr. Newsletter, December 1976</text>
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                <text>Two pages from the &lt;em&gt;Year End Report from Congressman Lou Frey, Jr.&lt;/em&gt; newsletter mailed to citizens of the 9th Congressional District of Florida, represented by Congressman Louis "Lou" Frey, Jr. (1934-2019), who served in the U.S. House of Representatives from 1969 to 1979. He was on several committees during his time in office, including the Select Committee on Narcotics Abuse and Control and the Science and Technology Committee. He was also the chairman of the Young Republicans of Florida. &lt;br /&gt;&lt;br /&gt; In the first article, which is continued on both pages, Representative Frey discusses the legislative accomplishments that he made in the 94th Congress. These include an amendment to the McNamara-O'Hara Service Contract Act (SCA) of 1965; the creation of a Select Committee on Narcotics Abuse and Control in the House of Representatives; provisions for long-term financing for public broadcasting, the establishment of a U.S. Metric Board; the authorization from the Energy Research and Development Administration (ERDA) for a federal program for research and development related to electric vehicle technologies; the extension of the Educational Broadcasting Facilities Program to include the distribution of information on health, education, and social services; the authorization of a rape prevention and control program in Community Health Centers, the establishment of science and technology policy. Frey also cites legislation that was passed, but compromised in committee: the extension of veterans education benefits, provisions for an unrestricted pension for World War I veterans and their widows, and the removal of the outside earnings limitation on Social Security recipients. He also discusses Congress' clash with the Executive Branch over spending bills and top priorities for the 94th Congress. &lt;br /&gt;&lt;br /&gt; The second article discusses the Veteran's Administration (VA) site evaluation of existing medical facilities for veterans in Orlando. The article also addresses public requests for an outpatient clinic for veterans in Brevard County. &lt;br /&gt;&lt;br /&gt; In the third article, Frey announces the final order to make Orlando one of the two international airport entry points in Central Florida. The Orlando Jetport was expected benefit from gaining the status as an international port of entry, which would allow international travelers, especially tourists, to arrive directly to the area. &lt;br /&gt;&lt;br /&gt; Finally, Congressman Frey discusses his appointment to the Select Committee on Narcotics Abuse and Control in the fourth article. According to Frey, the committee determined that federal efforts to prevent and control drug abuse has not been effective. As a result, the committee drafted a bill advocating for mandatory sentences for drug-related offenses and no opportunities for parole, bond, or speedy trials for non-addict drug dealers.</text>
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                <text>Original newsletter by Lou Frey, Jr., December 1976: Lou Frey Papers, box 11, &lt;a href="http://loufreyinstitute.org/" target="_blank"&gt;Lou Frey Institute of Politics &amp;amp; Government&lt;/a&gt;, Special Collections and University Archives, University of Central Florida, Orlando, Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://loufreyinstitute.org/" target="_blank"&gt;Lou Frey Institute of Politics &amp;amp; Government&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>94th Congress (continued)&#13;
&#13;
and gift taxes. Legislation which I co-sponsored, brings estate tax exemptions more into line with current property values enabling heirs to maintain family businesses and farms. &#13;
&#13;
While Congress clashed with the Executive over every major bill, some compromises did emerge. The public works jobs program, for example, was vetoed twice and rewritten three times. While less ambitious than the first version, the final legislation will provide 300,000 jobs. Congress also extended general revenue sharing, providing $25.6 billion in federal revenues through September 30, 1980. &#13;
&#13;
Other top-priority legislation completed by the Congress included: the end of the oil depletion allowance; the beginnings of adequate funding for development of alternate energy sources; a defense budget the military and Congress can live with; a seven percent increase in veterans pensions and a temporary increase in unemployment compensation taxes on employers. &#13;
&#13;
Welfare reform, revision of the food stamp program, catastrophic health insurance, clean air legislation and decontrol of natural gas prices remain top priorities for the 95th Congress. &#13;
&#13;
We’re looking forward to many new projects--and re-working some old ones during the coming year: legislation including professionals under the Service Contract Act; establishing a National Veterans Cemetery in Central or East Central Florida; removing permanently the time limitation for veterans to complete their education; doing away with the income earnings limitation on senior citizens eligible for social security; and protection for individuals purchasing condominiums. &#13;
&#13;
A capsulization of the 94th congress in chart form appears on the next page--and we do mean capsule! For more information on any of these subjects just write my office. &#13;
&#13;
Jetport&#13;
&#13;
International port of entry status for the Orlando Jetport became a reality this Fall. OnOctober 20, the Secretary of Treasury signed the final orders make Orlando one of the two international entry points in Central Florida. &#13;
&#13;
The new status, a victory after years of hard work, will bring international passengers directly to Central Florida. From there the tourists will be able to see our attractions in Orlando and visit Brevard County to tour Cape Canaveral and stay on the coast. &#13;
&#13;
Projections by local officials show an estimated 5 million pounds of export cargo and a third of a million international passengers enplaning in Orlando by 1980. &#13;
&#13;
Initially, the customs office at McCoy Jetport will employ part 12 part time baggage/cargo inspectors in addition to a Port Director, an Inspector and an Inspectional Aide. The number of employment opportunities will increase as the work load at the customs office increases. Tampa, an international port of entry since 1913, now employs almost 40 full time customs officials. &#13;
&#13;
So, while the process was long and often frustrating, pushing for the international status was certainly worth it. &#13;
&#13;
Drugs &#13;
&#13;
Legislation we worked hard on during the 94th Congress resulted in my appointment to the Select Committee on Narcotics Abuse and Control. &#13;
&#13;
The focus of the Committee hearings held during the closing days of the session was the federal efforts to curb drug abuse by cutting drug traffic.  We listened to and questioned every agency head who had any link with our drug enforcement effort. I wish I could say we discovered a cure all or a magic answer during those two weeks of hearings. We didn’t. &#13;
&#13;
What we did discover is that the federal effort, while it is well-intentioned, is not very effective. Every administrator pointed the finger elsewhere--not enough money, not enough manpower, not enough time, crowded court calendars, crowded detention facilities, crowded correction and rehabilitation centers. &#13;
&#13;
Meanwhile, drug abuse skyrockets. &#13;
&#13;
It was recently reported that most drug addicts must steal $11,000 a year to support their habits. Multiply that by 800,000 hard drug addicts in the United States and you have some idea of what drugs cost this country in one year. The statistics are frightening: 5,000 overdose deaths annually; 27 billion in drug related crime costs; and the number of hard drug addicts has doubled since 1973. &#13;
&#13;
Our drug bill calling for stiff mandatory sentences, no parole, no bond and speedy trials for those non-addict underworld businessmen who turn a profit on drugs almost became law a few years ago. We were almost successful this Congress. &#13;
&#13;
But next year, with a Committee specifically charged by the House to come up with tough drug legislation, we may see the light at the end of the tunnel. </text>
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                <text>"&lt;a href="http://loufreyjr.com/" target="_blank"&gt;Congressman Lou Frey, Jr. Biography&lt;/a&gt;." Lou Frey Institute of Politics &amp;amp; Government. http://loufreyjr.com/.</text>
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                <text>"&lt;a href="http://bioguide.congress.gov/scripts/biodisplay.pl?index=F000381"&gt;FREY, Louis, Jr., (1934 - )&lt;/a&gt;." Biographical Directory of the United States Congress, United States Congress. http://bioguide.congress.gov/scripts/biodisplay.pl?index=F000381.</text>
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                <text>Frey, Lou, and Aubrey Jewett. &lt;a href="http://www.worldcat.org/oclc/422763388"&gt;&lt;em&gt;Political Rules of the Road: Representatives, Senators, and Presidents Share Their Rules for Success in Congress, Politics, and Life&lt;/em&gt;&lt;/a&gt;. Lanham, MD: University Press of America, 2009.</text>
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                <text>Frey, Lou, and Michael T. Hayes. &lt;a href="http://www.worldcat.org/oclc/45419938"&gt;&lt;em&gt;Inside the House: Former Members Reveal How Congress Really Works&lt;/em&gt;&lt;/a&gt;. Lanham, MD: U.S. Association of Former Members of Congress, 2001.</text>
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                <text>Shaw, Frederick J. &lt;a href="http://www.worldcat.org/oclc/57007862"&gt;&lt;em&gt;Locating Air Force Base Sites: History's Legacy&lt;/em&gt;&lt;/a&gt;. Washington D.C.: Air Force History and Museums Program, United States Air Force, 2004.</text>
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                <text>Valentine, Douglas. &lt;a href="http://www.worldcat.org/oclc/53932625" target="_blank"&gt;&lt;em&gt;Strength of the Wolf: The Secret History of America's War on Drugs&lt;/em&gt;&lt;/a&gt;. London: Verso, 2004.</text>
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                <text>ancestry.com&#13;
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                  <text>Collection of digital images, documents, and other records depicting the history of music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.&#13;
&#13;
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Morris, Alton Chester. &lt;/span&gt;&lt;a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Folksongs of Florida and Their Cultural Background&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. 1941.&lt;/span&gt;</text>
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                  <text>DeVane, Dwight, et al. &lt;a href="http://www.worldcat.org/oclc/821216900" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Drop on down in Florida: field recordings of African American traditional music 1977-1980&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES Program</text>
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                <text>Gorman, Marinda</text>
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                <text>Matier, Megan</text>
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Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.&#13;
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Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.&#13;
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              <description/>
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                  <text>&lt;span&gt;Housewright, Wiley L. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/48139297" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;An Anthology of Music in Early Florida&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 1999.&lt;/span&gt;</text>
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                <elementText elementTextId="518328">
                  <text>&lt;span&gt;Housewright, Wiley L. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/21196990" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;A History of Music &amp;amp; Dance in Florida, 1565-1865&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Tuscaloosa: University of Alabama Press, 1991.&lt;/span&gt;</text>
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                <elementText elementTextId="518329">
                  <text>&lt;span&gt;Morris, Alton Chester. &lt;/span&gt;&lt;a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Folksongs of Florida and Their Cultural Background&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. 1941.&lt;/span&gt;</text>
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                  <text>DeVane, Dwight, et al. &lt;a href="http://www.worldcat.org/oclc/821216900" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Drop on down in Florida: field recordings of African American traditional music 1977-1980&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>McLean, Will. &lt;a href="http://www.worldcat.org/oclc/39518212" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Florida Sand: Original Folk Songs of Florida&lt;/em&gt;&lt;/a&gt;. Tallahassee: [The Author], 1964.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank" rel="noreferrer noopener"&gt;Blues Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                <elementText elementTextId="523507">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank" rel="noreferrer noopener"&gt;Classical Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                <elementText elementTextId="525202">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank" rel="noreferrer noopener"&gt;Orlando Philharmonic Orchestra Collection&lt;/a&gt;, Classical Collection, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank" rel="noreferrer noopener"&gt;Folk Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank" rel="noreferrer noopener"&gt;Hip Hop Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank" rel="noreferrer noopener"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank" rel="noreferrer noopener"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/227" target="_blank" rel="noreferrer noopener"&gt;Jesse Cutler Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                <text>WUCF Artisodes: Music at Large</text>
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                <text> Concerts</text>
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                <text> Folk music--Florida</text>
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                <text> Youth orchestras</text>
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                <text> Alliance for Arts Education (U.S.)</text>
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                <text> Barbershops</text>
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                <text> Concert halls</text>
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                <text>In this edition of WUCF Artisodes, a Central Florida couple open their home for a concert, bringing together folk musicians and fans, an upstate New York barbershop doubles as a hair salon by day and a music lounge by night, Student Artist of the Week, Jaden Christopher-Muench, is highlighted, the Tampa Metropolitan Youth Orchestra inspire future musicians, and the Dayton Performing Arts Alliance pairs two of the city's arts organization in a unique working relationship. WUCF-TV is a Public Broadcasting Service television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursday at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts - whether it's in their backyard or on a Broadway stage. This episode originally aired as "WUCF Artisodes: Music at Large" on February 11, 2016.</text>
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                <text>Audio/video recording of Music at Large, WUCF-TV Artisode, February 11, 2016.</text>
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                <text>Original 24-minute and 42-second audio/video recording of Music at Large, &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;, Orlando, Florida, February 11, 2016: WUCF-TV, University of Central Florida.</text>
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            <name>Requires</name>
            <description/>
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              <elementText elementTextId="683104">
                <text>&lt;a href="http://get.adobe.com/flashplayer/" target="_blank"&gt; Adobe Flash Player&lt;/a&gt;.</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt; Java&lt;/a&gt;.</text>
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              <elementText elementTextId="683106">
                <text>&lt;a href="http://video.wucftv.org/video/2365664593/" target="_blank"&gt;WUCF Artisodes: Music at Large&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="683107">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES Program</text>
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              <elementText elementTextId="683109">
                <text> Michael John Hairstyling Barber Lounge, Albany, New York</text>
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                <text> Nashville, Tennessee</text>
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                <text> Orlando, Florida</text>
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                <text> University of Central Florida, Orlando, Florida</text>
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                <text> West Orange High School, Winter Garden, Florida</text>
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                <text> WUCF-TV, University of Central Florida, Orlando, Florida</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="683120">
                <text>&lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;</text>
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                <text>Rivera, Angela</text>
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              <elementText elementTextId="683123">
                <text>Dotson, Bill</text>
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                <text>McGinty, David</text>
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              <elementText elementTextId="683133">
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                <text>Strauss, Eric</text>
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                <text>Rodriguez, Frank</text>
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                <text>Heston, Grant J.</text>
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                <text>Wolf, Jennifer</text>
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                <text>Brady, John</text>
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                <text>Kurokawa, John</text>
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                <text>Papp, John</text>
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                <text>Burke, Karen Russo</text>
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                <text>Salkowski, Keith</text>
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              <elementText elementTextId="683149">
                <text>Boyd, Kenneth</text>
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              <elementText elementTextId="683150">
                <text>Benjamin, Kristin</text>
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                <text>Warner, Kurt</text>
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              <elementText elementTextId="683152">
                <text>Mahoney Fuchs, Kyle</text>
              </elementText>
              <elementText elementTextId="683153">
                <text>Hetrick, Marcia</text>
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              <elementText elementTextId="683154">
                <text>Lundstrom, Mark</text>
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              <elementText elementTextId="683155">
                <text>Bischof, Melanie</text>
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              <elementText elementTextId="683156">
                <text>Matier, Megan</text>
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              <elementText elementTextId="683157">
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                <text>Herring, Mike</text>
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              <elementText elementTextId="683159">
                <text>Jurgensen, Mike</text>
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                <text>Meza, Nancy</text>
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                <text>Kelly, Paul</text>
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                <text>Deblasio, Rayne</text>
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                <text>Wonderling, Richard</text>
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                <text>Echeverria, Rita</text>
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                <text>Brand, Roy</text>
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              <elementText elementTextId="683167">
                <text>Retherford, Ryan</text>
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              <elementText elementTextId="683168">
                <text>Nagys, Sigy</text>
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              <elementText elementTextId="683169">
                <text>Tampa Metropolitan Youth Orchestra</text>
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              <elementText elementTextId="683170">
                <text>Gentry, Tiffany</text>
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                <text>Murray, T.L.</text>
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              <elementText elementTextId="683172">
                <text>Grocki, Tony</text>
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              <elementText elementTextId="683173">
                <text>Macaluso, Tony</text>
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              <elementText elementTextId="683174">
                <text>Wiedrich, William</text>
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              <elementText elementTextId="683175">
                <text>&lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;</text>
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            <name>Date Created</name>
            <description/>
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              <elementText elementTextId="683176">
                <text>2016-02-11</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="683177">
                <text>2016-02-11</text>
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            </elementTextContainer>
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            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="683178">
                <text>2016-02-11</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="683179">
                <text>video/mp4</text>
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              <elementText elementTextId="683180">
                <text> application/pdf</text>
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                <text>Original 24-minute and 42-second audio/video recording</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="683182">
                <text>eng</text>
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            <description/>
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              <elementText elementTextId="683184">
                <text> Economics Teacher</text>
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              <elementText elementTextId="683185">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="683186">
                <text> Music Teacher</text>
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              <elementText elementTextId="683187">
                <text> Theater Teacher</text>
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              <elementText elementTextId="683188">
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                <text>Originally created by &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt; and published by &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="683190">
                <text>Copyright to this resource is held by &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES Program&lt;/a&gt; for educational purposes only.</text>
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            <description/>
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            <description/>
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            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
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              <elementText elementTextId="683194">
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            <name>External Reference</name>
            <description/>
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              <elementText elementTextId="683195">
                <text>Dunaway, David King, and Molly Beer. &lt;a href="http://www.worldcat.org/oclc/593295804" target="_blank"&gt;&lt;em&gt;Singing Out An Oral History of America's Folk Music Revivals&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 2010. .</text>
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              <elementText elementTextId="683196">
                <text>Lornell, Kip, and Kip Lornell. &lt;a href="http://www.worldcat.org/oclc/794669918" target="_blank"&gt;&lt;em&gt;Exploring American Folk Music Ethnic, Grassroots, and Regional Traditions in the United States&lt;/em&gt;&lt;/a&gt;. Jackson: University Press of Mississippi, 2012. .</text>
              </elementText>
              <elementText elementTextId="683197">
                <text>Jones, Christian R. &lt;a href="http://www.worldcat.org/oclc/39724250" target="_blank"&gt;&lt;em&gt;Barbershop: History and Antiques&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Pub, 1998.</text>
              </elementText>
              <elementText elementTextId="683198">
                <text>Avshalomov, Jacob. &lt;a href="http://www.worldcat.org/oclc/7157372" target="_blank"&gt;&lt;em&gt;Music Is Where You Make It, II: The Joyful Workings of America's First Youth Orchestra, the Portland Youth Philharmonic, 1923-1979&lt;/em&gt;&lt;/a&gt;. [Portland, Or.]: Portland Junior Symphony Association, 1979.</text>
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            <name>Click to View (Movie, Podcast, or Website)</name>
            <description/>
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&#13;
Although the term “classical music” did not appear until the early 19th century, it has been used describe art music rooted in the liturgical and secular traditions of Western music that date back to the 11th century. Classical music began with the Gregorian chants of the Medieval Era (500-1400), which developed into organum and the beginnings of harmony. During the Renaissance Era (1400-1600), composers were largely devoted to choral writing and a polyphonic style. The Common Practice Period (1600-1910), which uses conventionalized sequences of chords and obeys specific contrapuntal norms, includes the Baroque Era (1600-1760), which witnessed the creation of tonality, changes in musical notation, and new ways to play instruments; the Classical Era (1730-1820), when variety and contrast became more pronounced within a piece due to its lighter texture and clarified structure; and the Romantic Era (1780-1910), in which a backlash against the social and political norms of the Age of Enlightenment and the Industrial Revolution led to music that was more nationalistic, as well as discontent with musical formulas and conventions.&#13;
&#13;
The Common Practice Period led to the Modern and Contemporary Period (1890-present). This period includes the Modern and High Modern Era (1890-1975), in which musical language evolved with new approaches to harmonic, melodic, sonic, and rhythmic aspects of music. During the High Modern Era, neo-classical and serial music emerged. The Contemporary or Postmodern Era (1975-present), includes modernist, postmodern, neoromantic, and pluralist music. Postmodernism is not a distinct musical style, but a reference to music of the Postmodern Era, which challenges boundaries, embraces contradictions, and encompasses pluralism and eclecticism.&#13;
&#13;
Central Florida has enjoyed classical music from its resident professional symphonic orchestra, the Orlando Philharmonic Orchestra, since it began 1993. The orchestra presents several different types of programming, including the Super Series, which includes five classical concerts featuring guest artists, chamber music concerts as part of its Focus Series, and outdoor pop concerts that are free to the public. The Orlando Philharmonic kept opera alive in Central Florida when the Orlando Opera closed in 2009, performing several times a year. The Orlando-based Florida Symphony Youth Orchestra has been one of the nation’s prominent youth orchestra since it opened in 1957. The FSYO placed 2nd in the 28th International Youth and Music Festival in Vienna in 1999.</text>
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                <text>Brendtro, Larry K., Martin Brokenleg, and Steve Van Bockern. &lt;a href="http://www.worldcat.org/oclc/21981645" target="_blank"&gt;&lt;em&gt;Reclaiming Youth at Risk: Our Hope for the Future&lt;/em&gt;&lt;/a&gt;. Bloomington, Ind: National Educational Service, 1990</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <text>Violectric is an Orlando-based band that combines the classical sound of violins, violas, and stringed instruments with the energy and irreverence of rock music. In addition to performing, members of the groups teach music to eager students.&lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #147: Development through Diversity" on October 16, 2014.</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <text>After performing for years as the "Piano Man" on numerous cruise ships, Ted White grew tired of travel and built a unique musical contraption. Since then, Ted performs regularly on the beach on his bicycle/keyboard that he built to resemble a grand piano. &lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #130" on May 15, 2014.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Mason, Bim. &lt;a href="http://www.worldcat.org/oclc/24907210" target="_blank"&gt;&lt;em&gt;Street Theatre and Other Outdoor Performance&lt;/em&gt;&lt;/a&gt;. London: Routledge, 1992.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of folk music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Folk music varies by country and region, but is typically described as acoustic-based music that embraces the life and struggles of the common man and the events of everyday life. “Folk” comes from the term “folklore,” which was derived by William Thomas in 1846, to describe “the traditions, customs, and superstitions of the uncultured classes.” Although the definition of folk music is elusive, the International Folk Music Council defines it as “the product of a musical tradition that has been evolved through the process of oral transmission. The factors that shape the tradition are: (1) continuity which links the present with the past; (2) variation which springs from the creative impulse of the individual or the group; and (3) selection by the community which determines the form or forms in which the music survives."&#13;
&#13;
Before sound recording and reproduction allowed people to listen to recorded music, songs were often passed down through oral traditions, creating variants. Cecil Sharp, considered by many to be the founding father of the folklore revival in early 20th century England, believed that competing variants of a traditional folk song created a process of natural selection, eventually creating a more perfect version, shaped by the community. By the end of the 1930s, American folk music had become a social movement, and by the 1960s, folk genres varied as much as the definition of the term itself.&#13;
&#13;
The Library of Congress attempted to capture as much North American field material as possible in the 1930s and 1940s, working through the vast collections of collectors such as Alan Lomax and Robert Winslow Gordon. On behalf of the Works Progress Administration (WPA), teams of writers and scholars across the United States collected materials about the places they saw and the people they met. Fieldworkers from the Florida Folklore Project, in conjunction with the Florida Federal Writers' Project, the Florida Music Project, and the Joint Committee on Folk Arts of the Work Projects Administration, concentrated on enclaves known for preserving ethnic traditions, documenting African-American, Arabic, Bahamian, British-American, Cuban, Greek, Italian, Minorcan, Seminole, and Slavic cultures throughout Florida. Florida is home to two significant folk festivals, including the annual Will McLean Music Festival, which is held at the Sertoma Youth Camp in Brooksville, Florida; and the Florida Folk Festival, an annual festival of music, food, and traditional arts to highlight and celebrate Florida's many folk cultures and traditions.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>DeVane, Dwight, Blaine Waide, Peggy A. Bulger, Doris J. Dyen, and David Evans. &lt;a href="http://www.worldcat.org/oclc/856993560" target="_blank"&gt;&lt;em&gt;Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980&lt;/em&gt;&lt;/a&gt;. Atlanta, Ga: Dust-to-Digital, 2012.</text>
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                  <text>Karpeles, Maud, and A. H. Fox Strangways. &lt;a href="http://www.worldcat.org/oclc/1292970" target="_blank"&gt;&lt;em&gt;Cecil Sharp: His Life and Work&lt;/em&gt;&lt;/a&gt;. [Chicago]: University of Chicago Press, 1967.</text>
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                  <text>Lloyd, A. L. &lt;a href="http://www.worldcat.org/oclc/429559" target="_blank"&gt;&lt;em&gt;Folk Song in England&lt;/em&gt;&lt;/a&gt;. New York: International Publishers, 1967.</text>
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                  <text>Morris, Alton Chester, and Leonhard Deutsch. &lt;a href="http://www.worldcat.org/oclc/20853347" target="_blank"&gt;&lt;em&gt;Folksongs of Florida&lt;/em&gt;&lt;/a&gt;. Gainesville: University of Florida Press, 1990.</text>
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                  <text>Seeger, Ruth Crawford, Larry Polansky, and Judith Tick. &lt;a href="http://www.worldcat.org/oclc/46909473" target="_blank"&gt;&lt;em&gt;"The Music of American Folk Song" and Selected Other Writings on American Folk Music&lt;/em&gt;&lt;/a&gt;. Rochester, NY: University of Rochester Press, 2001.</text>
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                <text>Sandy Shugart became the President of Valencia College, one of the country's largest colleges, in 2000, and led them to win the prestigious Aspen Prize for Community College Excellence in 2011. As a folk artist and poet, Shugart believes these seemingly unrelated endeavors are integral aspects of his life journey.&lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #159: Music is Life" on January 29, 2015.</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt; Java&lt;/a&gt;</text>
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                <text>&lt;a href="http://video.wucftv.org/video/2365411991/" target="_blank"&gt;WUCF Artisodes 159: Music is Life&lt;/a&gt;, WUCF-TV, University of Central Florida, Orlando, Florida.</text>
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The Orlando Philharmonic Orchestra, located at 812 East Rollins Street Suite 300 in Orlando, was inspired by the closing of the Florida Symphony in 1993. The orchestra performs in more than 125 concerts each season. In June of 2013, the Philharmonic made plans to purchase the Plaza Live, located at 425 North Bumby Avenue in downtown Orlando, for office space, a rehearsal hall, a music library, and a music hall.</text>
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                <text>The Orlando Philharmonic Orchestra, Central Florida's resident professional orchestra, has appeared in over 125 performances each season since it began in 1993. The orchestra has been performing 30 Young People's Concerts annually since its first year, giving thousands of elementary school students the opportunity to experience live orchestral music, many of them for the first time. The project was devised by Orange County Public Schools (OCPS) and United Arts of Central Florida. The concerts take place at the orchestra's home, the Bob Carr Theater, which is located at 401 West Livingston Street in Orlando, Florida.&lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #115: Students and Teachers" on January 16, 2014.</text>
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                <text> Humanities Teacher</text>
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                <text>Originally created by &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt; and published by &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Fawkes, Richard, and Robert Powell. &lt;a href="http://www.worldcat.org/oclc/811246350" target="_blank"&gt;&lt;em&gt;The History of Classical Music&lt;/em&gt;&lt;/a&gt;. Hong Kong: Naxos Audiobooks, 1997.</text>
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                <text>Goulding, Phil G. &lt;a href="http://www.worldcat.org/oclc/26159166" target="_blank"&gt;&lt;em&gt;Classical Music: The 50 Greatest Composers and Their 1,000 Greatest Works&lt;/em&gt;&lt;/a&gt;. New York: Fawcett Columbine, 1992</text>
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                <text>"&lt;a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank"&gt;WUCF Artisodes&lt;/a&gt;." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 6, 2015).</text>
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        <name>classical music</name>
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                  <text>Collection of digital images, documents, and other records depicting the history of music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.&#13;
&#13;
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.&#13;
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
              <elementTextContainer>
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                  <text>&lt;span&gt;Housewright, Wiley L. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/48139297" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;An Anthology of Music in Early Florida&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 1999.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Housewright, Wiley L. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/21196990" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;A History of Music &amp;amp; Dance in Florida, 1565-1865&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Tuscaloosa: University of Alabama Press, 1991.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Morris, Alton Chester. &lt;/span&gt;&lt;a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Folksongs of Florida and Their Cultural Background&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. 1941.&lt;/span&gt;</text>
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                  <text>DeVane, Dwight, et al. &lt;a href="http://www.worldcat.org/oclc/821216900" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Drop on down in Florida: field recordings of African American traditional music 1977-1980&lt;/em&gt;&lt;/a&gt;. 2012.</text>
                </elementText>
                <elementText elementTextId="518331">
                  <text>McLean, Will. &lt;a href="http://www.worldcat.org/oclc/39518212" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Florida Sand: Original Folk Songs of Florida&lt;/em&gt;&lt;/a&gt;. Tallahassee: [The Author], 1964.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank" rel="noreferrer noopener"&gt;Blues Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                <elementText elementTextId="523507">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank" rel="noreferrer noopener"&gt;Classical Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                <elementText elementTextId="525202">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank" rel="noreferrer noopener"&gt;Orlando Philharmonic Orchestra Collection&lt;/a&gt;, Classical Collection, Central Florida Music History Collection, RICHES.</text>
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                <elementText elementTextId="525203">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank" rel="noreferrer noopener"&gt;Folk Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank" rel="noreferrer noopener"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/227" target="_blank" rel="noreferrer noopener"&gt;Jesse Cutler Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                <text> Hialeah (Fla.)</text>
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                <text>For many parents in Orlando, Florida, Richard Peeples, also known as Mr. Richard, is a big-time musical talent, thanks to his popularity with their children. Peeples and his band, the Pound Hounds, entertain children with what he describes as "whimsical pop rock." Henry Stone was a record company executive and producer in Miami, who recorded Ray Charles, James Brown, KC and the Sunshine Band, and was responsible for many disco recordings. The segment looks at a documentary being filmed about the recording legend. The Artisode also includes brief segments on recording artist Justin Hayward and the Moody Blues, an upcoming documentary on Bing Crosby, WUCF's Student Artist of the Week, Michael Romaniello, and the Jungle Book on Broadway. &lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes originally aired as "WUCF Artisodes #171: Mr. Richard" on September 10, 2015.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.&#13;
&#13;
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.&#13;
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                  <text>DeVane, Dwight, et al. &lt;a href="http://www.worldcat.org/oclc/821216900" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Drop on down in Florida: field recordings of African American traditional music 1977-1980&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                <text>In the hopes of lifting patients' spirits, students from the University of Central Florida's (UCF) College of Medicine have brought music into the hospital. Their therapeutic performances have had a positive impact on patients at Nemours Children's Hospital in Orlando, Florida.&lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #139: Music Music Music" on Jul7 31, 2014.</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt; Java&lt;/a&gt;</text>
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                <text>Hanser, Suzanne B., and Suzanne B. Hanser. &lt;a href="http://www.worldcat.org/oclc/43762816" target="_blank"&gt;&lt;em&gt;The New Music Therapist's Handbook&lt;/em&gt;&lt;/a&gt;. Boston: Berklee Press, 1999</text>
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                <text>Bruscia, Kenneth E. &lt;a href="http://www.worldcat.org/oclc/794005728" target="_blank"&gt;&lt;em&gt;Case Studies in Music Therapy&lt;/em&gt;&lt;/a&gt;. Phoenixville, PA: Barcelona Publishers, 1991.</text>
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                <text>"&lt;a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank"&gt;WUCF Artisodes&lt;/a&gt;." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 7, 2015).</text>
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&#13;
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.&#13;
&#13;
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Housewright, Wiley L. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/48139297" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;An Anthology of Music in Early Florida&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 1999.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Housewright, Wiley L. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/21196990" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;A History of Music &amp;amp; Dance in Florida, 1565-1865&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Tuscaloosa: University of Alabama Press, 1991.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Morris, Alton Chester. &lt;/span&gt;&lt;a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Folksongs of Florida and Their Cultural Background&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. 1941.&lt;/span&gt;</text>
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                  <text>DeVane, Dwight, et al. &lt;a href="http://www.worldcat.org/oclc/821216900" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Drop on down in Florida: field recordings of African American traditional music 1977-1980&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>McLean, Will. &lt;a href="http://www.worldcat.org/oclc/39518212" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Florida Sand: Original Folk Songs of Florida&lt;/em&gt;&lt;/a&gt;. Tallahassee: [The Author], 1964.</text>
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                <text>&lt;a href="http://video.wucftv.org/video/2365113345/" target="_blank"&gt;WUCF Artisodes 106: Music is in the Air&lt;/a&gt;, WUCF-TV, University of Central Florida, Orlando, Florida.</text>
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                <text>&lt;a href="http://video.wucftv.org/video/2365136609/" target="_blank"&gt;WUCF Artisodes Short: Matt Saunders&lt;/a&gt;, WUCF-TV, University of Central Florida, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Mathieson, Kenny. &lt;a href="http://www.worldcat.org/oclc/46804780" target="_blank"&gt;&lt;em&gt;Celtic Music&lt;/em&gt;&lt;/a&gt;. San Francisco, CA: Bachbeat Books, 2001</text>
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                <text>Kirn, Peter. &lt;a href="http://www.worldcat.org/oclc/751753739" target="_blank"&gt;&lt;em&gt;The Evolution of Electronic Dance Music&lt;/em&gt;&lt;/a&gt;. Milwaukie, Wis: Bachbeat Books, 2011</text>
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                <text>"&lt;a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank"&gt;WUCF Artisodes&lt;/a&gt;." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 6, 2015).</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.&#13;
&#13;
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Housewright, Wiley L. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/21196990" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;A History of Music &amp;amp; Dance in Florida, 1565-1865&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Tuscaloosa: University of Alabama Press, 1991.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Morris, Alton Chester. &lt;/span&gt;&lt;a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Folksongs of Florida and Their Cultural Background&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. 1941.&lt;/span&gt;</text>
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                  <text>DeVane, Dwight, et al. &lt;a href="http://www.worldcat.org/oclc/821216900" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Drop on down in Florida: field recordings of African American traditional music 1977-1980&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>McLean, Will. &lt;a href="http://www.worldcat.org/oclc/39518212" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Florida Sand: Original Folk Songs of Florida&lt;/em&gt;&lt;/a&gt;. Tallahassee: [The Author], 1964.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank" rel="noreferrer noopener"&gt;Blues Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank" rel="noreferrer noopener"&gt;Classical Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                <text>When he comes home from his job as a roofer, Joe Muni of New Smyrna Beach crafts custom guitars using recycled wood. Every guitar is unique and many contain portraits within the body. Customers can either select from wood collected by Muni or bring their own wood, often with sentimental value, to Desolation Row Guitars and he will turn it into a functioning instrument. Desolation Row Guitars is located at 507 Ball Street in New Smyrna Beach, Florida.&lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #151: Musical Masterpieces" on November 13, 2014.</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt; Java&lt;/a&gt;</text>
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                <text>&lt;a href="http://video.wucftv.org/video/2365367520/" target="_blank"&gt;WUCF Artisodes 151: Musical Masterpieces&lt;/a&gt;, WUCF-TV, University of Central Florida, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://video.wucftv.org/video/2365367538/" target="_blank"&gt;WUCF Artisodes Short: Desolation Row Guitars&lt;/a&gt;, WUCF-TV, University of Central Florida, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Bogdanovich, John S. &lt;a href="http://www.worldcat.org/oclc/63245366" target="_blank"&gt;&lt;em&gt;Classical Guitar Making: A Modern Approach to Traditional Design&lt;/em&gt;&lt;/a&gt;. New York: Sterling Pub. Co, 2007</text>
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                <text>"&lt;a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank"&gt;WUCF Artisodes&lt;/a&gt;." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 6, 2015).</text>
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The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>Noble "Thin Man" Watts (1926-2004) was a blues and jazz saxophonist from DeLand, Florida, who worked with some of the biggest names in jazz, blues, and rock, including Buddy Holly (1936-1959), Dinah Washington (1924-1963), Jerry Lee Lewis (b. 1935), Lionel Hampton (1908-2002), Chuck Berry (b. 1926), Johnny Mathis (b. 1935), and the Everly Brothers. Watts moved back to DeLand in the mid-1960s, where he remained until his death in 2004. The "Thin Man" Watts Jazz Festival began earlier that year and has continued to grow in the years since.&lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts.</text>
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                <text>Dahl, Bill. "&lt;a href="http://www.allmusic.com/artist/noble-thin-man-watts-mn0000408965/biography" target="_blank"&gt;Noble 'Thin Man' Watts&lt;/a&gt;." AllMusic.com. http://www.allmusic.com/artist/noble-thin-man-watts-mn0000408965/biography (Accessed March 31, 2015).</text>
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                <text>African American Museum of the Arts. "&lt;a href="http://www.wattsjazzfest.com/" target="_blank"&gt;Thin Man Watts Jazz Fest&lt;/a&gt;." WattsJazzFest.com http://www.wattsjazzfest.com/ (Accessed March 31, 2015)</text>
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                <text>"&lt;a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank"&gt;WUCF Artisodes&lt;/a&gt;." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 6, 2015).</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>One of Central Florida's most unique and talented drummers/percussionists, Enmanuel Chacin, shares his thoughts on what he considers to be the blueprint of life: music. Chacin, who is blind, grew up in Caracas, Venezuela, where he claims the culture is driven by drums and percussion.&lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #161: We've Got the Beat" on February 12, 2015.</text>
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                <text>Price, Jim. &lt;a href="http://www.guidedogs.com/site/PageServer?pagename=stories_echacin" target="_blank"&gt;"Enmanuel Chacin&lt;/a&gt;." Guidedogs for the Blind. http://www.guidedogs.com/site/PageServer?pagename=stories_echacin (Accessed March 30, 2015).</text>
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                  <text>Blues Collection</text>
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                  <text>Music--United States</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of blues music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&lt;br /&gt;&lt;br /&gt;During the middle to late 19th century, African-American ex-slaves and their descendants in the Deep South began playing a style of music that evolved from Black Spirituals and chants, work songs, field hollers, rural fife and drum music, revivalist hymns, and European folk and country dance music. It was characterized by its call-and-response narrative pattern, blue notes, and specific chord progressions, of which the 12-bar blues was the most common. By the turn of the century, blues music was being performed in regions such as Louisiana, the Mississippi Delta, the Piedmont region, and Texas, typically by a solo musician on acoustic guitar, harmonica, or piano. Initially, a traditional blues verse was made up of a single line repeated four times, until the common AAB pattern was established in the early 20th century.&lt;br /&gt;&lt;br /&gt;In 1912, W. C. Handy, an African-American minstrel show band leader, published "Memphis Blues," which helped popularize the genre by transcribing and orchestrating it in a symphonic-like style. Handy is also credited with giving the blues its contemporary form, and was crowned the "Father of the Blues." The unexpected success of Mamie Smith’s "Crazy Blues," eight years later, caused record labels to begin producing “race records," featuring blues singers such as Ma Rainey and Bessie Smith. Most of the blues pioneers from the 1920s performed solo with an acoustic guitar. Among the most recognized are Robert Johnson, Blind Lemon Jefferson, Son House, Leadbelly and Charlie Patton.&lt;br /&gt;&lt;br /&gt;As blues spread from the Deep South, it took on regional characteristics and styles. The Mississippi Delta blues featured slide guitar and a rootsy, sparse style. The Piedmont blues used an elaborate ragtime-based rhythm and fingerpicking technique. The Memphis blues, popular in vaudeville and medicine shows, was influenced by jug bands, incorporating unusual instruments such as washboard, kazoo, jug, mandolin, and fiddle. Urban blues forced performers to become more elaborate, as they had to adapt to a larger, more varied audience. Boogie-woogie consisted of piano-based blues derived from barrelhouse and ragtime in Chicago. Big band blues emerged out of Kansas City and incorporated elements of jazz and swing. West Coast blues was heavily influenced by a swing beat, and popularized by Texas musicians who moved to California. Electric blues came out of Chicago, Memphis, Detroit, and St. Louis in the 1950s, using electric guitars, double bass, drums. and harmonica performed through a microphone, amplifier and PA (public address) system. By the beginning of the 1960s, the most popular genres for young Americans were rock and roll and soul music, both rooted in African-American blues.&lt;br /&gt;&lt;br /&gt;Buried in the Deep South, Central Florida has had a long blues tradition, and a number of notable blues musicians had roots in Florida, including Tampa Red, Bo Diddley, Ray Charles, "Diamond Teeth Mary" McClain, Gabriel Brown, Noble "Thin Man" Watts, Willie Green, Blind Blake, Little Mike and the Tornadoes, Barrelhouse Chuck, and the Allman Brothers Band. Muddy Waters wrote a song for his 1977 album, &lt;em&gt;Hard Again&lt;/em&gt;, entitled "Deep Down in Florida," in which he mentions Newberry and traveling to Gainesville to see an old friend. Waters met his third wife while performing at the popular blues dance hall, the Cotton Club, in Gainesville. The club opened in 1948 and had regular performances by such future famous blues musicians as James Brown, B.B. King and Ray Charles. The Wells’ Built Hotel and Casino, which is now an African-American history museum, is located in the historic African-American community of Parramore in Downtown Orlando. The hotel hosted many notable African-American musicians and celebrities during the Segregation era. Guitar Slim, Ray Charles, Ivory Joe Hunter, B. B. King and Bo Diddley were among the bluesmen traveling along the Chitlin' Circuit who were guests at the hotel and performers at the casino.</text>
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                  <text>&lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bradenton, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>DeVane, Dwight, Blaine Waide, Peggy A. Bulger, Doris J. Dyen, and David Evans. &lt;a href="http://www.worldcat.org/oclc/856993560" target="_blank"&gt;&lt;em&gt;Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980&lt;/em&gt;&lt;/a&gt;. Atlanta, Ga: Dust-to-Digital, 2012.</text>
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                  <text>Oakley, Giles. &lt;a href="http://www.worldcat.org/oclc/3082016" target="_blank"&gt;&lt;em&gt;The Devil's Music: A History of the Blues&lt;/em&gt;&lt;/a&gt;. New York: Taplinger Pub. Co, 1977.</text>
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                  <text>Palmer, Robert. &lt;a href="http://www.worldcat.org/oclc/6864668" target="_blank"&gt;&lt;em&gt;Deep Blues: A Musical and Cultural History of the Mississippi Delta&lt;/em&gt;&lt;/a&gt;. New York: Viking Press, 1981.</text>
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                <text>WUCF Artisodes Short: Daniel Heitz</text>
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                <text>Daniel Heitz first took the stage at the Alley blues club in Sanford, Florida, when he was 11 years old. Over the next six years, he became one of the most impressive classical blues guitarists in Central Florida.&lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #145: The Call of Music" on October 2, 2014.</text>
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                <text>Original 5-minute and 25-second audio/video recording of Daniel Heitz, &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;, Sanford, Florida, October 2, 2014: WUCF-TV, University of Central Florida, Orlando, Florida.</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt; Java&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank"&gt;Blues Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://video.wucftv.org/video/2365335036/" target="_blank"&gt;WUCF Artisodes 145: The Call of Music&lt;/a&gt;, WUCF-TV, University of Central Florida, Orlando, Florida.</text>
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                <text>&lt;a href="http://video.wucftv.org/video/2365333735/" target="_blank"&gt;WUCF Artisodes Short: Daniel Heitz&lt;/a&gt;, WUCF-TV, University of Central Florida, Orlando, Florida.</text>
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                <text> The Alley, Sanford, Florida</text>
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                <text>&lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;</text>
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                <text>Williamson, Karl</text>
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            <elementTextContainer>
              <elementText elementTextId="534483">
                <text>ca. 2015-01-29</text>
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              <elementText elementTextId="534484">
                <text>2014-10-02</text>
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            <elementTextContainer>
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                <text>2014-10-02</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>McPherson, Gary. &lt;a href="http://www.worldcat.org/oclc/64554616" target="_blank"&gt;&lt;em&gt;The Child As Musician: A Handbook of Musical Development&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2006.</text>
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                <text>&lt;a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank"&gt;”WUCF Artisodes&lt;/a&gt;.” WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed March 30, 2015).</text>
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                <text>&lt;a href="https://www.youtube.com/watch?v=s6yGU66JuBA" target="_blank"&gt;WUCF Artisodes Short: Daniel Heitz&lt;/a&gt;</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.&#13;
&#13;
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.&#13;
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                  <text>Cassadaga, Florida</text>
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                  <text>Maitland, Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
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                  <text>&lt;span&gt;Housewright, Wiley L. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/48139297" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;An Anthology of Music in Early Florida&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 1999.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Housewright, Wiley L. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/21196990" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;A History of Music &amp;amp; Dance in Florida, 1565-1865&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Tuscaloosa: University of Alabama Press, 1991.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Morris, Alton Chester. &lt;/span&gt;&lt;a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Folksongs of Florida and Their Cultural Background&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. 1941.&lt;/span&gt;</text>
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                  <text>DeVane, Dwight, et al. &lt;a href="http://www.worldcat.org/oclc/821216900" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Drop on down in Florida: field recordings of African American traditional music 1977-1980&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>McLean, Will. &lt;a href="http://www.worldcat.org/oclc/39518212" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Florida Sand: Original Folk Songs of Florida&lt;/em&gt;&lt;/a&gt;. Tallahassee: [The Author], 1964.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank" rel="noreferrer noopener"&gt;Blues Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank" rel="noreferrer noopener"&gt;Classical Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank" rel="noreferrer noopener"&gt;Orlando Philharmonic Orchestra Collection&lt;/a&gt;, Classical Collection, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank" rel="noreferrer noopener"&gt;Folk Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank" rel="noreferrer noopener"&gt;Hip Hop Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank" rel="noreferrer noopener"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank" rel="noreferrer noopener"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/227" target="_blank" rel="noreferrer noopener"&gt;Jesse Cutler Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                <text>WUCF Artisodes Short: Benoit Glazer</text>
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                <text>Orlando (Fla.)</text>
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                <text>Conductor, multi-instrumentalist, composer, designer, and educator Benoit Glazer, believes art and music belong to everyone. When he isn't conducting Cirque du Soleil's &lt;em&gt;La Nouba&lt;/em&gt;, he runs Timucua, which is an in-home concert series that is free to the public. Cirque du Soleil's &lt;em&gt;La Nouba&lt;/em&gt; is performed at the La Nouba Theater in Downtown Disney, located at 1478 Buena Vista Drive in Orlando, Florida. Timucua is located at 2000 South Summerlin Avenue in Orlando.&lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #157: Music, Passion &amp;amp; All That Jazz" on January 15, 2015.</text>
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                <text>Original 4-minute and 33-second audio/video recording of Benoit Glazer, &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;, Orlando, Florida, January 15, 2015: WUCF-TV, University of Central Florida, Orlando, Florida.</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt; Java&lt;/a&gt;</text>
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                <text>&lt;a href="http://video.wucftv.org/video/2365401945/" target="_blank"&gt;WUCF Artisodes Short: Benoit Glazer&lt;/a&gt;, WUCF-TV, University of Central Florida, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>2015-01-15</text>
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                <text> Humanities Teacher</text>
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                <text> Music Teacher</text>
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                <text>Originally created by &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt; and published by &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
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                <text>Heward, Lyn, and John U. Bacon. &lt;a href="http://www.worldcat.org/oclc/62593700" target="_blank"&gt;&lt;em&gt;Cirque Du Soleil: The Spark: Igniting the Creative Fire That Lives Within Us All&lt;/em&gt;&lt;/a&gt;. New York: Currency Doubleday, 2006</text>
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                <text>"&lt;a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank"&gt;WUCF Artisodes&lt;/a&gt;." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 6, 2015).</text>
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Although the term “classical music” did not appear until the early 19th century, it has been used describe art music rooted in the liturgical and secular traditions of Western music that date back to the 11th century. Classical music began with the Gregorian chants of the Medieval Era (500-1400), which developed into organum and the beginnings of harmony. During the Renaissance Era (1400-1600), composers were largely devoted to choral writing and a polyphonic style. The Common Practice Period (1600-1910), which uses conventionalized sequences of chords and obeys specific contrapuntal norms, includes the Baroque Era (1600-1760), which witnessed the creation of tonality, changes in musical notation, and new ways to play instruments; the Classical Era (1730-1820), when variety and contrast became more pronounced within a piece due to its lighter texture and clarified structure; and the Romantic Era (1780-1910), in which a backlash against the social and political norms of the Age of Enlightenment and the Industrial Revolution led to music that was more nationalistic, as well as discontent with musical formulas and conventions.&#13;
&#13;
The Common Practice Period led to the Modern and Contemporary Period (1890-present). This period includes the Modern and High Modern Era (1890-1975), in which musical language evolved with new approaches to harmonic, melodic, sonic, and rhythmic aspects of music. During the High Modern Era, neo-classical and serial music emerged. The Contemporary or Postmodern Era (1975-present), includes modernist, postmodern, neoromantic, and pluralist music. Postmodernism is not a distinct musical style, but a reference to music of the Postmodern Era, which challenges boundaries, embraces contradictions, and encompasses pluralism and eclecticism.&#13;
&#13;
Central Florida has enjoyed classical music from its resident professional symphonic orchestra, the Orlando Philharmonic Orchestra, since it began 1993. The orchestra presents several different types of programming, including the Super Series, which includes five classical concerts featuring guest artists, chamber music concerts as part of its Focus Series, and outdoor pop concerts that are free to the public. The Orlando Philharmonic kept opera alive in Central Florida when the Orlando Opera closed in 2009, performing several times a year. The Orlando-based Florida Symphony Youth Orchestra has been one of the nation’s prominent youth orchestra since it opened in 1957. The FSYO placed 2nd in the 28th International Youth and Music Festival in Vienna in 1999.</text>
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                  <text>Fawkes, Richard, and Robert Powell. &lt;a href="http://www.worldcat.org/oclc/811246350" target="_blank"&gt;&lt;em&gt;The History of Classical Music&lt;/em&gt;&lt;/a&gt;. Hong Kong: Naxos Audiobooks, 1997. http://www.naxosmusiclibrary.com.</text>
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                  <text>Goulding, Phil G. &lt;a href="http://www.worldcat.org/oclc/26159166" target="_blank"&gt;&lt;em&gt;Classical Music: The 50 Greatest Composers and Their 1,000 Greatest Works&lt;/em&gt;&lt;/a&gt;. New York: Fawcett Columbine, 1992.</text>
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                  <text>Spitzer, John. &lt;a href="http://www.worldcat.org/oclc/742017616" target="_blank"&gt;&lt;em&gt;American Orchestras in the Nineteenth Century&lt;/em&gt;&lt;/a&gt;. Chicago: The University of Chicago Press, 2012.</text>
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                <text>The Bach Festival Society, the third oldest continuously-operating Bach Festival in the United States, was founded in 1935 to commemorate the 250th anniversary of the birth of Johann Sebastian Bach (1685-1750). In addition to the annual Bach Festival, the society includes Choral Masterworks, Visiting Artists performances, and educational and community outreach programs. The current Artistic Director and Conductor, Dr. John Sinclair, discusses a performance of Sir Michael Tippett's (1905-1998) "A Child of Our Time," in remembrance of the 75th anniversary of Kristallnacht.&lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #109: Get the Message" on November 28, 2013.</text>
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                <text>&lt;a href="http://video.wucftv.org/video/2365128976/" target="_blank"&gt;WUCF Artisodes 109: Get the Message&lt;/a&gt;,WUCF-TV, Orlando, Florida.</text>
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                <text>&lt;a href="http://www.bachfestivalflorida.org/" target="_blank"&gt;Bach Festival Society&lt;/a&gt;</text>
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                <text>Bach Festival Society of Winter Park. &lt;a href="http://www.worldcat.org/oclc/34614819" target="_blank"&gt;&lt;em&gt;Bach Festival Society of Winter Park: Founded in 1935 : 60th Anniversary, 1995&lt;/em&gt;&lt;/a&gt;. [Winter Park, Fla.]: [The Society], 1995.</text>
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                <text>"&lt;a href="http://www.bachfestivalflorida.org/about/history" target="_blank"&gt;History of the Bach Festival Society&lt;/a&gt;." BachFestivalFlorida.org. http://www.bachfestivalflorida.org/about/history (Accessed April 6, 2015).</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <text>Walser, Robert. &lt;a href="http://www.worldcat.org/oclc/48138450" target="_blank"&gt;&lt;em&gt;Running with the Devil Power, Gender, and Madness in Heavy Metal Music&lt;/em&gt;&lt;/a&gt;. Hanover, NH: University Press of New England, 1993. .</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.&#13;
&#13;
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.&#13;
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                  <text>Maitland, Florida</text>
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                  <text>New Smyrna Beach, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementTextContainer>
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                  <text>&lt;span&gt;Housewright, Wiley L. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/48139297" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;An Anthology of Music in Early Florida&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 1999.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Housewright, Wiley L. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/21196990" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;A History of Music &amp;amp; Dance in Florida, 1565-1865&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Tuscaloosa: University of Alabama Press, 1991.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Morris, Alton Chester. &lt;/span&gt;&lt;a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Folksongs of Florida and Their Cultural Background&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. 1941.&lt;/span&gt;</text>
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                  <text>DeVane, Dwight, et al. &lt;a href="http://www.worldcat.org/oclc/821216900" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Drop on down in Florida: field recordings of African American traditional music 1977-1980&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>McLean, Will. &lt;a href="http://www.worldcat.org/oclc/39518212" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Florida Sand: Original Folk Songs of Florida&lt;/em&gt;&lt;/a&gt;. Tallahassee: [The Author], 1964.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank" rel="noreferrer noopener"&gt;Blues Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank" rel="noreferrer noopener"&gt;Classical Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank" rel="noreferrer noopener"&gt;Orlando Philharmonic Orchestra Collection&lt;/a&gt;, Classical Collection, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank" rel="noreferrer noopener"&gt;Folk Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank" rel="noreferrer noopener"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES.</text>
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                <text>WUCF Artisodes #175: The Power and Passion of Music</text>
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            <elementTextContainer>
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                <text> Concerts</text>
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                <text> Music--United States</text>
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                <text> Music--Juvenile--United States</text>
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                <text> Ukulele players</text>
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                <text> Ukulele music</text>
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                <text> HistoryMiami</text>
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                <text> Beatles</text>
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                <text> Ho, Daniel</text>
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                <text>This edition of WUCF Artisodes highlights a Central Florida singer with a passion for opera, a Grammy-winning ukulele player who loves music for more than beautiful sounds, Student Artist of the Week, Santiago Escobar, and an exhibition on The Beatles at HistoryMiami. WUCF-TV is a Public Broadcasting Service television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursday at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts - whether it's in their backyard or on a Broadway stage. This episode originally aired as "WUCF Artisodes #175: The Power and Passion of Music" on November 19, 2015.</text>
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                <text>Audio/video recording of The Power and Passion of Music, WUCF-TV Artisode, November 19, 2015.</text>
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                <text>Original 24-minute and 42-second audio/video recording of The Power and Passion of Music, &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;, Orlando, Florida, November 19, 2015: WUCF-TV, University of Central Florida.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt; Java&lt;/a&gt;.</text>
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            <elementTextContainer>
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                <text>&lt;a href="http://video.wucftv.org/video/2365606372/" target="_blank"&gt;WUCF Artisodes #175: The Power and Passion of Music&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="683218">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES Program</text>
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            <description/>
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                <text> Dr. Phillips High School Visual and Performing Arts Magnet, Orlando, Florida</text>
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              <elementText elementTextId="683221">
                <text> Eau Gallie High School, Melbourne, Florida</text>
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                <text> Pan Am Press Room, John F. Kennedy International Airport, New York, New York</text>
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                <text>Dotson, Bill</text>
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                <text>Black Keys</text>
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                <text>Bellas, Giselle</text>
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                <text>Cook, Jennifer</text>
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                <text>Lennon, John</text>
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                <text>Zamanillo, Jorge</text>
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                <text>Valez, Kandra</text>
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                <text>Benjamin, Kristin</text>
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                <text>Fuchs, Kyle Mahoney</text>
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                <text>Bobby, Leah</text>
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                <text>Laitman, Lori</text>
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                <text>Greenwald, Mark</text>
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                <text>Meza, Nancy</text>
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                <text>Kastan, Peter</text>
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                <text>Charles, Ray</text>
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                <text>Starkey, Richard</text>
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                <text>Echeverria, Rita</text>
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                <text>Retherford, Ryan</text>
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                <text>Murray, T.L.</text>
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                <text>&lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;</text>
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                <text>Vidal, Yoandy</text>
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            <description/>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="683292">
                <text>2015-11-19</text>
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                  <text>Alliance for Truth and Justice&#13;
</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="669806">
                  <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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      <name>Still Image</name>
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            <description/>
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                <text>About the Race Card Project</text>
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                <text> Memorials--Florida</text>
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                <text> Slavery--United States</text>
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                <text> Film</text>
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                <text> Movies</text>
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                <text>A poster board on an easel with instructions that encourage sharing one's experiences about race and ethnicity using just six words by adding their thoughts to a sticky note and leaving it for others to read. The display was set up outside a screening of the 60-minute documentary, "The Yard", at the First Unitarian Church of Orlando. The event took place on March 7, 2019, from 6:30pm to 9:00 pm, with a $10 suggested donation. The screening of the film was followed by a panel discussion that included the filmmaker. Partners in the event included Equal Justice Initiative (EJI), First Unitarian Church of Orlando, Peace and Justice Institute (Valencia College), Bridge the Gap Coalition, Global Peace Film Festival, Hannibal Square Heritage Center, League of Women Voters of Orange County, UCF RICHES Program, and Iota Phi Theta Fraternity Inc. (Orlando Chapter).&lt;br /&gt;&lt;br /&gt;&lt;span&gt;The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."&lt;/span&gt;</text>
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                <text>Original color photographs by Emily Wray: &lt;span&gt;Alliance for Truth and Justice&lt;/span&gt;, Orange County, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/215" target="_blank"&gt;&lt;span&gt;Alliance for Truth and Justice&lt;/span&gt; Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original color photograph by Emily Wray.</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <name>Extent</name>
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                <text>1.2 MB</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="669310">
                <text>color photograph</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="669311">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="669312">
                <text>History Teacher</text>
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            <name>Provenance</name>
            <description/>
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                <text>Originally created by Emily Wray and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;span&gt;Alliance for Truth and Justice&lt;/span&gt;, and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Donation</text>
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                <text>&lt;span&gt;Alliance for Truth and Justice&lt;/span&gt;</text>
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            <name>Curator</name>
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                <text>Cravero, Geoffrey</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="669318">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;span&gt;Alliance for Truth and Justice&lt;/span&gt;, Orange County, Florida</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="669320">
                <text>Olson, Chris. "&lt;a href="https://www.ukfilmreview.co.uk/blog/the-yard-documentary-film" target="_blank"&gt;The Yard documentary film&lt;/a&gt;." &lt;em&gt;UK Film Review&lt;/em&gt;. April 27, 2018. Accessed May 17, 2019. https://www.ukfilmreview.co.uk/blog/the-yard-documentary-film.</text>
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              <elementText elementTextId="669321">
                <text>"&lt;a href="https://3times.org/projects/" target="_blank"&gt;The Yard (2018)&lt;/a&gt;." &lt;em&gt;Three Times Dot Org&lt;/em&gt;. 2018. Accessed May 17, 2019. https://3times.org/projects/.</text>
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        <name>Equal Justice Initiative</name>
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      <tag tagId="2271">
        <name>First Unitarian Church of Orlando</name>
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      <tag tagId="54671">
        <name>John Reyer Afamasaga</name>
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      <tag tagId="7797">
        <name>memorial</name>
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      <tag tagId="16101">
        <name>Memphis, Tennessee</name>
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      <tag tagId="54672">
        <name>Nathan Bedford Forrest</name>
      </tag>
      <tag tagId="54674">
        <name>Peace and Justice Institute</name>
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      <tag tagId="54678">
        <name>Race Card Project</name>
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      <tag tagId="38092">
        <name>slave trade</name>
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      <tag tagId="54675">
        <name>slave yard</name>
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      <tag tagId="12949">
        <name>slavery</name>
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      <tag tagId="54676">
        <name>The Yard</name>
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      <tag tagId="54677">
        <name>Timothy S. Huebner</name>
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      <tag tagId="22444">
        <name>Valencia College</name>
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      <tag tagId="54679">
        <name>Wrestling with Our Understanding of Race and Ethnicity</name>
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                  <text>Celery Soup: Florida's Folk Life Play Collection</text>
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              <description/>
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                <elementText elementTextId="437151">
                  <text>Celery Soup Collection</text>
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              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437152">
                  <text>Sanford (Fla.)</text>
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                  <text>Theater--United States</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="437155">
                  <text>The &lt;em&gt;Celery Soup: Florida’s Folk Life Play&lt;/em&gt; Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play &lt;em&gt;Remade - Not Bought&lt;/em&gt;, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida.</text>
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              </elementTextContainer>
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            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
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                  <text>Dingle, Cathy Lee</text>
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                <elementText elementTextId="511465">
                  <text>Delgado, Natalie</text>
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                <elementText elementTextId="511466">
                  <text>Fedorka, Drew M.</text>
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                <elementText elementTextId="511467">
                  <text>Ford, Nancy Harris</text>
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                <elementText elementTextId="511468">
                  <text>French, Scot A.</text>
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                <elementText elementTextId="511469">
                  <text>Kelley, Katie</text>
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                <elementText elementTextId="511470">
                  <text>Lee, Luticia Gormley</text>
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                <elementText elementTextId="511471">
                  <text>Maliczowski, Linda Lee</text>
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                <elementText elementTextId="511472">
                  <text>Maples, Marilyn</text>
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                <elementText elementTextId="511473">
                  <text>Miller, Mark</text>
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                <elementText elementTextId="511474">
                  <text>Reisz, Autumn</text>
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                <elementText elementTextId="511475">
                  <text>Thompson, Trish</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="437158">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <elementText elementTextId="560035">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437159">
                  <text>eng</text>
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              <name>Type</name>
              <description/>
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                  <text>Celery Soup: Florida’s Folk Life Play, Sanford, Florida</text>
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                <elementText elementTextId="511476">
                  <text>Creative Sanford, Inc., Sanford, Florida</text>
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                  <text>Princess Theater, Sanford, Florida</text>
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              <name>Contributing Project</name>
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                  <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
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                <elementText elementTextId="437166">
                  <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup: Florida’s Folk Life Play&lt;/a&gt;</text>
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                <elementText elementTextId="511478">
                  <text>&lt;span&gt;Dr. &lt;/span&gt;&lt;a href="http://history.scotfrench.com/" target="_blank"&gt;Scot A. French&lt;/a&gt;&lt;span&gt;'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the &lt;/span&gt;&lt;a href="http://www.ucf.edu/" target="_blank"&gt;University of Central Florida&lt;/a&gt;</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437167">
                  <text>Cepero, Laura</text>
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            <element elementId="134">
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              <description/>
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                <elementText elementTextId="437170">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437172">
                  <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" Celery Soup. http://www.celerysoupsanford.com//about.</text>
                </elementText>
                <elementText elementTextId="437173">
                  <text>"&lt;a href="http://www.celerysoupsanford.com/about/" target="_blank"&gt;About: History and Purpose&lt;/a&gt;." Celery Soup. http://www.celerysoupsanford.com/about/.</text>
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                <elementText elementTextId="437174">
                  <text>"&lt;a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank"&gt;Sanford, Florida: How do you make Celery Soup? Add stories, then stir&lt;/a&gt;." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <element elementId="7">
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          <description/>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Alternative Title</name>
            <description/>
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                <text>Woven Tales and Signature Boards</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="446099">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="446100">
                <text> Community theater--United States</text>
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              <elementText elementTextId="446101">
                <text> Theater--United States</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="446104">
                <text>A display wall in the Princess Theater, located at 115 West First Street in Sanford, Florida. This wall displays two important artifacts related to Creative Sanford, Inc.: "Woven Tales", materials woven during an earlier play; and the signature boards of all of the actors and volunteers who participated in previous performances.&lt;br /&gt;&lt;br /&gt;Creative Sanford is a non-profit organization created to manage Celery Soup community theater productions. The original idea for the &lt;em&gt;Celery Soup: Florida’s Folk Life Play&lt;/em&gt; project came from Jeanine Taylor, the owner of a folk-art gallery on First Street in Sanford, Florida. Their first production was &lt;em&gt;Touch and Go&lt;/em&gt;, a play focusing on the people of Sanford and their determination to overcome various obstacles, including the Freeze of 1894-1895, the fall of Sanford's celery industry, and the closing of Naval Air Station (NAS) Sanford in the 1960s. Richard Geer and Jules Corriere, partners from Community Performance International, were in charge of assessing oral histories, converting them into scenes for the play, and writing original songs. Director Geer also used an all-volunteer cast from the local community, many of whom were not experienced actors. In the process of producing the show, Creative Sanford decided to rehabilitate an historic building, the Princess Theater, which is located on 115 West First Street and owned by Stephen Tibstra. The Creative Sanford offices are housed in the Historic Sanford Welcome Center, located at 203 East First Street.</text>
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            <name>Type</name>
            <description/>
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          <element elementId="48">
            <name>Source</name>
            <description/>
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                <text>Original color digital image by Autumn Reisz, October 11, 2013.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="446108">
                <text>&lt;a href="http://www.celerysoupsanford.com/princess-theater/" target="_blank"&gt;Princess Theater&lt;/a&gt;, Sanford, Florida.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>This image of the Veterans Compensation Application provides information on the redress provided to Edna G. Morgan for the loss of her son, 1 LT. Frank B. Morgan.&#13;
&#13;
1st LT. Frank B. Morgan was born in Greensburg, Pennsylvania on January 28, 1920, to Samuel and Edna Grace Morgan. Samuel Morgan was a first generation American of Northern Irish descent, working in the publishing industry as an editor and linotype operation. Edna Grace Morgan (née Black) was a native of Pennsylvania and appeared to be a housewife based on census evidence. Frank was the youngest of three boys, his siblings were Samuel Cree Morgan (1909-1990) and James Alexander Morgan (1912-1982). The Morgan’s owned a home on 17 Clopper Street in Greensburg, where Frank would reside until he entered active service. On December 6th 1939, Frank’s father passed at the age of 71; he was 19 at the time. Available records do not reveal whether 1st LT. Morgan (O-750431) entered the military by draft or enlistment; however, records reveal that he entered active service on April 27, 1942, out of Pittsburgh, Pennsylvania at the age of 22. Leaving out of McDill, 1st LT. Morgan served with the 555th Bomber Squadron, a unit within the 386th Bomber Group. 1st LT. Morgan served his country with distinction, earning an Air Medal with Eight Oak Leaf Clusters. He died on December 20, 1944, four days into the Ardennes campaign. His death is listed as non-battle related, suggesting that he may have been one of the many B-26 crashes at takeoff, or upon landing. 1st LT. Morgan died just before the of the war at the age of 24. Morgan rest at Plot B Row 39 Grave 46 in Epinal American Cemetery France; a second memorial was organized by his family is at Parker Presbyterian Cemetery in Pennsylvania. </text>
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&#13;
&#13;
http://interactive.ancestry.com/3147/43191_647350_0732-00879?pid=1434764&amp;backurl=//search.ancestry.com//cgi-bin/sse.dll?indiv%3D1%26dbid%3D3147%26h%3D1434764%26ssrc%3Dpt%26tid%3D3857707%26pid%3D553995909%26usePUB%3Dtrue&amp;ssrc=pt&amp;treeid=3857707&amp;personid=553995909&amp;hintid=&amp;usePUB=true&amp;usePUBJs=true</text>
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                <text>Morgan, Samuel, 1868-1939. Find A Grave - Millions of Cemetery Records and Online Memorials. Findagrave.com (http://findagrave.com: accessed October 15 October 2016.) &#13;
Morgan, Frank, 1920-1944. Find A Grave - Millions of Cemetery Records and Online Memorials. Findagrave.com (http://findagrave.com: accessed 15 October 2016.)&#13;
United States, Bureau of the Census (20 April 1910).1910 U.S. Federal Census: Samuel &#13;
Morgan Jr. Family. p.10 Edna G. Morgan, Samuel Cree Morgan. Greensburg Ward 1, Westmoreland, Pennsylvania; dwelling 71, family 71. Page: 5B; Enumeration District: 0127; FHL microfilm: 1375442. Ancestry.com (http://ancestry.com: accessed 15 October 2016). &#13;
United States, Bureau of the Census (16 April 1930). 1930 U.S. Federal Census: &#13;
Samuel Morgan Jr. Family. p.18 Edna G. Morgan, Samuel Cree Morgan, James A Morgan, Frank B. Morgan. Greensburg Ward 1, Westmoreland, Pennsylvania; house 17, dwelling 196, family 224. Page: 9B; Enumeration District: 0032; Image: 19.0; FHL microfilm: 2341890. Ancestry.com (http://ancestry.com: accessed 15 October 2016).&#13;
United States, Bureau of the Census (15 April 1940). 1940 U.S. Federal Census: &#13;
Edna G. Morgan Family. p.23, Samuel Cree Morgan, Frank B. Morgan. Greensburg Ward 1, Westmoreland, Pennsylvania; house 17, dwelling 281, Page: 12A; Enumeration District: 65-46. Ancestry.com (http://ancestry.com: accessed 15 October 2016).&#13;
United States, European Theater Office of Theater Censor (3 July 1945). A History of a &#13;
Bombing Outfit: The 386th Bomb Group. B26.com (https://b26.com: accessed 15 October 2016).&#13;
United States, Headstone Inscription and Interment Records for U.S. Military Cemeteries on &#13;
Foreign Soil, 1942–1949. Series A1 43, NAI ID: 7408555. Records of the American Battle Monuments Commission, 1918–ca. 1995. Record Group 117. The National Archives at Washington, D.C. Ancestry.com (http://ancestry.com: accessed 15 October 2016).&#13;
United States, The National Archives. World War II Honor List of Dead and Missing Army and Army &#13;
Air Forces Personnel from Florida, 1946. Fold3.com (http://fold3.com: accessed 15 October 2016).&#13;
United States, Selective Service System. Selective Service Registration Cards, World &#13;
War II: Fourth Registration. Draft Registration Cards for Pennsylvania (1940-1947); Frank B. Morgan. Records of the Selective Service System, Record Group Number 147. National Archives and Records Administration. Fold3.com (http://fold3.com: accessed 15 October 2016). &#13;
United States, World War Two Veterans’ Compensation Bureau. World War II Veterans &#13;
Compensation Applications, circa 1950s: Records of the Department of Military and Veterans Affairs, Record Group 19, Series 19.92 (877 cartons). Pennsylvania Historical and Museum Commission, Harrisburg, Pennsylvania. Ancestry.com (http:ancestry.com: accessed 15 October 2016).</text>
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                <text>A monument commemorating soldiers from the Jacksonville, Florida area who were killed during World War II. Included among the men listed is Solomon Sturdivant. PFC Solomon Sturdivant was born to James and Mary Sturdivant on April 25, 1915 in Wytheville, Virginia. He was drafted by the US Army on December 29, 1942. During World War II, he served as a member of the 231st AAA Searchlight Battalion. He was killed March 5, 1945. He is now buried at the Epinal American Cemetery and Memorial in Dinozé, France. He is one of 85 Florida residents interned at Epinal.&#13;
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A safe-conduct pass from World War II. Safe-conduct passes were used to designate German soldiers who were willing to surrender. Such a soldier was to be treated as a prisoner of war (POW), making him eligible for certain standards of humane treatment as required by the Geneva Conventions of 1929. This particular pass was a belonging of Sergeant John B. Hancock (1913-1944), an American soldier. Hancock born in Thomasville, Georgia, in 1913, but later migrated to Auburndale, Florida. He enlisted in the 45th Infantry Division's 179th Infantry Regiment. Sgt. Hancock served initially in Africa in 1943, until the 45th Infantry Division's participation in Operation Husky for the Allied invasion of Sicily, codenamed Operation Husky. The division then went on to participate in the Allied invasion of Italy, where Sgt. Hancock was injured. He was returned to duty in February of 1944 to tour southern France. On November 1, 1944, Sgt. Hancock went Missing in Action (MIA) after serving in the Allied invasion of Southern France, codenamed Operation Dragoon. He was eventually buried in Epinal American Cemetery and Memorial in Dinozé, France.</text>
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                <text>Captain William H. Smith was born on November 28, 1920, the youngest of three children to John Seward Smith and Eva Wilds Smith. The Smith family lived at 419 Smith Street in Jacksonville, Florida. Three days before his twentieth birthday, Smith enlisted in the U.S. Army as a private from Jacksonville, Florida. He became a member of the combat infantry of the 63rd Division, 255th Infantry Regiment. Capt. William H. Smith was killed in action on January 3, 1945, in the Ardennes region, repelling German forces during Operation Nordwind, the last German offensive of the war. After his death, Capt. Smith was awarded the Combat Infantrymen Badge, effective January 2, 1945, as well as a Bronze Star and Purple Heart for his sacrifice.  He is buried in the Epinal war cemetery in Lorraine, France.</text>
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                  <text>&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;Florida-France Soldier Stories Project&lt;/a&gt;.</text>
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                  <text>Cepero, Laura</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A list of U.S. Army servicemen reporter either killed or missing during World War II. This particular page shows servicemen from Polk, Putnam, St. Johns, and St. Lucie Counties, Florida. A notable soldier listed in this record is First Lieutenant Frank Black Morgan (1920-1944). 1st Lt. Morgan was born in Greensburg, Pennsylvania, on January 28, 1920, to Samuel Morgan and Edna Grace Morgan. Samuel Morgan was a first generation American of Northern Irish descent, working in the publishing industry as an editor and linotype operation. Edna Morgan (née Black) was a native of Pennsylvania. 1st Lt. Morgan had two older brothers: Samuel Cree Morgan (1909-1990) and James Alexander Morgan (1912-1982). The Morgans owned a home on 17 Clopper Street in Greensburg, where 1st Lt. Morgan resided until he entered active service on April 27, 1942, out of Pittsburgh, Pennsylvania, at the age of 22. 1st Lt. Morgan trained at MacDuill Field, a U.S. Army Air Corps which would become MacDill Air Force Base in Tampa, Florida, and then served with the 555th Bomber Squadron, a unit within the 386th Bomber Group. 1st Lt. Morgan served his country with distinction, earning an Air Medal with Eight Oak Leaf Clusters. He died on December 20, 1944, four days into the Ardennes Counteroffensive, also known as the Battle of the Bulge. His death is listed as non-battle related, suggesting that he may have been one of the many Martin B-26 Marauder crashes at takeoff or upon landing. 1st Lt. Morgan died just before the end of World War II at the age of 24. 1st Lt. Morgan is buried in Plot B, Row 39, Grave 46 at Epinal American Cemetery and Memorial in Dinozé, France. A second memorial was organized by his family is at Parker Presbyterian Cemetery in Parker, Pennsylvania. </text>
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                <text>Digital reproduction of &lt;a href="https://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank"&gt;original record&lt;/a&gt;, 1946: National Archives Identifier 305285, Record Group 407, Modern Military Records LICON, &lt;a href="https://www.archives.gov/research/order/textual-records-dc.html" target="_blank"&gt;Textual Archives Services Division&lt;/a&gt;, National Archives at College Park, College Park, Maryland.</text>
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                <text>Record Group 407, Modern Military Records LICON, &lt;a href="https://www.archives.gov/research/order/textual-records-dc.html" target="_blank"&gt;Textual Archives Services Division&lt;/a&gt;, National Archives at College Park, College Park, Maryland.</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Polk County, Florida</text>
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                <text> Putnam County, Florida</text>
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                <text> St. Johns County, Florida</text>
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                <text> St. Lucie County, Florida</text>
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                <text> Civics/Government Teacher</text>
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          <element elementId="125">
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              <elementText elementTextId="639806">
                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;&lt;li&gt;create derivative works&lt;/li&gt;&lt;li&gt;perform the work publicly&lt;/li&gt;&lt;li&gt;display the work&lt;/li&gt;&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;&lt;/ul&gt;This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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          <element elementId="133">
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                <text>Calligy, Devin</text>
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              <elementText elementTextId="639810">
                <text> Cepero, Laura</text>
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                <text>&lt;a href="http://www.archives.gov/" target="_blank"&gt;National Archives &amp;amp</text>
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                <text> Records Administration&lt;/a&gt;</text>
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              <elementText elementTextId="639813">
                <text> &lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
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            <elementTextContainer>
              <elementText elementTextId="639814">
                <text>"&lt;a href="https://www.archives.gov/dc-metro/college-park" target="_blank"&gt;National Archives at College Park&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="639815">
                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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              <elementText elementTextId="639816">
                <text>GRid=56374382" target="_blank"&gt;1Lt Frank B Morgan&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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              <elementText elementTextId="639817">
                <text>GRid=56374382.</text>
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              <elementText elementTextId="639818">
                <text> "Headstone Inscription and Interment Record for First Lieutenant Frank B. Morgan." RICHES of Central Florida.</text>
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              <elementText elementTextId="639819">
                <text> "&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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              <elementText elementTextId="639820">
                <text>GRid=58136219" target="_blank"&gt;Samuel Morgan&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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              <elementText elementTextId="639821">
                <text>GRid=58136219.</text>
              </elementText>
              <elementText elementTextId="639822">
                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:MG89-24H" target="_blank"&gt;Samuel Morgan, Jr.&lt;/a&gt;" FamilySearch. https://familysearch.org/ark:/61903/1:1:MG89-24H.</text>
              </elementText>
              <elementText elementTextId="639823">
                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:XHHK-PHR" target="_blank"&gt;Frank B Morgan&lt;/a&gt;."  FamilySearch. https://familysearch.org/ark:/61903/1:1:XHHK-PHR.</text>
              </elementText>
              <elementText elementTextId="639824">
                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:KQNX-5LJ" target="_blank"&gt;Frank B Morgan&lt;/a&gt;."  FamilySearch. https://familysearch.org/ark:/61903/1:1:KQNX-5LJ.</text>
              </elementText>
              <elementText elementTextId="639825">
                <text> Haire, Thomas B. &lt;a href="http://www.worldcat.org/oclc/11153124" target="_blank"&gt;&lt;em&gt;The History of a Bombing Outfit</text>
              </elementText>
              <elementText elementTextId="639826">
                <text> The 386th Bomb Group&lt;/em&gt;&lt;/a&gt;. 1945.</text>
              </elementText>
              <elementText elementTextId="639827">
                <text> "&lt;a href="https://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank"&gt;WWII Army Casualties: Florida&lt;/a&gt;."  National Archives. https://www.archives.gov/research/military/ww2/army-casualties/florida.html.</text>
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      <tag tagId="51018">
        <name>A. C. Miller</name>
      </tag>
      <tag tagId="50999">
        <name>Albert C. Ramsey</name>
      </tag>
      <tag tagId="50913">
        <name>Anderson M. Smith</name>
      </tag>
      <tag tagId="50948">
        <name>Andrew B. Bostic</name>
      </tag>
      <tag tagId="50926">
        <name>Ansley E. Thompson</name>
      </tag>
      <tag tagId="50871">
        <name>Arthur F. Mathews</name>
      </tag>
      <tag tagId="50988">
        <name>Barney Jackson</name>
      </tag>
      <tag tagId="50949">
        <name>Benjamin P. Calhoun</name>
      </tag>
      <tag tagId="50914">
        <name>Bernard P. Smith</name>
      </tag>
      <tag tagId="51000">
        <name>Billy B. Roche</name>
      </tag>
      <tag tagId="50865">
        <name>Bradley S. Long</name>
      </tag>
      <tag tagId="50991">
        <name>Buel A. Mickler</name>
      </tag>
      <tag tagId="50903">
        <name>Caesar Richardville</name>
      </tag>
      <tag tagId="50977">
        <name>Carl D. Cannon</name>
      </tag>
      <tag tagId="50877">
        <name>Carl E. Meloy</name>
      </tag>
      <tag tagId="51022">
        <name>Carl E. Rogers</name>
      </tag>
      <tag tagId="50868">
        <name>Carl R. Madebach</name>
      </tag>
      <tag tagId="50934">
        <name>Carrol E. Watson</name>
      </tag>
      <tag tagId="50987">
        <name>Charles R. Hill</name>
      </tag>
      <tag tagId="50882">
        <name>Charles R. Mosbey</name>
      </tag>
      <tag tagId="50940">
        <name>Charlie T. Wilson</name>
      </tag>
      <tag tagId="50860">
        <name>Charnelle P. Larsen</name>
      </tag>
      <tag tagId="50898">
        <name>Clennie L. Randolph</name>
      </tag>
      <tag tagId="50955">
        <name>Clifford J. Hunter</name>
      </tag>
      <tag tagId="50937">
        <name>Clifton E. Whitener</name>
      </tag>
      <tag tagId="50994">
        <name>Clinston S. Pacetti, Jr.</name>
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      <tag tagId="51016">
        <name>Courtney U. Lelly</name>
      </tag>
      <tag tagId="50889">
        <name>D. M. Palhe</name>
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      <tag tagId="50915">
        <name>Daniel A. Smith</name>
      </tag>
      <tag tagId="50897">
        <name>Daniel Radford</name>
      </tag>
      <tag tagId="50954">
        <name>Donald F. Furman</name>
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      <tag tagId="50963">
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        <name>James West</name>
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        <name>John H. Payne</name>
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        <name>John H. Reeves</name>
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        <name>John H. Stephens, Jr.</name>
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        <name>John J. McDonald</name>
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        <name>John P. Browning</name>
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        <name>John W. Tucker</name>
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        <name>Johnnie F. Mitchell</name>
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        <name>Johnnie M. Sykes</name>
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        <name>Jorn Robinson, Jr.</name>
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        <name>Joseph Pinkoson</name>
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        <name>Joseph S. Tate, Jr.</name>
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        <name>Joseph Walker</name>
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        <name>Julius H. Wilkinson</name>
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        <name>Karl R. Petrey</name>
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        <name>Kenneth W. Woods</name>
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        <name>Lawrence Wilson</name>
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        <name>Leon C. Rutledge, Jr.</name>
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        <name>Lester J. Stokes</name>
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        <name>Lewis A. Reeves</name>
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        <name>Lloyd Ward</name>
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        <name>Lonnie A. Stewart</name>
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        <name>Lonnie B. Swilley</name>
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        <name>Louis H. Pollock</name>
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        <name>Luke R. Mosley</name>
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        <name>Manley Black</name>
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        <name>Marion R. Brown</name>
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        <name>Max Denton, Jr.</name>
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        <name>Meredith M. Mills, Jr.</name>
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        <name>Millard H. Patrick</name>
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        <name>Moses Robinson</name>
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        <name>Ornial C. Leedom, Jr.</name>
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        <name>Oscar M. Williams</name>
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        <name>Ossie D. Dobson, Jr.</name>
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        <name>Park M. Prine</name>
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        <name>Paul Knoppke</name>
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        <name>Perry Marchant</name>
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        <name>Philip G. Bersch</name>
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        <name>Philip L. Brinson</name>
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        <name>Raymond H. Phillips</name>
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        <name>Reginald E. Bradley</name>
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        <name>Richard R. Murray, Jr.</name>
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        <name>Robert Daugherty</name>
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        <name>Robert E. Sullivan</name>
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        <name>Robert L. Thomas</name>
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        <name>Robert Sharpe</name>
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        <name>Robert V. Stevenson</name>
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        <name>Roy L. Saye</name>
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        <name>Vernon W. McDonald</name>
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        <name>veterans</name>
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        <name>W. H. Seegmiller</name>
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        <name>Woodrow N. Worth</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>World War II Honor List of Dead and Missing Military Personnel from Pinellas and Polk Counties</text>
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                <text> Veterans--Florida</text>
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                <text> Army</text>
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              <elementText elementTextId="636020">
                <text>A list of U.S. Army servicemen reporter either killed or missing during World War II. This particular page shows servicemen from Pinellas and Polk Counties, Florida. A notable soldier listed in this record is Sergeant John B. Hancock (1913-1944), who was born in Thomasville, Georgia, in 1913, but later migrated to Auburndale, Florida. Hancock managed a Great Atlantic &amp;amp</text>
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              <elementText elementTextId="636021">
                <text> Pacific Tea Company (A&amp;amp</text>
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              <elementText elementTextId="636022">
                <text>P) store in Haines City until he enlisted in the 45th Infantry Division's 179th Infantry Regiment. Sgt. Hancock served initially in Africa in 1943, until the 45th Infantry Division's participation in Operation Husky for the Allied invasion of Sicily, codenamed Operation Husky. The division then went on to participate in the Allied invasion of Italy, where Sgt. Hancock was injured. He was returned to duty in February of 1944 to tour southern France. On November 1, 1944, Sgt. Hancock went Missing in Action (MIA) after serving in the Allied invasion of Southern France, codenamed Operation Dragoon. He was eventually buried in Epinal American Cemetery and Memorial in Dinozé, France.</text>
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                <text>Digital reproduction of &lt;a href="https://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank"&gt;original record&lt;/a&gt;, 1946: National Archives Identifier 305285, Record Group 407, Modern Military Records LICON, &lt;a href="https://www.archives.gov/research/order/textual-records-dc.html" target="_blank"&gt;Textual Archives Services Division&lt;/a&gt;, National Archives at College Park, College Park, Maryland.</text>
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                <text>Record Group 407, Modern Military Records LICON, &lt;a href="https://www.archives.gov/research/order/textual-records-dc.html" target="_blank"&gt;Textual Archives Services Division&lt;/a&gt;, National Archives at College Park, College Park, Maryland.</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text> Polk County, Florida</text>
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                <text>Hughes, Linda</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A list of U.S. Army servicemen reporter either killed or missing during World War II. This particular page shows servicemen from Manatee, Marion, Martin, Monroe, Nassau, and Okaloosa Counties, Florida. A notable soldier listed in this record is Sergeant John F. Aylward, Jr. (1912-1944), who died on November 3, 1944, while serving in World War II. Also known as Jack, Sgt. Aylward was a part of the Headquarters Company within the 6th Armored Division, nicknamed the Super Sixth. Sgt. Aylward was originally from Ocala, Florida, and is interred at Epinal American Cemetery and Memorial in Dinozé, France.</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;&lt;li&gt;create derivative works&lt;/li&gt;&lt;li&gt;perform the work publicly&lt;/li&gt;&lt;li&gt;display the work&lt;/li&gt;&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;&lt;/ul&gt;This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A list of U.S. Army servicemen reported either killed or missing during World War II. This particular page shows servicemen from Hendry, Hernando, Highlands, and Hillsborough Counties, Florida. A notable soldier listed in this record is Willis H. Hawkins (ca. 1919-1944). Hawkins lived in Istachatta for much of his life and was educated up through grammar school. He worked as a semi-skilled driver or chauffeur until he enlisted in the U.S. Army on October 20, 1943. Private Hawkins served in the 3rd Infantry Division's 3rd Reconnaissance Troop. The 3rd Division participated in Operation Dragoon, in which the Allies invaded southern France, and then traveled North towards the Rhineland. Pvt. Hawkins was Killed in Action on November 2, 1944. He was awarded a Purple Heart for his service and was buried at Epinal American Cemetery and Memorial in Dinozé, France.</text>
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                <text>Digital reproduction of &lt;a href="https://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank"&gt;original record&lt;/a&gt;, 1946: National Archives Identifier 305285, Record Group 407, Modern Military Records LICON, &lt;a href="https://www.archives.gov/research/order/textual-records-dc.html" target="_blank"&gt;Textual Archives Services Division&lt;/a&gt;, National Archives at College Park, College Park, Maryland.</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text> Hernando County, Florida</text>
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                <text> Highlands County, Florida</text>
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                <text> Hillsborough County, Florida</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;&lt;li&gt;create derivative works&lt;/li&gt;&lt;li&gt;perform the work publicly&lt;/li&gt;&lt;li&gt;display the work&lt;/li&gt;&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;&lt;/ul&gt;This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text> Cepero, Laura</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>GRid=56372895" target="_blank"&gt;Pvt Willis H Hawkins&lt;/a&gt;." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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                <text>GRid=56372895.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:MNY2-1KS" target="_blank"&gt;Willis H Hawkins&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:MNY2-1KS.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:SRBG-5ZM" target="_blank"&gt;Willis H Hawkins&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:SRBG-5ZM..</text>
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                <text>World War II Honor List of Dead and Missing Military Personnel from Duval and Escambia Counties</text>
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                <text>World War II Honor List of Dead and Missing</text>
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                <text> Veterans--Florida</text>
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                <text> Army</text>
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                <text>A list of U.S. Army servicemen reported either killed or missing during World War II. This particular page shows servicemen from Duval and Escambia Counties, Florida. A notable soldier listed in this record is Captain William H. Smith (1920-1945). Smith was born on November 28, 1920, as the youngest of three children to John Seward Smith and Eva Wilds Smith. The Smiths lived at 419 Smith Street in Jacksonville, Florida. Three days before his 20th birthday, Smith enlisted in the U.S. Army to serve during World War II. He became a member of the combat infantry of the 63rd Infantry Division's 255th Infantry Regiment. Capt. Smith was Killed in Action (KIA) on January 3, 1945, in the Ardennes region, repelling German forces during Operation Nordwind, the last German offensive of the war. After his death, Capt. Smith was awarded the Combat Infantrymen Badge, effective January 2, 1945, as well as a Bronze Star and Purple Heart for his sacrifice. He is buried at Epinal American Cemetery and Memorial in Dinozé, France.</text>
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                <text>Digital reproduction of &lt;a href="https://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank"&gt;original record&lt;/a&gt;, 1946: National Archives Identifier 305285, Record Group 407, Modern Military Records LICON, &lt;a href="https://www.archives.gov/research/order/textual-records-dc.html" target="_blank"&gt;Textual Archives Services Division&lt;/a&gt;, National Archives at College Park, College Park, Maryland.</text>
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                <text>Record Group 407, Modern Military Records LICON, &lt;a href="https://www.archives.gov/research/order/textual-records-dc.html" target="_blank"&gt;Textual Archives Services Division&lt;/a&gt;, National Archives at College Park, College Park, Maryland.</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text> Escambia County, Florida</text>
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        <name>Thomas M. Loggins</name>
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        <name>Tilghman C. Williams</name>
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        <name>Vernice H. Young</name>
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        <name>Vernon E. Waters</name>
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        <name>Virgil S. Stripling</name>
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        <name>Wallace W. Thornton</name>
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        <name>Walter H. Cook</name>
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        <name>Walter Nelson</name>
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        <name>William J. Hawthorne</name>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A list of U.S. Army servicemen reporter either killed or missing during World War II. This particular page shows servicemen from Alachua, Baker, Bay, Bradford and Brevard Counties, Florida. A notable soldier listed in this record is Private Van Buren Porcher (d. 1944), who was born in Alachua County, Florida. Porcher was married twice in Gainesville: first to Taresa May Aldridge in 1933 and then to Hattie Smith in 1939. After enlistment, Pvt. Porcher was assigned to the U.S. Army's 448th Quartermaster Troop Transport Company on May 28, 1943. While serving in World War II, Pvt. Porcher was Killed in Action (KIA) on September, 2, 1944. He is currently buried at Epinal American Cemetery and Memorial in Dinozé, France.</text>
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                <text>Digital reproduction of &lt;a href="https://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank"&gt;original record&lt;/a&gt;, 1946: National Archives Identifier 305285, Record Group 407, Modern Military Records LICON, &lt;a href="https://www.archives.gov/research/order/textual-records-dc.html" target="_blank"&gt;Textual Archives Services Division&lt;/a&gt;, National Archives at College Park, College Park, Maryland.</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text> Bay County, Florida</text>
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                <text> Bradford County, Florida</text>
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                <text> Brevard County Florida</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;&lt;li&gt;create derivative works&lt;/li&gt;&lt;li&gt;perform the work publicly&lt;/li&gt;&lt;li&gt;display the work&lt;/li&gt;&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;&lt;/ul&gt;This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text> Cepero, Laura</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>GRid=56374900" target="_blank"&gt;Pvt Van B Porcher&lt;/a&gt;." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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                <text>GRid=56374900.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:VRZ9-JLY" target="_blank"&gt;Van Buren Porcher&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:VRZ9-JLY.</text>
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                <text> "&lt;a href="https://familysearch.org/ark:/61903/1:1:VRZ6-879" target="_blank"&gt;Van Buren Porcher&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:VRZ6-879.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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 Private Willis H. Hawkins was a resident of Istachatta. (ca. 1919-1944)  Private Willis H. Hawkins lived in Istachatta for much of his life and was educated up to Grammar School and worked as a semi-skilled driver or chauffeur. Private Hawkins enlisted on October 20th, 1943. Private Hawkins was a member of the 3rd Infantry Division and the 3rd Reconnaissance Troop. The 3rd Division participated in the Invasion of France through the South and traveled North towards the Rhine. Willis H. Hawkins was killed in action on November 2, 1944. Willis H. Hawkins was awarded by the Army a Purple Heart for his service and was buried in Epinal American Cemetery in France.</text>
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                  <text>Barnes, Mark </text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A list of U.S. Army servicemen reporter either killed or missing during World War II. This particular page shows servicemen from Palm Beach County, Pasco County, and Pinellas County, Florida. A notable soldier listed in this record is Private Hubert Cody Gibson (1921-1945), who was designated DOW, meaning that he died of wounds sustained during his service. Pvt. Gibson was born on June 16, 1921, in Sandersville, Georgia, to Frank Elizah Gibson and Jeanette Buelah Brantley. Pvt. Gibson enlisted in the U.S. Army in Florida as a private in the 191st Tank Battalion Division. He was wounded in action while he was deployed in France, and on May 10, 1945, he passed away. According to a listing of deaths from Palm Beach County, Pvt. Gibson was listed as passing away due to the wounds that he received. Pvt. Gibson was awarded a Purple Heart for his heroics, and buried at the Epinal American Cemetery and Memorial in Dinoz&amp;eacute;, France.</text>
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                <text>Original census record by Birdie Lightfoot, April 16, 1940: &lt;a href="http://www.archives.gov/" target="_blank"&gt;National Archives &amp;amp; Records Administration&lt;/a&gt;, Washington, D.C.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:
&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;
&lt;li&gt;create derivative works&lt;/li&gt;
&lt;li&gt;perform the work publicly&lt;/li&gt;
&lt;li&gt;display the work&lt;/li&gt;
&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;
&lt;/ul&gt;
This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A list of US Army servicemen who were reported killed or missing during World War II. This page shows servicemen from Alachua County, Baker County, Bay County, Bradford County, and Brevard County. A notable individual in this document is Private Van Buren Porcher, who was a United States army soldier during World War II. Born in and enlisting from Alachua County, Florida, Porcher was assigned to the 448th Quartermaster Truck company on May 28, 1943. After over a year of service, Porcher died on September, 2, 1944. He is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. Porcher is one of 85 Florida residents interned at Epinal. </text>
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                <text>A battle map of major battles fought by the 63rd Infantry Division, nicknamed "Blood and Fire," during World War II. One notable member of this regiment was Captain William H. Smith (1920-1945). Smith was born on November 28, 1920, as the youngest of three children to John Seward Smith and Eva Wilds Smith. The Smiths lived at 419 Smith Street in Jacksonville, Florida. Three days before his 20th birthday, Smith enlisted in the U.S. Army to serve during World War II. He became a member of the combat infantry of the 63rd Infantry Division's 255th Infantry Regiment. Capt. Smith was Killed in Action (KIA) on January 3, 1945, in the Ardennes region, repelling German forces during Operation Nordwind, the last German offensive of the war. After his death, Capt. Smith was awarded the Combat Infantrymen Badge, effective January 2, 1945, as well as a Bronze Star and Purple Heart for his sacrifice. He is buried at Epinal American Cemetery and Memorial in Dinozé, France.</text>
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&#13;
A notable name listed was First Lieutenant Frank B. Morgan (ca. 1920-1944); there is little evidence linking him to Florida.  1st LT. Frank B. Morgan was born in Greensburg, Pennsylvania on January 28, 1920, to Samuel and Edna Grace Morgan. Samuel Morgan was a first generation American of Northern Irish descent, working in the publishing industry as an editor and linotype operation. Edna Grace Morgan (née Black) was a native of Pennsylvania and appeared to be a housewife based on census evidence. Frank was the youngest of three boys, his siblings were Samuel Cree Morgan (1909-1990) and James Alexander Morgan (1912-1982). The Morgan’s owned a home on 17 Clopper Street in Greensburg, where Frank would reside until he entered active service. On December 6th 1939, Frank’s father passed at the age of 71; he was 19 at the time. Available records do not reveal whether 1st LT. Morgan (O-750431) entered the military by draft or enlistment; however, records reveal that he entered active service on April 27, 1942, out of Pittsburgh, Pennsylvania at the age of 22. Leaving out of McDill, 1st LT. Morgan served with the 555th Bomber Squadron, a unit within the 386th Bomber Group. 1st LT. Morgan served his country with distinction, earning an Air Medal with Eight Oak Leaf Clusters. He died on December 20, 1944, four days into the Ardennes campaign. His death is listed as non-battle related, suggesting that he may have been one of the many B-26 crashes at takeoff, or upon landing. 1st LT. Morgan died just before the of the war at the age of 24. Morgan rest at Plot B Row 39 Grave 46 in Epinal American Cemetery France; a second memorial was organized by his family is at Parker Presbyterian Cemetery in Pennsylvania. </text>
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Record Group 407: Records of the Adjutant General's Office, 1905 - 1981. National Archives Identifier:	305285</text>
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                <text>Morgan, Samuel, 1868-1939. Find A Grave - Millions of Cemetery Records and Online Memorials. Findagrave.com (http://findagrave.com: accessed October 15 October 2016.) &#13;
Morgan, Frank, 1920-1944. Find A Grave - Millions of Cemetery Records and Online Memorials. Findagrave.com (http://findagrave.com: accessed 15 October 2016.)&#13;
United States, Bureau of the Census (20 April 1910).1910 U.S. Federal Census: Samuel &#13;
Morgan Jr. Family. p.10 Edna G. Morgan, Samuel Cree Morgan. Greensburg Ward 1, Westmoreland, Pennsylvania; dwelling 71, family 71. Page: 5B; Enumeration District: 0127; FHL microfilm: 1375442. Ancestry.com (http://ancestry.com: accessed 15 October 2016). &#13;
United States, Bureau of the Census (16 April 1930). 1930 U.S. Federal Census: &#13;
Samuel Morgan Jr. Family. p.18 Edna G. Morgan, Samuel Cree Morgan, James A Morgan, Frank B. Morgan. Greensburg Ward 1, Westmoreland, Pennsylvania; house 17, dwelling 196, family 224. Page: 9B; Enumeration District: 0032; Image: 19.0; FHL microfilm: 2341890. Ancestry.com (http://ancestry.com: accessed 15 October 2016).&#13;
United States, Bureau of the Census (15 April 1940). 1940 U.S. Federal Census: &#13;
Edna G. Morgan Family. p.23, Samuel Cree Morgan, Frank B. Morgan. Greensburg Ward 1, Westmoreland, Pennsylvania; house 17, dwelling 281, Page: 12A; Enumeration District: 65-46. Ancestry.com (http://ancestry.com: accessed 15 October 2016).&#13;
United States, European Theater Office of Theater Censor (3 July 1945). A History of a &#13;
Bombing Outfit: The 386th Bomb Group. B26.com (https://b26.com: accessed 15 October 2016).&#13;
United States, Headstone Inscription and Interment Records for U.S. Military Cemeteries on &#13;
Foreign Soil, 1942–1949. Series A1 43, NAI ID: 7408555. Records of the American Battle Monuments Commission, 1918–ca. 1995. Record Group 117. The National Archives at Washington, D.C. Ancestry.com (http://ancestry.com: accessed 15 October 2016).&#13;
United States, The National Archives. World War II Honor List of Dead and Missing Army and Army &#13;
Air Forces Personnel from Florida, 1946. Fold3.com (http://fold3.com: accessed 15 October 2016).&#13;
United States, Selective Service System. Selective Service Registration Cards, World &#13;
War II: Fourth Registration. Draft Registration Cards for Pennsylvania (1940-1947); Frank B. Morgan. Records of the Selective Service System, Record Group Number 147. National Archives and Records Administration. Fold3.com (http://fold3.com: accessed 15 October 2016). &#13;
United States, World War Two Veterans’ Compensation Bureau. World War II Veterans &#13;
Compensation Applications, circa 1950s: Records of the Department of Military and Veterans Affairs, Record Group 19, Series 19.92 (877 cartons). Pennsylvania Historical and Museum Commission, Harrisburg, Pennsylvania. Ancestry.com (http:ancestry.com: accessed 15 October 2016).</text>
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                <text>World War II Alabamians Killed in Action: Aquilla A. Calhoun, Jr.</text>
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                <text>A record announcing the death of Captain Aquilla A. Calhoun, Jr., a native of Panama City, Florida. Capt. Calhoun attended the University of Florida (UF) and graduated with a Bachelor of Arts. It was upon his graduation that Capt. Calhoun enlisted as a second lieutenant in the U.S. Army Reserves. Upon his enlistment, he entered the 92nd Field Artillery's 2nd Armored Division in Fort Benning, Georgia. His unit gained the nickname the Brave Cannons, which has stuck throughout the 92nd Field Artillery's career. With the intensification of World War II, the Allied began to execute the Omaha Beach Normandy Invasion in June of 1944. After the invasion, Capt. Calhoun made his way to Northern France, where he played a vital role in the liberation of Bresles, a commune in the Picardie region of France. Capt. Calhoun died during his service in France and is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. Calhoun is one of 85 Florida residents interned at Epinal. His death led to the creation of a tribute site and memorial in his honor in Bristles.</text>
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&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;
&lt;li&gt;create derivative works&lt;/li&gt;
&lt;li&gt;perform the work publicly&lt;/li&gt;
&lt;li&gt;display the work&lt;/li&gt;
&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;
&lt;/ul&gt;
This resources is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>David, Powell. "&lt;a href="http://www.bravecannons.org/History/red_devil.html" target="_blank"&gt;Unit History: The 1/92nd Field Artillery Association - Vietnam&lt;/a&gt;." Brave Cannons. Accessed March 21, 2016. http://www.bravecannons.org/History/red_devil.html.</text>
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                <text>"&lt;a href="https://www.newspapers.com/image/39103540/?terms=Calhoun" target="_blank"&gt;To Receive Degree from U. of Florida&lt;/a&gt;." &lt;em&gt;The Panama City News-Herald&lt;/em&gt;, January 18, 1942. https://www.newspapers.com/image/39103540/?terms=Calhoun.</text>
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                <text>"&lt;a href="https://www.newspapers.com/image/39092405/?terms=Calhoun" target="_blank"&gt;Miss Lillian Luke Becomes Bride of Lt. A. A. Calhoun In Lovely Eufaula Ceremony&lt;/a&gt;." &lt;em&gt;The Panama City News-Herald&lt;/em&gt;, January 18, 1942. https://www.newspapers.com/image/39092405/?terms=Calhoun.</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The draft registration card for Claude Haskell Maddox, Sr. (b. 1895), who enlisted in the U.S. military during World War I. According to the registration card, Maddox was born on May 29, 1895, and was residing in Munson, Florida. Maddox later married Nita P. Maddox and had three children: Private James Robert Maddox (1924-1944), William Maddox, and Claude Haskell Maddox, Jr. I 1930, the Maddox family was residing in Columbia, South Carolina, but migrated to Tallahassee sometime before 1940. Maddox's oldest son, Pvt. James Maddox served in the U.S. Army's 15th Infantry Regiment of the 3rd Infantry Division during World War II and was Killed in Action (KIA) on October 9, 1944 and subsequently buried at the Epinal American Cemetery and Memorial in Dinozé, France.</text>
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&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;
&lt;li&gt;create derivative works&lt;/li&gt;
&lt;li&gt;perform the work publicly&lt;/li&gt;
&lt;li&gt;display the work&lt;/li&gt;
&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;
&lt;/ul&gt;
This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Stanley, Allison</text>
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              <elementText elementTextId="637356">
                <text> Cepero, Laura</text>
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                <text>&lt;a href="https://familysearch.org/" target="_blank"&gt;FamilySearch&lt;/a&gt;</text>
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              <elementText elementTextId="637358">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:K35X-3QR" target="_blank"&gt;Claude Haskell Maddox&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:K35X-3QR.</text>
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                <text>GRid=56373914" target="_blank"&amp;gt;Pvt James R Maddox." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;amp</text>
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                <text>GRid=56373914.</text>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:SPZC-N6W" target="_blank"&gt;Bobbie Maddox&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:SPZC-N6W.</text>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:VTCM-11F" target="_blank"&gt;J Robert Maddox&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTCM-11F.</text>
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                  <text>Rock Collection</text>
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                  <text>Rock Collection</text>
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              <name>Subject</name>
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                  <text>Lakeland (Fla.)</text>
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                  <text>Maitland (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Knickerbocker, Carl</text>
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                <elementText elementTextId="524809">
                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Type</name>
              <description/>
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              <name>Coverage</name>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                <elementText elementTextId="523500">
                  <text>Enzian Theater, Maitland, Florida</text>
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                <elementText elementTextId="523501">
                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                <elementText elementTextId="523502">
                  <text>Lakeland Civic Center, Lakeland, Florida</text>
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                  <text>Orlando-Seminole Jai Alai Fronton, Fern Park, Florida</text>
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                <elementText elementTextId="523840">
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="523504">
                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="524806">
                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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              <name>Language</name>
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                  <text>eng</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
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              <text>1 black and white newspaper photograph</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>World Teenage Show 1966 Top Champions</text>
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                <text>World Teenage Show</text>
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            <description/>
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                <text>Young Rascals (Musical group)</text>
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              <elementText elementTextId="551469">
                <text> Rascals (Musical group)</text>
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              <elementText elementTextId="551470">
                <text> Tropics (Musical group)</text>
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              <elementText elementTextId="551471">
                <text> Tampa (Fla.)</text>
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              <elementText elementTextId="551472">
                <text> Music--Florida</text>
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                <text> Rock bands--Florida</text>
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              <elementText elementTextId="551474">
                <text> Rock music--United States</text>
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              <elementText elementTextId="551475">
                <text> Rhythm and blues music--United States</text>
              </elementText>
              <elementText elementTextId="551476">
                <text> R&amp;B (Music)</text>
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              <elementText elementTextId="551477">
                <text> Musicians--Southern States</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
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              <elementText elementTextId="551478">
                <text>A newspaper photograph from &lt;em&gt;The Tampa Times&lt;/em&gt; on January 4, 1968, describing a concert with the bands The Tropics and The Rascals. In this photograph, a large banner hangs from the upper level that reads, "WORLD TEENAGE SHOW 1966 TOP CHAMPIONS," and "INTERNATIONAL BATTLE OF THE BANDS WINNERS."&lt;br /&gt;&lt;br /&gt;The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's &lt;em&gt;American Bandstand&lt;/em&gt;, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.</text>
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            <name>Type</name>
            <description/>
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                <text>Still Image</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
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                <text>Original newspaper article. "Tropics, Rascals--Fans Love 'Em." &lt;em&gt;The Tampa Times&lt;/em&gt;, January 4, 1968: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="551482">
                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original newspaper article: Author unknown. &lt;a href="http://www.tampabaymusichistory.com/resources/15743_215140827836_215085887836_4171118_2836496_n.jpg" target="_blank"&gt;http://www.tampabaymusichistory.com/resources/15743_215140827836_215085887836_4171118_2836496_n.jpg&lt;/a&gt;.</text>
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            <name>Coverage</name>
            <description/>
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                <text>Tampa, Florida</text>
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              <elementText elementTextId="551487">
                <text> McCormick Place, Chicago, Illinois</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
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              <elementText elementTextId="551488">
                <text>&lt;a href="http://www.tampabay.com/" target="_blank"&gt;&lt;em&gt;The Tampa Times&lt;/em&gt;&lt;/a&gt;</text>
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              <elementText elementTextId="551489">
                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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            <name>Date Created</name>
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              <elementText elementTextId="551490">
                <text>ca. 1968-01-04</text>
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            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="551491">
                <text>1968-01-04</text>
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            <name>Format</name>
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            <name>Extent</name>
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            <description/>
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              <elementText elementTextId="551495">
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            <name>Mediator</name>
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                <text>History Teacher</text>
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              <elementText elementTextId="551497">
                <text> Humanities Teacher</text>
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                <text> Music Teacher</text>
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            <name>Provenance</name>
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                <text>Published digitally by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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              <elementText elementTextId="551500">
                <text>Copyright to this resource is held by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Cravero, Geoffrey</text>
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            <description/>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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              <elementText elementTextId="551504">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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              <elementText elementTextId="551506">
                <text>Jones, Martin. &lt;a href="http://www.worldcat.org/oclc/759863392" target="_blank"&gt;&lt;em&gt;Lovers Buggers &amp;amp; Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1&lt;/em&gt;&lt;/a&gt;. Manchester: Headpress, 2005.</text>
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              <elementText elementTextId="551507">
                <text>"&lt;a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank"&gt;The Tropics&lt;/a&gt;." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php.</text>
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        <name>Battle of the Bands</name>
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      <tag tagId="20999">
        <name>blue-eyed soul</name>
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      <tag tagId="13000">
        <name>Chicago, Illinois</name>
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      <tag tagId="22691">
        <name>classic rock</name>
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      <tag tagId="27016">
        <name>Columbia Records</name>
      </tag>
      <tag tagId="27017">
        <name>Dryer, Mel</name>
      </tag>
      <tag tagId="27032">
        <name>International Battle of the Bands</name>
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      <tag tagId="27033">
        <name>McCormick Place</name>
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                  <text>Cape Canaveral Air Force Station (Fla.)</text>
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                <elementText elementTextId="536494">
                  <text>National Aeronautics and Space Administration (U.S.)</text>
                </elementText>
                <elementText elementTextId="536495">
                  <text>NASA</text>
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                <elementText elementTextId="536496">
                  <text>John F. Kennedy Space Center</text>
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                <elementText elementTextId="536497">
                  <text>Kennedy Space Center</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="536498">
                  <text>Collection of images, documents, and other archival items donated by Dr. Calvin "Cal" D. Fowler, who was the manager of Cape Canaveral Air Force Station Launch Complex 14 during the final three launches of Project Mercury. </text>
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            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="536499">
                  <text>Fowler, Calvin "Cal" D.</text>
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                <elementText elementTextId="536500">
                  <text>&lt;a href="http://srealserver.eecs.ucf.edu/chronopoints/" target="_blank"&gt;Chronopoints&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="536501">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/148" target="_blank"&gt;Florida Space Coast History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="536502">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="536503">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="536504">
                  <text>Cape Canaveral Air Force Station, Cape Canaveral, Florida</text>
                </elementText>
                <elementText elementTextId="536505">
                  <text>General Dynamics/Astronautics, Cocoa Beach, Florida</text>
                </elementText>
                <elementText elementTextId="536506">
                  <text>John F. Kennedy Space Center, Merritt Island, Florida</text>
                </elementText>
                <elementText elementTextId="536507">
                  <text>Patrick Air Force Base, Florida</text>
                </elementText>
                <elementText elementTextId="536508">
                  <text>Covair/Astronautics, Mission Training Center, Port Canaveral, Florida</text>
                </elementText>
                <elementText elementTextId="536509">
                  <text>U.S. Space Walk of Fame Museum, Titusville, Florida</text>
                </elementText>
                <elementText elementTextId="536510">
                  <text>Daytona Beach, Florida</text>
                </elementText>
                <elementText elementTextId="536511">
                  <text>George C. Marshall Space Flight Center, Redstone Arsenal, Hunstville, Alabama</text>
                </elementText>
                <elementText elementTextId="536512">
                  <text>Space Systems Division Headquarters, Air Force Systems Command, United States Air Force, El Segundo, California</text>
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                <elementText elementTextId="536513">
                  <text>General Dynamics/Astronautics Factory, San Diego, California</text>
                </elementText>
                <elementText elementTextId="536514">
                  <text>Manned Spacecraft Center, Houston, Texas</text>
                </elementText>
                <elementText elementTextId="536515">
                  <text>Space Center Houston, Houston, Texas</text>
                </elementText>
                <elementText elementTextId="536516">
                  <text>Fairchild Air Force Base, Washington</text>
                </elementText>
                <elementText elementTextId="536517">
                  <text>Francis E. Warren Air Force Base, Wyoming</text>
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                <elementText elementTextId="536518">
                  <text>Valley Forge, Pennsylvania</text>
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            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="536519">
                  <text>&lt;a href="http://virtualheritage.ist.ucf.edu/cchp/" target="_blank"&gt;Florida Space Coast History Project&lt;/a&gt;</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
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                <elementText elementTextId="536520">
                  <text>Michlowitz, Robert</text>
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                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
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              <elementTextContainer>
                <elementText elementTextId="536522">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="536523">
                  <text>"&lt;a href="http://www-pao.ksc.nasa.gov/history/mercury/mercury-overview.htm"&gt;Project Mercury Overview&lt;/a&gt;." John F. Kennedy Space Center, National Aeronautics and Space Administration. http://www-pao.ksc.nasa.gov/history/mercury/mercury-overview.htm.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Workstation Containing Analog Electronics in Rack at the Cape Canaveral Air Force Station Launch Complex 14 Blockhouse</text>
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            <name>Alternative Title</name>
            <description/>
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              <elementText elementTextId="532211">
                <text>Analog Electronics at Launch Complex 14 Blockhouse</text>
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            <name>Subject</name>
            <description/>
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                <text>Cape Canaveral (Fla.)</text>
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                <text> Cape Canaveral Air Force Station (Fla.)</text>
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                <text> National Aeronautics and Space Administration (U.S.)</text>
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                <text> Project Mercury (U.S.)</text>
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            <name>Description</name>
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                <text>&lt;div&gt;Used during the launches of the Mercury-Atlas rockets&lt;span&gt;—&lt;/span&gt;from the first American to orbit earth, John Glenn (b. 1921), to the last Project Mercury flight with Gordon Cooper (1927-2004), Jr.&lt;span&gt;—&lt;/span&gt;this was one of the workstations in the blockhouse at Launch Complex 14 (LC-14). Electronic equipment used in the LC-14 Blockhouse was placed in racks to maximize space utilization, similar to what one might see today in a computer server room. One main difference is that the electronics of Project Mercury era were analog rather than digital, and the displays and controls were analog as well, such as analog meters and knobs.&lt;/div&gt;</text>
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                <text>Still Image</text>
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            <name>Source</name>
            <description/>
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              <elementText elementTextId="532221">
                <text>Original black and white photographic print: Private Collection of Dr. Calvin D. Fowler.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="532222">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/149" target="_blank"&gt;Dr. Calvin Fowler Collection&lt;/a&gt;, Florida Space Coast History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original black and white photographic print.</text>
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                <text>Cape Canaveral Air Force Station Launch Complex 14 Blockhouse, Cape Canaveral, Florida</text>
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            <name>Contributor</name>
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              <elementText elementTextId="532225">
                <text>Fowler, Calvin D.</text>
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                <text>&lt;a href="http://srealserver.eecs.ucf.edu/chronopoints/" target="_blank"&gt;Chronopoints&lt;/a&gt;</text>
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              <elementText elementTextId="532227">
                <text>ca. 1962</text>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="532228">
                <text>image/jpg</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="532229">
                <text>168 KB</text>
              </elementText>
              <elementText elementTextId="532230">
                <text> 189 KB</text>
              </elementText>
              <elementText elementTextId="532231">
                <text> 186 KB</text>
              </elementText>
              <elementText elementTextId="532232">
                <text> 181 KB</text>
              </elementText>
              <elementText elementTextId="532233">
                <text> 161 KB</text>
              </elementText>
              <elementText elementTextId="532234">
                <text> 196 KB</text>
              </elementText>
              <elementText elementTextId="532235">
                <text> 189 KB</text>
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              <elementText elementTextId="532236">
                <text> 154 KB</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
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                <text>9 black and white photographic prints</text>
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            <name>Language</name>
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              <elementText elementTextId="532238">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="532239">
                <text>History Teacher</text>
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              <elementText elementTextId="532240">
                <text> Civics/Government Teacher</text>
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              <elementText elementTextId="532241">
                <text> Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally owned by Dr. Calvin D. Fowler.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
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                <text>Copyright to this resource is held by Dr. Calvin D. Fowler and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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            <name>Contributing Project</name>
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              <elementText elementTextId="532245">
                <text>&lt;a href="http://virtualheritage.ist.ucf.edu/cchp/" target="_blank"&gt;Florida Space Coast History Project&lt;/a&gt;</text>
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            <name>Curator</name>
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                <text>Michlowitz, Robert</text>
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                <text> Cepero, Laura</text>
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            <name>Digital Collection</name>
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              <elementText elementTextId="532248">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="532249">
                <text>"&lt;a href="http://www-pao.ksc.nasa.gov/history/mercury/mercury-overview.htm"&gt;Project Mercury Overview&lt;/a&gt;." John F. Kennedy Space Center, National Aeronautics and Space Administration. http://www-pao.ksc.nasa.gov/history/mercury/mercury-overview.htm.</text>
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                <text>NASA&#13;
&#13;
SEQUENCE SYSTEM MONITOR</text>
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                <text>MCE 0727 REVA[?]&#13;
&#13;
MOD-1&#13;
&#13;
PANORAMIC</text>
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                <text>MERCURY INTERCOM&#13;
[?] MONITOR PANEL</text>
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                <text>SPECIAL INSTRUMENTATION (PRIMATE) CONTROL</text>
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                <text>NOBATRON[?]&#13;
&#13;
VOLTS</text>
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                <text>LAMBDA&#13;
REGULATED POWER SUPPLY</text>
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      <tag tagId="22224">
        <name>analog electronics</name>
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      <tag tagId="47555">
        <name>blockhouses</name>
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        <name>Cape Canaveral</name>
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        <name>Cape Canaveral AFS</name>
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        <name>Cape Canaveral Air Force Station</name>
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        <name>electronic equipment</name>
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        <name>electronics racks</name>
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        <name>Launch Complex 14</name>
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        <name>Launch Complex 14 Blockhouse</name>
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        <name>LC-14</name>
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        <name>space exploration</name>
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        <name>space programs</name>
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            <element elementId="50">
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                  <text>Sanford Country Club and Golf Course Collection</text>
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                  <text>Sanford Country Club Collection</text>
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                  <text>Sanford (Fla.)</text>
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                  <text>The Sanford Country Club and Golf Course was originally purchased as a portion of a 20,000-acre tract by General Joseph Finegan for $40. In 1870, Henry Shelton Sanford (1823-1891) purchased the tract and sold some of it in 1878 to Charles Amory. In 1922, the City of Sanford bought 152-acres to design and construct a municipal 18-hole golf course. The course opened in October of 1922 with only four holes available for playing. The remainder of the golf course was opened in September of 1924. From 1927 to 1939, the golf course and country club experienced once of its most successful periods, with visits from some of golf's greatest athletes, such as Gene Sarazen and Walter Hagen.&#13;
&#13;
The club, for a time, saw a state of disrepair and depression. For a short time, the club became the Seminole County Club after renovation in 1945. Then, in the late 1940s, the New York Giants acquired the Mayfair Inn property for Spring Training, which allowed them to take control of the golf course. This led to the most prosperous period of the golf course and country club becoming a part of the PGA tour between 1955 to 1957, seeing players like Arnold Palmer tee-off on the course. Now called the Mayfair Country Club, the club and golf course is located at 3536 Country Club Road in Sanford, Florida.</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/86" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
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                  <text>eng</text>
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                  <text>Collection</text>
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              <name>Coverage</name>
              <description/>
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                  <text>Sanford Country Club and Golf Course, Sanford, Florida</text>
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              <name>Contributing Project</name>
              <description/>
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                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
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                  <text>&lt;a href="http://ufdc.ufl.edu/" target="_blank"&gt;Digital Collections (UFDC)&lt;/a&gt;&lt;span&gt;, University of Florida&lt;/span&gt;</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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                  <text>Marra, Katherine</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
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                <elementText elementTextId="444441">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444442">
                  <text>&lt;span&gt;University of Florida, &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444443">
                  <text>"&lt;a href="http://www.mayfairlinks.com/history/" target="_blank"&gt;The Mayfair Country Club&lt;/a&gt;." The Mayfair Country Club. http://www.mayfairlinks.com/history/.</text>
                </elementText>
                <elementText elementTextId="444444">
                  <text>Fisher, Hugh and Serena. "&lt;a href="http://sanfordhistory.tripod.com/id22.html" target="_blank"&gt;Historical Markers Located in Seminole County Florida&lt;/a&gt;." Sanford Historical Society, Inc. http://sanfordhistory.tripod.com/id22.html.</text>
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                <elementText elementTextId="444445">
                  <text>Sanford Historical Society, Inc. &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, South Carolina: Arcadia Publishing, 2003.</text>
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                <elementText elementTextId="511496">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;&lt;span&gt;." &lt;/span&gt;&lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;&lt;span&gt;. Copyright 2012. http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600.&lt;/span&gt;</text>
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            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511495">
                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;&lt;span&gt;, University of Florida&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511497">
                  <text>&lt;span&gt;Entire &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt;&lt;span&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511498">
                  <text>The displayed collection is housed at &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="61716">
              <text>1 black and white photograph</text>
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          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="61717">
              <text>3 x 5 inch</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
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                <text>Workmen Clear Hole #4 Green</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford Country Club and Golf Course</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61683">
                <text>Sanford (Fla.)</text>
              </elementText>
              <elementText elementTextId="61684">
                <text>Golf--Florida--History</text>
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              <elementText elementTextId="61685">
                <text>Golf courses--Florida</text>
              </elementText>
              <elementText elementTextId="444372">
                <text>Country clubs--Florida</text>
              </elementText>
              <elementText elementTextId="444373">
                <text>Construction</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
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                <text>Workmen clearing Hole #4 green at the Sanford Country Club using teams of horses and shovels. Sanford Country Club and Golf Course was originally purchased as a portion of a 20,000-acre tract by General Joseph Finegan for $40. In 1870, Henry Sanford purchased the tract and sold some of it in 1878 to Charles Amory. In 1922, the city of Sanford bought 152-acres to design and construct a municipal 18-hole golf course. The course opened in October of 1922 with only four holes available for playing. The remainder of the golf course was opened in September of 1924. From the year 1927-1939, the golf course and country club experienced once of its most successful periods, seen some of golf's greatest athletes such as Gene Sarazen and Walter Hagen. The club, for a time, saw a state of disrepair and depression. For a short time, the club became the Seminole County Club after renovation in 1945. Then, in the late 1940s, the New York Giants received the Mayfair Inn for Spring training which allowed them to take control of the golf course. This led to the most prosperous period of the golf course and country club becoming a part of the PGA tour between 1955 to 1957, seeing players like Arnold Palmer tee-off on the course. Now called the Mayfair Country Club, the club and golf course is located at 3536 Country Club Road in Sanford, Florida.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
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                <text>Chase &amp; Company</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61688">
                <text>Original 3 x 5 inch black and white photograph by Chase &amp;amp; Company, 1922: Chase Collection (MS 14), box 211, folder Sanford Country Club and Golf Course, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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          <element elementId="105">
            <name>Is Referenced By</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61691">
                <text>Folder referenced in Chase Collection finding guide, &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm"&gt;http://web.uflib.ufl.edu/spec/pkyonge/chase.htm&lt;/a&gt;.</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61692">
                <text>image/jpeg</text>
              </elementText>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61693">
                <text>131 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61694">
                <text>3 x 5 inch black and white photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61695">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61696">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61697">
                <text>Sanford, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="115">
            <name>Spatial Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61698">
                <text>28.783004, -81.318186</text>
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          <element elementId="116">
            <name>Temporal Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61699">
                <text>1922-01-01/1922-12-31</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61700">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61701">
                <text>Entire &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61702">
                <text>The displayed collection item is housed at &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61708">
                <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
              </elementText>
              <elementText elementTextId="444381">
                <text>&lt;a href="http://ufdc.ufl.edu/" target="_blank"&gt;Digital Collections (UFDC)&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61709">
                <text>Clarke, Robert</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61710">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61711">
                <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;University of Florida, Special and Area Studies Collections&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61712">
                <text>"The Mayfair Country Club. History." &lt;em&gt;The Mayfair Country Club&lt;/em&gt;. http://www.mayfairlinks.com/history/.</text>
              </elementText>
              <elementText elementTextId="61713">
                <text>Fisher, Hugh and Serena. "Historical Markers Located in Seminole County Florida." &lt;em&gt;Sanford Historical Society, Inc.&lt;/em&gt; http://sanfordhistory.tripod.com/id22.html.</text>
              </elementText>
              <elementText elementTextId="444382">
                <text>Sanford Historical Society, Inc. &lt;em&gt;Sanford&lt;/em&gt;. Charleston, South Carolina: Arcadia Publishing, 2003.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="137">
            <name>External Reference Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="61714">
                <text>"&lt;a href="http://www.mayfairlinks.com/history/" target="_blank"&gt;The Mayfair Country Club&lt;/a&gt;"</text>
              </elementText>
              <elementText elementTextId="61715">
                <text>"&lt;a href="http://sanfordhistory.tripod.com/id22.html" target="_blank"&gt;Historical Markers Located in Seminole County Florida&lt;/a&gt;"</text>
              </elementText>
              <elementText elementTextId="444383">
                <text>&lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="444374">
                <text>1922</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="444375">
                <text>Digital reproduction of original 3 x 5 inch black and white photograph by Chase &amp; Company, 1922.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="444376">
                <text>Chase Collection (MS 14), box 211, folder Sanford Country Club and Golf Course, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
              </elementText>
              <elementText elementTextId="444377">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/86" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="121">
            <name>Audience Education Level</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="444378">
                <text>SS.K.A.1.2; SS.K.G.1.4; SS.K.G.2.1; SS.1.A.1.1; SS.1.A.2.2; SS.1.G.1.4; SS.1.G.1.5; SS.1.G.1.6; SS.2.A.1.1 SS.2.G.1.2; SS.3.A.1.1; SS.3.G.1.1; SS.3.G.2.4; SS.3.G.2.5; SS.3.G.2.6; SS.4.A.1.1; SS.4.A.7.1; SS.4.G.1.1; SS.5.A.1.1; SS.5.G.1.3; SS.5.G.1.4; SS.6.W.1.3; SS.7.G.2.3; SS.8.A.1.2; SS.8.A.1.5; SS.8.G.2.1; SS.912.A.1.1; SS.912.A.1.4; SS.912.A.4.11; SS.912.G.1.2; SS.912.G.1.4; SS.912.G.2.1; SS.912.W.1.3</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="444379">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="444380">
                <text>Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="431">
        <name>country club</name>
      </tag>
      <tag tagId="5668">
        <name>Country Club Rd.</name>
      </tag>
      <tag tagId="3311">
        <name>Country Club Road</name>
      </tag>
      <tag tagId="432">
        <name>golf</name>
      </tag>
      <tag tagId="437">
        <name>Hogan, Ben</name>
      </tag>
      <tag tagId="430">
        <name>Mayfair</name>
      </tag>
      <tag tagId="191">
        <name>Mayfair Country Club</name>
      </tag>
      <tag tagId="414">
        <name>Palmer, Arnold</name>
      </tag>
      <tag tagId="435">
        <name>PGA</name>
      </tag>
      <tag tagId="5666">
        <name>Sanford Country Club</name>
      </tag>
      <tag tagId="420">
        <name>Sanford Country Club and Golf Course</name>
      </tag>
      <tag tagId="5667">
        <name>Sanford Golf Course</name>
      </tag>
      <tag tagId="433">
        <name>Sanford, Henry</name>
      </tag>
      <tag tagId="436">
        <name>Sarazen, Gene</name>
      </tag>
      <tag tagId="445">
        <name>Seminole Country Club</name>
      </tag>
      <tag tagId="438">
        <name>Snead, Sam</name>
      </tag>
      <tag tagId="439">
        <name>sports</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="4207" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="499607">
                  <text>Henry L. DeForest Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="499608">
                  <text>DeForest Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="499609">
                  <text>Sanford (Fla.)</text>
                </elementText>
                <elementText elementTextId="499610">
                  <text>Businessmen--Florida</text>
                </elementText>
                <elementText elementTextId="499611">
                  <text>Citrus fruit industry--Florida</text>
                </elementText>
                <elementText elementTextId="499612">
                  <text>Agriculture--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="499615">
                  <text>Henry L. DeForest was born February 7, 1857 in Derby, Connecticut, and knew Henry Shelton Sanford from childhood. In 1870, DeForest came to Florida seeking better health in the warmer climate. He became Sanford's agent and helped carry out the work of establishing Sanford, Florida. He managed the contracted workers for Sanford's groves, especially the contracted Swedes that Sanford brought over in 1871.&#13;
&#13;
By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887 which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in Downtown. His home, known as "The Palms," was located at 105 Aldean Drive and still stands today. Henry L. DeForest died on December 23, 1902.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="499617">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="499618">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560046">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="499619">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
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                <elementText elementTextId="499620">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="499621">
                  <text>Sanford, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="499624">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="499625">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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SANFORD, FLA.</text>
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                <text>The Work Plan of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1948. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. The purpose of the 1948 work plan was to outline the approach to problems as stated in the program from that year. The seven page work plan discusses issues such as land use, cropland, erosion, pastureland, water control, soil improvement, crop rotation, woodland and wildlife management, farm planning, and the use of conservation surveys.</text>
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                <text>Original 7-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1948: Folder SSWCD Statistical and Historical Information, 1948-1977, &lt;a href="http://www.conserveseminole.org/" target="_blank"&gt;Seminole Soil and Water Conservation District&lt;/a&gt;, Sanford, Florida.</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank"&gt;Seminole Soil and Water Conservation District Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://www.conserveseminole.org/" target="_blank"&gt;Seminole Soil and Water Conservation District&lt;/a&gt;</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;&lt;li&gt;create derivative works&lt;/li&gt;&lt;li&gt;perform the work publicly&lt;/li&gt;&lt;li&gt;display the work&lt;/li&gt;&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;&lt;/ul&gt;This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank"&gt;Section 24 of the Florida Constitution&lt;/a&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
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                <text>Helms, Douglas. "&lt;a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank"&gt;Hugh Hammond Bennett and the Creation of the Soil Conservation Service&lt;/a&gt;." &lt;em&gt;Journal of Soil and Water Conservation&lt;/em&gt; 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.</text>
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                <text> Helms, Douglas. "&lt;a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank"&gt;Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964&lt;/a&gt;." &lt;em&gt;Journal of Soil and Water Conservation&lt;/em&gt; 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.</text>
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              <elementText elementTextId="634244">
                <text> Rasmussen, Wayne D. &lt;a href="http://www.worldcat.org/oclc/795510987" target="_blank"&gt;&lt;em&gt;Taking the University To The People: Seventy-five years of Cooperative Extension&lt;/em&gt;&lt;/a&gt;. Ames: Iowa State University Press, 9189.</text>
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                <text> Shofner, Jerrell H. "&lt;a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank"&gt;Roosevelt's 'Tree Army'&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.</text>
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                <text> DeFreese, Duane E. "&lt;a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank"&gt;Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.</text>
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        <name>C. A. Wales</name>
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        <name>conservation</name>
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        <name>crop rotation</name>
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        <name>fires</name>
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        <name>forestry</name>
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        <name>pasture development</name>
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        <name>R.T. Milwee</name>
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        <name>Tom McLain, Jr.</name>
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        <name>U.S. Department of Agriculture</name>
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                  <text>Orlando (Fla.)</text>
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                <elementText elementTextId="473990">
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                  <text>Longwood (Fla.)</text>
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                <elementText elementTextId="511698">
                  <text>Cape Canaveral (Fla.)</text>
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                <elementText elementTextId="511699">
                  <text>Lake Wales (Fla.)</text>
                </elementText>
                <elementText elementTextId="511700">
                  <text>Silver Springs (Fla.)</text>
                </elementText>
                <elementText elementTextId="511701">
                  <text>Weeki Wachee (Fla.)</text>
                </elementText>
                <elementText elementTextId="511702">
                  <text>Winter Haven (Fla.)</text>
                </elementText>
                <elementText elementTextId="511703">
                  <text>Osceola County (Fla.)</text>
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                <elementText elementTextId="511704">
                  <text>Winter Park (Fla.)</text>
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                  <text>Collection of digital images, postcards, documents, and other records from the private collection of Thomas Cook. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.</text>
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                  <text>Orange County, Florida</text>
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                  <text>Osceola County, Florida</text>
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                  <text>Winter Haven, Florida</text>
                </elementText>
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                  <text>Winter Park, Florida</text>
                </elementText>
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            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
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                  <text>All items in the &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank"&gt;Thomas Cook Collection&lt;/a&gt; are provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Cepero, Laura</text>
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              </elementTextContainer>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="474037">
                  <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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              <description/>
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              <name>Has Part</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511707">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/103" target="_blank"&gt;Postcard Collection&lt;/a&gt;, Thomas Cook Collection, RICHES of Central Florida.</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511719">
                  <text>&lt;span&gt;Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt; Charleston, S.C.: Arcadia Pub, 2012.&lt;/span&gt;</text>
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                <elementText elementTextId="511720">
                  <text>"&lt;a href="http://sanfordhistory.tripod.com/Links/wtour.pdf"&gt;Downtown Orlando Historic District Walking Tour&lt;/a&gt;." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.</text>
                </elementText>
                <elementText elementTextId="511721">
                  <text>&lt;span&gt;Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511722">
                  <text>&lt;span&gt;Osborne, Ray. &lt;a href="http://www.worldcat.org/oclc/253374549" target="_blank"&gt;&lt;em&gt;Cape Canaveral&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2008.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511723">
                  <text>&lt;span&gt;Smith, Margaret. &lt;a href="http://www.worldcat.org/oclc/51888803" target="_blank"&gt;&lt;em&gt;The Edward Bok Legacy: A History of Bok Tower Gardens: The First Fifty Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Lake Wales, Fla: Bok Tower Gardens Foundation, 2002.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511724">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511725">
                  <text>&lt;span&gt;Flekke, Mary M., Sarah E. MacDonald, and Randall M. MacDonald. &lt;a href="http://www.worldcat.org/oclc/85451307" target="_blank"&gt;&lt;em&gt;Cypress Gardens&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2006.&lt;/span&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Woolworth-McCrory Building, 2001</text>
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            <description/>
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          <element elementId="49">
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            <description/>
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              <elementText elementTextId="219241">
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                <text> Retail stores</text>
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                <text>The Woolworth-McCrory Building, located at 101 South Orange Avenue in Downtown Orlando, Florida, in 2001. Woolworth's was a retail company established by Frank Winfield Woolworth in 1879. McCrory's was a chain of five-and-dime stores established by John Graham McCrorey in 1882.&lt;br /&gt;&lt;br /&gt;The Art Moderne-style structure in Downtown Orlando, with parts from an 1888 building, was constructed in 1942 by the J. G. Stores Corporation. McCrory operated its store and headquarters at this location until 1989. In 2003, the building was demolished.</text>
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            <description/>
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                <text>Original color digital image by Thomas Cook, 2001: Private Collection of Thomas Cook.</text>
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            <name>Publisher</name>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <description/>
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                <text>Donation</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="505924">
                <text>Economics Teacher</text>
              </elementText>
              <elementText elementTextId="505925">
                <text>Geography Teacher</text>
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              <elementText elementTextId="505926">
                <text>Humanities Teacher</text>
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                <text>Visual Arts Teacher</text>
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                <text>Originally created by Thomas Cook and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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            <description/>
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            <description/>
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                <text>Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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              <elementText elementTextId="219283">
                <text>Logsdon, Donna G. "&lt;a href="http://articles.orlandosentinel.com/1989-08-17/business/8908172200_1_woolworth-downtown-orlando-mccrory" target="_blank"&gt;McCrory's Must Exit Downtown&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, August 17, 1989. http://articles.orlandosentinel.com/1989-08-17/business/8908172200_1_woolworth-downtown-orlando-mccrory.</text>
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              <elementText elementTextId="505921">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank"&gt;Thomas Cook Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
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            <elementTextContainer>
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                <text>Private Collection of Thomas Cook</text>
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          </element>
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    <tagContainer>
      <tag tagId="16296">
        <name>Art Moderne architecture</name>
      </tag>
      <tag tagId="7555">
        <name>Cook, Thomas</name>
      </tag>
      <tag tagId="2144">
        <name>Downtown Orlando</name>
      </tag>
      <tag tagId="2178">
        <name>five-and-dime store</name>
      </tag>
      <tag tagId="16295">
        <name>J. G. Stores Corporation</name>
      </tag>
      <tag tagId="2179">
        <name>J.G. Stores Corporation</name>
      </tag>
      <tag tagId="2177">
        <name>McCrory's</name>
      </tag>
      <tag tagId="799">
        <name>Orange Avenue</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
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      <tag tagId="988">
        <name>Pine Street</name>
      </tag>
      <tag tagId="15194">
        <name>retail</name>
      </tag>
      <tag tagId="5376">
        <name>store</name>
      </tag>
      <tag tagId="16355">
        <name>Woolworth-McCrory Building</name>
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      <tag tagId="2227">
        <name>Woolworth's</name>
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                  <text>The Orlando area was originally occupied by the Creek and Seminole tribes. In 1838, Fort Gatlin was erected on the shores of Lake Gatlin, just a few miles south of present-day Downtown Orlando. Centered around Church Street, Orlando became a city in 1884.&lt;br /&gt;&lt;br /&gt;Originally a cattle town, Orlando grew into a major citrus growing center by the 1920s. The city continued to grow during the Great Depression with aid from the Work Progress Administration (WPA). During World War II, Orlando became a major military center as well, with the development of the McCoy Air Force Base and Pinecastle Air Force Base, and with the addition of the Naval Training Center (NTC) Orlando in 1968. Downtown Orlando declined in the 1960s and 1970s. Redevelopment began in the 1970s and continued into the 1980s, with projects such as the Church Street Station entertainment complex. In 1998, a building boom began and continued through the 2000s.</text>
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            <element elementId="86">
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                  <text>Orlando (Fla.)</text>
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              <name>Is Part Of</name>
              <description/>
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                <elementText elementTextId="505419">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <element elementId="44">
              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Type</name>
              <description/>
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                  <text>Collection</text>
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              <name>Coverage</name>
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                  <text>Orlando, Florida</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Cepero, Laura</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505424">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505425">
                  <text>Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, S.C.: Arcadia Pub, 2012.</text>
                </elementText>
                <elementText elementTextId="505426">
                  <text>Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
                </elementText>
                <elementText elementTextId="505427">
                  <text>"&lt;a href="http://sanfordhistory.tripod.com/Links/wtour.pdf" target="_blank"&gt;Downtown Orlando Historic District Walking Tour&lt;/a&gt;." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="100">
              <name>Has Format</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="510781">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank"&gt;Orlando Philharmonic Orchestra Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510782">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510783">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510784">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/110" target="_blank"&gt;Orlando Public Library Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/111" target="_blank"&gt;Orlando Regions Bank Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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    <elementSetContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
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            <name>Title</name>
            <description/>
            <elementTextContainer>
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                <text>Woodside Village Plat Map </text>
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          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614313">
                <text>Woodside Village Plat Map </text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614314">
                <text>Orlando (Fla.)</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614315">
                <text>A play map showing Woodside Village, a residential community in Orlando, Florida. This plat shows real property located north of University Boulevard and west of North Econlockhatchee Trail and was prepared by Dyer, Riddle, Mills &amp;amp; Precourt, an Orlando-based engineering firm.</text>
              </elementText>
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            <name>Type</name>
            <description/>
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              <elementText elementTextId="614317">
                <text>Still Image </text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614318">
                <text>Original 37 x 20 inch plat map: &lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;, Pine Castle, Florida.</text>
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            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614319">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/20" target="_blank"&gt;Orlando Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original 37 x 20 inch plat map.</text>
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            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614321">
                <text>Woodside Village, Orlando, Florida </text>
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            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614322">
                <text>&lt;a href="http://www.drmp.com/" target="_blank"&gt;Dyer, Riddle, Mills and Precourt&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614323">
                <text>Lake, Harriett</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614324">
                <text>ca. 1980-1989</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614325">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614326">
                <text>1.29 MB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614327">
                <text>37 x 20 inch plat map</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614328">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614329">
                <text>History Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614330">
                <text>Originally published by &lt;a href="http://www.drmp.com/" target="_blank"&gt;Dyer, Riddle, Mills and Precourt&lt;/a&gt;.</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614331">
                <text>Copyright to this resource is held by &lt;a href="http://www.drmp.com/" target="_blank"&gt;DRMP, Inc.&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
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                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614333">
                <text>Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614334">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614335">
                <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614336">
                <text>"&lt;a href="http://www.drmp.com/Our_History.html" target="_blank"&gt;OUR HISTORY&lt;/a&gt;." DRMP. http://www.drmp.com/Our_History.html.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="42576">
        <name>Dyer, Riddle, Mills &amp; Precourt</name>
      </tag>
      <tag tagId="42579">
        <name>Econ Trail</name>
      </tag>
      <tag tagId="20925">
        <name>Econlockhatchee Trail</name>
      </tag>
      <tag tagId="42578">
        <name>Orlando University Boulevard</name>
      </tag>
      <tag tagId="42580">
        <name>Pearl Lake</name>
      </tag>
      <tag tagId="42577">
        <name>Woodside Village</name>
      </tag>
    </tagContainer>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/46f224cf4706bad562b1acc2c97c5cf5.jpg</src>
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            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
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                  <text>Seminole County Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
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              <name>Alternative Title</name>
              <description/>
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            <element elementId="49">
              <name>Subject</name>
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              <elementTextContainer>
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                  <text>Seminole County (Fla.) </text>
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                <elementText elementTextId="510869">
                  <text>Altamonte Springs (Fla.) </text>
                </elementText>
                <elementText elementTextId="510870">
                  <text>Casselberry (Fla.) </text>
                </elementText>
                <elementText elementTextId="510871">
                  <text>Goldenrod (Fla.) </text>
                </elementText>
                <elementText elementTextId="510872">
                  <text>Heathrow (Fla.)</text>
                </elementText>
                <elementText elementTextId="510873">
                  <text>Lake Mary (Fla.)</text>
                </elementText>
                <elementText elementTextId="510874">
                  <text>Longwood (Fla.)</text>
                </elementText>
                <elementText elementTextId="510875">
                  <text>Oviedo (Fla.)</text>
                </elementText>
                <elementText elementTextId="510876">
                  <text>Sanford (Fla.)</text>
                </elementText>
                <elementText elementTextId="510877">
                  <text>Winter Springs (Fla.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="221467">
                  <text>Collection of digital images, documents, and other records depicting the history of Seminole County, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Mosquito County, a massive county south of St. Johns County that consisted of much of Central Florida was established in 1824. In 1845, Mosquito County was renamed Orange County when Florida earned statehood. This new county included present-day Osceola County, Seminole County, Lake County, and Volusia County. Orange County was named so for the area's major fruit crop: oranges. The area was devastated by a freeze during the winter of 1895-1896, which allowed for subsequent land speculators to initiate a land boom in Florida, with Orlando becoming a "boom town."&#13;
&#13;
Seminole County separated from Orange on April 25, 1913, and was named for the Seminole tribes that originally inhabited the area. In the early-1900s, Seminole County was known for its agricultural development and close proximity to shipping lanes. By the 1920s, citizens in Seminole County, particularly in Sanford, soon shifted their interests in making the area a tourist destination.</text>
                </elementText>
              </elementTextContainer>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="221468">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
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              <description/>
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                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="221470">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="510833">
                  <text>&lt;a href="http://www.cfmemory.org/" target="_blank"&gt;Central Florida Memory&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="510834">
                  <text>Cepero, Laura Lynn</text>
                </elementText>
                <elementText elementTextId="510835">
                  <text>Cepero, Nancy Lynn</text>
                </elementText>
                <elementText elementTextId="510836">
                  <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="510837">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="101">
              <name>Has Part</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="510838">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/118" target="_blank"&gt;Altamonte Springs Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510839">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/117" target="_blank"&gt;Casselberry Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510840">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/54" target="_blank"&gt;Geneva Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510841">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/55" target="_blank"&gt;Geneva Historical &amp;amp; Genealogical Society Collection&lt;/a&gt;, Geneva Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510842">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/56" target="_blank"&gt;Goldenrod Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510843">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/57" target="_blank"&gt;Goldenrod Historical Society &amp;amp; Museum Collection&lt;/a&gt;, Goldenrod Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510844">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/129" target="_blank"&gt;Heathrow Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510845">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/119" target="_blank"&gt;Lake Mary Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510846">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/43" target="_blank"&gt;Longwood Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510847">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510848">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510849">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510850">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank"&gt;&lt;em&gt;Celery Soup: Florida's Folk Life Play&lt;/em&gt; Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510851">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank"&gt;Churches of Sanford Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510852">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/131" target="_blank"&gt;Creative Sanford, Inc. Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510853">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510854">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank"&gt;Marie J. Francis Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510855">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/101" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510856">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/79" target="_blank"&gt;Goldsboro Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510857">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/116" target="_blank"&gt;Henry L. DeForest Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510858">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/12" target="_blank"&gt;Hotel Forrest Lake Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510859">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/14" target="_blank"&gt;Ice Houses of Sanford Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510860">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/42" target="_blank"&gt;Milane Theatre Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510861">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/13" target="_blank"&gt;Naval Air Station Sanford Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510862">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank"&gt;Sanford Baseball Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510863">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/61" target="_blank"&gt;Sanford Cigar Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510864">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/10" target="_blank"&gt;Sanford Riverfront Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510865">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/11" target="_blank"&gt;Sanford State Farmers' Market Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510866">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/30" target="_blank"&gt;Seminole County Centennial Celebration Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510867">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510868">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank"&gt;General Photographic Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510878">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560009">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/125" target="_blank"&gt;Winter Springs Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="510879">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="510880">
                  <text>Seminole County, Florida</text>
                </elementText>
                <elementText elementTextId="510881">
                  <text>Altamonte Springs, Florida</text>
                </elementText>
                <elementText elementTextId="510882">
                  <text>Casselberry, Florida</text>
                </elementText>
                <elementText elementTextId="510883">
                  <text>Goldenrod, Florida</text>
                </elementText>
                <elementText elementTextId="510884">
                  <text>Heathrow, Florida</text>
                </elementText>
                <elementText elementTextId="510885">
                  <text>Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="510886">
                  <text>Longwood , Florida</text>
                </elementText>
                <elementText elementTextId="510887">
                  <text>Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="510888">
                  <text>Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="510889">
                  <text>Winter Springs, Florida</text>
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            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="510890">
                  <text>&lt;a href="http://www.cfmemory.org/" target="_blank"&gt;Central Florida Memory&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="510891">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="510892">
                  <text>Bentley, Altermese Smith. &lt;a href="http://www.worldcat.org/oclc/45705201" target="_blank"&gt;&lt;em&gt;Seminole County&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2000.</text>
                </elementText>
                <elementText elementTextId="510893">
                  <text>"&lt;a href="http://www.seminolecountyfl.gov/index.aspx" target="_blank"&gt;Seminole County Government &lt;/a&gt;." Seminole County Government. http://www.seminolecountyfl.gov/index.aspx.</text>
                </elementText>
                <elementText elementTextId="510894">
                  <text>&lt;a href="http://www.worldcat.org/oclc/52607030" target="_blank"&gt;&lt;em&gt;Early Days of Seminole County, Florida: Where Central Florida History Began&lt;/em&gt;&lt;/a&gt;. [Sanford, Fla.]: Seminole County Historical Commission, 2002.</text>
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              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="556679">
              <text>1 color digital image</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
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                <text>Wooden Table from Fort Mellon</text>
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            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556549">
                <text>Fort Mellon Table</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556550">
                <text>Tables--United States</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556551">
                <text>This table, made of wood, was submerged under water for 115 years in Lake Monroe, Florida. The table was initially from the old Fort Mellon dock, built by an individual referred to as "Colonel A. C." in 1836. Fort Mellon, established during the Second Seminole War, was originally named Camp Monroe. The name was later changed after Captain Charles Mellon became the sole causality of an Indian attack year later in 1837. The table measures 46 inches long and 17 inches wide. The table is broken up into three distinct sections, with the end sections having their own design crafted out of wood. The center of the table has an "x" in the center. One hundred and fifteen years later, Sidney M. Richarde discovered and removed the wooden table from Lake Monroe. It was donated to the Museum of Seminole County History by Marlene Heaps and Richard Heaps.</text>
              </elementText>
            </elementTextContainer>
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            <name>Type</name>
            <description/>
            <elementTextContainer>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556553">
                <text>Original color digital image, 2015: &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
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          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556554">
                <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="556555">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556556">
                <text>Fort Mellon, Florida</text>
              </elementText>
              <elementText elementTextId="556557">
                <text> Lake Monroe, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556558">
                <text>2015</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556559">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556560">
                <text>90.8 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556561">
                <text>1 wooden table</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556562">
                <text>History Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556563">
                <text>Originally discovered by Sidney M. Richarde.</text>
              </elementText>
              <elementText elementTextId="556564">
                <text>Donated to the &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt; by Marlene Heaps and Richard Heaps.</text>
              </elementText>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556565">
                <text>Copyright to this resource is held by the &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556566">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556567">
                <text>Fried, Aaron</text>
              </elementText>
              <elementText elementTextId="556568">
                <text> Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556569">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556570">
                <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="556571">
                <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/2003-04-13/news/0304110576_1_seminole-mellon-lake-monroe" target="_blank"&gt;Fort Is Named For Lone Officer Killed In Seminole Fight&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, April 13, 2003. http://articles.orlandosentinel.com/2003-04-13/news/0304110576_1_seminole-mellon-lake-monroe.</text>
              </elementText>
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        </elementContainer>
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        <name>Fort Mellon</name>
      </tag>
      <tag tagId="162">
        <name>Lake Monroe</name>
      </tag>
      <tag tagId="16249">
        <name>table</name>
      </tag>
    </tagContainer>
  </item>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
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                  <text>Oviedo Historical Society Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
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                <elementText elementTextId="525081">
                  <text>Oviedo Historical Society Collection</text>
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                <elementText elementTextId="525082">
                  <text>Oviedo (Fla).</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="525083">
                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
                </elementText>
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            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="525084">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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            </element>
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              <name>Language</name>
              <description/>
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                <elementText elementTextId="525085">
                  <text>eng</text>
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              <name>Type</name>
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                  <text>Collection</text>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Oviedo, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="525088">
                  <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="525089">
                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="525090">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="525091">
                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
                </elementText>
                <elementText elementTextId="525092">
                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                <elementText elementTextId="525093">
                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
                </elementText>
                <elementText elementTextId="525094">
                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
                </elementText>
                <elementText elementTextId="525095">
                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
                </elementText>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="600072">
              <text>1 black and white newspaper photograph</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
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                <text>Wood Used For 1st Wekiva River Bridge</text>
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            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="599312">
                <text>1st Wekiva River Bridge</text>
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                <text>Wekiva River (Lake County-Orange County, Fla.)</text>
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                <text> Bridges--Florida</text>
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            <name>Description</name>
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                <text>The first bridge built across the Wekiva River in Florida. The Wekiva River, sometimes spelled Wekiwa, in a river originating in Apopka and joining the St. Johns River. The Florida Department of Environmental Protection (FDEP) has designated Wekiva as a Florida State Canoe Trail, an Outstanding Florida Water body, and an Aquatic Preserve. The wood used to build the bridge in the photograph was milled in Markham, a community west of Sanford and north of Heathrow, Florida.</text>
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            <name>Type</name>
            <description/>
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                <text>Still Image</text>
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                <text>Original black and white newspaper photograph: Private Collection of Bettye Reagan.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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            <elementTextContainer>
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                <text>Digital reproduction of original black and white newspaper photograph.</text>
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            <name>Coverage</name>
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              <elementText elementTextId="599320">
                <text>Markham, Florida</text>
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          <element elementId="37">
            <name>Contributor</name>
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              <elementText elementTextId="599321">
                <text>Reagan, Bettye Jean Aulin</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="599322">
                <text>ca. 1900-1939</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="599323">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="599324">
                <text>350 KB</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="599325">
                <text>1 black and white newspaper photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="599326">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="599327">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="599328">
                <text>Copyright to this resource is held by Bettye Reagan and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="599329">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="599330">
                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="599331">
                <text>Cepero, Laura</text>
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            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="599332">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="599333">
                <text>Private Collection of Bettye Reagan</text>
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            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="599334">
                <text>"&lt;a href="http://www.floridaswater.com/middlestjohnsriver/wekivariver.html" target="_blank"&gt;Wekiva River&lt;/a&gt;." St. Johns River Water Management District. http://www.floridaswater.com/middlestjohnsriver/wekivariver.html.</text>
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          </element>
          <element elementId="102">
            <name>Has Version</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="600071">
                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6950" target="_blank"&gt;Wekiva River Bridge by Bettye Reagan&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6950.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="36038">
        <name>bridges</name>
      </tag>
      <tag tagId="12132">
        <name>Markham</name>
      </tag>
      <tag tagId="38853">
        <name>Seminole County Historical Commission</name>
      </tag>
      <tag tagId="3005">
        <name>Wekiva River</name>
      </tag>
      <tag tagId="20791">
        <name>wood</name>
      </tag>
    </tagContainer>
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  <item itemId="6665" public="1" featured="0">
    <fileContainer>
      <file fileId="6457">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/2dd7f4475d10467f5f10ac44d00d7e69.pdf</src>
        <authentication>e047c08b308bc8aff95b943555f1b886</authentication>
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539464">
                  <text>Lucile Campbell Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539465">
                  <text>Campbell Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560077">
                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="560078">
                  <text>Teachers--Florida</text>
                </elementText>
                <elementText elementTextId="560079">
                  <text>Educators--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560080">
                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560081">
                  <text>Campbell, Lucille</text>
                </elementText>
                <elementText elementTextId="560082">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560083">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560084">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560085">
                  <text>Sanford, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560086">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560087">
                  <text>Raffel, Sara</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560089">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="590679">
              <text>1 color postcard</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="590680">
              <text>3 x 5 inches</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590450">
                <text>Wood Engraved View of Antwerp Postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590451">
                <text>Antwerp Postcard</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590452">
                <text>Streets--Europe</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590453">
                <text>A postcard depicting a view of an alleyway in Antwerp, Belgium. Founded sometime between 150 and 270, Antwerp is the most populous city in Belgium.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590454">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590455">
                <text>Original 5 x 3 inch color postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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          </element>
          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590456">
                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590457">
                <text>File folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, UCF Public History Center, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="590458">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590459">
                <text>Digital reproduction of original 5 x 3 inch color postcard.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590460">
                <text>Antwerp, Antwerp Province, Belgium</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590461">
                <text>Pellens, Edwin</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590462">
                <text>Buschmann, J.-E.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590463">
                <text>Campbell, Lucile</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590464">
                <text>ca. 1931</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590465">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590466">
                <text>337 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590467">
                <text>5 x 3 inch color postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590468">
                <text>eng</text>
              </elementText>
              <elementText elementTextId="590469">
                <text> fre</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590470">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="590471">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590472">
                <text>Originally published by J.-E. Buschmann.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590473">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590474">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590475">
                <text>Aphasia Project</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590476">
                <text>Raffel, Sara</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590477">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>Cook, Bernard A. &lt;a href="http://www.worldcat.org/oclc/55842812" target="_blank"&gt;&lt;em&gt;Belgium A History&lt;/em&gt;&lt;/a&gt;. New York: Peter Lang, 2002.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>Women's Clubhouse Opening Draws 100</text>
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                <text>A newspaper article about the opening of the new clubhouse for the Oviedo Woman's Club (OWC), which was founded in 1906 as the Oviedo Magazine Club by seven charter members: H. B. McCall, Edith Meade, Georgia Lee Wheeler, Lillian Lee Lawton, Mattie Aulin Wheeler, Milcah Yonge, and Mary King. The first clubhouse was constructed in 1914 and also served as Oviedo's first library. In 1916, the club joined the Florida Federation of Women's Clubs (FFWC) and officially changed its name to the Oviedo Woman's Club. In 1923, the woman's club was federated under the umbrella of the General Federation of Woman's Clubs (GFWC). A new clubhouse was built in 1961 on property donated by R. L. Croom, a former member, which is located at 414 King Street. The Oviedo Woman's Club is involved in many civic projects, including the annual Great Day in the Country Arts and Crafts Festival, the Spring Fundraiser, Tasting Luncheons, and Celebrate Spring Teas.</text>
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                <text>Original newspaper article: Mikler, Virginia. "Women's Clubhouse Opening Draws 100," August 1, 1961: Private Collection of Beatrice Gestrich.</text>
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                <text>&lt;a href="http://www.oviedowomansclub.org/" target="_blank"&gt;Oviedo Woman's Club&lt;/a&gt;</text>
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                <text>Gestrich, Beatrice</text>
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            <name>Mediator</name>
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                <text>Originally created by Virginia Mikler.</text>
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                <text>Copyright to this resource is held by Virginia Mikler and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.oviedowomansclub.org/our-community/our-history.html" target="_blank"&gt;Our History&lt;/a&gt;." Oviedo Woman's Club. http://www.oviedowomansclub.org/our-community/our-history.html.</text>
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        <name>B. G. Smith</name>
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      <tag tagId="29521">
        <name>C. T. Niblack</name>
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      <tag tagId="797">
        <name>Central Avenue</name>
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        <name>James Partin</name>
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        <name>Lillian Della Lee Lawton</name>
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      <tag tagId="3893">
        <name>Martin</name>
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        <name>Max Leinhart</name>
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        <name>Milton Gore</name>
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        <name>R. L. Croom</name>
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        <name>R. W. Estes</name>
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        <name>Winborn Joseph Lawton, Sr.</name>
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                <text> Library</text>
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                <text>A colorized artist rendition of the Veterans' Memorial Library in St. Cloud, Florida. Located on Massachusetts Avenue between Tenth and Eleventh Street, the library was dedicated in 1925. Today the building is used for the Women's Club. &lt;br /&gt;The back of the postcard includes a handwritten message addressed to Mrs. Dorothy Mac Claren at 818 Fawcett St in McKeesport, Pennsylvania. The message reads, "October 29, 1952. Dear daughter, I presume you read my letter by this time. Here is a view of one of the bldg in St. Cloud. It isn't a large place but it is a nice little town. It keeps Rae busy with the children [always] some thing doing at school &amp;amp;amp</text>
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                <text>etc. We are expecting Lillian (Rae's mother-in-law) on Friday. She will be surprised to see us. Will write occasionally. Regards to Jack. Mother." &lt;br /&gt;This postcard is part of a private collection kept by Roger Hipel of St. Cloud, Florida.</text>
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                <text>Copyright to this resource is held by Texann Ivy Buck and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>Women at Sanford High School's second campus, located at the corner of East Ninth Street and South Palmetto Avenue in Sanford, Florida, sometime between 1911 and 1927. Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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                <text>Original 8.5 x 11 inch black and white photoprint: Sanford High School Collection, box 3A, folder Sanford High School Students, item SCPS00487, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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            <name>Curator</name>
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                <text>Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
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                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
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                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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                  <text>The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."</text>
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                  <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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                <text>A conversation on race at the Winter Park Woman's Club on April 24, 2018.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."&lt;/span&gt;</text>
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                <text>Ericson, Edward Jr. "&lt;a href="https://www.orlandoweekly.com/orlando/dead-wrong/Content?oid=2258296" target="_blank"&gt;Dead wrong&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 1, 1998. Accessed February 20, 2019.</text>
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                <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>A newspaper article written by Erin Machaby and published by &lt;em&gt;The Oviedo Voice&lt;/em&gt; in February of 2006. The article discusses the 75th anniversary celebration the Oviedo Woman's Club (OWC), held on February 10. OWC members were joined by members of the Florida Federation of Women's Clubs (FFWC), as well as a number of Oviedo City Council members. Pictured in the photographs, from left to right, are Mary Gregory, Susan Witty, and Glenne Stoner.&lt;br /&gt;&lt;br /&gt;The Oviedo Woman's Club was founded in 1906 as the Oviedo Magazine Club by seven charter members: H. B. McCall, Edith Meade, Georgia Lee Wheeler, Lillian Lee Lawton, Mattie Aulin Wheeler, Milcah Yonge, and Mary King. The first clubhouse was constructed in 1914 and also served as Oviedo's first library. In 1916, the club joined the FFWC and officially changed its name to the Oviedo Woman's Club. In 1923, the woman's club was federated under the umbrella of the General Federation of Woman's Clubs (GFWC). A new clubhouse was built in 1961 on property donated by R. L. Croom, a former member, which is located at 414 King Street. The Oviedo Woman's Club is involved in many civic projects, including the annual Great Day in the Country Arts and Crafts Festival, the Spring Fundraiser, Tasting Luncheons, and Celebrate Spring Teas.</text>
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                <text>Original newspaper article: Machaby, Erin. "Woman's Club Celebrates Centennial." &lt;em&gt;The Oviedo Voice&lt;/em&gt;, Vol. XVI, No. 7, February 16-22, 2006: Private Collection of Beatrice Gestrich.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original newspaper article: Machaby, Erin. "Woman's Club Celebrates Centennial." &lt;em&gt;The Oviedo Voice&lt;/em&gt;, Vol. XVI, No. 7, February 16-22, 2006.</text>
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            <elementTextContainer>
              <elementText elementTextId="562791">
                <text>"&lt;a href="http://www.oviedowomansclub.org/our-community/our-history.html" target="_blank"&gt;Our History&lt;/a&gt;." Oviedo Woman's Club. http://www.oviedowomansclub.org/our-community/our-history.html.</text>
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        <name>FFWC</name>
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        <name>Florida Federation of Women's Clubs</name>
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        <name>Glenne Stoner</name>
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        <name>Jane Denning</name>
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        <name>Jim Greer</name>
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        <name>Jonne Sparrow</name>
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      <tag tagId="29960">
        <name>Mary Gregory</name>
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        <name>Most Outstanding Federated Woman's Club</name>
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        <name>Nick Lippincott</name>
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        <name>OFD</name>
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&#13;
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>Four members of the Oviedo Woman's Club (OWC) at the club's 100th anniversary celebration in February of 2006. The Oviedo Woman's Club was founded in 1906 as the Oviedo Magazine Club by seven charter members: H. B. McCall, Edith Meade, Georgia Lee Wheeler, Lillian Lee Lawton, Mattie Aulin Wheeler, Milcah Yonge, and Mary King. The first clubhouse was constructed in 1914 and also served as Oviedo's first library. In 1916, the club joined the FFWC and officially changed its name to the Oviedo Woman's Club. In 1923, the woman's club was federated under the umbrella of the General Federation of Woman's Clubs (GFWC). A new clubhouse was built in 1961 on property donated by R. L. Croom, a former member, which is located at 414 King Street. The Oviedo Woman's Club is involved in many civic projects, including the annual Great Day in the Country Arts and Crafts Festival, the Spring Fundraiser, Tasting Luncheons, and Celebrate Spring Teas.</text>
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                <text>&lt;a href="http://www.oviedowomansclub.org/" target="_blank"&gt;Oviedo Woman's Club&lt;/a&gt;</text>
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                <text>2006-02</text>
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            <name>Language</name>
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                <text>Copyright to this resource is held by &lt;a href="http://www.oviedowomansclub.org/" target="_blank"&gt;Oviedo Woman's Club&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.oviedowomansclub.org/our-community/our-history.html" target="_blank"&gt;Our History&lt;/a&gt;." Oviedo Woman's Club. http://www.oviedowomansclub.org/our-community/our-history.html.</text>
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&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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              <description/>
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                </elementText>
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                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
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                  <text>Fort Reed, Sanford, Florida</text>
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                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
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                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
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                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
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                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
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                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
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                  <text>Hungerford School, Florida</text>
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                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
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                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
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                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
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                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
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                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
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                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
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                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
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                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
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                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
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                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
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                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
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                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
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                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
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                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
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                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
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                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
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                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
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                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
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                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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              <name>Accrual Method</name>
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                  <text>Donation</text>
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    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="426832">
              <text>1 black and white photograph&#13;
</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Woman at War</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="426827">
                <text>Lyman High School alumna Patricia Simpson. After graduating from Lyman, Simpson began working in a parachute factory in Casselberry, Florida. Shortly afterward, she joined Women Accepted for Volunteer Emergency Service (WAVES), completing a training course in parachute rigging at Lakehurst Naval Air Station in Jackson, New Jersey. Although the photograph is dated as 1941, it was likely taken sometime after 1942, as WAVES did not exist in that year.&lt;br /&gt;&lt;br /&gt;WAVES, officially named the U.S. Naval Reserve (Women's Reserve), was established on July 30, 1942, as a division in the United States Navy for women. WAVES was officially part of the Navy and its members held thee same rank and ratings as their male counterparts, received the same pay, and were subject to the same standards for military discipline. Initially, WAVES members were stationed only in the continental U.S. and were barred from serving aboard combat ships or aircraft. Towards the end of World War II, members of WAVES were allowed to serve in a number of U.S. occupied locations, such as Hawaii. Most members of WAVES performed clerical work, but a number served in aviation, medicine, communications, intelligence, storekeeping, science, and technology.&lt;br /&gt;&lt;br /&gt;On June 12, 1948, women were granted permanent status in the Armed Forces via the Women's Armed Services Integration Act. The V9 WAVE Officer Candidate Volunteer Program and V10 WAVE Enlisted Rating Volunteer Program were discontinued and renamed the W9 Women's Officer Training Program and W10 Women's Enlisted Training Program, respecitvely, because women were no longer volunteers as the WAVES acronym implied. Nonetheless, the acronym for WAVES was still used through the 1970s.</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="426828">
                <text>ca. 1942-1945&#13;
</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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                <text>Lyman High School, Longwood, Florida</text>
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                <text>Casselberry, Florida</text>
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              <elementText elementTextId="439248">
                <text>Lakehurst Naval Air Station, Jackson, New Jersey</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="426831">
                <text>&lt;em&gt;Greyhound&lt;/em&gt; Staff of 1999</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="426834">
                <text>Original black and white photograph.&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="426835">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="426836">
                <text>Copyright to this resource is held by &lt;a href="http://www.lakehowell.scps.k12.fl.us/" target="_blank"&gt;Lyman High School&lt;/a&gt; and is provided here by &lt;a title="RICHES of Central Florida" href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="427095">
                <text>Woman at war. Patricia Simpson sends a smart salute home to her parents. After graduating from Lyman, she worked in the parachute factory in Casselberry before joining the WAVES. Once in the service she completed a course of training at parachute riggers school in Lakehurst Naval Air Station in New Jersey. (Photo: 1941)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439219">
                <text>Lyman High Alumna Patricia Simpson</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439220">
                <text>Longwood (Fla.)</text>
              </elementText>
              <elementText elementTextId="439221">
                <text>Casselberry (Fla.)</text>
              </elementText>
              <elementText elementTextId="439222">
                <text>Jackson (N.J.)</text>
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              <elementText elementTextId="439223">
                <text>High schools--Florida</text>
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              <elementText elementTextId="439224">
                <text>Schools</text>
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              <elementText elementTextId="439225">
                <text>Students--Florida</text>
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              <elementText elementTextId="439226">
                <text>High school students--Florida</text>
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              <elementText elementTextId="439227">
                <text>High school graduates--Florida</text>
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              <elementText elementTextId="439228">
                <text>Alumni and alumnae</text>
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              <elementText elementTextId="439229">
                <text>Servicemen, Military</text>
              </elementText>
              <elementText elementTextId="439230">
                <text>Women Accepted for Volunteer Emergency Service</text>
              </elementText>
              <elementText elementTextId="439231">
                <text>Parachute rigging</text>
              </elementText>
              <elementText elementTextId="439232">
                <text>World War II--United States--Biography</text>
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              <elementText elementTextId="539279">
                <text>United States. Naval Reserve</text>
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              <elementText elementTextId="539280">
                <text>Naval Reserve (U.S.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="87">
            <name>Abstract</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439233">
                <text>Lyman High School “Greyhound” yearbook Journey Toward Excellence 75 Years tribute pages photo of Patricia Simmons in WW2</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439234">
                <text>&lt;em&gt;Greyhound&lt;/em&gt;</text>
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            </elementTextContainer>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439235">
                <text>1999&#13;
</text>
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          <element elementId="94">
            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439236">
                <text>1999&#13;
</text>
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            </elementTextContainer>
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          <element elementId="100">
            <name>Has Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439237">
                <text>Print reproduction of original black and white photograph: &lt;em&gt;Greyhound&lt;/em&gt; 1999, (Longwood, FL: Lyman High School, 1999): Seminole County Public Schools Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439238">
                <text>Digital reproduction of print reproduction of original black and white photograph.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439239">
                <text>&lt;em&gt;Greyhound&lt;/em&gt; 1999, (Longwood, FL: Lyman High School, 1999): Seminole County Public Schools Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="439240">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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          </element>
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            <name>Is Referenced By</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439241">
                <text>&lt;em&gt;Greyhound&lt;/em&gt; 1999.</text>
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          <element elementId="42">
            <name>Format</name>
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              <elementText elementTextId="439242">
                <text>image/jpg&#13;
</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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                <text>191 KB&#13;
</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439244">
                <text>1 black and white photograph&#13;
</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439245">
                <text>eng&#13;
</text>
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            <name>Type</name>
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                <text>Still Image&#13;
</text>
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          <element elementId="116">
            <name>Temporal Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439251">
                <text>&#13;
</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439252">
                <text>Donation&#13;
</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439254">
                <text>History Teacher</text>
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              <elementText elementTextId="439255">
                <text>Civics/Government Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
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              <elementText elementTextId="439256">
                <text>Originally published by &lt;em&gt;Greyhound.&lt;/em&gt;</text>
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          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439262">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439263">
                <text>Cepero, Laura&#13;
</text>
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          <element elementId="134">
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              <elementText elementTextId="439264">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="439265">
                <text>Chen, C. Peter. "&lt;a href="http://ww2db.com/other.php?other_id=24" target="_blank"&gt;WAVES: Women in the WW2 US Navy&lt;/a&gt;." World War II Database. http://ww2db.com/other.php?other_id=24.</text>
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              <elementText elementTextId="439266">
                <text>"&lt;a href="http://www.blitzkriegbaby.de/waves/waves2.htm" target="_blank"&gt;Facts about the WAVES&lt;/a&gt;." Women's Reserve of the US Naval Reserve (WAVES). http://www.blitzkriegbaby.de/waves/waves2.htm.</text>
              </elementText>
              <elementText elementTextId="439267">
                <text>Collins, Winifred Quick, and Herbert M. Levine. &lt;a href="http://www.worldcat.org/oclc/36065932"&gt;&lt;em&gt;More Than a Uniform: A Navy Woman in a Navy Man's World&lt;/em&gt;&lt;/a&gt;. Denton, Tex: University of North Texas Press, 1997.</text>
              </elementText>
              <elementText elementTextId="439268">
                <text>Ebbert, Jean, and Marie-Beth Hall. &lt;a href="http://www.worldcat.org/oclc/27011064"&gt;&lt;em&gt;Crossed Currents: Navy Women from WWI to Tailhook&lt;/em&gt;&lt;/a&gt;. Washington: Brassey's (US), 1993.</text>
              </elementText>
              <elementText elementTextId="439269">
                <text>Holm, Jeanne. &lt;a href="http://www.worldcat.org/oclc/8588924"&gt;&lt;em&gt;Women in the Military: An Unfinished Revolution&lt;/em&gt;&lt;/a&gt;. Novato, CA: Presidio Press, 1982.</text>
              </elementText>
              <elementText elementTextId="439270">
                <text>"&lt;a href="http://www.ibiblio.org/hyperwar/OnlineLibrary/photos/prs-tpic/females/wave-ww2.htm" target="_blank"&gt;World War II era WAVES Overview and Special Image Selection&lt;/a&gt;." Naval History &amp;amp; Heritage Command. http://www.ibiblio.org/hyperwar/OnlineLibrary/photos/prs-tpic/females/wave-ww2.htm.</text>
              </elementText>
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        <name>graduate</name>
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        <name>Lakehurst Naval Air Station</name>
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        <name>LHS</name>
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      <tag tagId="2401">
        <name>Longwood</name>
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        <name>NAS</name>
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        <name>Naval Reserve</name>
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        <name>parachute factory</name>
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        <name>parachute riggers school</name>
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        <name>school</name>
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        <name>WAVES</name>
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        <name>Women Accepted for Volunteer Emergency Service</name>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
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          <elementTextContainer>
            <elementText elementTextId="600016">
              <text>1 painting</text>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Wolcott Home by Bettye Reagan</text>
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            <name>Alternative Title</name>
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                <text>Wolcott Home by Bettye Reagan</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
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                <text>Oviedo (Fla.)</text>
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                <text> Painting--Florida</text>
              </elementText>
              <elementText elementTextId="598968">
                <text> Art--Southern States</text>
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              <elementText elementTextId="598969">
                <text> Housing--Florida</text>
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            <name>Description</name>
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              <elementText elementTextId="598970">
                <text>A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of the Whitney-Wolcott House, located at 6297 Lake Charm Circle, near Lake Charm in Oviedo, Florida. After buying property from Dr. Henry Foster in 1886, Calvin Whitney built his Victorian Revival-style, two-story winter home near Lake Charm. Whitney, who was the president of the A.B. Chase Piano Company, partnered with Dr. Foster in 1889-1890 to form the Lake Charm Improvement Company, which built a bulkhead, drained from the lake, and removed muck from the bottom. Whitney and Dr. Foster hired a Philadelphia-based mason to construct a sidewalk around the lake. The home was later owned by O. Gus Wolcott. Another well-known inhabitant of the house was Wyatt Wyatt, author of &lt;em&gt;Catching Fire&lt;/em&gt; and &lt;em&gt;Deep in the Heart&lt;/em&gt;, in the 1990s.</text>
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                <text>Original painting: Reagan, Bettye. &lt;em&gt;Wolcott Home&lt;/em&gt;. 1999: Private Collection of Bettye Reagan.</text>
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            <elementTextContainer>
              <elementText elementTextId="598973">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            </elementTextContainer>
          </element>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original painting: Reagan, Bettye. &lt;em&gt;Wolcott Home&lt;/em&gt;. 1999.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
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                <text>Whitney-Wolcott House, Oviedo, Florida</text>
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                <text>Reagan, Bettye Jean Aulin</text>
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          <element elementId="37">
            <name>Contributor</name>
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                <text>Reagan, Bettye Jean Aulin</text>
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          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
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                <text>1999</text>
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            </elementTextContainer>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="598979">
                <text>1999</text>
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          <element elementId="42">
            <name>Format</name>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="598981">
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            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="598982">
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            </elementTextContainer>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
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              <elementText elementTextId="598984">
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              <elementText elementTextId="598985">
                <text> Humanities Teacher</text>
              </elementText>
              <elementText elementTextId="598986">
                <text> Visual Arts Teacher</text>
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            </elementTextContainer>
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                <text>Originally created by Bettye Reagan.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="598988">
                <text>Copyright to this resource is held by Bettye Reagan and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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            <elementTextContainer>
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            </elementTextContainer>
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            <description/>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="598992">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
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          <element elementId="135">
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="598994">
                <text>Rajtar, Steve. "&lt;a href="http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html" target="_blank"&gt;Oviedo Historical Trail&lt;/a&gt;". Steve Rajtar. http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html.</text>
              </elementText>
              <elementText elementTextId="598995">
                <text>McCarthy, Kevin. &lt;a href="http://www.worldcat.org/oclc/26052954" target="_blank"&gt;&lt;em&gt;The Book Lover's Guide to Florida&lt;/em&gt;&lt;/a&gt;. Sarasota, Fla: Pineapple Press, 1992.</text>
              </elementText>
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        <name>Bettye Jean Aulin Reagan</name>
      </tag>
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        <name>Bettye Reagan</name>
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        <name>housing</name>
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        <name>Oviedo</name>
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        <name>painters</name>
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        <name>paintings</name>
      </tag>
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        <name>pastels</name>
      </tag>
      <tag tagId="28473">
        <name>Whitney-Wolcott House</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="431011">
                  <text>Central Florida Monuments Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="431012">
                  <text>Monuments Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="431013">
                  <text>Florida</text>
                </elementText>
                <elementText elementTextId="431014">
                  <text>Orlando (Fla.)</text>
                </elementText>
                <elementText elementTextId="431015">
                  <text>Kissimmee (Fla.)</text>
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                <elementText elementTextId="431016">
                  <text>Sanford (Fla.)</text>
                </elementText>
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                  <text>Winter Springs (Fla.)</text>
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                  <text>Memorials--Florida</text>
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            <element elementId="41">
              <name>Description</name>
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                <elementText elementTextId="431019">
                  <text>Central Florida is a unique place. Diversity exists throughout the spectrum of population, neighborhoods, tourism, and attractions. Because of our uniqueness and seemingly never-ending list of things to do, we tend to overlook the things that make us unique. We tend to overlook our past. We walk through parks, down the street, and around lakes, catch a glimpse of a commemorative plaque or statue, but it stops there. Central Florida is rich of monuments and memorials, yet very rarely do we know why it is there and who put it there.&#13;
&#13;
Our small University of Central Florida Public History class selected a number of memorials and monuments around Central Florida. We found busts, markers, structures, and statues that stand tall. Some of these are obvious, but others are hidden amongst the brush. We had no idea what we would find in regards to these gems; some of us found very little, but others found gold. We found that monuments in places like Kissimmee, Lake Eola, and Sanford offer a glimpse into our past that has been overlooked, and in some cases untouched. Through the history of our monuments and memorials, we have been able to gauge social sentiment, populations, but more importantly, the reasons why our predecessors have commemorated what they have.&#13;
&#13;
Our sampling in no way represents all of the history Central Florida has to offer, but we can offer you a glimpse and hope that you dig further through the history our region has to offer. Come into our exhibit and look through our shared past and see what was important, and what has been forgotten. Come in and see for yourself a familiar statue to which you can finally give meaning. Come in and see Central Florida in a new light— a light that will take you through the years and the changes of our region. </text>
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            <element elementId="37">
              <name>Contributor</name>
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</text>
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                <elementText elementTextId="431023">
                  <text>Borawski, Gianna&#13;
</text>
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                <elementText elementTextId="431024">
                  <text>Dunn, Robin&#13;
</text>
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                <elementText elementTextId="431025">
                  <text>Fitzsimons, Daniel &#13;
</text>
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                  <text>Kittel, Carly&#13;
</text>
                </elementText>
                <elementText elementTextId="431027">
                  <text>Messamore, Kyle&#13;
</text>
                </elementText>
                <elementText elementTextId="431028">
                  <text>Schell, Kristal&#13;
</text>
                </elementText>
                <elementText elementTextId="431029">
                  <text>Schuppe, Cody&#13;
</text>
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              <name>Language</name>
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                <elementText elementTextId="431031">
                  <text>eng</text>
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              <description/>
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                <elementText elementTextId="431032">
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Bataan-Corregidor Memorial, Lakefront Park, Kissimmee, Florida</text>
                </elementText>
                <elementText elementTextId="431034">
                  <text>Battle of the Bulge Memorial, Lake Eola Park, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="431035">
                  <text>Bust of Simón Bolívar, Lake Eola Park, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="431036">
                  <text>Confederate Soldiers, Sailors, and Statesmen Memorial, Lake Eola Park, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511418">
                  <text>Orange County World War I Soldiers Memorial, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511419">
                  <text>Red Chinese Ting, Lake Eola Park, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511420">
                  <text>Seminole County World War I Memorial, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511421">
                  <text>Winter Springs Veterans Memorial, Winter Springs, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="138">
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="431046">
                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Anne Lindsay&lt;/a&gt;'s Public History: Principles and Techniques Undergraduate Class</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="133">
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <elementText elementTextId="431049">
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                  <text>&lt;span&gt;Dickinson, Greg, Carole Blair, and Brian L. Ott. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/663080291" target="_blank"&gt;&lt;em&gt;Places of Public Memory The Rhetoric of Museums and Memorials&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Tuscaloosa: University of Alabama Press, 2010. &lt;/span&gt;</text>
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                <text>The Winter Springs Veterans Memorial, located at the corner of Tuskawilla Road and Blumberg Boulevard, was constructed by the City of Winter Springs along with the local Rotary Club. The monument is dedicated to all United States military veterans who lived and died serving their country during warfare. The centerpiece of the memorial is a pair of empty boots with a rifle placed in between  and a soldier's helmet on top. The memorial represents the men and women  from the Winter Springs community that have served in the military. The project was started by the Rotary Club and the City of Winter Springs in 2005 and was completed in 2008.&#13;
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                <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Anne Lindsay&lt;/a&gt;'s Public History: Principles and Techniques Undergraduate Class</text>
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                  <text>Collection of digital images, documents, and other records contributed by the Winter Garden Heritage Foundation, located at 1 North Main Street in Winter Garden, Florida. This one-story masonry vernacular building was originally the Atlantic Coast Line Railroad depot. The earliest train depot on this site was a 16-by-20-foot small wooden shed built by farmers in 1893 so they could ship their produce to Jacksonville and St. Petersburg on the Orange Belt Railway. A second larger wooden terminal was built on the same site in 1906 by the Atlantic Coat Line Railroad. The current brick building was constructed around 1918. After the train depot closed around 1960, the building housed the Chamber of Commerce, then several other businesses. In 1998, Kay Chicone Ustler and Jerry Chicone Jr. donated $150,000 to the City of Winter Garden to purchase the building for use as a museum. The Winter Garden Heritage Foundation opened the museum one month later. The museum is still active and is open from 1-5 PM everyday, excluding holidays.</text>
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                  <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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                  <text>"&lt;a href="http://www.cwgdn.com/" target="_blank"&gt;Welcome&lt;/a&gt;." City of Winter Garden. http://www.cwgdn.com/.</text>
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                  <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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                <text>Original color digital image by Katherine Bowers, July 2014: &lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt;, Winter Garden, Florida.</text>
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&#13;
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&#13;
WINTER GARDEN&#13;
1 FIRE DEPT.</text>
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                  <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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                <text>DILLARD &amp; BOYD&#13;
GENL. MERCHANDISE&#13;
&#13;
Main St. -&gt;&#13;
&#13;
Business Section of Winter Garden, Fla.&#13;
&#13;
[illegible]&#13;
DR. BELL'S PINE[?]&#13;
[illegible]&#13;
STRENGTH [illegible]</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The Windsor Hotel in Jacksonville, Florida, around 1903. Originally built in 1875, the hotel burnt down in a 1901 fire that consumed much of the city's downtown. It was rebuilt and expanded throughout the years, but was eventually demolished in 1950. Clyde Emerson (1890-1919) worked at the hotel prior to World War I.&lt;br /&gt;&lt;br /&gt; Clyde Emerson was born on September 22, 1890, in Grand Rapids, Michigan, and his family moved to Florida in the early twentieth century. He worked in the hospitality industry after high school. On February 26, 1918, he was inducted into the United States Army and became a sergeant in the 81st "Wildcat" Division, where he served in the 318th Machine Gun Battalion. He left for Europe on July 31, 1918, and his unit participated in a number of the last major campaigns of World War I, including the Meuse-Argonne Offensive. Emerson survived the war and remained in Europe awaiting demobilization. During this time, he contracted Spanish influenza, which would claim the lives of more soldiers and civilians than the war, and died on January 30, 1919. He was originally buried two days later in Aix-les-Bains, Savoie, France. However, he was later reinterred on December 22, 1922, at the Aisne-Marne American Cemetery in Belleau, France. Grave 8, Plot 11, Block B is his final resting place.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program continues, engaging a team of scholars to make the life stories of veterans buried in national cemeteries available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 headstones at four national cemeteries, two in Florida (Florida National Cemetery and St. Augustine National Cemetery) and two in France (American Battle Monuments Commission cemeteries at Aisne-Marne and the Meuse-Argonne), where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; • reproduce the work in print or digital form&lt;br /&gt; • create derivative works&lt;br /&gt; • perform the work publicly&lt;br /&gt; • display the work&lt;br /&gt; • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt; This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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          <element elementId="133">
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          <element elementId="134">
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            <description/>
            <elementTextContainer>
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              <elementText elementTextId="661670">
                <text>&lt;a href="https://vlp.cah.ucf.edu/" target="_blank"&gt;Veterans Legacy Program Project&lt;/a&gt;</text>
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                <text>&lt;a href="https://www.loc.gov/" target="_blank"&gt;Library of Congress&lt;/a&gt;</text>
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                <text>&lt;a href="https://www.loc.gov/collections/detroit-publishing-company/" target="_blank"&gt;Detroit Publishing Company Collection&lt;/a&gt;, &lt;a href="https://www.loc.gov/pictures/" target="_blank"&gt;Library of Congress Prints and Photographs Division&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
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                <text>American Battle Monuments Commission. &lt;a href="https://catalog.hathitrust.org/Record/006552141" target="_blank"&gt;&lt;em&gt;81st Division, Summary of Operations in the World War&lt;/em&gt;&lt;/a&gt;. Washington, D.C., United States Printing Office, 1944.</text>
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                <text>Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/214874" target="_blank"&gt;Clyde A Emerson&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. Ocala, Florida. Army Box 5. Accessed September 14, 2018. https://www.floridamemory.com/items/show/214874.</text>
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                <text>&lt;em&gt;The Ocala Evening Star&lt;/em&gt;, "&lt;a href="https://www.newspapers.com/image/339362997/?terms=Ocala%2BHouse%2BImprovements/" target="_blank"&gt;Ocala House Improvements&lt;/a&gt;." March 14, 1914. From Newspapers.com. https://www.newspapers.com/image/339362997/?terms=Ocala%2BHouse%2BImprovements/.</text>
              </elementText>
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Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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&#13;
1110 PINE AVENUE, &#13;
SANFORD, FLORIDA 32772&#13;
PHONE 407-322-5212</text>
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                  <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.orangecountyfl.net/" target="_blank"&gt;Orange County Commission Chambers&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>Eldora, Florida</text>
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                  <text>Sanford, Florida</text>
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                  <text>&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;." Art Legends of Orange County. http://www.artlegendsoc.org/.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text> Creald้ฉ School of Art</text>
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                <text>William "Bill" Sterling Jenkins traveled the world, built and prospered in many different careers, recorded his travels and experiences in his paintings, and made a permanent impact on the Central Florida community. &lt;br /&gt;&lt;br /&gt;Jenkins received his Bachelor of Fine Arts in 1934 from the University of Florida and was awarded a postgraduate scholarship to study art at the Royal Academy of Fine Arts in Florence, Italy. He spent several intensive years traveling through Europe by rail and bicycle, creating figure and landscape paintings. Upon his return, he established an art school in Columbus, Georgia. In 1942, he married Alice Moberg after meeting her in Mexico, where he studied silversmithing. Following a brief stint in the U.S. Army, Jenkins received an honorable discharge after contracting pneumonia and was sent to the Veterans Administration hospital in Orlando, Florida, to recuperate. He then worked for the VA and pioneered a program of rehabilitative art therapy classes for veterans.&lt;br /&gt;&lt;br /&gt;After earning his master's degree in psychology from Florida State University in 1950, he settled in Winter Park and established Jenkins Construction Company, building many residential communities and shopping centers. In 1975, Jenkins established Creald้ฉ School of Art, donating the organization and the property to the community in 1990. He also established the Jenkins Chair at the University of Central Florida, and donated the majority of his paintings to the UCF Art Gallery.</text>
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                <text>Digital reproduction of original black and white photograph by Rick Lang.</text>
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                <text> University of Florida, Gainesville, Florida</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.crealde.org/" target="_blank"&gt;Crealdé School of Art&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.crealde.org/" target="_blank"&gt;Crealdé School of Art&lt;/a&gt;</text>
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                <text>"&lt;a href="http://lib.rollins.edu/olin/oldsite/archives/golden/jenkins.htm" target="_blank"&gt;William Jenkins (1910-1996): Founder of Crealdé School of Art&lt;/a&gt;." Olin Library, Rollins College. http://lib.rollins.edu/olin/oldsite/archives/golden/jenkins.htm.</text>
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                <text>Shields, Gerard. "&lt;a href="http://articles.orlandosentinel.com/1996-04-01/news/9603310506_1_jenkins-school-of-art-crealde-school" target="_blank"&gt;Remembering Jenkins: A 'Cornerstone In Art Community': Businessman, Benefactor And Accomplished Painter William Sterling Jenkins Is Dead At 86. He Created The Creald้ฉ School Of Art In Winter Park&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, April 1, 1996. http://articles.orlandosentinel.com/1996-04-01/news/9603310506_1_jenkins-school-of-art-crealde-school.</text>
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                  <text>The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."</text>
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                  <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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                <text>William "Bill" Rawls, Jr.</text>
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                <text>William Rawls, Jr.</text>
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            <name>Subject</name>
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                <text>Lynching</text>
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                <text> Memorials--Florida</text>
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                <text> Slavery--United States</text>
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                <text> Film</text>
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                <text> Movies</text>
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                <text> Motion pictures--United States</text>
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            <name>Description</name>
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                <text>Mayor William "Bill Rawls, Jr. at a screening of the 60-minute documentary, "The Yard", at the First Unitarian Church of Orlando. Rawls became the first African-American mayor of the city of Brownsville, Tennessee, in 2014. The event took place on March 7, 2019, from 6:30pm to 9:00 pm, with a $10 suggested donation. The screening of the film was followed by a panel discussion that included the filmmaker. Partners in the event included Equal Justice Initiative (EJI), First Unitarian Church of Orlando, Peace and Justice Institute (Valencia College), Bridge the Gap Coalition, Global Peace Film Festival, Hannibal Square Heritage Center, League of Women Voters of Orange County, UCF RICHES Program, and Iota Phi Theta Fraternity Inc. (Orlando Chapter).&lt;br /&gt;&lt;br /&gt;&lt;span&gt;The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."&lt;/span&gt;</text>
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                <text>Still Images</text>
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            <name>Source</name>
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                <text>Original color photographs by Emily Wray: &lt;span&gt;Alliance for Truth and Justice&lt;/span&gt;, Orange County, Florida.</text>
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            <name>Is Part Of</name>
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              <elementText elementTextId="669333">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/215" target="_blank"&gt;&lt;span&gt;Alliance for Truth and Justice&lt;/span&gt; Collection&lt;/a&gt;, RICHES.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original color photographs by Emily Wray.</text>
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            <name>Coverage</name>
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                <text>First Unitarian Church of Orlando, Orlando, Florida</text>
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            <name>Creator</name>
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                <text>Wray, Emily</text>
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            <name>Publisher</name>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <name>Date Created</name>
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                <text>2019-03-07</text>
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            <name>Date Copyrighted</name>
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                <text>2019-03-07</text>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
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                <text>image/jpg</text>
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            <name>Extent</name>
            <description/>
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                <text>1 MB</text>
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                <text> 1.66 MB</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
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                <text>color photographs</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="669344">
                <text>eng</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by Emily Wray and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="669347">
                <text>Copyright to this resource is held by the &lt;span&gt;Alliance for Truth and Justice&lt;/span&gt;, and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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                <text>&lt;span&gt;Alliance for Truth and Justice&lt;/span&gt;</text>
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            <name>Curator</name>
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                <text>Cravero, Geoffrey</text>
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            <name>Digital Collection</name>
            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;span&gt;Alliance for Truth and Justice&lt;/span&gt;, Orange County, Florida</text>
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            <name>External Reference</name>
            <description/>
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                <text>Olson, Chris. "&lt;a href="https://www.ukfilmreview.co.uk/blog/the-yard-documentary-film" target="_blank"&gt;The Yard documentary film&lt;/a&gt;." &lt;em&gt;UK Film Review&lt;/em&gt;. April 27, 2018. Accessed May 17, 2019. https://www.ukfilmreview.co.uk/blog/the-yard-documentary-film.</text>
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                <text>"&lt;a href="https://3times.org/projects/" target="_blank"&gt;The Yard (2018)&lt;/a&gt;." &lt;em&gt;Three Times Dot Org&lt;/em&gt;. 2018. Accessed May 17, 2019. https://3times.org/projects/.</text>
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        <name>ATJ</name>
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        <name>EJI</name>
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      <tag tagId="54605">
        <name>Equal Justice Initiative</name>
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      <tag tagId="2271">
        <name>First Unitarian Church of Orlando</name>
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      <tag tagId="54671">
        <name>John Reyer Afamasaga</name>
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      <tag tagId="7797">
        <name>memorial</name>
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        <name>Memphis, Tennessee</name>
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      <tag tagId="54672">
        <name>Nathan Bedford Forrest</name>
      </tag>
      <tag tagId="54674">
        <name>Peace and Justice Institute</name>
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      <tag tagId="38092">
        <name>slave trade</name>
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        <name>slave yard</name>
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      <tag tagId="12949">
        <name>slavery</name>
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      <tag tagId="54676">
        <name>The Yard</name>
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      <tag tagId="54677">
        <name>Timothy S. Huebner</name>
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      <tag tagId="22444">
        <name>Valencia College</name>
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        <name>William "Bill" Rawls, Jr.</name>
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                  <text>Mary McLeod Bethune Foundation Collection</text>
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              <name>Alternative Title</name>
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                  <text>Bethune Foundation Collection</text>
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              <name>Subject</name>
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                  <text>Daytona Beach (Fla.)</text>
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                  <text>Bethune, Mary McLeod, 1875-1955</text>
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            <element elementId="41">
              <name>Description</name>
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                  <text>Collection of digital images, documents, and other records from the Mary McLeod Bethune Foundation located on the Bethune-Cookman University campus at 640 Doctor Mary McLeod Bethune Boulevard in Daytona Beach, Florida. The foundation was established on March 17, 1953, as "a place to awaken people and to have them realize that there is something in the world they can do." &#13;
&#13;
The foundation is housed in the Mary McLeod Bethune Home, which was inhabited by educator and civil rights activist Mary McLeod Bethune (1875-1955). Also known as "The Retreat," the home was built by African American A. B. Raddick around 1905. In 1913, chemist James Norris Gamble and Thomas White of White Sewing Machine Company, purchased the home for Bethune. On December 2, 1974, the historic house was added to the U.S. National Register of Historic Places. In 2006, the museum closed for renovation and conservation. It reopened in April of 2011.</text>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://www.cookman.edu/foundation/" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;</text>
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            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511406">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/75" target="_blank"&gt;Volusia County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560031">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/80" target="_blank"&gt;Daytona Beach Collection&lt;/a&gt;, Volusia County Collection, RICHES of Central Florida.</text>
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              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511407">
                  <text>eng</text>
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              <name>Type</name>
              <description/>
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                  <text>Collection</text>
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              <name>Coverage</name>
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                  <text>Mary McLeod Bethune Foundation, Daytona Beach, Florida</text>
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                  <text>Mary McLeod Bethune Home, Daytona Beach, Florida</text>
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            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511411">
                  <text>&lt;span&gt;Copyright to this resource is held by the &lt;/span&gt;&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;&lt;span&gt; and is provided here by &lt;/span&gt;&lt;a title="RICHES of Central Florida" href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; for educational purposes only.&lt;/span&gt;</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511413">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511414">
                  <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511415">
                  <text>"&lt;a href="http://www.cookman.edu/foundation/about_us.html" target="_blank"&gt;About Us&lt;/a&gt;." Mary McLeod Bethune Foundation, Bethune-Cookman University. http://www.cookman.edu/foundation/about_us.html.</text>
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                <elementText elementTextId="511416">
                  <text>"&lt;a href="http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=1428&amp;amp;ResourceType=Building" target="_blank"&gt;Bethune (Mary Mcleod) Home&lt;/a&gt;." National Historic Landmarks Program, National Park Service. http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=1428&amp;amp;ResourceType=Building.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
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              <text>1 autographed black and white photographic print</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
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              <text>8 x 10 inches</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
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                <text>Willa Beatrice Brown Chappell</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="539654">
                <text>Willa Brown</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="539655">
                <text>Brown, Willa, 1906-1992</text>
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              <elementText elementTextId="539656">
                <text> Aviators</text>
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              <elementText elementTextId="539657">
                <text> Pilots and pilotage--United States</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
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                <text>A portrait of Willa Beatrice Brown Chappell, which is housed at the Mary McLeod Bethune Foundation, located at 640 Dr. Mary McLeod Bethune Boulevard in Daytona Beach, Florida. Chappell was the first African-American woman in the United States to earn a commercial pilots license and the first black female officer in the Civil Air Patrol. Brown was born on January 22, 1906, in Glasgow, Kentucky. She graduated from the Indiana State Teachers College in 1927 and received a Master's of Business Administration from Northwestern University in Chicago, Illinois, in 1937. After pursuing careers in education and social work, she later decided to take flying lessons from Cornelius R. Coffey, who she would later marry. The couple co-founded the Coffey School of Aeronautics at Harlem Airport in Chicago.&lt;br /&gt;&lt;br /&gt;Brown, Coffey, and Enoch P. Waters also established the National Airmen's Association of America in 1939. The NAAA's main objective was to persuade the United States military to allow black aviation cadets. As an equal rights activist, Coffey lobbied the government for the integration of the Army Air Corps and the Civilian Pilot Training Program. Congress later voted to allow "separate but equal" participation in civilian flight training programs, designating the Coffey School as the facilitator of the African-American program. Brown became the coordinator for the CPTP in Chicago and the Coffey School later provided training for the Tuskegee Airmen. Brown also served the Civil Aeronautics Authority as a coordinator and the Federal Aviation Administration's Women's Advisory Board as a member. She died on July 18, 1992.</text>
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            <name>Type</name>
            <description/>
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              <elementText elementTextId="539659">
                <text>Still Image</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="539660">
                <text>Original 8 x 10 inch black and white photographic print: Sun room, image 66, &lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;, Daytona Beach, Florida.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="539661">
                <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;, Daytona Beach, Florida.</text>
              </elementText>
              <elementText elementTextId="539662">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/76" target="_blank"&gt;Mary McLeod Bethune Foundation Collection&lt;/a&gt;, Daytona Beach Collection, Volusia County Collection, RICHES of Central Florida.</text>
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            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="539663">
                <text>Digital reproduction of original 8 x 10 inch black and white photographic print.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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                <text>Chicago, Illinois</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
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                <text>ca. 1906-1943</text>
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            <name>Date Modified</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="539666">
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            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="539667">
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            <name>Extent</name>
            <description/>
            <elementTextContainer>
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&#13;
The foundation is housed in the Mary McLeod Bethune Home, which was inhabited by educator and civil rights activist Mary McLeod Bethune (1875-1955). Also known as "The Retreat," the home was built by African American A. B. Raddick around 1905. In 1913, chemist James Norris Gamble and Thomas White of White Sewing Machine Company, purchased the home for Bethune. On December 2, 1974, the historic house was added to the U.S. National Register of Historic Places. In 2006, the museum closed for renovation and conservation. It reopened in April of 2011.</text>
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                  <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.cookman.edu/foundation/about_us.html" target="_blank"&gt;About Us&lt;/a&gt;." Mary McLeod Bethune Foundation, Bethune-Cookman University. http://www.cookman.edu/foundation/about_us.html.</text>
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                <text>A portrait of Wilhelmina White Colston, which is housed at the Mary McLeod Bethune Foundation, located at 640 Dr. Mary McLeod Bethune Boulevard in Daytona Beach, Florida. She was a student and later teacher at Bethune-Cookman College (BCC). In 1935, Wilhelmina White married James Allen Colston, who would later serve as the second president of Bethune-Cookman College from 1942 to 1944. After marrying, Wilhelmina retired from teaching. She also attended Talladega College in Talladega, Alabama, and then Howard University in Washington, D.C., where she earned a master's degree. Together, the couple had one daughter, Jean Allie Colston Foster, and three grandchildren.</text>
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                <text>Original 8 x 10 inch black and white photographic print: Sun room, image 89, &lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;, Daytona Beach, Florida.</text>
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                <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;, Daytona Beach, Florida.</text>
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                <text>Flemming, Sheila Y. &lt;a href="http://www.worldcat.org/oclc/32468984" target="_blank"&gt;&lt;em&gt;Bethune-Cookman College, 1904-1994: The Answered Prayer to a Dream&lt;/em&gt;&lt;/a&gt;. Virginia Beach, VA: Donning Co, 1995.</text>
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                <text>Wilbur S. Gary, principal of Jones High School in Orlando, Florida, from 1968-1975. During the 1969-1970 school year, the courts ordered the desegregation of all schools. Orange county teachers were randomly assigned to schools throughout the county.&lt;br /&gt;&lt;br /&gt; Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/214" target="_blank"&gt;Jones High School Historical Museum Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://joneshs.ocps.net/"&gt;Jones High School&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Feigenbaum, Nancy. "&lt;a href="http://articles.orlandosentinel.com/1995-01-22/news/9501230388_1_jones-high-black-schools-orlando-school" target="_blank"&gt;A 100-year History Lesson At Jones&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, January 22, 1995. Accessed December 12, 2018.</text>
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                <text>Jones High School. &lt;a target="_blank"&gt;School Information: History&lt;/a&gt;." Joneshs.ocpc.net. https://joneshs.ocps.net/school_information/history (accessed December 12, 2018).</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The widow's claim for pension for Letty Buchanan. The government record served to prove relationships and dependency for widow’s of those who died in the American Civil War. It contains specifics about how the couple met, who wed them, where they were wed, the birth and names of their children, and any other information that corroborates that they were married. It also guarantees that if the widow remarries, she will lose pension benefits. In the case of this pension, Letty Buchanan received seventeen dollars a month, plus an additional dollar per child under her care born to Thomas Buchanan.&lt;br /&gt;&lt;br /&gt;
Thomas Buchanan was born on January 21, 1823, in Williamson County, Tennessee. Buchanan eventually moved to Kentucky, married Letty Greene on November 5, 1846, and fathered six children with her. According to a letter to his parents, Buchanan may have been a member of the Kentucky Home Guard in 1861, as he fought off secessionists. Later, when Kentucky’s neutrality was violated by the Confederacy, Buchanan was mustered into the 7th Kentucky Infantry U.S. He fought in a number of battles, including the Siege of Vicksburg, where he was mortally wounded. Buchanan passed away in a Union hospital a few weeks later. His widow, Letty, went on to collect his pension until 1916. She passed away in 1936. Thomas Buchanan is buried in the Florida National Cemetery in Bushnell.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text> McPherson, James M., and James M. McPherson. &lt;a href="http://www.worldcat.org/oclc/318539371" target="_blank"&gt;&lt;em&gt;The Illustrated Battle Cry of Freedom: The Civil War Era&lt;/em&gt;&lt;/a&gt;. New York, N.Y.: Tess Press, 2008.</text>
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                  <text>Captain Charles Henry Coe (1856-1954) was born in Torrington, Connecticut, on February 3, 1856, to William Henry Coe (1824-1879), who founded the town of Glencoe, and Deborah Little Archer Coe (1824-1912). In 1874, his family migrated to Jacksonville, Florida, due to his father's poor health. At age 18, Coe began working for the Jacksonville Tri-Weekly Union. In 1875, Coe moved to New Smyrna Beach and started his first newspaper, &lt;em&gt;The Florida Star&lt;/em&gt;. Coe was appointed Deputy Collector of Customs for the port at New Smyrna in 1879, after his father died. In 1880, Coe moved to Glencoe and began producing photographs. Seven years later, he moved to back to Torrington, where he met and married Emma Sopia Johnson (1846-1931). The following year, Coe moved to Asheville, North Carolina, and then later to Highlands, where he established &lt;em&gt;The Highlands Star&lt;/em&gt;. In 1889, he moved to Washington, D.C. to work for the Government Printing Office (GPO). &lt;br /&gt;&lt;br /&gt;Coe published &lt;a href="http://ufdc.ufl.edu/UF00101387/00001" target="_blank"&gt;&lt;em&gt;Red Patriots: The Story of the Seminoles&lt;/em&gt;&lt;/a&gt;, a book about the plight of the Seminole tribe. A copy of &lt;em&gt;Red Patriots&lt;/em&gt; was given to every member of Congress, which later passed legislation allowing Seminole land rights in Florida. In 1912, Coe returned to Florida and spent the next 20 years traveling the coast in his cabin cruiser called &lt;em&gt;The Buccaneer&lt;/em&gt;. After retiring from the GPO in 1921, Coe spent much of his time exploring Florida's coast as an amateur archaelogist and publishing books, including &lt;em&gt;Juggling a Rope&lt;/em&gt; (1927), &lt;em&gt;The Art of Knife Throwing&lt;/em&gt; (1931), and &lt;em&gt;Debunking the So-Called Spanish Mission&lt;/em&gt; (1941). He died of pneumonia on March 23, 1954.</text>
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                  <text>Foster, Andrew M. "&lt;a href="http://www.jupiter.fl.us/DocumentCenter/View/4060" target="_blank"&gt;Captain Charles Henry Coe&lt;/a&gt;." History: Town of Jupiter, August 7, 2013. http://www.jupiter.fl.us/DocumentCenter/View/4060.</text>
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                <text>A newspaper article by Ruby Haskins Ellis, published in &lt;em&gt;The Evening Star&lt;/em&gt; on March 21, 1935. The article chronicles the genealogy of the Coe surname, which likely dates back to John Coo I (b. 1340) in Essex, England. According to the article, Coo joined Sir John Hawkwood in his military campaigns in Italy. The Coe family of New England was established by Robert Coe (b.1596), eighth in descent from Coo. A clothmaker, Robert Coe joined the Puritans on the ship &lt;em&gt;Francis&lt;/em&gt; during the Puritan emigration from England in 1634. First landing in Watertown, Massachusetts, Coe migrated to Wethersfield, Connecticut, the following year, and later to Long Island, New York, where he founded the town of Jamaica in 1658. Famous Coes in Florida include William Henry Coe (1824-1879), the founder of Glencoe, and his son, Captain Charles Henry Coe (1856-1954), author of &lt;em&gt;Red Patriots: The Story of the Seminoles&lt;/em&gt; (1898).</text>
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                <text>Original newspaper article: Ellis, Ruby Haskins. "Who Are You?: The Romance of Your Name." &lt;em&gt;The Evening Star&lt;/em&gt;, March 21, 1935: Private Collection of Andrew M. Foster.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/167" target="_blank"&gt;Captain Charles Henry Coe Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by Bettye Reagan and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Rajtar, Steve. "&lt;a href="http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html" target="_blank"&gt;Oviedo Historical Trail&lt;/a&gt;". Steve Rajtar. http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>Photograph of the band, White Witch, featuring its five members, including lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll.</text>
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                <text>Original black and white photograph: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Auslander, Philip. &lt;a href="http://www.worldcat.org/oclc/60743181" target="_blank"&gt;&lt;em&gt;Performing Glam Rock: Gender and Theatricality in Popular Music&lt;/em&gt;&lt;/a&gt;. Ann Arbor, Mich: University of Michigan Press, 2006</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank"&gt;"White Witch"&lt;/a&gt;. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php.</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>White Witch (Musical group)</text>
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                <text> Tampa (Fla.)</text>
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                <text>Photograph of the band, White Witch, featuring its five members, including lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll.</text>
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                <text>Original color photograph: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original color photograph. &lt;a href="http://www.tampabaymusichistory.com/resources/Wheader-450x450.jpg" target="_blank"&gt;http://www.tampabaymusichistory.com/resources/Wheader-450x450.jpg&lt;/a&gt;.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text> Music Teacher</text>
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                <text>Published digitally by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
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                <text>Auslander, Philip. &lt;a href="http://www.worldcat.org/oclc/60743181" target="_blank"&gt;&lt;em&gt;Performing Glam Rock: Gender and Theatricality in Popular Music&lt;/em&gt;&lt;/a&gt;. Ann Arbor, Mich: University of Michigan Press, 2006</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank"&gt;"White Witch"&lt;/a&gt;. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>White Witch (Musical group)</text>
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                <text> Tampa (Fla.)</text>
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                <text>Album cover for White Witch's 1972 self-titled debut. The color photograph features the five members of the band: lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll.</text>
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                <text>Original color photograph: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original color photograph. &lt;a href="http://www.tampabaymusichistory.com/resources/47884907696f071073b63db922dc6a14.jpg" target="_blank"&gt;http://www.tampabaymusichistory.com/resources/47884907696f071073b63db922dc6a14.jpg&lt;/a&gt;.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>Published digitally by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>Auslander, Philip. &lt;a href="http://www.worldcat.org/oclc/60743181" target="_blank"&gt;&lt;em&gt;Performing Glam Rock: Gender and Theatricality in Popular Music&lt;/em&gt;&lt;/a&gt;. Ann Arbor, Mich: University of Michigan Press, 2006</text>
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                <text>Turner, Alwyn W. &lt;a href="http://www.worldcat.org/oclc/857525031" target="_blank"&gt;&lt;em&gt;Glam Rock: Dandies in the Underworld&lt;/em&gt;&lt;/a&gt;. 2013</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank"&gt;"White Witch"&lt;/a&gt;. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php.</text>
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