The Watermark was published on November 17, 2005, and covers relevant news in the LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) community. The cover story features the cast of RENT, a film based on the musical of the same name. Other stories include the trial of Steven Lorenzo, a man accused of nine accounts of date rape and the murder of two Tampa Bay men, the recent developments in adoption laws, festivities and holiday support groups, St. Petersburg city council elections, and the impact of Hurricane Wilma. The issue features interviews with Dolly Parton, Eartha Kitt and the cast of RENT. It also provides information on discrimination laws and recent development in AIDS home testing. This issue of The Watermark deals heavily with the concept of gay culture, social injustice and its lasting impact on LGBTQ+ individuals.

Since 1994, The Watermark has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, The Watermark has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, The Watermark became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased The Watermark. ]]> The Watermark, Vol. 12, No. 23, November 17-30, 2005: Publications Collection, GLBT History Museum of Central Florida, Orlando, Florida.]]> Watermark Media]]> The Watermark, Vol. 12, No. 23, November 17-30, 2005.]]> The Watermark Collection, RICHES.]]> Adobe Acrobat Reader]]> Watermark Media.]]> Watermark Publishing Group and is provided here by RICHES for educational purposes only.]]> The Watermark was published on January 6-19, 2000, and focuses on community issues with the LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) movement. The main topics covered in this issue include a letter from the editor]]> The Waterfront supplement, which featured articles about Parliament House, The Factory at Garage, and the sale of Viagra on the black market, as well as a gossip column, a nightlife column, music reviews, comics, maps of LGBTQ+ businesses in various Florida cities, and a sex talk column.

Since 1994, The Watermark has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, The Watermark has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, The Watermark became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased The Watermark.]]> The Watermark, Vol. 7, No. 1, January 6-19, 2000: Publications Collection, GLBT History Museum of Central Florida, Orlando, Florida.]]> Watermark Media]]> The Watermark, Vol. 7, No. 1, January 6-19, 2000.]]> The Watermark Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> Watermark Media.]]> Watermark Publishing Group and is provided here by RICHES of Central Florida for educational purposes only.]]> The Watermark was published on January 25, 1995, and focuses on community issues with the LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) movement. The main topics discussed in this issue are Iran's persecution of gay nightclub patrons, West Palm Beach voters' defeat of a proposal that sought to remove gay rights protections from municipal law, the Metropolitan Business Association's (MBA) Second Annual Expo, a federal court's ruling allowing a veterans group to bar the LGBTQ+ community from marching in Boston's St. Patrick's Day Parade, and Scott Laurent Galleries. This issue also includes letters to the editor, theater and film reviews, restaurant reviews, and comic strips, as well as culture, artful living, travel, marketplace, and classifieds sections.

Since 1994, The Watermark has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, The Watermark has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, The Watermark became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased The Watermark.]]> The Watermark, Vol. 2, No. 2, January 25, 1995: Publications Collection, GLBT History Museum of Central Florida, Orlando, Florida.]]> Watermark Media]]> The Watermark, Vol. 2, No. 2, January 25, 1995.]]> The Watermark Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> Watermark Media.]]> Watermark Publishing Group and is provided here by RICHES of Central Florida for educational purposes only.]]> The Florida Agriculturist issue published on November 9, 1887. The Florida Agriculturist began publication in 1878 with Christopher O. Codrington as its first editor. Codrington, who was from Jamaica, was an importer of exotic plants. The newspaper was published weekly through 1907, but changed to a monthly paper in 1908. The paper changed hands from Codrington to E. O. Painter by 1887. Painter had so much success with the paper that he was able to create a printing company: E. O. Painter Printing Company. The paper was directed towards the farmers and fruit and vegetable growers of Florida. The Florida Agriculturist discussed different places in Florida, especially DeLand and Jacksonville, that were the best to plant, and which fruits and plants were in season. The paper also offered railroad schedules. In the late 1800s, with a large influx of Chinese immigrants, the newspaper recommended these immigrants as farm laborers, for the purpose of replacing African-American laborers. In 1907, Painter sold the newspaper and it relocated to Jacksonville where it would last another four years eventually ending publication in 1911. Some of the topics discussed in this issue include an industrial cooperation, artificial fertilizers, the Florida Shippers Union, Roger LaRoque, the Haymarket Affair, packing for the poultry industry, the fate of anarchists for the Haymarket Affair, the role of women in the home, malaria and various other medical ailments, the use of cottonseed as fertilizer, broadcast harrowing,new city ordinanaces for DeLand, and the Seventh Judicial Circuit Court of Florida.]]> The Florida Agriculturist, Vol. 10, No. 27, November 9, 1887: Maitland Public Library, Maitland, Florida.]]> The Florida Agriculturist]]> The Florida Agriculturist, Vol. 10, No. 27, November 9, 1887.]]> DeLand Collection, Volusia County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> The Florida Agriculturist.]]> Maitland Public Library and is provided here by RICHES of Central Florida for educational purposes only.]]>
Interview topics include: how the High Tech Corridor Council began, the Dallas-Fort Worth Corridor in Texas, Charlie Reed, reinvesting the original funding, expanding partnerships, Silicon Valley, Lynda Weatherman and economic development in Brevard County, the “Core Team” and the “Pajama Hotline,” the Florida Virtual Entrepreneur Center, serving as a model for other regions, the role of venture capitalism, workforce development, the expansion of the corridor, the impact of the business community on approval of university projects, and future challenges.]]> 0:00:53 How the Florida High Tech Corridor Council began
0:07:24 Taking the plan to the Florida State Legislature
0:13:37 The Dallas-Fort Worth Corridor and project conception
0:20:11 Intellectual property
0:25:47 Charlie Reed
0:28:43 Reinvesting the original funding
0:31:10 Expanding partnerships and funding
0:35:57 Silicon Valley
0:40:02 Role of partnership in the success of the Corridor
0:48:18 Lynda Weatherman and Economic Development in Brevard County
0:51:01 “Core Team” and the “Pajama Hotline”
0:54:40 Florida Virtual Entrepreneur Center
0:58:46 A model for other regions
1:02:10 Growing and retaining versus buying jobs
1:13:27 Role of venture capitalism
1:20:35 Workforce development
1:27:52 Expansion of the Corridor
1:39:08 Impact of business community on approval of university projects
1:42:28 Future challenges]]> RICHES of Central Florida, Orlando, Florida.]]> RICHES of Central Florida]]> RICHES of Central Florida, Orlando, Florida.]]> General Collection, RICHES of Central Florida.]]> Adobe Flash Player]]> Java]]> RICHES of Central Florida.]]> RICHES of Central Florida]]> The Sentinel calling for action on water pollution. Kershaw tells Sinclair of his organization and their goals, and that they hope to work with Sinclair and other anti-pollution groups to rally citizen support for environmental restoration.]]> Oakland Nature Preserve, Oakland, Florida.]]> Oakland Nature Preserve, Oakland, Florida.]]> Friends of Lake Apopka Collection, RICHES of Central Florida.]]> Friends of Lake Apopka and is provided here by RICHES of Central Florida for educational purposes only.]]> Florida Historical Quarterly. A Lecturer of History, Dr. Clark's concentration is on Florida history, the American South, and presidential history. "To Attract, Retain and Grow" focuses on the history of the Florida High Tech Corridor Council (FHTCC), which an economic development initiative whose mission is to foster the high technology industry in Florida's High Tech Corridor, spanning 23 counties with rich industries in aerospace engineering, modeling and simulation, optics and photonics, digital media, and medical technologies. The council consists of the UCF in Orlando, the University of South Florida (USF) in Tampa, and the University of Florida (UF) in Gainesville. In 1966, the Florida Legislature passed an act founding the FHTCC to support the 21-county service areas of UCF and USF. Its original mission was to expand research and educational partnerships in order to retain the Cirent Semiconductor water fabrication facility located in Orlando, Florida. In 1997, the development of all technology industries across Central Florida was added to the FHTCC's mission. UF joined the partnership in 2005.]]> To Attract, Retain and Grow: The History of the Florida High Tech Corridor Council."]]> Florida High Tech Corridor Council]]> General Collection, RICHES of Central Florida.]]> Florida High Tech Corridor Council.]]> Florida High Tech Corridor Council and is provided here by RICHES of Central Florida for educational purposes only.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> RICHES of Central Florida for educational purposes only.]]> Chronopoints]]> General Collection, RICHES of Central Florida.]]> RICHES of Central Florida for educational purposes only.]]> The Tampa Times describing the victory of The Tropics, a Tampa-based band, at the International Battle of the Bands. The headline reads, "Tropics Win International Prize," and was written by Nancy Trice and Carole Newman. According to the article, The Tropics played "I'm a Man," "Misirloo," and "Black-Jacket Woman." The band one new equipment from Ludwig Drum Company, recognition as the house band for WLS Radio for one year, and the opportunity to perform with The Mamas and The Papas in Chicago on August 20th.

The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> The Tampa Times, August 10, 1966: Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> The Tampa Times]]> Tampa Bay Music Scene Historical Society]]> The Tampa Times, August 10, 1966. http://www.tampabaymusichistory.com/resources/15743_215142242836_215085887836_4171128_3418623_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/15743_218662622836_215085887836_4195577_2735513_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> The Tampa Times on January 4, 1968, describing a concert with the bands The Tropics and The Rascals. In this photograph, a large banner hangs from the upper level that reads, "WORLD TEENAGE SHOW 1966 TOP CHAMPIONS," and "INTERNATIONAL BATTLE OF THE BANDS WINNERS."

The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> The Tampa Times, January 4, 1968: Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> The Tampa Times]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/15743_215140827836_215085887836_4171118_2836496_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/15743_215138837836_840642_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/The%20Tropics4.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/The%20Tropics.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/17467_296462922836_215085887836_4703232_1048287_n.jpg.]]> http://www.tampabaymusichistory.com/resources/17467_296462927836_215085887836_4703233_2921998_n.jpg.]]> http://www.tampabaymusichistory.com/resources/17467_296462937836_215085887836_4703234_8018536_n.jpg.]]> http://www.tampabaymusichistory.com/resources/17467_296462957836_215085887836_4703236_6490552_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/15743_215746717836_215085887836_4175124_7881811_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/The%20Tropics3.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/15743_218659867836_215085887836_4195556_2936354_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
"Diamond Teeth" Mary moved to Bradenton, Florida, in 1960, where she began performing gospel music, rather than secular blues, and remained there until her death in April 2000. She was given national exposure in the late 1970s, when Steven Zeitlin of the Smithsonian Institution tracked her down and convinced her to perform at the American Folklife Festival. She performed for President Ronald Reagan at the White House in 1980, appeared in an off-Broadway production in 1981, became one of the first recipients of the Florida Folk Heritage Award in 1986, recorded her first album, If I Can't Sell It, I'm Gonna Sit On It, in 1993, and continued to perform at blues festivals in the United States and Europe until her death at age 97. A play about her life premiered at the Florida Folk Festival in 2000.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/34564.jpg.]]> http://www.tampabaymusichistory.com/resources/DiamondTeethMary.jpg.]]> http://www.tampabaymusichistory.com/resources/35464352.jpeg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Blues Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> The South Florida Argus, January 3, 1886: Microfilm Cabinet, Reel BN06021, Sanford Museum, Sanford, Florida.]]> The South Florida Argus]]> The South Florida Argus, January 3, 1886: Microfilm Cabinet, Reel BN06021, Sanford Museum, Sanford, Florida.]]> The South Florida Argus, January 3, 1886.]]> Sanford Museum, Sanford, Florida.]]> Sanford Collection, Seminole County Collection, RICHES of Central Florida.]]> The South Florida Argus.]]> RICHES of Central Florida for educational purposes only.]]>
Chase & Company was established in 1884 by brothers Sydney Octavius Chase and Joshua Coffin Chase. The company sold insurance and later invested in storage facilities and fertilizer sales. Chase & Company was known mainly for its agricultural interests and maintained a series of citrus groves throughout Central Florida. The company was based out of Sanford and became one of the city's largest employers into the early twentieth century. Randall Chase joined in the family business soon after his brother, Sydney Chase, Jr., did in 1922. Randall became the president of Chase & Company from 1948-1965.]]> Chase Collection (MS 14), Special and Area Studies Collections, George A. Smathers Libraries, University of Florida, Gainesville, Florida.]]> Chase Collection (MS 14), box 173, folder 9.52, Special and Area Studies Collections, George A. Smathers Libraries, University of Florida, Gainesville, Florida.]]> Chase Collection, RICHES of Central Florida.]]> http://web.uflib.ufl.edu/spec/pkyonge/chase.htm.]]> Adobe Acrobat Reader]]> Chase Collection is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.]]> Special and Area Studies Collections at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.]]> Thomas Cook Collection, RICHES of Central Florida.

]]> Adobe Acrobat Reader]]> RICHES of Central Florida for educational purposes only.]]>